Lot 132: Estimate £70 - £100
An Antiques & Collectables Auction to include Studio Pottery, Wednesday 13th November 2024, 10am

A Chinese sang de beouf glazed porcelain vase, character marks to base, 10cm high, on associated wooden stand

A Minton Archive collection Chinaman teapot, limited edition 870/2500, with certificate and original box

A large Lladro gres figure of a sailor 'Stormy Sea', 53cm high, on wooden stand (a/f)

Three Lladro porcelain figures comprising Don Quixote (a/f) 30.5cm, a lady wearing a hat 36cm, with associated base, and a lady carrying lilies 24cm high

A Lladro porcelain model of a gazelle 33cm, and an antelope 16cm (a/f)

Four Royal Doulton character jugs, comprising Auld Mac, 6cm high, Fat Boy, 9cm high, Arry, 9cm high, and Sairey Gamp, 8cm high.

Alan Wallwork (1931-2019), a studio pottery stoneware slice wedge shaped form with pierced decoration, incised AW mark to base, 22cm high, 29cm wide (ARR) purchased at the Old Bakery Gallery, Fishbourne, late 1990's

Alan Wallwork (1931-2019), a studio pottery stoneware split seed pod, flattened oviform shape with turquoise glaze to the centre, incised AW to base, 17cm high purchased at the Old Bakery Gallery, Fishbourne, late 1990's

Jude Jelfs (b 1950), a studio pottery jug of a nude male torso, verso inscribed 'Et In Arcadia Ego', signed and dated 19, 30cm high (ARR) purchased at the Old Bakery Gallery, Fishbourne, late 1990's

Terri Holman, a studio pottery two handled vase of flattened form with incised decoration, incised initials TH to base, 21cm high purchased at the Old Bakery Gallery, Fishbourne, late 1990's

Adam Aaronson (contemporary), two art glass vases with applied metallic decoration, both signed and dated 1999, tallest 15cm high purchased at the Old Bakery Gallery, Fishbourne, late 1990's

John Kershaw (b 1940), a two handled vase with turquoise and white glaze, 21.5cm high (ARR) purchased at the Old Bakery Gallery, Fishbourne, late 1990's

A Rosenthal Versace 'Les Tresors de la Mer' large ceramic plate 31cm diameter, with box

A Rosenthal Versace 'Ikarus' jug and cover 10cm high, with box

A Rosenthal Versace 'Barocco' cylinder vase 14cm high

A Rosenthal Versace 'Barocco' small circular plate 11.5cm

A Rosenthal Versace 'Medusa' cup and saucer

A Hermes Paris porcelain ashtray decorated with exotic fish, with gilt embellishments, 16cm by 20cm, with Hermes box

A 19th century German porcelain dessert service with central painted vignettes of courting couples in a landscape within a scroll pierced yellow border with gilt embellishments, comprising a tazza, four low tazzas and twelve plates, pattern 398, indistinctly marked to base

Four Swiss pottery wall plates with children in various pursuits, backs marked Rheinfelden Handarvbeit, 27cm

A large early 19th century Derby porcelain figure group 26.5cm high (a/f)

A Chinese ceramic platter with polychrome figural decoration 27cm by 36cm

A 19th century porcelain figure of a lady holding a fan, gold anchor mark verso 20.5cm high

Two green glazed Sylvac models of bunnies comprising no 1027 23cm high, and no 990 12cm high

A set of six Staffordshire Midwinter coffee cups and saucers

An oak framed set of two wall tiles painted with a figure harvesting with a scythe frame has not been opened - outer dimensions of frame 48cm by 27cm

A childrens willow pattern ceramic tea / dinner set comprising tureen and cover, oval platter, six dinner plates, teapot, milk jug, sugar bowl and cover, six teacups and saucers (a/f)

A Brannam Barum art pottery dragon spill / candle holder dated 1892, glazed in blue, brown and yellow, incised marks to base 10cm high

A Royal Crown Derby Imari pattern twin handled campana shaped vase and cover, cover restored, 19.5cm high.

A pair of Royal Crown Derby Imari pattern jars with covers, 11.5cm high.

A pair of Royal Crown Derby Imari pattern plates, circular form, 21.5cm diameter.

A pair of large two-handled vases baluster shape decorated in shades of lilac and blue with woodland scenes of figures amongst ruins, height 44cm

A Moorcroft pottery 'Spring Flowers' pattern bowl, 10.5cm diameter, and a Moorcroft pottery 'Hibiscus' pattern bowl 9.5cm

A 19th century Parian ware figure, depicting a naked classical maiden seated on drapes and rocks, indistinct makers mark, 53cm high, (a.f. - significant damage)

Susan Hadley, a terracotta model of a child resting in a hand, paper label verso 21cm long

A Karl Ens porcelain model of an owl 25cm high, and a woodpecker 24cm

A French blue opaline glass gilt metal mounted hinged box on pedestal base to circular foot 16cm high

A Royal Crown Derby Imari porcelain plate pattern 1128, diameter 27cm

A Poole pottery vase and jug with floral banded pattern tallest 22cm high, and a Poole pottery vase with kintsugi effect decoration

A set of four Continental roemer style green drinking glasses, the hollow stems with applied prunts, on a ribbed conical foot with pontil, 11cm high, together with a similar pair of green glasses (a/f)

A Crown Derby porcelain jug and stopper with applied floral decoration and gilt embellishments 17cm, together with four Masons Ironstone jugs, tallest 16cm high (with stapled repair)

Five Staffordshire pottery pastille burners tallest 20cm high, together with two similar models of cottages (a/f)

A William Moorcroft 'leaf and berry' pattern vase of cylinder form, decorated in blue and green 25cm high

A pair of Japanese satsuma ware baluster vases painted with panels of ladies and infants in a landscape, on blue ground with gilt embellishments, character marks to base 39cm high (a/f)

A Carlton Ware bowl pattern no. 3143 'Paradise Bird and Tree with Cloud', 19.5cm diameter, and a Carlton Ware jug pattern 2728, 9cm (jug with repaired handle)

A Royal Worcester porcelain miniature teacup and saucer painted with autumn fruits by J Skerrett, and a Royal Worcester porcelain vase painted with autumn fruits by Roberts 9cm high

A collection of Royal Copenhagen porcelain comprising a model of a kingfisher 18cm high, a lady beside a white goose 19cm, a vase decorated with a mallard and two Christmas plates for 1974 and 1982

A collection of seven Royal Doulton figures of ladies to include Southern Belle 21cm high, and Cherie 15cm high (a/f)

A set of six Royal Crown Derby 'Old Imari' porcelain bowls 21.5cm diameter

Four Royal Crown Derby porcelain paperweights of animals to include a snail and a hedgehog (missing stoppers and marked as seconds)

Four Royal Crown Derby porcelain paperweights of animals to include a ram and a platypus (missing stoppers and marked and seconds)

Dame Lucie Rie (Austrian / British 1902-1995), a footed bowl of flaring conical form with flecked glaze and dark brown rim, seal mark to base, 17cm diameter, with auction catalogue and receipt dated January 2013 (ARR)

Dame Lucie Rie (Austrian / British 1902-1995), a white glazed vase of pebble shaped form with inverted rim, seal mark to base, 9cm high, with paper label for the Henk Huffener Christiaani Collection and Lefays Fine Arts receipt (ARR)

A collection of Scottie Wilson for Royal Worcester Crown Ware decorated with a black and white silhouette pattern, comprising tureen and cover, bowl, two handled soup bowl and cover, and a side plate or saucer

An Addersley 'Lupin' pattern bone china part tea and dinner service exclusive to Harrods, to include two teapots, hot water pot, two different jugs, two egg cups, cups and saucers etc

Lladro: comprising a mother and daughter group, 36cm high, a girl and a goose group, 22cm high, a boy with an accordion, 21cm high, a Nao ballerina, 14cm high, and a Nao boy in a cloak, 26cm high, (5).

Mixed ceramics: comprising a Royal Doulton figure 'The Old Balloon Seller' HN1315, a Royal Doulton figure 'Twopence a Bag' HN2320, a Beswick Beatrix Potter figure 'Peter Rabbit', two Beswick sheep, two Beswick lambs, and a plaster bust of Gladstone, 21cm high, (8).

An antique Chinese blue and white porcelain miniature vase, 19th century or earlier, 9cm high, together with a later Oriental porcelain miniature vase painted in polychrome enamels on a celadon ground, 12cm high, (2).

An extensive Royal Doulton 'York Town' pattern dinner, tea and coffee service, approx 104 pieces.

A Moorcroft Pottery 'Moon Flower' pattern vase by Philip Gibson 2007 25cm high

A Lladro figure no 5172 'Chinese in the Market' 26cm high, boxed, and a Lladro figure no 4.991 'Japonesita abanico' 30cm high, without box

A Lladro figure no 5172 'Chinese in the Market' 26cm, and a Lladro figure no 4989 'Japanese Sayonara' 26cm, both boxed

A Lladro figure no 4608 'Cook in trouble' 24.5cm high, boxed, and a Nao figure no 01298 'Dreaming on Ice' 20cm long, boxed

Five Lladro figures of soldiers no 403 - 407 carrying a flag, a sabre, a drum, a trumpet and a rifle, 32cm high, all boxed (a/f)

A Lladro figure no 5615 'Mirando al mar' or 'Bathing Beauty' 25cm high, boxed

A Spode Italian pattern meat platter 41cm

A Royal Albert 'Old Country Roses' porcelain tea service comprising teapot 18cm high, platter 26cm, six cake plates 21cm, six small plates 16cm, milk jug, sugar bowl, six tea cups and saucers

A large majolica style jug / vase decorated with a stag amongst a landscape, inscription to base 49cm high

A studio pottery bowl with blue and black glaze, initials 'NK' stamped to base 22cm diameter, a studio pottery bowl with brown drip glaze initialled 'MC' to base 11cm high, and a Holcombe pottery green glazed vase 18cm high

A Clarice Cliff Newport Pottery bowl 36a with foliate, flower and fruit border on pale blue ground 19cm diameter

Six boxed Royal Doulton 'The Mickey Mouse Collection' ceramic figures with gold stamps to base to include Mickey Mouse, Minnie Mouse and Pluto

A collection of four Beswick model foxes in various poses largest 13cm high

A Beswick model deer family comprising 981 stag 20cm high, doe and fawn (fawn a/f)

Four small Beswick approved by Peter Scott models of ducks comprising mallard, shoveler, wigeon and king rider (king rider a/f), together with a graduated set of three ceramic mallards

Two Beswick 1383 models of pigeons in brown and grey 15cm high

Ten small Beswick models of birds to include goldcrest, stonechat and whitethroat together with a Goebel model of a long-tailed titmouse (a/f)

A Beswick model Welsh Mountain pony in grey 1643, 16cm high

A Beswick model of a Shetland pony 14.5cm, a donkey 11cm, and a donkey foal 11cm

A Beswick model horse group depicting brown horse and foal on shaped oval green base 19cm high

Two Beswick model foals, a Royal Belvedere model foal, and two Beswick style models of horses

A Beswick model group of two Turtle Doves 1022 20cm high

A Beswick model 1159 kookaburra 15cm

A Beswick model 2416 lapwing 14cm and 2417 jay 13cm

A Beswick model 1046 barn owl 18cm high, and 1226 pheasant 14cm

A Beswick model 1218 woodpecker 22cm high, and 2371 kingfisher 12cm, together with a Goebel model of a woodpecker on stump

A Royal Worcester porcelain 'Chamberlain' pattern part tea service comprising six tea cups and five saucers, a plate and six small plates

A collection of ten Goebel figures to include 'Playmates' and 'We Congratulate'

A fine quality 19th century Paris porcelain coffee pot and milk jug, each decorated with hand painted figurative panels in coloured enamels, and rich gilt borders and motifs throughout, the coffee pot with old riveted repairs to the handle, 25cm high, the jug 17.5cm high, (2).

Two matched 18th century Chinese blue and white porcelain plates, each dished circular form hand painted underglaze with central scenes of urns and meandering foliage between foliate borders, 23cm diameter.

A Clarice Cliff 'Water Lily' pattern table centre bowl modelled as a flowering water lily, shape 973, green script signature, 22.5cm wide by 12.5cm high, and a Rye Pottery figure 'The Wife of Bath' from the Canterbury Tales, 19cm high, (2).

A continental porcelain model of a Cockatoo perched on a tree stump, late 19th / early 20th century, bears the Royal Vienna 'beehive' mark, 27cm high, some old restoration.

A Meissen porcelain figure modelled as an 18th century man wearing a satchel and leaning on a staff, 19th century, underside with blue crossed swords mark and incised number '1835', 13.5cm high, a smaller Meissen figure of a bare footed maiden carrying a basket of vegetables, blue crossed swords mark and incised number '1807', 11cm high, and a Volkstedt porcelain figure of a female vendor carrying a tray of flowers and a candle, blue printed factory mark, 14cm high, (3), (af).

A Robert Melville studio pottery charger decorated with the head of a bearded warrior in blue glazes, verso initialled and dated 1972, 37cm diameter Robert Melville was a talented artist and jazz musician. Initially working as an art teacher in Hampshire he went on to set up a pottery in Prawle South Devon. He left Prawle and began a pottery in Keswick in the late 1970's

Two Judith Woodruff (Hayter) studio pottery models of toads, the larger numbered 1/99, 8cm high, the smaller numbered x/99, 7cm high, together with an anthropomorphic vase by the same artist numbered i/03, 12cm high

Eric James Mellon (1925-2014), a cylindrical vase decorated with a figure in an interior, verso signed and inscribed 'A/ Elm Ash ded to Sarah & Mary', 11.5cm high (ARR)

A Charles Tustin for Winchcombe studio pottery condiment pot and cover, baluster form, with slip decorated wave design, seal marks to base 7.5cm high

Bernard Leach (1887-1979), a small studio pottery vase, painted BL monogram and seal mark to base 9cm high (ARR)

Trevor Corser (1938-2015), a brown slip glazed bowl, seal marks to base 16cm diameter (ARR) Trevor Corser initially came to St Ives as a fisherman and became the longest serving member of the Leach Pottery

Patrick Sargent (1956-1998), a studio pottery fluted bowl with green glaze, 16cm diameter (ARR)

Helen Pincombe (1908-2004), a stoneware jar in speckled glaze with iron decoration, impressed mark to base 14cm high (ARR)

Ray Marshall (1913-1986), two studio pottery vases and a milk jug, all with textured decoration and green glaze, tallest 12cm high

Ursula Mommens (1908-2010) a stoneware vase with trailing tenmoku glaze, impressed mark to base 24.5cm high (ARR)

Ray Marshall (1913-1986), a studio pottery baluster vase with striped decoration, 31cm high, and a smaller baluster vase by the same potter with textured decoration 19cm high

Phil Rogers (1951-2020), a green glazed jar and cover with impressed decoration, artist's seal mark to base, 33cm high (ARR) (a/f - chip to rim)

Peter Beard (1951-), two studio pottery lidded pots and covers with ceramic fungi / trees to the centre tallest 14cm high (ARR)

Don Glanville (1937-2004), a near pair of studio pottery jars and covers with striped decoration together with a bowl, tallest 16cm high (ARR)

Svend Bayer (1946-2007), a studio pottery bowl, 7.5cm high, Micki Schloessingk (born 1949) small jug, artist's seal mark to base 10cm high, and a Mabel Padfield studio pottery cup decorated with fish, with initials to base 7.5cm high (3) (ARR)

Carenza Hayhoe (Portland pottery), a blue glazed lobed bowl, artist's seal mark to base 12cm diameter, together with other items comprising a ceramic trinket box, the shaped cover decorated with a figure sitting on a mound with two rabbits, and a small blue vase

A Japanese porcelain plate decorated with plants and flowers on white ground 27.5cm diam

A William Baron Barnstaple art pottery model of a monkey in red gaze 6.5cm high, a CH Brannam art pottery model of a cat in green and blue glaze 17cm high, and a Royal Barum Ware model of a cat in black glaze 11cm high (a/f)

Two CH Brannam Barum art pottery vases decorated with fish, one of baluster form in blue glaze 15cm high, the other bottle shaped in green and brown glazes 14cm

A CH Brannam Barum art pottery 'owl' bowl, in blue glaze with sculpted owl faces and sgraffito decoration 15cm diameter

A Prattware ceramic chapel money box, probably Mexborough, Yorkshire, modelled in the form of a chapel with male and female figures standing either end, inscribed 'SHARP GARLAND CHICHESTER', painted in traditional colours and spongeware, 14cm wide by 13cm high.

NB: Sharp Garland's grocery shop once stood on the north-east corner of Eastgate Square, Chichester, and was reputed to have been the oldest continuously running grocery business in the country, and is believed to have been founded by John Smith in 1665, ownership of the business changed hands multiple times to different dignitaries and local people important to Chichester, including various members of the Hardham family, in 1860 the grocers was purchased from the Hardhams by Sharp Garland who had been born in Petworth in 1832, the business remained under the Garland family name for 104 years.

An early CH Brannam Barum art pottery jug dated 1880 decorated in brown and cream glaze 7.5cm high, a CH Brannam Barum mug with lettering 'E'rth I am and very dry Yet Im made to wet your eye', a Brannam Barum pottery boat shaped bowl in green glaze 24cm long, and a W Godwin tile with fleur de lis pattern 10.5cm square

A collection of mostly CH Brannam Barum and W Baron Barnstaple art pottery to include a jug with fish head spout and with sgraffito verse 'From mother Earth I took my birth, then formed a jug by man, Now I stand here, filled with good cheer, Taste of me if you Can' 19cm high, a blue glazed pot decorated with an eagle and initials 'SB 1930' 19cm and two puzzle jugs

Four items of Devonshire art pottery to include a CH Brannum Barum red glazed vase 26cm high and a Baron Barnstaple glazed yellow planter 14cm high

A Hutschenreuther porcelain figure depicting a Lippizan horse and rider, German early / mid 20th century, hand painted decoration, printed factory marks, 20cm high.

Two Sylvac pink glazed models of bunnies comprising no 1027 23cm high and no 1026 17cm, together with a Sylvac pink glazed model of a hare no 1299 (3)

Two Sylvac green glazed models of bunnies comprising no 1027 23cm high, the other with no number 15cm, together with a Sylvac green glazed model of a hare no 1526 24cm high (3)

Six Sylvac models of bunnies to include three in coffee coloured glaze no 1027 23cm high, and a Sylvac model of a hare on coffee coloured glaze no 1299 18cm high (7)

Six Sylvac models of dogs comprising two no 1209 in green and overpainted white 28cm high, two no 1380 in pink and green glaze 27cm, and two others (6)

Six Sylvac models of dogs comprising two no 1209 in pink and coffee coloured glaze 28cm high, one no 1380 in green glaze 29cm, and three others

A collection of Sylvac models of dogs and other Sylvac ornaments to include an alligator 6181, onion, lemon, strawberry and bee shaped pots and covers, and a poodle

A William Baron Barnstaple North Devon slipware art pottery frog or toad spill holder, incised marks to base

A framed 17th century John Seller map of the British Isles 'Insulae Albion et Hibernia' 13cm by 15.5cm

A framed 18th century map of 'Worthing, Little Hampton [sic] and Great Bognor' 8cm by 12cm

A framed 17th century Robert Morden map of Sussex 33cm by 40cm

Austen, Jane, Pride And Prejudice, 1895, London: Macmillan & Co., black & white illustrations by Charles E. Brock

'An Accurate Plan of the City of Chichester with the Suburbs and Liberty there of', after William Gardner 1769, 95cm by 85cm, framed, (af).

Two volumes: 'Psychological Commentaries on the teaching of G I Gurdjieff and P D Ouspensky', volumes two and three, by Maurice Nicoll, Privately Printed for subscribers only, 1949, one of 200 only printed. A black and white printed photograph of George Ivanovich Gurdjieff. A young Richard Attenborough autographed photograph. Volume: 'The Mark' by Maurice Nicoll, 1954. Volume: 'My Autobiography' by Charles Chaplin, 1964, and other books, (Quantity).

'Fairground Art', The Art Forms of Travelling Fairs, Carousels and Carnival Midways' Geoff Weedon and Richard Ward, pub. 1981 White Mouse Editions, hardbound volume with colour illustrations in protective slip case, together with perforated cardboard music for the song 'Half Way to Heaven' pub Chappa Limited

Durning-Lawrence, Sir Edwin, Bacon is Shakespeare, first edition pub Gay & Hancock Ltd, signed by the author to Reginald Garratt Esq, together with Lamb, Charles and Mary, Tales from Shakespeare, Oxford Edition, pub Oxford University Press 1913

Holland, Henry, Journal of a Voyage &c. to Iceland, in the summer of 1810, half leather bound photostat copy of the original manuscript, given by the Landsbokasafn Islands, where the original manuscript resides, to David Holland, Librarian of the House of Commons, in 1959, together with several pieces of correspondence

Bligh, Captain W, The Log of H.M.S. Bounty 1787-1789, Genesis Publication 1975, half leather bound, number 311 of a limited edition of 500 copies

An Armand Marseille bisque head doll marked AM 351/6, on stuffed cloth body (a/f)

A French 'globe de Mariée' wedding dome containing red velvet cushion with gilt metal mounts and surrounded by gilt metal arbour with inset rectangular mirrors beneath a glass dome on a black painted wooden plinth base

A Kelvin & Hughes sextant no 61992 in fitted case, purchased by the current owner in 1954 then used extensively while an Officer in the Merchant Navy 1954-1979 to obtain sightings of the sun and stars, together with collection of work books showing the Navigation workings for each day at sea, a list of ships and ports visited, a US Navy Star Finder and Identifier, Norie's Nautical Tables, Nicholl's Concise Guide, a Hemmi bamboo slide rule with instruction book and a Portland Navigation Plotter

Churchill, T.O., The Life of Lord Viscount Nelson, Duke of Bronté, &c. Illustrated by engravings of it's most striking and memorable incidents, printed for R. Bowyer, 1808 (a/f)

A lignum vitae barrel with lid 13cm high, and a Tunbridge ware napkin ring

A small collection of Masonic regalia including apron in leather pouch

A Central Bank of Iraq coin set commemorating The Restoration of the City of Babylon, in case and card folder together with The Day of the Concorde Commemorative Issue coin and stamp set, a bronze 1974 Peace coin, and a cased 50 pence coin

A collection of British and World coinage, bank notes, a fossil, mineral rocks, and an ancient style bangle.

(TBA - contacted 7/10 LH)

A Victoria Straits Settlements Fifty Cents 1900, a Mexico Peso 1898, a Hong Kong Dollar 1900, three further coins and three further items

Michael Simpson (contemporary), a limited edition bronze sculpture of two stags locking horns, '700 The Duel', number 10 of 150, length 24cm, height 10cm, with certificate, receipt and box

Susie MacMurray (b 1951), 'Shell', limited edition sculpture number 55 of 250 commissioned by Pallant House Gallery Chichester, 2006, boxed, with information booklet

In 2006, Susie MacMurray was commissioned to produce a site-specific work of art in response to Pallant House, Chichester. MacMurray’s commission, After Shell, comprised 20,000 mussel shells, each filled with a small piece of velvet

A Clarinet by Martin of Paris, signed, white metal mounted, cased, 68cm long.

After Professor Giuseppe Bessi (Italian 1857-1922), a statue of a nude figure of a woman on alabaster plinth, marked to back of base 'Studio Prof G Bessi' 50cm high including base

A 1:50 scale model of a sailing ship, Santa Maria on rest, La Santa María was the largest of the three small ships used by Christopher Columbus in his first expedition across the Atlantic Ocean in 1492, with the backing of the Spanish monarchs. 75cm

A wooden scale model of a two-mast schooner, Trotamares on rest with plaque, built in Spain in 1958, this fishing boat was restored as a luxury charter yacht and latterly moored at the docks of Monte Carlo, 80cm

A scale model of a three mast galleon warship on rest (a/f), 57cm

Tiffany & Co. six early 20th century silver plated tablespoons, five dessert spoons and four dessert forks with zig-zag borders and engraved initials, marked Tiffany & Co. EP PAT.1903, with three cloth wraps bearing labels, Tiffany & Co. New York

A brass miners lamp 'The Protector' by Lamp & Lighting Co Ld Eccles, Manchester

A Lego Creator 10249 Winter Toy Shop set, in sealed box (box with some light dents and scuffs)

A George III half Crown bull head issue 1817, a Victorian double florin 1890 and a George V 1935 Silver Jubilee Crown

Four wooden models of masted ships to include Pinta Caravel (a/f)

A W Ottway & Co gun sighting telescope no. 2582

Two manuscripts of palm leaves, possibly prayer books, the leaves written to rectos and versos, threaded together with two string cords and to painted wooden battens

An early 20th century carved oak box sloping top with central medallion, 50cm

A Copeland parian figure of Marguerite with a bronze effect glaze, designed by Sarah Terry for Copeland, impressed marks, Copeland, S Terry Sc, 1868, height 50cm

An African carved stool oval top with incised geometric design, on four block feet, 40cm

A George III and later mahogany knife box height 34cm (a/f)

A Lego The Batman Movie set 70906 The Joker Notorious Lowrider, in sealed box

A pair of 19th century cast gilt brass candlesticks, of heavy quality, with stylised foliate and fluted decoration in relief, 23cm high.

A late 19th century Swiss Chalet musical box with rising roof lid revealing a velvet lined jewellery box, the three storey building includes beehives, water troughs and firewood, resting on a carved wood plinth containing the musical movement, consisting of a 21cm cylinder paying eight airs, c.1870, height 44.5cm, width 60cm

After Mathurin Moreau (1822-1912) A French Art Nouveau bronze figure 'La Source' of a seated woman drinking from a shell, with foundry stamp, Colin & Cie, Paris, 55cm high

A collection of Continental silver and other commemorative teaspoons

Six Victorian silk programmes for a Display of Fireworks to be exhibited on the 29th May 1856 on Primrose Hill

A bronzed reconstituted stone but of Diana on pedestal base, 20th century, total height 107cm.

A large Liberty leather Rhino, approx 100cm long by 55cm high.

A pair of antiquity style busts depicting Greco-Roman males, moulded to simulate carved marble, 20th century, on metal stands, 30cm and 28cm high.

An African tribal carved wooden head, featuring twin handles and inset with metal nails, the wear and patination appear early 20th century or earlier, 30cm high.

An African tribal mask, the carved wood face wearing a crown, and with raffia fringe, 20th century, 51cm long (not including the fringe).

A set of three graduated alchemist's style jars, bronzed metal, contemporary, each of circular form with cover, decorated with a scorpion, a spider, and a crab, 12cm high, 7cm high, and 5cm high.

A large and interesting collection of stamps: six albums and a tin, including Victorian Penny Blacks, Reds and Blues, 19th century, early 20th century and later worldwide examples, including USA, Canada, South American countries, European countries, British Bechuanaland, African and African Islands, India, Hong Kong, Saint Helena, Pitcairn Islands, Malaya, Straits Settlememts, Sarawak, Pakistan, India, Australia, Norfolk Island, New Zealand, British Solomon Islands, Cook Island, Trinidad & Tobago, Turks & Caicos Islands, Virgin Islands, St Vincent, St Lucia, Jamaica, Barbados, Antigua, Philippine Islands, Lebanon, Egypt, Japan, Iran, etc, etc.

This collection of albums have been handed down to the vendor from his late Grandfather, William White, a civil servant at the Patent Office, London, before, during, and after the war. The tin containing Penny Red stamped letters and Penny Blacks were handed down from a late uncle, an auctioneer from Hampshire approx 50 to 60 years ago.

A George III feathered mahogany work box with rosewood cross banding and boxwood stringing, flanked by brass drop ring handles, 28cm wide (af), and an early Victorian rosewood sarcophagus shaped tea caddy, the hinged lid enclosing two covered partitions, 21.5cm wide, (2)

A trio of decorative alchemists style bronzed pots / ornaments, each piece sat on a separate quatreform base, 24cm, 20cm, and 11cm high, (3)

A set of three graduated brass models of skulls, 12cm, 9cm, and 8cm high, (3)

A set of three Alchemists style pots, labelled for 'ZOLFO', 'SOLFATO', and 'ARSENICO', the domed lids decorated with snakes, toads, and a scorpion, each 23cm high, (3)

A heavy quality skull sculpture, solid brass in a bronze finish mounted on a black marble base, 37cm high.

A pair of decorative 'ring turned' style candlesticks, ebonised metal, contemporary, 42cm high.

A vintage crocodile leather travel case by Alexander Clark of London, with gilt lettering and stamped locks, the hinged lid enclosing a lined interior, 51cm wide.

A vintage Coleman's mustard tin, early 20th century, the tapered circular form decorated in a chintz style design, the lid with Coleman's advertising to the underside, with swing handle, 20cm high.

Four boxed Corgi Classics 'The Showmans Range' model fairground vehicles comprising 12601 Foden Closed Pole Truck Set, 16502 Scammel Highwayman Ballast Closed Pole Trailer & Caravan Set, 27602 Atkinson 8 Wheel Rigid Truck & Trailer with Loads Set, and 15901 Scammel Highwayman Generator with Closed Pole Trailer & Dodgem Trailer Set, together with a boxed Commercials from Corgi limited edition model J Ayers AEC Mercury Truck & Trailer

An Arts & Crafts Newlyn copper pedestal bowl decorated with a border of fish, stamped 'Newlyn' to base, 27cm diameter

A silver medallion detailed 'International Regatta Torbay June 1937' commemorating the Coronation of George VI, 62.5g cased, a square medallion detailed 'Habib Bank', thirteen Elizabeth II Commemorative Crowns and six further items

A boxed Tri-ang Scalextric set including two cars and transformer (unchecked), together with three Tri-ang Scalextric cars comprising Aston Martin DB4 GT MM/C68, Mercedes 190 SL and racing car C72 BRM

'The Military Badge Collection', contained within two purpose made military campaign style frames, each frame 50cm by 70cm.

A scratch built model ship 'HMS Endeavour 1768', wooden built with rigging and sails, 20th century, on wooden plinth stand with name plaque, 90cm long by 88cm high.

HMS Endeavour was a British Royal Navy research vessel that Lieutenant James Cook commanded to Tahiti, New Zealand, and Australia on his first voyage of discovery from 1768 to 1771.

'British Campaign & Gallantry Medals', replicas, displayed in a military campaign style frame, paperwork on the reverse, frame 50cm by 65cm.

A Steiff 'Pirate' 672828 teddy bear, in original suitcase box, together with a miniature enamelled model of a Steiff bear with pouch

A group of British and foreign coins to include a Victoria Jubilee head crown 1889, a 1935 Crown, a Victoria half Crown 1899, a quantity of silver threepences, a 1953 plastic set and a large quantity of commemorative Crown sized coins, a few banknotes

A collection of British and foreign coins to include commemorative Crowns, also a few medallions and banknotes

A collection of USA bank notes comprising two One Hundred Dollars, five Fifty Dollars, five Twenty Dollars, two Five Dollars and fifteen One Dollars

Three car badges comprising Freetown Aquasports Club, Asian BCB and AA

An Edwardian silver tray by Harrison Brothers & Howson (George Howson), being of shaped rectangular form with inverted corners, beaded edges, scrolled feet, 31cm wide, London 1908, approx 25 ozs.

A Georgian plated hot milk or chocolate pot, with turned wooden handle, domed lid, embossed decoration, 18cm high.

An antique bronzed plaque in the neo classical taste, the dished circular form decorated in relief with classical figures of antiquity, putti, demon masks, and classical motifs throughout, 37cm diameter (af).

A late 19th / early 20th century gilt-brass mounted oak card box, c.1890/1910, the carrying handle flanked by two hinged lids, 31cm wide.

An early 20th century Macfarlane, Lang & Co novelty writing slope biscuit tin with walnut effect finish width 20cm, depth 14cm, height 10cm, together with a chocolate tin 'The Gift of the Colonies of Trinidad, Grenada & St Lucia to His Majestys Naval Military Forces'

A collection of George IV and later British coinage to include four commemorative £5 coins, crowns, shillings and pennies

A collection of cigarette cards and silks to include Player's and Spencer's, many in boxes

A Windsor & Newton artist's box (contents a/f), a cased draughtsman's set containing pen and nibs and a cased set of geometric instruments

Two brass shells tallest 69cm high

Three mahogany mantle clock wall brackets

A George VI silver hunting horn, Birmingham 1938, 31cm long, 1.2oz

A collection of Victorian and later postcards and greetings cards housed in an album and a box file, to include country house interiors, scenic English and French views, doll's houses, together with a book on collecting postcards

A 17th century and later oak spice box, the geometrically moulded door with wrought iron hinges opening to fitted interior containing an arrangement of drawers with brass ring handles 27.5cm high, 30.5cm wide, 20cm deep, with key (a/f)

A pine doll's house in the form of a three storey house with hinged roof and front panels enclosing an arrangement of rooms and a small collection of accessories, height 87cm, width 80cm, depth 48cm, with key

Two Victorian walnut inlaid jewellery boxes, to include one with Tunbridge ware style bands and mother of pearl cartouche and escutcheons width 27.5cm, depth 19.5cm, height 13cm, together with four various inlaid boxes (6) (a/f)

A collection of nine mauchline ware boxes to include Shanklin Chine containing a fitted glass, High-Gate Hawkhurst and The Pier Bognor

A London Stereoscopic Company Ltd. mahogany and brass camera (a/f)

A Paillard Bolex G916 16mm film projector, a Bolex Paillard 18-5 film projector, a Bolex Paillard SM8 sound projector and a Bolex 155 Super (a/f) (4)

A framed 19th century alphabet sampler 22.5cm square (a/f)

A framed West Ham match worn shirt of Ukrainian footballer and coach Serhiy Rebrov signed by the West Ham Squad players who were promoted to the Premier League 2004/2005, frame 90cm square, for list of signatures see additional photograph

A William IV truncheon with painted lettering 'IV WR ST MARTINS', 45cm long

A pair of Art Deco style desk stands each with oval hardstone pen tray surmounted by a painted metal model of a panther, together with a gilt metal ornament of an eagle

A Sheaffer electroplated gold fountain pen with 14k nib, cased with paperwork, and a Waterman gold plated fountain pen with 18k nib, cased

A set of four boxed The Beatles Yellow Submarine Sgt Pepper Lonely Hearts Club Band MacFarlane Toys figures comprising John with the bulldog, Paul with sucking monster, George with snapping turk and Ringo with apple bonker

A Victorian walnut inlaid writing slope the exterior with Tunbridge ware style borders, mother of pearl inlaid cartouche and escutcheon, width 30cm, depth 23cm, height 15cm

Three metal Anglepoise desk lamps in black, cream and grey (a/f)

A vintage heavy quality cast iron and brass model cannon, 44cm long by 22cm high.

A vintage Union Jack flag, by family repute from WW1 but not verified, 174cm by 86cm, (a.f.), attached to a bamboo pole, and a later Union Jack flag, 180cm by 91cm. (2)

A travelling fairground organ model of Gavioli fair organ 'Brevete', Miller Amusements Portsmouth with illuminating lights and music system to interior, on wheels, height 73cm, depth 43cm, length 127cm (a/f - must be tested by an electrician before use)

A collection of 1960s, 70s, 80s and later football programmes, magazines and ephemera to include Liverpool and West Ham, together with a small collection of sticker books (a/f)

A collection of mostly Walton and Woodmansterne colour slides to include North Wales, Chester, St Pauls Cathedral, Chester, Hampton Court, London: The City and Christmas Lights 1964

A Lego The Flintstones set 21316, in sealed box (tear to one corner)

Lego Star Wars The Helmet Collection Darth Vader 75304, in sealed box

A Lego Ghostbusters set 75828 Ecto-1 & 2, in sealed box (dents to box)

A Lego Disney Princess set 43206, in sealed box (dented)

Lego Star Wars 75318 The Mandalorian 'The Child', in sealed box

Lego Ideas 21307 Caterham Seven 620 R, in sealed box

Lego Ideas 21324 Sesame Street set, in sealed box

Lego Star Wars The Helmet Collection 75274 Tie Fighter Pilot, in sealed box

Lego 21306 The Beatles Yellow Submarine, in sealed box

Lego Star Wars The Helmet Collection 75276 Stormtrooper, in sealed box

Lego Star Wars 75306 Imperial Probe Droid, in sealed box

A collection of boxed model buses mostly Corgi, Original Omnibus Company and Oxford to include many Southdown buses

A Coca-Cola model Holiday Caravan and Volkswagen T1 bus, both boxed

Five boxed Corgi Aviation Archive diecast models to include AA39002 Westland WG-13 Lynx MK-8-202, AA37 Westland Wessex HAS.3, XM328 No 737 Squadron Royal Navy and limited edition AA33614 Panavia Tornado GR4

A set of three graduated copper and brass spirit ladles, for Whisky, Rum and Brandy, each approx 37cm long, together with an old copper receptacle of flared circular form, 26cm diameter by 14cm high, (4).

A Georgian silkwork panel, the oval form hand woven and hand painted with a young maiden, within old Hogarth frame, silkwork 17cm by 13cm, frame 34cm by 28cm.

A Russian painted brass samovar and tray with floral and bird decoration on dark red ground (a/f - electrical wires missing)

A marquetry inlaid and gilt metal mounted rectangular form jardiniere 40cm width

A copper and brass jardiniere / log basket with applied crest and foliate decoration and lion mask ring handles on three paw feet 34cm diameter, 37cm high

A vintage Geographia Ltd Dr. R. Neuse Columbus Terrestrial table globe, with chromed metal support and wooden stand, 49cm high.

An album containing collection Victorian and later postcards depicting views of Pagham, Aldwick and Bognor together with an album of assorted postcards including views of Paris, Morgat and Saint-Omer

An old tribal spear, with 29cm metal head and a bound wooden handle, total length 128cm.

A cast iron barber's shop foot rest (could be used as a bookstand) the pierced design with lettering 'CLARKE 7 CT DOVER ST SE' 43cm wide

A Persian saddle bag, dark brown ground, with diamond motifs and striped design 140cm by 51cm, a small carpet bag and a woven bag with long tassels

A framed sketch of an original costume design for Diana Rigg as Cleopatra in Anthony & Cleopatra at Chichester Festival Theatre 1985, watercolour and pencil, 29cm by 20cm

Sooty and Sweep hand puppets, together with a monkey hand puppet and a bear hand puppet, (4).

Five wooden walking sticks, comprising four with knob handles and one with antler handle

A pair of Art Nouveau gilt spelter figures of ladies converted to table lamps 59cm high including base and fittings

Frederick William Booty (1840-1924), Old Bar, Scarborough, watercolour, signed and dated 1915, verso inscribed paper label for Henry Whitley & Son, 67cm by 51cm (a/f)

A Japanese wooden Sumitsubo, a carpenters ink pot for marking lines on the wood, stamped seal mark to underside, 19.5cm long.

A French brass and bevelled glass cased carriage clock the white enamel dial with Roman numerals 15cm high, with leather travel case and key

Two brass and bevelled glass cased carriage clocks tallest 15cm (a/f)

A collection of scientific instruments: comprising a Sike's Hydrometer from Wickenden & Sons, Hotel Valuers of Tunbridge Wells, a Theodolite, a Shortland Bowen table top compensated barometer, and a cased replica portable sundial, (4).

A 19th century French gilt figural mantle clock, the drum shaped case flanked by a classical figure 40cm high

A 19th century French boulle clock, maker Richard et cie, the cartouche shaped case with figural surmount above a circular brass dial with enamel plaque Roman numerals, the movement striking on a gong 79cm high (a/f)

A circular mahogany wall clock, the 14 inch dial with Roman numerals and crows foot mark (a/f)

A Victorian Black Forest cuckoo clock the movement striking on a gong, the carved oak case with applied bone Roman numerals and with cuckoo aperture to the top 50.5cm high, with pendulum and keys (a/f)

A George III mahogany banded oak cased striking longcase clock by James Kirkham of Holywell, the gilt metal mounted arched hood with hand painted foliate decoration, the 13" arched brass dial with moonphase movement, silvered chapter ring, silvered seconds ring, date aperture, twin winding holes, engraved decoration and applied spandrels, the trunk door flanked by fluted quarter columns, with two weights, 220cm high.

A Georgian oak cased eight day striking longcase clock, the 12" painted square dial with subsidiary seconds dial and twin winding holes, the trunk door with glass lenticel, with pendulum and twin weights, 201cm high.

A late 19th century continental Vienna type wall clock, glazed walnut case of architectural form, the movement striking on a gong, with key and pendulum, approx 98cm high.

A Winterhalder and Hofmeier chiming longcase clock with 32cm silvered chapter ring and Roman numerals, chime/silent and seconds subsidiary dials, in domed hood and mahogany case with oval glass panel door, height 208cm

A Maple and Co. circular mahogany wall clock fusee movement with 8 inch dial and Roman numerals, c 1920/30's, 29cm

A George III oak longcase clock by Jos. Jackeman on London Bridge with 27cm square brass dial, (a/f hood panel detached but present) height 204cm

An FCC Precision brass bulk head barometer and clock set on wooden stand (a/f clock in need of repair) 32cm

A George III longcase clock by Thomas Agnes, London with 30cm brass dial, silvered chapter ring and Roman numerals, eight day movement with strike/silent and seconds subsidiary dials, calendar aperture, in arched hood with blind fret decoration and brass capped column supports, ht.248cm

A George III mahogany longcase clock by Joshua Wilkinson, London with arched silvered dial, Roman numerals, calendar slot, subsidiary seconds and Strike/Silent dials, in arched hood with fluted column supports and case with quarter column supports, ht.218cm

Johannes Holst (20th Century) sailing boats off a headland, oil on canvas, signed and dated 1936, 29cm by 44cm

Charles Edward Dixon (1872 -1934), maritime view, 'Westward Ho!', indistinctly inscribed and dated 9.12.06, watercolour, 46cm by 68cm, provenance: by family descent, the original owner was a friend of Dixon and by repute shared the cost of art materials (a/f)

John Hamilton Glass SSA (fl 1890-1925), village harbour view with figures on a shoreline, watercolour, signed, 34.5cm by 51.5cm

Early 20th century school, portrait of a lady, oil on canvas, indistinctly signed Po*son and dated 29, 76cm by 66cm, unframed

20th century school, figures beside moored boats, oil on canvas, indistinctly signed 'Drosz K 959'?, 50cm by 60cm, together with a harbour view by another hand, oil on board, unsigned, 51cm by 61cm, both unframed

Malcolm Teasdale (British, b.1944), 'West Gate', gouache, signed, label verso, 27cm by 32cm, framed.

Wyn Appleford (1923-2016), Boats, Newquay Harbour, Cornwall, mixed media, signed, verso paper labels, 19cm by 15cm

Wyn Appleford (1923-2016), Trinity House Lifeboat, mixed media, signed, verso paper labels, 21.5cm by 34cm

Wyn Appleford (1923-2016), Cornish Estuary, watercolour, signed, verso paper labels including for Sidmouth Society of Artists, 35cm by 51cm

Joseph Cayet (1907-1987), portrait of a lady, signed in pencil, verso paper label for P Vermeersch Bruxelles, 59cm by 49cm

Francis Murphy, two framed pencil drawings, a head and shoulders portrait of a lady, 31cm by 26cm, and a lady seated before a painting, 41cm by 29.5cm, both signed

Francis Murphy was a student at the Royal Academy of Arts

After Francois Boucher (1703-1770), reclining nude with child, reproduction print, 16cm by 27cm

Lylya Lemcka (Ukrainian, contemporary), pair of abstract oils on board in red and yellow, signed and dated 06, each panel 61cm by 40cm

A framed Robert Delaunay Tate Gallery poster 68cm by 48cm

Eduardo de Moira (Portuguese 1817–1887) portrait of a man in uniform with walking cane, watercolour, signed E Moira, pinx. and, E Haigh phot., oval gilt beaded mount, 36cm by 29cm

Attributed to Thales Fielding (1793-1837) Shipping off the coast, watercolour, 10.5cm by 14cm

William Lionel Wyllie (1851-1931), The Poseidon Temple, Attica, etching, signed in pencil, verso paper label, frame 47cm by 55.5cm

John Doyle (Irish 1797–1868), political lithograph, 'The Man Wot Jockeys The Sovereign' 54cm by 41cm

David Michael Carroll OJ (1936-2007), Swedish training ships, oil on board, signed, 28cm by 39cm

David Michael Carroll OJ (1936-2007), Coastguard and other ship, oil on board, signed, 28cm by 39cm

David Michael Carroll OJ (1936-2007), Asgard II (Irish TS) and Soren Larsen, watercolour, signed, 26cm by 39.5cm

Frank Harding (British 1935-1990) ships in Brixham and Poole Harbours, two etchings, both inscribed and signed in pencil,15cm by 27cm and 13cm by 31cm

Norman Wilkinson (1878-1971), Navy destroyers moored off a coastline, oil on board, unsigned, verso paper label for Reading Fine Art Gallery Ltd, 29cm by 49cm (ARR) purchased by the current owner's father from Reading Fine Art Gallery in the early 1970s

20th century school, a pair of oval coloured prints depicting Pierrot with a lady, indistinctly signed in pencil, pub Hautecoeur Paris, 33cm by 43cm

Manner of Henry Scott Tuke (1858-1929), bathers, oil on board, unsigned, 23cm by 34cm

Tom Groom (20th Century) view of Venice, views of harbour and country lanes, seven small watercolours, signed, 10cm by 15cm

Albert Dunnington (1860-1941) two views of the Dean's Close Winchester and The Old Butter Cross Winchester, watercolours, signed, 36cm by 25cm

G L Hall (19th Century) Woody Bay, North Devon, paper label verso, watercolour, signed, 21.5cm by 31cm

Tom Rowden (1842-1926) ponies and cattle on moorland, a pair of watercolours, signed, 20cm by 38cm

Leslie Arthur Wilcox RI RSMA (British, 1904-1982), 'Harbour scene', oil on canvas, signed, gallery label verso, 58cm by 78cm, inset swept gilt and cream finished frame. Together with a valuation note from Studio Van Hemersveld of Fort Worth, Texas, USA, dated 12th September 1978, relating to a painting by this artist but titled 'Chichester Harbour', which this does not appear to be!

Graham McKean (Scottish, b.1962), 'Chasing the Dream', Pencil signed limited edition giclee on paper, number 38/195, with certificate of authenticity version, 47cm by 60cm, framed;

Graham McKean (Scottish, b. 1962), 'Swings & Roundabouts', Pencil signed limited edition giclee on paper, number 19/195, with DeMontfort Fine Art label verso, 47cm by 60cm, framed.

Graham McKean (Scottish, b.1962), 'The Bread Winner', Pencil signed limited edition giclee on paper, numbered '16/20AP', with DeMontfort Fine Art label verso, 45cm by 36cm, framed.

Alex Portner (German, 1920 - 1982), 'Portrait of an elderly Gentleman', oil on canvas, signed with monogram, remnants of old label verso, inscribed by hand verso, 50cm by 40cm, framed.

Clive Fredriksson (Contemporary, born in Africa now resides in East Sussex), 'Male figure attempting to catch fish with his hands', oil on canvas, signed and dated 2022, 113cm by 76cm, stretchered but unframed.

Norman Battershill (b 1922), rural landscape view across fields with distant cattle, oil on board, initialled, verso inscribed, 11cm by 20cm

Peter Iden (1945-2012), Winter in Priory Park, Chichester, limited edition colour print numbered 274 of 500 and signed in pencil, 41cm by 58cm

Kathleen Caddick (b 1937) rural winter landscape with outbuildings, oil on board, monogrammed, 48cm by 74cm

Athanasius Nikolsky (late 20th century), still life of roses, oil on canvas, signed and dated 1971, 49cm by 59cm

Cecil Kennedy (British, 1905 - 1997), 'Cydonia' a still life depicting delicate blossoms in a glass ewer, a ladybird and a bumble bee', oil on canvas, name and title plaque applied to front, rear stretcher hand written by artist "this painting may be varnished in Sept 1975 by me (CK) if i am available", 51cm by 41cm, framed.

A large scale antique engraving: 'The Relief of Lucknow, a Triumphant Meeting of Havelock, Outram and Sir Colin Campbell', by Charles Lewis after Thomas Barker, image 66cm by 125cm, giltwood frame with egg and dart moulded borders 98cm by 158cm, (a.f. - some condition issues).

This scene records the aftermath of one of the most traumatic episodes of the British involvement in India, when a siege that had lasted four months was finally lifted, the original version in oils is now in the National Portrait Gallery, London.

Derek George Montague Gardner (British, 1914 - 2007), a pencil signed marine print with blind stamp, depicting HMS Minerva's action with French Warship 'Warwick' in January 1761, 46cm by 68cm, framed.

British School (19th century), 'Marine scene with fishing boats in calm waters', watercolour, initialled 'R,M.', 15cm by 34cm, framed.

An antique engraving of old Chichester: entitled 'To his Grace, Charles Duke of Richmond, Lenox & Aubigny, Earl of March & Darnley, Knight Companion of the Most Noble Order of the Garter, Lieutenant General of His Majesty's Forces, High Steward of the City of Chichester, F.R.S. &c &c. This Plate representing one of the most interesting views in Chichester, is with permission, humbly inscribed by his Graces very faithful and obedient servant Joseph Francis Gilbert', Published June 1814, engraved by M Dubourg, Painted by I F Gilbert, 46cm by 60cm visible, later framed and sealed behind glass.

Jillian Squelch (20th century), figure through a door, oil on canvas, signed, verso paper label for The Garden Painting Competition, inscribed and dated 1981, 55cm by 81cm

Dion Pears (British. 1929-1985), 'Racing Yacht in action', oil on canvas, signed, 70cm by 91cm, framed.

British School (20th century), 'Harbour scene', oil on canvas, signed 'SPENCE' (possibly for James Spence, Scottish,1929 - 2016), 60cm by 120cm, framed.

Flemish School (18th / 19th century), 'still life featuring a young male attendant laying out a banquet with a boars head, lobster, goose, stag, and copious fruits, with cats watching near by', large scale oil on canvas, re-lined, 138cm by 213cm (4'6" x 7'), inset later gilt frame.

Albert Dunnington (1860-1941) two views of Overton on Dee Cheshire and Artists Lane Nether Alderley Cheshire, two watercolours, signed and dated 1915, 35cm by 25cm

Jan Van Hessel (Dutch b.1894) winter scene with skaters on a lake, oil on board, signed, 19cm by 24cm

Manner of Bessie Bamber (1870-1910), kittens, oil on board, bearing initials 'BB', 22cm by 16cm

Boyd & Evans (Fionnuala Boyd / Les Evans, b.1944/45), 'Sea of Custard', oil on canvas, 1995, inscribed by hand verso with artists name, date, and title, assumed by artist, also with label verso for the Angela Flowers Gallery, 199/205 Richmond Road, London, with this artworks details, 18cm by 23cm, framed.

John S Piper (British. b.1946), 'Porthgwarra' a Cornish coastal scene, oil on board, 1988, signed, dated, and titled verso, 26cm by 33cm, framed.

Jonathan Waller (British, b.1956), 'Mother No 60', from the Birth Series, pastel and charcoal study on paper, 1999, initialled and dated lower right, signed, dated, and titled verso, 102cm by 65cm, framed.

Sergei Chepik (Russian / Ukranian, 1953 - 2011), 'Salome', gouache preparatory work on paper, signed lower right, labels verso for the Roy Miles Gallery, 29 Bruton Street, London W1, and for Academy Framing at the Royal Academy of Arts, Burlington House, Picadilly, London W1, 39cm by 15cm, framed.

Alastair Paterson (20th century), 'Arundel meadow with the castle in the distance' and 'A Sussex Farm', a pair, watercolours, signed, 24cm by 34cm, framed.

Sir Peter Scott (British, 1909 - 1989), 'White Wagtail', a signed limited edition print, number 4/25, 8cm by 9.5cm, framed.

Sir Peter Scott (British, 1909 - 1989), 'Andromeda', signed limited edition print, number 13/25, 9cm by 7.5cm, framed.

Marjorie Collins (American, b.1941), 'Botanical still life', watercolour, signed, 15cm by 23cm, framed.

Marjorie Collins is a Member of the Society of Botanical Artists, the Society of Women Artists and the Oxford Art Society, born in Chicago and moved to England in 1975, she has a Bachelor of Science Degree in Design from the University of Michigan.

She has exhibited her work widely in both in the US and the UK and open exhibitions include the Royal Academy Summer Exhibition, Sunday Times Watercolour Competition, Royal Institute of Painters in Watercolour, Royal Institute of Oil Painters and the Royal Watercolour Society, her paintings can be found in a number of corporate, private and public collections in both the UK and the US.

Vivienne Redmond (20th century), 'Molly & Grace' two cats, 1999, Pencil signed with initials limited edition etching, number 31/200, titled by hand, 17cm by 14cm, framed.

Jill Uht (British, b.1934 - wife of John Uht, 1924 - 2010), 'Reverends Return', watercolour, signed, label verso for the Linda Blackstone Gallery, The Old Slaughterhouse, rear of 13 High Street, Pinner, Middlesex, listing interesting info regarding the artist, 11.5cm by 16cm, framed.

Godfrey Gilbert (early 20th century), three views of Italy, all oils on canvas, all signed, to include 'Florence from Villa Campodonico exhibited Royal Academy 1947', 54cm by 64cm

Peter Symonds (b 1964), 'Down at Polperro', oil on canvas, signed, verso paper label for Godalming Galleries Ltd, 30cm by 46cm

Douglas Falconer, 'Surrey landscape, near Dorking, England', oil on board, signed, verso inscribed paper label, 24cm by 34cm

Douglas Falconer, 'Part of Ullswater, The Lake District England', oil on board, signed, verso inscribed paper label, 24cm by 34cm

Luke Elwes (British, b.1961), 'Walk', 1993, large scale oil on canvas, signed, titled and dated verso, also bears label verso for Galerie Vielle du Temple, 23 Rue Vielle du Temple, Paris, 107cm by 198cm, stretchered but unframed.

Luke Elwes lives and works in London, his early years were spent in Tehran, where the light and terrain were a formative influence, he studied at UAL (Camberwell school of Art) and holds undergraduate and research degrees from Bristol University and University of London, in 1987 he went to the central Australian desert to study the landscape and its place in indigenous storytelling and artforms, and has spent extended periods of time travelling and working in India, Asia and North Africa. In 1998 he was artist in residence on an expedition to Mount Kailash in western Tibet, and returned to the Himalayas in 2008 to explore the remote kingdom of Mustang, in recent years he has gone on to make significant bodies of work during residencies in the USA, at the Vermont Studio Center (2013) and the Albers Foundation in Connecticut (2015). In 2022 he was visiting fellow at the Ballinglen Art Foundation (Ireland). his work has been shown regularly in private and public galleries in the UK, US and Europe, including: Frestonian Gallery (London), Adam Gallery (London), Broadbent (London), Art First Contemporary (London), Browse & Darby (London), Art First (New York), Galerie Vieille du Temple (Paris), Galerie Marceau Bastille (Paris), Grand Palais (Paris), Palazzo Lanfranchi (Pisa), Galleria Ceribelli (Milan & Bergamo), Galleria Ghelfi (Vicenza). In 2022 he showed alongside Bridget Riley at the Myung-Won Museum in Seoul, South Korea.

Ludmilla Block, cornflowers and milk, oil on canvas, signed and dated 97, 36cm by 83cm

Yuri Anokhin (1926-1977) Winter in Sparrow Mountains, oil on board, verso paper label for Churzee Studio Gallery inscribed by the artist's son, 48cm by 66cm

Benjamin D Sigmund (1857-1947), woman and ducks before a country cottage and gardens, watercolour, signed, 25cm by 35cm

Edmund J Thring (1906-1985), 'Unloading bricks at Shoreham, Sussex', watercolour, signed and dated 1924, verso inscribed paper label, 25cm by 35cm

Edmund J Thring was an architectural perspectivist who produced over 2,500 perspectives in his lifetime. He spent much of the Second WorId War in the Photographic Reconnaissance Interpretation Unit at RAF Nuneham Park, interpreting aerial photographs and making models.

Anna Marrow (contemporary), diver and tower, 'Mr Blue Sky', limited edition screenprint, numbered 8/25, inscribed and signed in pencil, 58cm by 55cm

Anna Marrow (contemporary), female surfer riding a wave, 'Surf's Up', screenprint, artist's proof, inscribed and signed in pencil, 57cm by 38cm

Svan Grandin (Swedish 1906-1982), 'Winter Beach Scene', oil on board, signed, verso paper label for Arti, 27cm by 55cm

A collection of framed Baxter and oval Le Blond prints to include the Duke of Wellington, Prince Albert, Six Malagasy Christians and Brighton Chain Pier (SEE MULTIPLE IMAGES OF COLLECTION)

Attributed to David Cox (1783-1859), 'A cart on a windy heath', watercolour, unsigned, verso paper label for Spink & Son Ltd, 16cm by 26cm

Richard Allam (19th century), 'River landscape' with fisherman on a bridge and mountains beyond, oil on canvas, signed 'Allam', 34cm by 52cm, framed.

Richard Allam (19th century), 'Coastal landscape' with rocky coastline, seagulls and ships, oil on canvas, signed 'Allam', 34cm by 52cm, framed.

Peter Iden (British, 1945-2012), 'Street scene', watercolour, signed and dated 1982, 29cm by 40cm, mounted but unframed.

Peter Iden (British, 1945-2012), 'Mid century suburban houses', watercolour, signed and dated 1973, 33cm by 43cm, unframed.

Peter Iden (British, 1945-2012), 'Mid century housing development', watercolour, signed and dated 1982, 36cm by 40cm, unframed.

Peter Iden (British, 1945 - 2012), 'Suburban new builds', watercolour, signed and dated 1982, 29cm by 72cm, mounted but vunframed.

Peter Iden (British, 1945 - 2012), 'Modern suburban complex', watercolour, signed and dated 1986, 30cm by 72cm, mounted but unframed.

Peter Iden (British, 1945 - 2012), 'Chichester Theological College', produced for Whiteheads Design & Development Group, The Old Post Office, 52 South Street, Chichester, watercolour, signed and dated 1984, 30cm by 54cm, mounted but unframed.

Peter Iden (British, 1945 - 2012), 'Study of a grand house', watercolour, signed and dated 1973, 28cm by 43cm, unframed.

Peter Iden (British, 1945 - 2012), 'Mid century suburban street', watercolour, signed and dated 1982, 22cm by 37cm, mounted but unframed,

Bruce L Miller P.S.A. (Southern College of Art Portsmouth School of Architecture): an interesting collection of unframed architectural drawings, studies, and other original artwork (Quantity).

Of Architectural Interest: seven various watercolour studies of various suburban buildings, a folio of printed work relating to 'Old Thorns Redevelopment' by Miller Hughes Associates Ltd, and printed plans for 'Lancastrian Grange, Chichester', 'Chichester Theological College', Crosshaven, etc, (Quantity).

Peter Iden (British, 1945 - 2012), 'Eastgate Square, Chichester, Redevelopment', 'designed by L B Miller FFS MSIAD FRSA', watercolour, signed and dated 1981, 30cm by 54cm, framed.

W B Cooke after P Dewint, a 19th century coloured engraving of Bognor 14cm by 14cm, and Brian Denyer ARCA, Seven Sisters, coloured etching, numbered 2/75, inscribed and signed in pencil, paper label verso, 11cm by 31cm

Peter Iden (British, 1945 - 2012), 'Suburban Buildings', three watercolours on a single board, signed and dated 1981, 22cm by 43cm, 18cm by 38cm, 19cm by 34cm, mounted and framed, frame 81cm by 56cm.

Peter Iden (British, 1945 - 2012), 'Chichester Theological College, View A from Avenue de Chartres and View B from College', two watercolurs on a single board, signed and dated 1984, each being 20cm by 42cm, mounted but unframed.

A reproduction copy of an antique engraving of old Chichester, entitled 'To His Grace Charles Duke of Richmond, Lenox & Aubigny, Earl of March & Darnley, Knight Companion of the Most Noble Order of the Garter, Lieutenant General of His Majesty's Forces, High Steward of the City of Chichester, F.R.S. &c &c, This Plate representing one of the most interesting views of Chichester is with permision humbly inscribed by His Graces very faithful and obedient servant Joseph Francis Gilbert', 56cm by 77cm, framed.

An antique engraving 'The Market Cross at Chichester 1749', engraved by George vertue, drawn by William Ride, 55cm by 64cm, inset later gilt frame.

An antique engraving of The Chichester Market Cross, 'Crux Cicestriae', with further text, 48cm by 28cm, framed.

The Operative Bricklayers Society: an 1899 members certificate to Peter Palmer of the Portsmouth branch, designed by A J Waudby and engraved by J H Le Keux, 55cm by 42cm, later framed.

Simon Mahoney (Contemporary), 'Marine scene', watercolour and pencil, signed, artists label verso, 9cm by 50cm, framed.

British School (20th Century), 'Yachts at sea', watercolour, indistinctly signed, 34cm by 51cm, framed.

Olivia Pilling (British, b.1985), 'St Mark's Basilica, Venice', oil on canvas, 82cm by 102cm, stretchered but unframed.

Malcolm Croft (British, b.1964), 'Geraniums', oil on canvas, signed, remnants of Gallery label verso, 50cm by 40cm, framed,

Malcolm Croft (British, b.1964), 'Chips, Manchester', oil on canvas, 2009, signed, Gallery labels verso fof Collect Art, Lymm, Cheshire, further signed, dated and titled by artist verso, 40cm by 50cm, framed.

The 'Chips' building was designed by Will Alsop and is one of the most significant buildings in New Islington, Manchester.

Robert Jenkins (Contemporary), 'Accordion Player', oil on canvas, signed and dated 2008, Gallery labels verso for Collect Art, Lymm, Cheshire, 90cm by 70cm, framed.

Robert Jenkins (Contemporary), 'Still life', oil on canvas, signed and dated 2005, Gallery label verso for the Arison Gallery, Manchester, 70cm by 90cm, framed.

David Eustace RSBA RBA (British, 1950 - 2021), 'The Iron Bridge', oil on board, signed, titled verso, 29cm by 22cm, framed.

Ivan Taylor (British, b.1946), 'St Michaels Mount, Cornwall', oil on board, signed, artist's label verso, 50cm by 75cm, framed.

Born in Staffordshire he was the president of the Staffordshire Art Society, he exhibited 40 paintings on the popular BBC TV programme “Sketch Club” which ran from 1959 – 1961, these were later sold by the BBC to raise money for UNICEF, he has work in many private collections in various countries including USA , Canada , Australia , and South Africa.

Ivan Taylor (British, b.1946), 'The canal at Lymm' (Cheshire), oil on board, signed, artists label verso, Gallery label verso for Collect Art, Lymm, Cheshire, 40cm by 60cm, framed.

Born in Staffordshire he was the president of the Staffordshire Art Society, he exhibited 40 paintings on the popular BBC TV programme "Sketch Club" which ran from 1959 - 1961, these were later sold by the BBC to raise money for UNICEF, he has work in many private collections in various countries including USA, Canada, Australia, and South Africa.

Ian Norris MAFA (British, b.1960), 'Brickworks', oil on panel, 2011, signed, further signed, dated, and titled verso, 33cm by 25cm, framed.

Barry De More (Yorkshire artist, 1948 - 2023), 'Lloyds Bank, Halifax', oil on board, 2010, signed and dated, further signed, dated and titled by artist verso, label verso, 17cm by 27cm, framed.

Acclaimed as one of the North's greatest expressionist artists, Barry De More used a heavy impasto style to transfer his love of Yorkshire landscapes, townscapes and people to canvas.

Barry De More (Yorkshire artist, 1948 - 2023), 'Elland Town Hall', oil on board, 2010, signed and dated, further signed, dated, and titled by artist verso, label verso, 17cm by 27cm, framed.

Acclaimed as one of the North's greatest expressionist artists, Barry De More used a heavy impasto style to transfer his love of Yorkshire landscapes, townscapes and people to canvas.

Glyn Macey (Cornish, b.1969), 'Thames Evening', mixed media, signed, further signed and titled by artist verso, also with Gallery label verso for Collect Art, Lymm, Cheshire, 68cm by 76cm, framed.

John Walsh (20th / 21st Century), 'The Victoria, Salford Quay' (Manchester), oil on paper, 2004, signed with initials, dated, artists labels verso, 68cm by 56cm, framed.

20th century school, view of sunlight through trees with white painted cottage, impasto oil on canvas, indistinctly signed, 48cm by 58cm

Harold William Stagg (fl 1910-1915), Poole Harbour, watercolour, signed, 18cm by 25cm, and A Keightley (late 19th century), Ratcliffe Wharf at Limehouse, London, watercolour, unsigned, verso inscribed paper label for The Hampton Hill Gallery Ltd, 17cm by 25cm (2)

British School (19th century), 'Still Life' depicting various fruits and a butterfly on a table, oil on canvas, 27cm by 31cm, stretchered but unframed, (af).

NB: it appears to be one canvas laid on top of another and the original canvas could be earlier than that which is visible.

Laurence Stephen Lowry (1887-1976) 'The Beach', pencil signed print, published in 1973 by Venture Print Ltd, with Fine Art Trade Guild blind stamp, to the current owner by family descent, 39cm by 62.5cm (ARR)

Laurence Stephen Lowry (1887-1976) "Deal beach sketch" signed print, Fine Art Trade Guild blind stamp, published by Venture Prints Ltd., with blind stamp, nb: this is a print of the preparatory sketch for The Beach at Deal, to the current owner by family descent, 17cm x 24.5cm (ARR)

British School (19th century), 'Still Life' depicting a birds nest with eggs and fruits in an outdoor setting, oil on board, indistinctly inscribed by hand verso, 21cm by 26cm, framed.

Peter Symonds (b 1964), Castle Combe, Wiltshire, oil on canvas, signed, verso paper label for Godalming Galleries, 30cm by 40cm

A Victorian mahogany partners desk, the red leather inset rectangular top with rounded corners above an arrangement of three drawers and three opposing drawers on reeded baluster legs and ceramic castors width 136cm, depth 87cm, height 77cm

A Louis XV style gilt metal mounted rosewood serpentine fronted commode with marble top above two drawers on cabriole legs terminating in sabots width 153cm, height 90cm, depth 63cm

Originally from The Cadogan Hotel 75 Sloane Street London before the hotel relocated to Knightsbridge and detailed in an inventory and valuation of contents dated 1947. By repute belonged to Lily Langtry and formed part of her furnishings in her Pont Street home before its sale to the hotel

An Edwardian mahogany inlaid kneehole desk with green leather inset breakfront top above an arrangement of five drawers on tapered legs and castors width 121cm, height 75cm, depth 60cm

An early 20th century Arts & Crafts mahogany inlaid magazine rack with three stepped divisions and pierced sides height 95cm, width 38cm

A Norwegian Ekornes Stressless light tan leather reclining armchair and matching stool on bentwood supports

A 19th century mahogany tilt top occasional table with circular top on turned pedestal to outswept tripod legs 78cm diameter

An Edwardian mahogany inlaid bedside cabinet with marquetry panel door enclosing shelf, width 42cm, height 78cm, depth 38cm

A 19th century mahogany pot cupboard with three quarter gallery top above a panel door, on turned legs width 39.5cm, height 82cm, depth 36.5cm

A narrow mahogany side table the rectangular top with rounded corners on baluster legs width 137cm, depth 47cm, height 73cm

An early 20th century mahogany cheval dressing mirror height 159cm

A Victorian mahogany bowfront chest of two short over three long drawers on bracket feet width 107cm, height 105cm, depth 54cm

A mahogany four division Canterbury with drawer on turned legs and castors height 62cm, width 47cm, depth 38cm

A rectangular giltwood wall mirror with shell surmount above pierced floral and foliate decorated frame 68cm by 46cm

A pair of Art Deco style wall mirrors each with rectangular mirror plate with bevelled edge, within a blue and a pink mirrored border with stepped surmount, 66cm by 41cm

A Victorian rosewood card table the fold-over top enclosing green baize lined interior on decorative carved column to platform base, paw feet and castors width 92cm, depth 46cm, height 75cm

An early 20th century oak bookcase of five open shelves width 76cm, height 114cm, depth 20cm

A contemporary settee of rectangular form with woven cream fabric upholstery on square wooden legs 179cm wide

An Edwardian mahogany inlaid salon suite comprising two tub chairs and four chairs, all with matching cream and yellow floral upholstery on cabriole legs

A Victorian oak framed occasional low chair with yellow upholstery on turned legs and castors

A solid pine kitchen table, 20th century, the rectangular top with rounded corners, raised on turned supports, 153cm by 91cm.

A 20th century circular polychrome painted wall mirror, the frame decorated with moulded fruit and foliage 40cm diameter

A Victorian walnut inlaid Davenport with stationery box above writing flap and four real and four dummy side drawers, on a plinth base and castors width 55cm, height 85cm, depth 53cm

A 19th century mahogany inlaid hanging bowfront corner cabinet with two panel doors enclosing three shelves, height 99cm, width 69cm, with key

A wingback armchair with contemporary striped upholstery on turned legs and castors

A grey and white woven check upholstered armchair on baluster turned legs and castors

A herringbone upholstered armchair on turned supports and castors

An Edwardian mahogany inlaid pot stand with square top and circular undershelf on slender square tapered legs top 30.5cm square, height 91cm

A 19th century small mahogany Pembroke side table with an end drawer with turned knob handles and opposing dummy drawer, on turned legs and castors, 81cm width fully extended, 62cm deep, 72cm high

A yew wood pedestal desk the green leather inset rectangular top above an arrangement of nine drawers on plinth base width 121cm, height 79cm, depth 61cm, with key

A Victorian walnut and gilt metal mounted pier cabinet with marquetry decoration, the single glazed door enclosing a shelf, on shaped plinth base height 109cm, width 86cm, depth 31.5cm, with key

A carved dark oak dresser with mask surmount and two shelves with back panel decorated with the coat of arms for the United Kingdom over two drawers on turned supports width 119cm, depth 40cm, height 192cm (a/f)

A George III style wing back armchair, upholstered in studded brown leather, raised on square front supports

A garden statue of a classical figure approx 90cm high

A garden statue of a classical figure holding a bowl approx 90cm high

A composite (possibly white resin) garden statue of a classical female semi-nude figure 80cm high

A pair of garden statues of recumbent lions 49cm (a/f)

A contemporary wall mirror, the ebonised wooden frame with silvered metal insert, 119cm by 95cm.

A mahogany revolving bookcase of square form with slatted sides width 47cm, depth 47cm, height 74cm

A nicely wethered slatted teak garden bench, 122cm wide.

A set of six nicely weathered slatted teak folding garden / patio chairs by Neptune.

A Victorian mahogany occasional table the oval top with moulded edge on reeded legs and castors width 114cm, height 78cm

A George III mahogany chest of four graduated drawers with brass drop handles and oval backplates on bracket feet height 89cm, width 91cm, depth 46cm

A modern mahogany effect pyramid shaped chest of seven drawers with brass cup handles on bracket feet width 45cm, height 111cm, depth 38cm

A George III mahogany inlaid linen press with four sliding trays (internal brackets missing) enclosed by a pair of panel doors, the base with two short over two long drawers, on bracket feet width 121cm, height 200cm, depth 60cm (a/f)

An English Regency Period mahogany drop leaf supper table, c.1820, the rectangular top with frieze drawer and drop leaves, raised on a turned column and four sabre legs with delicate brass casters, 107cm by 54cm opening to 111cm by 107cm.

George III mahogany dining table, c.1800, in three sections, comprising two D shaped ends (which can be alternatively used as a pair of console tables), and a leaf, each with reeded edges, raised on square supports, 171cm by 109cm when set up as dining table, each D end 109cm by 57cm, leaf 109cm by 57cm, no brass clips.

A George III mahogany breakfast table the rectangular top with rounded corners on turned column to four outswept reeded legs to brass caps and castors width 138cm, depth 119cm, height 72cm

A vintage Regency style gilt framed convex wall mirror, early / mid 20th century, the reeded circular form with ball decoration, 50cm diameter.

A vintage Regency style gilt framed convex wall mirror, 20th century, the circular form with ball decoration and fluted ebonised band, 42cm diameter.

A Victorian mahogany pedestal desk, the rectangular top with moulded edges, rounded corners, and inset writing surface, above a configuration of nine drawers with moulded decoration and turned knob handles, raised on plinth bases and brass casters, 122cm by 76cm (dismantles into three sections for ease of transport).

A diminuative vintage mahogany chest of drawers, c.1920's / 40's, the seven drawers with bronzed teardrop handles. raised on block supports, 56cm wide by 52cm deep by 71cm high.

A pair Victorian mahogany occasional chairs by James Winter & Sons of Wardour Street, London, the carved bar backs above upholstered seats, raised on front fluted and turned tapering supports, makers stamp to underside.

A pair of Victorian mahogany occasional chairs, having carved bar backs above upholstered serpentine fronted seats, raised on front fluted and turned tapering supports.

A Victorian walnut breakfast table, the oval hinged top with nicely moulded edges, raised on a tapered octagonal column and three foliate and scroll carved chunky outswept supports with wooden casters, 136cm by 97cm.

A vintage Plan chest, in two sections, later painted, with ten drawers with recessed handles, flanked by panelled sides, raised on a plinth base, 122cm wide by 89cm deep by 92cm high.

A pair of 19th century inlaid semi circular console tables / side tables, each top inlaid with boxwood stringing with radiating batswing designs, with crossbanded boxwood strung fronts, raised on square tapered supports, 100cm wide by 50cm deep by 77cm high.

An early 20th century elm and beach Smokers bow armchair, of usual form, dished seat, horseshoe shaped back with turned supports, turned legs united by H stretcher.

A William IV / early Victorian pedestal table, c. 1830 / 1840, with later painted finish, the rectangular hinged and swivel top with rounded front corners opening to reveal a larger surface, raised on a fluted column, quatreform base and bun feet with brass casters, 91cm wide by 45cm deep by 74cm high opening to 90cm by 91cm.

A George III giltwood and gilt gesso overmantle mirror, c.1800, the three plate frame with rope twist and beaded borders, 131cm wide by 54cm high, some age related chips and nicks.

A large decorative 19th century wall mirror / overmantle mirror, the carved giltwood frame with scrolling foliate decoration, 160cm wide by 130cm high, has a later wooden panel attached to the back to give it strength and stability, and some later decorative paint effect decoration, a good statement piece!

A painted nest of drawers, in the vintage industrial style, having eighteen drawers, raised on a plinth base, one handle missing, 32cm wide by 50cm deep by 69cm high.

A painted pine side cabinet, continental, early 20th century, having two frieze drawers above two panelled cupboard doors, raised on shaped bracket feet, 100cm wide by 51cm deep by 84cm high.

A stylish contemporary light oak narrow chest of drawers, having rounded top edges, six drawers with integrated recessed handles, and block supports, 50cm wide by 49cm deep by 137cm high.

A stylish contemporary light oak desk, loosely based on a contemporary twist on modernism, the inset writing surface above one long frieze drawer and a bank of three further drawers, 159cm wide by 77cm deep.

A good quality 19th century carved mahogany 'ribbon back' open armchair, the elaboratley carved back above red dralon upholstered seat flanked by acanthus and scroll carved open arms, raised on front foliate carved cabriole supports with claw and ball feet.

An Edwardian light oak side table, the rectangular top with moulded edges above two frieze drawers above an open undertier, raised on ring turned tapering supports, 119cm wide by 56cm deep.

A set of eight Victorian style mahogany dining chairs, the balloon shaped and carved bar backs above upholstered serpentine fronted seats, raised on front turned and fluted tapering cylindrical supports.

A pair of Victorian heavy quality mahogany occasional chairs, the elegant curved backs above upholstered seats, raised on front scroll carved cabriole legs.

A good quality E J Riley dual purpose snooker / dining table, c.1900, having a slate bed, height adjustable mahogany frame, five table top leaves, Riley score board, balls, cues and rests, size with table leaves on 223cm by 118cm (7' 4" by 3' 10.5").

A 19th century mahogany side table, the rectangular top with moulded edges and rounded front corners, raised on four turned tapering cylindrical legs, 107cm wide by 50cm deep.

An Edwardian carved mahogany elbow chair, the elegant carved and pierced high back above upholstered seat and swept open arms, raised on front ogee supports terminating on hoof feet.

A set of reproduction mahogany library steps, with four curved treads and turned hand rest.

A 19th century small carved oak wall cabinet the single panel door with diamond motif depicting a bacchanalian mask amongst scrolling decoration, enclosing shelves, height 47cm, width 42m, depth 22cm

A pair of Charles Rennie Mackintosh design high back chairs by Bruce Hamilton of Glasgow, 20th century, in the Ingram pattern, 150cm high.

The original Mackintosh chairs were made for The White Dining Room in Miss Cranstons Tearooms in Ingram Street, Glasgow, c. 1900.

A French Louis XV style gilt-metal mounted marble topped beach side table, 20th century, the galleried circular top above single drawer and open undertier, 47cm diameter by 67cm high.

A childs elm and beach Windsor chair, carved to underside 'DM May 1994', 68cm high.

A carved show-wood armchair in the Victorian style, with buttoned patterned fabric upholstery (af)

A 18th century French provincial fruitwood shaped front chest of drawers, having three long drawers decorated with shaped panels above the shaped apron and scrolled ogee front feet, with shaped fielded panels to either end, 129cm wide by 61cm deep by 88cm high, (af).

An Art Nouveau wrought iron and copper floor lamp, c.1900, approx 130cm high.

A French gilt metal mounted Vitrine in the Louis XV style with single serpentine shaped glazed door enclosing two shelves with Vernis Martin style painted panel, on cabriole legs, 73cmt

A good quality 19th century light / medium oak entomological / collectors 40 drawer cabinet by T Gurney of Broadway and London Fields, the twin panelled doors enclosing 40 numbered drawers with ebonised handles, lined interiors and glass tops, many containing nicely displayed butterflies and moths, raised on a plinth base, applied name plaque inside right hand door, 105cm wide by 122cm high by 51cm deep.

A George III mahogany bureau writing desk, c.1800, the hinged sloping fall front enclosing pigeon holes and drawers, above four graduated long drawers with cast openwork escucheons and back plates and swan neck handles, raised on bracket feet, 80cm wide.

A George III mahogany corner fitting washstand inlaid with boxwood banding, the fitted upper tier with later ceramic jug and basin, the lower open tier with single drawer, raised on outswept supports united by a decorative shaped flat stretcher, 58cm wide by 97cm high.

An antique PUKKA travel trunk, leather mounted canvas, with various period stuck on shipping labels attached, and a tied on period Cunard White Star Line, Queen Mary, New York to Southampton, locked no key, 94cm wide by 35cm high by 54cm deep, (af).

A wooden spinning wheel crank action with foot pedal

A George III oak bureau with fall enclosing pigeon holes and small drawers, over two short and three long drawers, on bracket feet, (a/f) 102cm

Two pairs of Victorian balloon back dining / occasional chairs to include one pair with scroll carved back rail over drop-in needlework upholstered seats (4) (a/f)

A 19th century Chippendale style commode chair with a pierced vase splat, and a Victorian mahogany bar back commode chair with matching blue upholstered seat

A Victorian mahogany two leaf extending dining table, with rectangular cut cornered top on baluster turned legs and castors height 74cm, length fully extended 176cm

A Victorian ebonised dining chair with carved and pierced vase back, upholstered seat on cabriole legs

A Bokhara rug, Pakistan, 20th century, decorated with traditional motifs within borders on a red ground, 186cm by 118cm.

An Iranian Niriz (Neyriz) hand woven rug, red ground with central repeating feather motif, verso label for Fired Earth, 200cm by 155cm

A Chinese sang de beouf glazed porcelain vase, character marks to base, 10cm high, on associated wooden stand

A Minton Archive collection Chinaman teapot, limited edition 870/2500, with certificate and original box

A large Lladro gres figure of a sailor 'Stormy Sea', 53cm high, on wooden stand (a/f)

Three Lladro porcelain figures comprising Don Quixote (a/f) 30.5cm, a lady wearing a hat 36cm, with associated base, and a lady carrying lilies 24cm high

A Lladro porcelain model of a gazelle 33cm, and an antelope 16cm (a/f)

Four Royal Doulton character jugs, comprising Auld Mac, 6cm high, Fat Boy, 9cm high, Arry, 9cm high, and Sairey Gamp, 8cm high.

Alan Wallwork (1931-2019), a studio pottery stoneware slice wedge shaped form with pierced decoration, incised AW mark to base, 22cm high, 29cm wide (ARR) purchased at the Old Bakery Gallery, Fishbourne, late 1990's

Alan Wallwork (1931-2019), a studio pottery stoneware split seed pod, flattened oviform shape with turquoise glaze to the centre, incised AW to base, 17cm high purchased at the Old Bakery Gallery, Fishbourne, late 1990's

Jude Jelfs (b 1950), a studio pottery jug of a nude male torso, verso inscribed 'Et In Arcadia Ego', signed and dated 19, 30cm high (ARR) purchased at the Old Bakery Gallery, Fishbourne, late 1990's

Terri Holman, a studio pottery two handled vase of flattened form with incised decoration, incised initials TH to base, 21cm high purchased at the Old Bakery Gallery, Fishbourne, late 1990's

Adam Aaronson (contemporary), two art glass vases with applied metallic decoration, both signed and dated 1999, tallest 15cm high purchased at the Old Bakery Gallery, Fishbourne, late 1990's

John Kershaw (b 1940), a two handled vase with turquoise and white glaze, 21.5cm high (ARR) purchased at the Old Bakery Gallery, Fishbourne, late 1990's

A Rosenthal Versace 'Les Tresors de la Mer' large ceramic plate 31cm diameter, with box

A Rosenthal Versace 'Ikarus' jug and cover 10cm high, with box

A Rosenthal Versace 'Barocco' cylinder vase 14cm high

A Rosenthal Versace 'Barocco' small circular plate 11.5cm

A Rosenthal Versace 'Medusa' cup and saucer

A Hermes Paris porcelain ashtray decorated with exotic fish, with gilt embellishments, 16cm by 20cm, with Hermes box

A 19th century German porcelain dessert service with central painted vignettes of courting couples in a landscape within a scroll pierced yellow border with gilt embellishments, comprising a tazza, four low tazzas and twelve plates, pattern 398, indistinctly marked to base

Four Swiss pottery wall plates with children in various pursuits, backs marked Rheinfelden Handarvbeit, 27cm

A large early 19th century Derby porcelain figure group 26.5cm high (a/f)

A Chinese ceramic platter with polychrome figural decoration 27cm by 36cm

A 19th century porcelain figure of a lady holding a fan, gold anchor mark verso 20.5cm high

Two green glazed Sylvac models of bunnies comprising no 1027 23cm high, and no 990 12cm high

A set of six Staffordshire Midwinter coffee cups and saucers

An oak framed set of two wall tiles painted with a figure harvesting with a scythe frame has not been opened - outer dimensions of frame 48cm by 27cm

A childrens willow pattern ceramic tea / dinner set comprising tureen and cover, oval platter, six dinner plates, teapot, milk jug, sugar bowl and cover, six teacups and saucers (a/f)

A Brannam Barum art pottery dragon spill / candle holder dated 1892, glazed in blue, brown and yellow, incised marks to base 10cm high

A Royal Crown Derby Imari pattern twin handled campana shaped vase and cover, cover restored, 19.5cm high.

A pair of Royal Crown Derby Imari pattern jars with covers, 11.5cm high.

A pair of Royal Crown Derby Imari pattern plates, circular form, 21.5cm diameter.

A pair of large two-handled vases baluster shape decorated in shades of lilac and blue with woodland scenes of figures amongst ruins, height 44cm

A Moorcroft pottery 'Spring Flowers' pattern bowl, 10.5cm diameter, and a Moorcroft pottery 'Hibiscus' pattern bowl 9.5cm

A 19th century Parian ware figure, depicting a naked classical maiden seated on drapes and rocks, indistinct makers mark, 53cm high, (a.f. - significant damage)

Susan Hadley, a terracotta model of a child resting in a hand, paper label verso 21cm long

A Karl Ens porcelain model of an owl 25cm high, and a woodpecker 24cm

A French blue opaline glass gilt metal mounted hinged box on pedestal base to circular foot 16cm high

A Royal Crown Derby Imari porcelain plate pattern 1128, diameter 27cm

A Poole pottery vase and jug with floral banded pattern tallest 22cm high, and a Poole pottery vase with kintsugi effect decoration

A set of four Continental roemer style green drinking glasses, the hollow stems with applied prunts, on a ribbed conical foot with pontil, 11cm high, together with a similar pair of green glasses (a/f)

A Crown Derby porcelain jug and stopper with applied floral decoration and gilt embellishments 17cm, together with four Masons Ironstone jugs, tallest 16cm high (with stapled repair)

Five Staffordshire pottery pastille burners tallest 20cm high, together with two similar models of cottages (a/f)

A William Moorcroft 'leaf and berry' pattern vase of cylinder form, decorated in blue and green 25cm high

A pair of Japanese satsuma ware baluster vases painted with panels of ladies and infants in a landscape, on blue ground with gilt embellishments, character marks to base 39cm high (a/f)

A Carlton Ware bowl pattern no. 3143 'Paradise Bird and Tree with Cloud', 19.5cm diameter, and a Carlton Ware jug pattern 2728, 9cm (jug with repaired handle)

A Royal Worcester porcelain miniature teacup and saucer painted with autumn fruits by J Skerrett, and a Royal Worcester porcelain vase painted with autumn fruits by Roberts 9cm high

A collection of Royal Copenhagen porcelain comprising a model of a kingfisher 18cm high, a lady beside a white goose 19cm, a vase decorated with a mallard and two Christmas plates for 1974 and 1982

A collection of seven Royal Doulton figures of ladies to include Southern Belle 21cm high, and Cherie 15cm high (a/f)

A set of six Royal Crown Derby 'Old Imari' porcelain bowls 21.5cm diameter

Four Royal Crown Derby porcelain paperweights of animals to include a snail and a hedgehog (missing stoppers and marked as seconds)

Four Royal Crown Derby porcelain paperweights of animals to include a ram and a platypus (missing stoppers and marked and seconds)

Dame Lucie Rie (Austrian / British 1902-1995), a footed bowl of flaring conical form with flecked glaze and dark brown rim, seal mark to base, 17cm diameter, with auction catalogue and receipt dated January 2013 (ARR)

Dame Lucie Rie (Austrian / British 1902-1995), a white glazed vase of pebble shaped form with inverted rim, seal mark to base, 9cm high, with paper label for the Henk Huffener Christiaani Collection and Lefays Fine Arts receipt (ARR)

A collection of Scottie Wilson for Royal Worcester Crown Ware decorated with a black and white silhouette pattern, comprising tureen and cover, bowl, two handled soup bowl and cover, and a side plate or saucer

An Addersley 'Lupin' pattern bone china part tea and dinner service exclusive to Harrods, to include two teapots, hot water pot, two different jugs, two egg cups, cups and saucers etc

Lladro: comprising a mother and daughter group, 36cm high, a girl and a goose group, 22cm high, a boy with an accordion, 21cm high, a Nao ballerina, 14cm high, and a Nao boy in a cloak, 26cm high, (5).

Mixed ceramics: comprising a Royal Doulton figure 'The Old Balloon Seller' HN1315, a Royal Doulton figure 'Twopence a Bag' HN2320, a Beswick Beatrix Potter figure 'Peter Rabbit', two Beswick sheep, two Beswick lambs, and a plaster bust of Gladstone, 21cm high, (8).

An antique Chinese blue and white porcelain miniature vase, 19th century or earlier, 9cm high, together with a later Oriental porcelain miniature vase painted in polychrome enamels on a celadon ground, 12cm high, (2).

An extensive Royal Doulton 'York Town' pattern dinner, tea and coffee service, approx 104 pieces.

A Moorcroft Pottery 'Moon Flower' pattern vase by Philip Gibson 2007 25cm high

A Lladro figure no 5172 'Chinese in the Market' 26cm high, boxed, and a Lladro figure no 4.991 'Japonesita abanico' 30cm high, without box

A Lladro figure no 5172 'Chinese in the Market' 26cm, and a Lladro figure no 4989 'Japanese Sayonara' 26cm, both boxed

A Lladro figure no 4608 'Cook in trouble' 24.5cm high, boxed, and a Nao figure no 01298 'Dreaming on Ice' 20cm long, boxed

Five Lladro figures of soldiers no 403 - 407 carrying a flag, a sabre, a drum, a trumpet and a rifle, 32cm high, all boxed (a/f)

A Lladro figure no 5615 'Mirando al mar' or 'Bathing Beauty' 25cm high, boxed

A Spode Italian pattern meat platter 41cm

A Royal Albert 'Old Country Roses' porcelain tea service comprising teapot 18cm high, platter 26cm, six cake plates 21cm, six small plates 16cm, milk jug, sugar bowl, six tea cups and saucers

A large majolica style jug / vase decorated with a stag amongst a landscape, inscription to base 49cm high

A studio pottery bowl with blue and black glaze, initials 'NK' stamped to base 22cm diameter, a studio pottery bowl with brown drip glaze initialled 'MC' to base 11cm high, and a Holcombe pottery green glazed vase 18cm high

A Clarice Cliff Newport Pottery bowl 36a with foliate, flower and fruit border on pale blue ground 19cm diameter

Six boxed Royal Doulton 'The Mickey Mouse Collection' ceramic figures with gold stamps to base to include Mickey Mouse, Minnie Mouse and Pluto

A collection of four Beswick model foxes in various poses largest 13cm high

A Beswick model deer family comprising 981 stag 20cm high, doe and fawn (fawn a/f)

Four small Beswick approved by Peter Scott models of ducks comprising mallard, shoveler, wigeon and king rider (king rider a/f), together with a graduated set of three ceramic mallards

Two Beswick 1383 models of pigeons in brown and grey 15cm high

Ten small Beswick models of birds to include goldcrest, stonechat and whitethroat together with a Goebel model of a long-tailed titmouse (a/f)

A Beswick model Welsh Mountain pony in grey 1643, 16cm high

A Beswick model of a Shetland pony 14.5cm, a donkey 11cm, and a donkey foal 11cm

A Beswick model horse group depicting brown horse and foal on shaped oval green base 19cm high

Two Beswick model foals, a Royal Belvedere model foal, and two Beswick style models of horses

A Beswick model group of two Turtle Doves 1022 20cm high

A Beswick model 1159 kookaburra 15cm

A Beswick model 2416 lapwing 14cm and 2417 jay 13cm

A Beswick model 1046 barn owl 18cm high, and 1226 pheasant 14cm

A Beswick model 1218 woodpecker 22cm high, and 2371 kingfisher 12cm, together with a Goebel model of a woodpecker on stump

A Royal Worcester porcelain 'Chamberlain' pattern part tea service comprising six tea cups and five saucers, a plate and six small plates

A collection of ten Goebel figures to include 'Playmates' and 'We Congratulate'

A fine quality 19th century Paris porcelain coffee pot and milk jug, each decorated with hand painted figurative panels in coloured enamels, and rich gilt borders and motifs throughout, the coffee pot with old riveted repairs to the handle, 25cm high, the jug 17.5cm high, (2).

Two matched 18th century Chinese blue and white porcelain plates, each dished circular form hand painted underglaze with central scenes of urns and meandering foliage between foliate borders, 23cm diameter.

A Clarice Cliff 'Water Lily' pattern table centre bowl modelled as a flowering water lily, shape 973, green script signature, 22.5cm wide by 12.5cm high, and a Rye Pottery figure 'The Wife of Bath' from the Canterbury Tales, 19cm high, (2).

A continental porcelain model of a Cockatoo perched on a tree stump, late 19th / early 20th century, bears the Royal Vienna 'beehive' mark, 27cm high, some old restoration.

A Meissen porcelain figure modelled as an 18th century man wearing a satchel and leaning on a staff, 19th century, underside with blue crossed swords mark and incised number '1835', 13.5cm high, a smaller Meissen figure of a bare footed maiden carrying a basket of vegetables, blue crossed swords mark and incised number '1807', 11cm high, and a Volkstedt porcelain figure of a female vendor carrying a tray of flowers and a candle, blue printed factory mark, 14cm high, (3), (af).

A Robert Melville studio pottery charger decorated with the head of a bearded warrior in blue glazes, verso initialled and dated 1972, 37cm diameter Robert Melville was a talented artist and jazz musician. Initially working as an art teacher in Hampshire he went on to set up a pottery in Prawle South Devon. He left Prawle and began a pottery in Keswick in the late 1970's

Two Judith Woodruff (Hayter) studio pottery models of toads, the larger numbered 1/99, 8cm high, the smaller numbered x/99, 7cm high, together with an anthropomorphic vase by the same artist numbered i/03, 12cm high

Eric James Mellon (1925-2014), a cylindrical vase decorated with a figure in an interior, verso signed and inscribed 'A/ Elm Ash ded to Sarah & Mary', 11.5cm high (ARR)

A Charles Tustin for Winchcombe studio pottery condiment pot and cover, baluster form, with slip decorated wave design, seal marks to base 7.5cm high

Bernard Leach (1887-1979), a small studio pottery vase, painted BL monogram and seal mark to base 9cm high (ARR)

Trevor Corser (1938-2015), a brown slip glazed bowl, seal marks to base 16cm diameter (ARR) Trevor Corser initially came to St Ives as a fisherman and became the longest serving member of the Leach Pottery

Patrick Sargent (1956-1998), a studio pottery fluted bowl with green glaze, 16cm diameter (ARR)

Helen Pincombe (1908-2004), a stoneware jar in speckled glaze with iron decoration, impressed mark to base 14cm high (ARR)

Ray Marshall (1913-1986), two studio pottery vases and a milk jug, all with textured decoration and green glaze, tallest 12cm high

Ursula Mommens (1908-2010) a stoneware vase with trailing tenmoku glaze, impressed mark to base 24.5cm high (ARR)

Ray Marshall (1913-1986), a studio pottery baluster vase with striped decoration, 31cm high, and a smaller baluster vase by the same potter with textured decoration 19cm high

Phil Rogers (1951-2020), a green glazed jar and cover with impressed decoration, artist's seal mark to base, 33cm high (ARR) (a/f - chip to rim)

Peter Beard (1951-), two studio pottery lidded pots and covers with ceramic fungi / trees to the centre tallest 14cm high (ARR)

Don Glanville (1937-2004), a near pair of studio pottery jars and covers with striped decoration together with a bowl, tallest 16cm high (ARR)

Svend Bayer (1946-2007), a studio pottery bowl, 7.5cm high, Micki Schloessingk (born 1949) small jug, artist's seal mark to base 10cm high, and a Mabel Padfield studio pottery cup decorated with fish, with initials to base 7.5cm high (3) (ARR)

Carenza Hayhoe (Portland pottery), a blue glazed lobed bowl, artist's seal mark to base 12cm diameter, together with other items comprising a ceramic trinket box, the shaped cover decorated with a figure sitting on a mound with two rabbits, and a small blue vase

A Japanese porcelain plate decorated with plants and flowers on white ground 27.5cm diam

A William Baron Barnstaple art pottery model of a monkey in red gaze 6.5cm high, a CH Brannam art pottery model of a cat in green and blue glaze 17cm high, and a Royal Barum Ware model of a cat in black glaze 11cm high (a/f)

Two CH Brannam Barum art pottery vases decorated with fish, one of baluster form in blue glaze 15cm high, the other bottle shaped in green and brown glazes 14cm

A CH Brannam Barum art pottery 'owl' bowl, in blue glaze with sculpted owl faces and sgraffito decoration 15cm diameter

A Prattware ceramic chapel money box, probably Mexborough, Yorkshire, modelled in the form of a chapel with male and female figures standing either end, inscribed 'SHARP GARLAND CHICHESTER', painted in traditional colours and spongeware, 14cm wide by 13cm high.

NB: Sharp Garland's grocery shop once stood on the north-east corner of Eastgate Square, Chichester, and was reputed to have been the oldest continuously running grocery business in the country, and is believed to have been founded by John Smith in 1665, ownership of the business changed hands multiple times to different dignitaries and local people important to Chichester, including various members of the Hardham family, in 1860 the grocers was purchased from the Hardhams by Sharp Garland who had been born in Petworth in 1832, the business remained under the Garland family name for 104 years.

An early CH Brannam Barum art pottery jug dated 1880 decorated in brown and cream glaze 7.5cm high, a CH Brannam Barum mug with lettering 'E'rth I am and very dry Yet Im made to wet your eye', a Brannam Barum pottery boat shaped bowl in green glaze 24cm long, and a W Godwin tile with fleur de lis pattern 10.5cm square

A collection of mostly CH Brannam Barum and W Baron Barnstaple art pottery to include a jug with fish head spout and with sgraffito verse 'From mother Earth I took my birth, then formed a jug by man, Now I stand here, filled with good cheer, Taste of me if you Can' 19cm high, a blue glazed pot decorated with an eagle and initials 'SB 1930' 19cm and two puzzle jugs

Four items of Devonshire art pottery to include a CH Brannum Barum red glazed vase 26cm high and a Baron Barnstaple glazed yellow planter 14cm high

A Hutschenreuther porcelain figure depicting a Lippizan horse and rider, German early / mid 20th century, hand painted decoration, printed factory marks, 20cm high.

Two Sylvac pink glazed models of bunnies comprising no 1027 23cm high and no 1026 17cm, together with a Sylvac pink glazed model of a hare no 1299 (3)

Two Sylvac green glazed models of bunnies comprising no 1027 23cm high, the other with no number 15cm, together with a Sylvac green glazed model of a hare no 1526 24cm high (3)

Six Sylvac models of bunnies to include three in coffee coloured glaze no 1027 23cm high, and a Sylvac model of a hare on coffee coloured glaze no 1299 18cm high (7)

Six Sylvac models of dogs comprising two no 1209 in green and overpainted white 28cm high, two no 1380 in pink and green glaze 27cm, and two others (6)

Six Sylvac models of dogs comprising two no 1209 in pink and coffee coloured glaze 28cm high, one no 1380 in green glaze 29cm, and three others

A collection of Sylvac models of dogs and other Sylvac ornaments to include an alligator 6181, onion, lemon, strawberry and bee shaped pots and covers, and a poodle

A William Baron Barnstaple North Devon slipware art pottery frog or toad spill holder, incised marks to base

A framed 17th century John Seller map of the British Isles 'Insulae Albion et Hibernia' 13cm by 15.5cm

A framed 18th century map of 'Worthing, Little Hampton [sic] and Great Bognor' 8cm by 12cm

A framed 17th century Robert Morden map of Sussex 33cm by 40cm

Austen, Jane, Pride And Prejudice, 1895, London: Macmillan & Co., black & white illustrations by Charles E. Brock

'An Accurate Plan of the City of Chichester with the Suburbs and Liberty there of', after William Gardner 1769, 95cm by 85cm, framed, (af).

Two volumes: 'Psychological Commentaries on the teaching of G I Gurdjieff and P D Ouspensky', volumes two and three, by Maurice Nicoll, Privately Printed for subscribers only, 1949, one of 200 only printed. A black and white printed photograph of George Ivanovich Gurdjieff. A young Richard Attenborough autographed photograph. Volume: 'The Mark' by Maurice Nicoll, 1954. Volume: 'My Autobiography' by Charles Chaplin, 1964, and other books, (Quantity).

'Fairground Art', The Art Forms of Travelling Fairs, Carousels and Carnival Midways' Geoff Weedon and Richard Ward, pub. 1981 White Mouse Editions, hardbound volume with colour illustrations in protective slip case, together with perforated cardboard music for the song 'Half Way to Heaven' pub Chappa Limited

Durning-Lawrence, Sir Edwin, Bacon is Shakespeare, first edition pub Gay & Hancock Ltd, signed by the author to Reginald Garratt Esq, together with Lamb, Charles and Mary, Tales from Shakespeare, Oxford Edition, pub Oxford University Press 1913

Holland, Henry, Journal of a Voyage &c. to Iceland, in the summer of 1810, half leather bound photostat copy of the original manuscript, given by the Landsbokasafn Islands, where the original manuscript resides, to David Holland, Librarian of the House of Commons, in 1959, together with several pieces of correspondence

Bligh, Captain W, The Log of H.M.S. Bounty 1787-1789, Genesis Publication 1975, half leather bound, number 311 of a limited edition of 500 copies

An Armand Marseille bisque head doll marked AM 351/6, on stuffed cloth body (a/f)

A French 'globe de Mariée' wedding dome containing red velvet cushion with gilt metal mounts and surrounded by gilt metal arbour with inset rectangular mirrors beneath a glass dome on a black painted wooden plinth base

A Kelvin & Hughes sextant no 61992 in fitted case, purchased by the current owner in 1954 then used extensively while an Officer in the Merchant Navy 1954-1979 to obtain sightings of the sun and stars, together with collection of work books showing the Navigation workings for each day at sea, a list of ships and ports visited, a US Navy Star Finder and Identifier, Norie's Nautical Tables, Nicholl's Concise Guide, a Hemmi bamboo slide rule with instruction book and a Portland Navigation Plotter

Churchill, T.O., The Life of Lord Viscount Nelson, Duke of Bronté, &c. Illustrated by engravings of it's most striking and memorable incidents, printed for R. Bowyer, 1808 (a/f)

A lignum vitae barrel with lid 13cm high, and a Tunbridge ware napkin ring

A small collection of Masonic regalia including apron in leather pouch

A Central Bank of Iraq coin set commemorating The Restoration of the City of Babylon, in case and card folder together with The Day of the Concorde Commemorative Issue coin and stamp set, a bronze 1974 Peace coin, and a cased 50 pence coin

A collection of British and World coinage, bank notes, a fossil, mineral rocks, and an ancient style bangle.

(TBA - contacted 7/10 LH)

A Victoria Straits Settlements Fifty Cents 1900, a Mexico Peso 1898, a Hong Kong Dollar 1900, three further coins and three further items

Michael Simpson (contemporary), a limited edition bronze sculpture of two stags locking horns, '700 The Duel', number 10 of 150, length 24cm, height 10cm, with certificate, receipt and box

Susie MacMurray (b 1951), 'Shell', limited edition sculpture number 55 of 250 commissioned by Pallant House Gallery Chichester, 2006, boxed, with information booklet

In 2006, Susie MacMurray was commissioned to produce a site-specific work of art in response to Pallant House, Chichester. MacMurray’s commission, After Shell, comprised 20,000 mussel shells, each filled with a small piece of velvet

A Clarinet by Martin of Paris, signed, white metal mounted, cased, 68cm long.

After Professor Giuseppe Bessi (Italian 1857-1922), a statue of a nude figure of a woman on alabaster plinth, marked to back of base 'Studio Prof G Bessi' 50cm high including base

A 1:50 scale model of a sailing ship, Santa Maria on rest, La Santa María was the largest of the three small ships used by Christopher Columbus in his first expedition across the Atlantic Ocean in 1492, with the backing of the Spanish monarchs. 75cm

A wooden scale model of a two-mast schooner, Trotamares on rest with plaque, built in Spain in 1958, this fishing boat was restored as a luxury charter yacht and latterly moored at the docks of Monte Carlo, 80cm

A scale model of a three mast galleon warship on rest (a/f), 57cm

Tiffany & Co. six early 20th century silver plated tablespoons, five dessert spoons and four dessert forks with zig-zag borders and engraved initials, marked Tiffany & Co. EP PAT.1903, with three cloth wraps bearing labels, Tiffany & Co. New York

A brass miners lamp 'The Protector' by Lamp & Lighting Co Ld Eccles, Manchester

A Lego Creator 10249 Winter Toy Shop set, in sealed box (box with some light dents and scuffs)

A George III half Crown bull head issue 1817, a Victorian double florin 1890 and a George V 1935 Silver Jubilee Crown

Four wooden models of masted ships to include Pinta Caravel (a/f)

A W Ottway & Co gun sighting telescope no. 2582

Two manuscripts of palm leaves, possibly prayer books, the leaves written to rectos and versos, threaded together with two string cords and to painted wooden battens

An early 20th century carved oak box sloping top with central medallion, 50cm

A Copeland parian figure of Marguerite with a bronze effect glaze, designed by Sarah Terry for Copeland, impressed marks, Copeland, S Terry Sc, 1868, height 50cm

An African carved stool oval top with incised geometric design, on four block feet, 40cm

A George III and later mahogany knife box height 34cm (a/f)

A Lego The Batman Movie set 70906 The Joker Notorious Lowrider, in sealed box

A pair of 19th century cast gilt brass candlesticks, of heavy quality, with stylised foliate and fluted decoration in relief, 23cm high.

A late 19th century Swiss Chalet musical box with rising roof lid revealing a velvet lined jewellery box, the three storey building includes beehives, water troughs and firewood, resting on a carved wood plinth containing the musical movement, consisting of a 21cm cylinder paying eight airs, c.1870, height 44.5cm, width 60cm

After Mathurin Moreau (1822-1912) A French Art Nouveau bronze figure 'La Source' of a seated woman drinking from a shell, with foundry stamp, Colin & Cie, Paris, 55cm high

A collection of Continental silver and other commemorative teaspoons

Six Victorian silk programmes for a Display of Fireworks to be exhibited on the 29th May 1856 on Primrose Hill

A bronzed reconstituted stone but of Diana on pedestal base, 20th century, total height 107cm.

A large Liberty leather Rhino, approx 100cm long by 55cm high.

A pair of antiquity style busts depicting Greco-Roman males, moulded to simulate carved marble, 20th century, on metal stands, 30cm and 28cm high.

An African tribal carved wooden head, featuring twin handles and inset with metal nails, the wear and patination appear early 20th century or earlier, 30cm high.

An African tribal mask, the carved wood face wearing a crown, and with raffia fringe, 20th century, 51cm long (not including the fringe).

A set of three graduated alchemist's style jars, bronzed metal, contemporary, each of circular form with cover, decorated with a scorpion, a spider, and a crab, 12cm high, 7cm high, and 5cm high.

A large and interesting collection of stamps: six albums and a tin, including Victorian Penny Blacks, Reds and Blues, 19th century, early 20th century and later worldwide examples, including USA, Canada, South American countries, European countries, British Bechuanaland, African and African Islands, India, Hong Kong, Saint Helena, Pitcairn Islands, Malaya, Straits Settlememts, Sarawak, Pakistan, India, Australia, Norfolk Island, New Zealand, British Solomon Islands, Cook Island, Trinidad & Tobago, Turks & Caicos Islands, Virgin Islands, St Vincent, St Lucia, Jamaica, Barbados, Antigua, Philippine Islands, Lebanon, Egypt, Japan, Iran, etc, etc.

This collection of albums have been handed down to the vendor from his late Grandfather, William White, a civil servant at the Patent Office, London, before, during, and after the war. The tin containing Penny Red stamped letters and Penny Blacks were handed down from a late uncle, an auctioneer from Hampshire approx 50 to 60 years ago.

A George III feathered mahogany work box with rosewood cross banding and boxwood stringing, flanked by brass drop ring handles, 28cm wide (af), and an early Victorian rosewood sarcophagus shaped tea caddy, the hinged lid enclosing two covered partitions, 21.5cm wide, (2)

A trio of decorative alchemists style bronzed pots / ornaments, each piece sat on a separate quatreform base, 24cm, 20cm, and 11cm high, (3)

A set of three graduated brass models of skulls, 12cm, 9cm, and 8cm high, (3)

A set of three Alchemists style pots, labelled for 'ZOLFO', 'SOLFATO', and 'ARSENICO', the domed lids decorated with snakes, toads, and a scorpion, each 23cm high, (3)

A heavy quality skull sculpture, solid brass in a bronze finish mounted on a black marble base, 37cm high.

A pair of decorative 'ring turned' style candlesticks, ebonised metal, contemporary, 42cm high.

A vintage crocodile leather travel case by Alexander Clark of London, with gilt lettering and stamped locks, the hinged lid enclosing a lined interior, 51cm wide.

A vintage Coleman's mustard tin, early 20th century, the tapered circular form decorated in a chintz style design, the lid with Coleman's advertising to the underside, with swing handle, 20cm high.

Four boxed Corgi Classics 'The Showmans Range' model fairground vehicles comprising 12601 Foden Closed Pole Truck Set, 16502 Scammel Highwayman Ballast Closed Pole Trailer & Caravan Set, 27602 Atkinson 8 Wheel Rigid Truck & Trailer with Loads Set, and 15901 Scammel Highwayman Generator with Closed Pole Trailer & Dodgem Trailer Set, together with a boxed Commercials from Corgi limited edition model J Ayers AEC Mercury Truck & Trailer

An Arts & Crafts Newlyn copper pedestal bowl decorated with a border of fish, stamped 'Newlyn' to base, 27cm diameter

A silver medallion detailed 'International Regatta Torbay June 1937' commemorating the Coronation of George VI, 62.5g cased, a square medallion detailed 'Habib Bank', thirteen Elizabeth II Commemorative Crowns and six further items

A boxed Tri-ang Scalextric set including two cars and transformer (unchecked), together with three Tri-ang Scalextric cars comprising Aston Martin DB4 GT MM/C68, Mercedes 190 SL and racing car C72 BRM

'The Military Badge Collection', contained within two purpose made military campaign style frames, each frame 50cm by 70cm.

A scratch built model ship 'HMS Endeavour 1768', wooden built with rigging and sails, 20th century, on wooden plinth stand with name plaque, 90cm long by 88cm high.

HMS Endeavour was a British Royal Navy research vessel that Lieutenant James Cook commanded to Tahiti, New Zealand, and Australia on his first voyage of discovery from 1768 to 1771.

'British Campaign & Gallantry Medals', replicas, displayed in a military campaign style frame, paperwork on the reverse, frame 50cm by 65cm.

A Steiff 'Pirate' 672828 teddy bear, in original suitcase box, together with a miniature enamelled model of a Steiff bear with pouch

A group of British and foreign coins to include a Victoria Jubilee head crown 1889, a 1935 Crown, a Victoria half Crown 1899, a quantity of silver threepences, a 1953 plastic set and a large quantity of commemorative Crown sized coins, a few banknotes

A collection of British and foreign coins to include commemorative Crowns, also a few medallions and banknotes

A collection of USA bank notes comprising two One Hundred Dollars, five Fifty Dollars, five Twenty Dollars, two Five Dollars and fifteen One Dollars

Three car badges comprising Freetown Aquasports Club, Asian BCB and AA

An Edwardian silver tray by Harrison Brothers & Howson (George Howson), being of shaped rectangular form with inverted corners, beaded edges, scrolled feet, 31cm wide, London 1908, approx 25 ozs.

A Georgian plated hot milk or chocolate pot, with turned wooden handle, domed lid, embossed decoration, 18cm high.

An antique bronzed plaque in the neo classical taste, the dished circular form decorated in relief with classical figures of antiquity, putti, demon masks, and classical motifs throughout, 37cm diameter (af).

A late 19th / early 20th century gilt-brass mounted oak card box, c.1890/1910, the carrying handle flanked by two hinged lids, 31cm wide.

An early 20th century Macfarlane, Lang & Co novelty writing slope biscuit tin with walnut effect finish width 20cm, depth 14cm, height 10cm, together with a chocolate tin 'The Gift of the Colonies of Trinidad, Grenada & St Lucia to His Majestys Naval Military Forces'

A collection of George IV and later British coinage to include four commemorative £5 coins, crowns, shillings and pennies

A collection of cigarette cards and silks to include Player's and Spencer's, many in boxes

A Windsor & Newton artist's box (contents a/f), a cased draughtsman's set containing pen and nibs and a cased set of geometric instruments

Two brass shells tallest 69cm high

Three mahogany mantle clock wall brackets

A George VI silver hunting horn, Birmingham 1938, 31cm long, 1.2oz

A collection of Victorian and later postcards and greetings cards housed in an album and a box file, to include country house interiors, scenic English and French views, doll's houses, together with a book on collecting postcards

A 17th century and later oak spice box, the geometrically moulded door with wrought iron hinges opening to fitted interior containing an arrangement of drawers with brass ring handles 27.5cm high, 30.5cm wide, 20cm deep, with key (a/f)

A pine doll's house in the form of a three storey house with hinged roof and front panels enclosing an arrangement of rooms and a small collection of accessories, height 87cm, width 80cm, depth 48cm, with key

Two Victorian walnut inlaid jewellery boxes, to include one with Tunbridge ware style bands and mother of pearl cartouche and escutcheons width 27.5cm, depth 19.5cm, height 13cm, together with four various inlaid boxes (6) (a/f)

A collection of nine mauchline ware boxes to include Shanklin Chine containing a fitted glass, High-Gate Hawkhurst and The Pier Bognor

A London Stereoscopic Company Ltd. mahogany and brass camera (a/f)

A Paillard Bolex G916 16mm film projector, a Bolex Paillard 18-5 film projector, a Bolex Paillard SM8 sound projector and a Bolex 155 Super (a/f) (4)

A framed 19th century alphabet sampler 22.5cm square (a/f)

A framed West Ham match worn shirt of Ukrainian footballer and coach Serhiy Rebrov signed by the West Ham Squad players who were promoted to the Premier League 2004/2005, frame 90cm square, for list of signatures see additional photograph

A William IV truncheon with painted lettering 'IV WR ST MARTINS', 45cm long

A pair of Art Deco style desk stands each with oval hardstone pen tray surmounted by a painted metal model of a panther, together with a gilt metal ornament of an eagle

A Sheaffer electroplated gold fountain pen with 14k nib, cased with paperwork, and a Waterman gold plated fountain pen with 18k nib, cased

A set of four boxed The Beatles Yellow Submarine Sgt Pepper Lonely Hearts Club Band MacFarlane Toys figures comprising John with the bulldog, Paul with sucking monster, George with snapping turk and Ringo with apple bonker

A Victorian walnut inlaid writing slope the exterior with Tunbridge ware style borders, mother of pearl inlaid cartouche and escutcheon, width 30cm, depth 23cm, height 15cm

Three metal Anglepoise desk lamps in black, cream and grey (a/f)

A vintage heavy quality cast iron and brass model cannon, 44cm long by 22cm high.

A vintage Union Jack flag, by family repute from WW1 but not verified, 174cm by 86cm, (a.f.), attached to a bamboo pole, and a later Union Jack flag, 180cm by 91cm. (2)

A travelling fairground organ model of Gavioli fair organ 'Brevete', Miller Amusements Portsmouth with illuminating lights and music system to interior, on wheels, height 73cm, depth 43cm, length 127cm (a/f - must be tested by an electrician before use)

A collection of 1960s, 70s, 80s and later football programmes, magazines and ephemera to include Liverpool and West Ham, together with a small collection of sticker books (a/f)

A collection of mostly Walton and Woodmansterne colour slides to include North Wales, Chester, St Pauls Cathedral, Chester, Hampton Court, London: The City and Christmas Lights 1964

A Lego The Flintstones set 21316, in sealed box (tear to one corner)

Lego Star Wars The Helmet Collection Darth Vader 75304, in sealed box

A Lego Ghostbusters set 75828 Ecto-1 & 2, in sealed box (dents to box)

A Lego Disney Princess set 43206, in sealed box (dented)

Lego Star Wars 75318 The Mandalorian 'The Child', in sealed box

Lego Ideas 21307 Caterham Seven 620 R, in sealed box

Lego Ideas 21324 Sesame Street set, in sealed box

Lego Star Wars The Helmet Collection 75274 Tie Fighter Pilot, in sealed box

Lego 21306 The Beatles Yellow Submarine, in sealed box

Lego Star Wars The Helmet Collection 75276 Stormtrooper, in sealed box

Lego Star Wars 75306 Imperial Probe Droid, in sealed box

A collection of boxed model buses mostly Corgi, Original Omnibus Company and Oxford to include many Southdown buses

A Coca-Cola model Holiday Caravan and Volkswagen T1 bus, both boxed

Five boxed Corgi Aviation Archive diecast models to include AA39002 Westland WG-13 Lynx MK-8-202, AA37 Westland Wessex HAS.3, XM328 No 737 Squadron Royal Navy and limited edition AA33614 Panavia Tornado GR4

A set of three graduated copper and brass spirit ladles, for Whisky, Rum and Brandy, each approx 37cm long, together with an old copper receptacle of flared circular form, 26cm diameter by 14cm high, (4).

A Georgian silkwork panel, the oval form hand woven and hand painted with a young maiden, within old Hogarth frame, silkwork 17cm by 13cm, frame 34cm by 28cm.

A Russian painted brass samovar and tray with floral and bird decoration on dark red ground (a/f - electrical wires missing)

A marquetry inlaid and gilt metal mounted rectangular form jardiniere 40cm width

A copper and brass jardiniere / log basket with applied crest and foliate decoration and lion mask ring handles on three paw feet 34cm diameter, 37cm high

A vintage Geographia Ltd Dr. R. Neuse Columbus Terrestrial table globe, with chromed metal support and wooden stand, 49cm high.

An album containing collection Victorian and later postcards depicting views of Pagham, Aldwick and Bognor together with an album of assorted postcards including views of Paris, Morgat and Saint-Omer

An old tribal spear, with 29cm metal head and a bound wooden handle, total length 128cm.

A cast iron barber's shop foot rest (could be used as a bookstand) the pierced design with lettering 'CLARKE 7 CT DOVER ST SE' 43cm wide

A Persian saddle bag, dark brown ground, with diamond motifs and striped design 140cm by 51cm, a small carpet bag and a woven bag with long tassels

A framed sketch of an original costume design for Diana Rigg as Cleopatra in Anthony & Cleopatra at Chichester Festival Theatre 1985, watercolour and pencil, 29cm by 20cm

Sooty and Sweep hand puppets, together with a monkey hand puppet and a bear hand puppet, (4).

Five wooden walking sticks, comprising four with knob handles and one with antler handle

A pair of Art Nouveau gilt spelter figures of ladies converted to table lamps 59cm high including base and fittings

Frederick William Booty (1840-1924), Old Bar, Scarborough, watercolour, signed and dated 1915, verso inscribed paper label for Henry Whitley & Son, 67cm by 51cm (a/f)

A Japanese wooden Sumitsubo, a carpenters ink pot for marking lines on the wood, stamped seal mark to underside, 19.5cm long.

A French brass and bevelled glass cased carriage clock the white enamel dial with Roman numerals 15cm high, with leather travel case and key

Two brass and bevelled glass cased carriage clocks tallest 15cm (a/f)

A collection of scientific instruments: comprising a Sike's Hydrometer from Wickenden & Sons, Hotel Valuers of Tunbridge Wells, a Theodolite, a Shortland Bowen table top compensated barometer, and a cased replica portable sundial, (4).

A 19th century French gilt figural mantle clock, the drum shaped case flanked by a classical figure 40cm high

A 19th century French boulle clock, maker Richard et cie, the cartouche shaped case with figural surmount above a circular brass dial with enamel plaque Roman numerals, the movement striking on a gong 79cm high (a/f)

A circular mahogany wall clock, the 14 inch dial with Roman numerals and crows foot mark (a/f)

A Victorian Black Forest cuckoo clock the movement striking on a gong, the carved oak case with applied bone Roman numerals and with cuckoo aperture to the top 50.5cm high, with pendulum and keys (a/f)

A George III mahogany banded oak cased striking longcase clock by James Kirkham of Holywell, the gilt metal mounted arched hood with hand painted foliate decoration, the 13" arched brass dial with moonphase movement, silvered chapter ring, silvered seconds ring, date aperture, twin winding holes, engraved decoration and applied spandrels, the trunk door flanked by fluted quarter columns, with two weights, 220cm high.

A Georgian oak cased eight day striking longcase clock, the 12" painted square dial with subsidiary seconds dial and twin winding holes, the trunk door with glass lenticel, with pendulum and twin weights, 201cm high.

A late 19th century continental Vienna type wall clock, glazed walnut case of architectural form, the movement striking on a gong, with key and pendulum, approx 98cm high.

A Winterhalder and Hofmeier chiming longcase clock with 32cm silvered chapter ring and Roman numerals, chime/silent and seconds subsidiary dials, in domed hood and mahogany case with oval glass panel door, height 208cm

A Maple and Co. circular mahogany wall clock fusee movement with 8 inch dial and Roman numerals, c 1920/30's, 29cm

A George III oak longcase clock by Jos. Jackeman on London Bridge with 27cm square brass dial, (a/f hood panel detached but present) height 204cm

An FCC Precision brass bulk head barometer and clock set on wooden stand (a/f clock in need of repair) 32cm

A George III longcase clock by Thomas Agnes, London with 30cm brass dial, silvered chapter ring and Roman numerals, eight day movement with strike/silent and seconds subsidiary dials, calendar aperture, in arched hood with blind fret decoration and brass capped column supports, ht.248cm

A George III mahogany longcase clock by Joshua Wilkinson, London with arched silvered dial, Roman numerals, calendar slot, subsidiary seconds and Strike/Silent dials, in arched hood with fluted column supports and case with quarter column supports, ht.218cm

Johannes Holst (20th Century) sailing boats off a headland, oil on canvas, signed and dated 1936, 29cm by 44cm

Charles Edward Dixon (1872 -1934), maritime view, 'Westward Ho!', indistinctly inscribed and dated 9.12.06, watercolour, 46cm by 68cm, provenance: by family descent, the original owner was a friend of Dixon and by repute shared the cost of art materials (a/f)

John Hamilton Glass SSA (fl 1890-1925), village harbour view with figures on a shoreline, watercolour, signed, 34.5cm by 51.5cm

Early 20th century school, portrait of a lady, oil on canvas, indistinctly signed Po*son and dated 29, 76cm by 66cm, unframed

20th century school, figures beside moored boats, oil on canvas, indistinctly signed 'Drosz K 959'?, 50cm by 60cm, together with a harbour view by another hand, oil on board, unsigned, 51cm by 61cm, both unframed

Malcolm Teasdale (British, b.1944), 'West Gate', gouache, signed, label verso, 27cm by 32cm, framed.

Wyn Appleford (1923-2016), Boats, Newquay Harbour, Cornwall, mixed media, signed, verso paper labels, 19cm by 15cm

Wyn Appleford (1923-2016), Trinity House Lifeboat, mixed media, signed, verso paper labels, 21.5cm by 34cm

Wyn Appleford (1923-2016), Cornish Estuary, watercolour, signed, verso paper labels including for Sidmouth Society of Artists, 35cm by 51cm

Joseph Cayet (1907-1987), portrait of a lady, signed in pencil, verso paper label for P Vermeersch Bruxelles, 59cm by 49cm

Francis Murphy, two framed pencil drawings, a head and shoulders portrait of a lady, 31cm by 26cm, and a lady seated before a painting, 41cm by 29.5cm, both signed

Francis Murphy was a student at the Royal Academy of Arts

After Francois Boucher (1703-1770), reclining nude with child, reproduction print, 16cm by 27cm

Lylya Lemcka (Ukrainian, contemporary), pair of abstract oils on board in red and yellow, signed and dated 06, each panel 61cm by 40cm

A framed Robert Delaunay Tate Gallery poster 68cm by 48cm

Eduardo de Moira (Portuguese 1817–1887) portrait of a man in uniform with walking cane, watercolour, signed E Moira, pinx. and, E Haigh phot., oval gilt beaded mount, 36cm by 29cm

Attributed to Thales Fielding (1793-1837) Shipping off the coast, watercolour, 10.5cm by 14cm

William Lionel Wyllie (1851-1931), The Poseidon Temple, Attica, etching, signed in pencil, verso paper label, frame 47cm by 55.5cm

John Doyle (Irish 1797–1868), political lithograph, 'The Man Wot Jockeys The Sovereign' 54cm by 41cm

David Michael Carroll OJ (1936-2007), Swedish training ships, oil on board, signed, 28cm by 39cm

David Michael Carroll OJ (1936-2007), Coastguard and other ship, oil on board, signed, 28cm by 39cm

David Michael Carroll OJ (1936-2007), Asgard II (Irish TS) and Soren Larsen, watercolour, signed, 26cm by 39.5cm

Frank Harding (British 1935-1990) ships in Brixham and Poole Harbours, two etchings, both inscribed and signed in pencil,15cm by 27cm and 13cm by 31cm

Norman Wilkinson (1878-1971), Navy destroyers moored off a coastline, oil on board, unsigned, verso paper label for Reading Fine Art Gallery Ltd, 29cm by 49cm (ARR) purchased by the current owner's father from Reading Fine Art Gallery in the early 1970s

20th century school, a pair of oval coloured prints depicting Pierrot with a lady, indistinctly signed in pencil, pub Hautecoeur Paris, 33cm by 43cm

Manner of Henry Scott Tuke (1858-1929), bathers, oil on board, unsigned, 23cm by 34cm

Tom Groom (20th Century) view of Venice, views of harbour and country lanes, seven small watercolours, signed, 10cm by 15cm

Albert Dunnington (1860-1941) two views of the Dean's Close Winchester and The Old Butter Cross Winchester, watercolours, signed, 36cm by 25cm

G L Hall (19th Century) Woody Bay, North Devon, paper label verso, watercolour, signed, 21.5cm by 31cm

Tom Rowden (1842-1926) ponies and cattle on moorland, a pair of watercolours, signed, 20cm by 38cm

Leslie Arthur Wilcox RI RSMA (British, 1904-1982), 'Harbour scene', oil on canvas, signed, gallery label verso, 58cm by 78cm, inset swept gilt and cream finished frame. Together with a valuation note from Studio Van Hemersveld of Fort Worth, Texas, USA, dated 12th September 1978, relating to a painting by this artist but titled 'Chichester Harbour', which this does not appear to be!

Graham McKean (Scottish, b.1962), 'Chasing the Dream', Pencil signed limited edition giclee on paper, number 38/195, with certificate of authenticity version, 47cm by 60cm, framed;

Graham McKean (Scottish, b. 1962), 'Swings & Roundabouts', Pencil signed limited edition giclee on paper, number 19/195, with DeMontfort Fine Art label verso, 47cm by 60cm, framed.

Graham McKean (Scottish, b.1962), 'The Bread Winner', Pencil signed limited edition giclee on paper, numbered '16/20AP', with DeMontfort Fine Art label verso, 45cm by 36cm, framed.

Alex Portner (German, 1920 - 1982), 'Portrait of an elderly Gentleman', oil on canvas, signed with monogram, remnants of old label verso, inscribed by hand verso, 50cm by 40cm, framed.

Clive Fredriksson (Contemporary, born in Africa now resides in East Sussex), 'Male figure attempting to catch fish with his hands', oil on canvas, signed and dated 2022, 113cm by 76cm, stretchered but unframed.

Norman Battershill (b 1922), rural landscape view across fields with distant cattle, oil on board, initialled, verso inscribed, 11cm by 20cm

Peter Iden (1945-2012), Winter in Priory Park, Chichester, limited edition colour print numbered 274 of 500 and signed in pencil, 41cm by 58cm

Kathleen Caddick (b 1937) rural winter landscape with outbuildings, oil on board, monogrammed, 48cm by 74cm

Athanasius Nikolsky (late 20th century), still life of roses, oil on canvas, signed and dated 1971, 49cm by 59cm

Cecil Kennedy (British, 1905 - 1997), 'Cydonia' a still life depicting delicate blossoms in a glass ewer, a ladybird and a bumble bee', oil on canvas, name and title plaque applied to front, rear stretcher hand written by artist "this painting may be varnished in Sept 1975 by me (CK) if i am available", 51cm by 41cm, framed.

A large scale antique engraving: 'The Relief of Lucknow, a Triumphant Meeting of Havelock, Outram and Sir Colin Campbell', by Charles Lewis after Thomas Barker, image 66cm by 125cm, giltwood frame with egg and dart moulded borders 98cm by 158cm, (a.f. - some condition issues).

This scene records the aftermath of one of the most traumatic episodes of the British involvement in India, when a siege that had lasted four months was finally lifted, the original version in oils is now in the National Portrait Gallery, London.

Derek George Montague Gardner (British, 1914 - 2007), a pencil signed marine print with blind stamp, depicting HMS Minerva's action with French Warship 'Warwick' in January 1761, 46cm by 68cm, framed.

British School (19th century), 'Marine scene with fishing boats in calm waters', watercolour, initialled 'R,M.', 15cm by 34cm, framed.

An antique engraving of old Chichester: entitled 'To his Grace, Charles Duke of Richmond, Lenox & Aubigny, Earl of March & Darnley, Knight Companion of the Most Noble Order of the Garter, Lieutenant General of His Majesty's Forces, High Steward of the City of Chichester, F.R.S. &c &c. This Plate representing one of the most interesting views in Chichester, is with permission, humbly inscribed by his Graces very faithful and obedient servant Joseph Francis Gilbert', Published June 1814, engraved by M Dubourg, Painted by I F Gilbert, 46cm by 60cm visible, later framed and sealed behind glass.

Jillian Squelch (20th century), figure through a door, oil on canvas, signed, verso paper label for The Garden Painting Competition, inscribed and dated 1981, 55cm by 81cm

Dion Pears (British. 1929-1985), 'Racing Yacht in action', oil on canvas, signed, 70cm by 91cm, framed.

British School (20th century), 'Harbour scene', oil on canvas, signed 'SPENCE' (possibly for James Spence, Scottish,1929 - 2016), 60cm by 120cm, framed.

Flemish School (18th / 19th century), 'still life featuring a young male attendant laying out a banquet with a boars head, lobster, goose, stag, and copious fruits, with cats watching near by', large scale oil on canvas, re-lined, 138cm by 213cm (4'6" x 7'), inset later gilt frame.

Albert Dunnington (1860-1941) two views of Overton on Dee Cheshire and Artists Lane Nether Alderley Cheshire, two watercolours, signed and dated 1915, 35cm by 25cm

Jan Van Hessel (Dutch b.1894) winter scene with skaters on a lake, oil on board, signed, 19cm by 24cm

Manner of Bessie Bamber (1870-1910), kittens, oil on board, bearing initials 'BB', 22cm by 16cm

Boyd & Evans (Fionnuala Boyd / Les Evans, b.1944/45), 'Sea of Custard', oil on canvas, 1995, inscribed by hand verso with artists name, date, and title, assumed by artist, also with label verso for the Angela Flowers Gallery, 199/205 Richmond Road, London, with this artworks details, 18cm by 23cm, framed.

John S Piper (British. b.1946), 'Porthgwarra' a Cornish coastal scene, oil on board, 1988, signed, dated, and titled verso, 26cm by 33cm, framed.

Jonathan Waller (British, b.1956), 'Mother No 60', from the Birth Series, pastel and charcoal study on paper, 1999, initialled and dated lower right, signed, dated, and titled verso, 102cm by 65cm, framed.

Sergei Chepik (Russian / Ukranian, 1953 - 2011), 'Salome', gouache preparatory work on paper, signed lower right, labels verso for the Roy Miles Gallery, 29 Bruton Street, London W1, and for Academy Framing at the Royal Academy of Arts, Burlington House, Picadilly, London W1, 39cm by 15cm, framed.

Alastair Paterson (20th century), 'Arundel meadow with the castle in the distance' and 'A Sussex Farm', a pair, watercolours, signed, 24cm by 34cm, framed.

Sir Peter Scott (British, 1909 - 1989), 'White Wagtail', a signed limited edition print, number 4/25, 8cm by 9.5cm, framed.

Sir Peter Scott (British, 1909 - 1989), 'Andromeda', signed limited edition print, number 13/25, 9cm by 7.5cm, framed.

Marjorie Collins (American, b.1941), 'Botanical still life', watercolour, signed, 15cm by 23cm, framed.

Marjorie Collins is a Member of the Society of Botanical Artists, the Society of Women Artists and the Oxford Art Society, born in Chicago and moved to England in 1975, she has a Bachelor of Science Degree in Design from the University of Michigan.

She has exhibited her work widely in both in the US and the UK and open exhibitions include the Royal Academy Summer Exhibition, Sunday Times Watercolour Competition, Royal Institute of Painters in Watercolour, Royal Institute of Oil Painters and the Royal Watercolour Society, her paintings can be found in a number of corporate, private and public collections in both the UK and the US.

Vivienne Redmond (20th century), 'Molly & Grace' two cats, 1999, Pencil signed with initials limited edition etching, number 31/200, titled by hand, 17cm by 14cm, framed.

Jill Uht (British, b.1934 - wife of John Uht, 1924 - 2010), 'Reverends Return', watercolour, signed, label verso for the Linda Blackstone Gallery, The Old Slaughterhouse, rear of 13 High Street, Pinner, Middlesex, listing interesting info regarding the artist, 11.5cm by 16cm, framed.

Godfrey Gilbert (early 20th century), three views of Italy, all oils on canvas, all signed, to include 'Florence from Villa Campodonico exhibited Royal Academy 1947', 54cm by 64cm

Peter Symonds (b 1964), 'Down at Polperro', oil on canvas, signed, verso paper label for Godalming Galleries Ltd, 30cm by 46cm

Douglas Falconer, 'Surrey landscape, near Dorking, England', oil on board, signed, verso inscribed paper label, 24cm by 34cm

Douglas Falconer, 'Part of Ullswater, The Lake District England', oil on board, signed, verso inscribed paper label, 24cm by 34cm

Luke Elwes (British, b.1961), 'Walk', 1993, large scale oil on canvas, signed, titled and dated verso, also bears label verso for Galerie Vielle du Temple, 23 Rue Vielle du Temple, Paris, 107cm by 198cm, stretchered but unframed.

Luke Elwes lives and works in London, his early years were spent in Tehran, where the light and terrain were a formative influence, he studied at UAL (Camberwell school of Art) and holds undergraduate and research degrees from Bristol University and University of London, in 1987 he went to the central Australian desert to study the landscape and its place in indigenous storytelling and artforms, and has spent extended periods of time travelling and working in India, Asia and North Africa. In 1998 he was artist in residence on an expedition to Mount Kailash in western Tibet, and returned to the Himalayas in 2008 to explore the remote kingdom of Mustang, in recent years he has gone on to make significant bodies of work during residencies in the USA, at the Vermont Studio Center (2013) and the Albers Foundation in Connecticut (2015). In 2022 he was visiting fellow at the Ballinglen Art Foundation (Ireland). his work has been shown regularly in private and public galleries in the UK, US and Europe, including: Frestonian Gallery (London), Adam Gallery (London), Broadbent (London), Art First Contemporary (London), Browse & Darby (London), Art First (New York), Galerie Vieille du Temple (Paris), Galerie Marceau Bastille (Paris), Grand Palais (Paris), Palazzo Lanfranchi (Pisa), Galleria Ceribelli (Milan & Bergamo), Galleria Ghelfi (Vicenza). In 2022 he showed alongside Bridget Riley at the Myung-Won Museum in Seoul, South Korea.

Ludmilla Block, cornflowers and milk, oil on canvas, signed and dated 97, 36cm by 83cm

Yuri Anokhin (1926-1977) Winter in Sparrow Mountains, oil on board, verso paper label for Churzee Studio Gallery inscribed by the artist's son, 48cm by 66cm

Benjamin D Sigmund (1857-1947), woman and ducks before a country cottage and gardens, watercolour, signed, 25cm by 35cm

Edmund J Thring (1906-1985), 'Unloading bricks at Shoreham, Sussex', watercolour, signed and dated 1924, verso inscribed paper label, 25cm by 35cm

Edmund J Thring was an architectural perspectivist who produced over 2,500 perspectives in his lifetime. He spent much of the Second WorId War in the Photographic Reconnaissance Interpretation Unit at RAF Nuneham Park, interpreting aerial photographs and making models.

Anna Marrow (contemporary), diver and tower, 'Mr Blue Sky', limited edition screenprint, numbered 8/25, inscribed and signed in pencil, 58cm by 55cm

Anna Marrow (contemporary), female surfer riding a wave, 'Surf's Up', screenprint, artist's proof, inscribed and signed in pencil, 57cm by 38cm

Svan Grandin (Swedish 1906-1982), 'Winter Beach Scene', oil on board, signed, verso paper label for Arti, 27cm by 55cm

A collection of framed Baxter and oval Le Blond prints to include the Duke of Wellington, Prince Albert, Six Malagasy Christians and Brighton Chain Pier (SEE MULTIPLE IMAGES OF COLLECTION)

Attributed to David Cox (1783-1859), 'A cart on a windy heath', watercolour, unsigned, verso paper label for Spink & Son Ltd, 16cm by 26cm

Richard Allam (19th century), 'River landscape' with fisherman on a bridge and mountains beyond, oil on canvas, signed 'Allam', 34cm by 52cm, framed.

Richard Allam (19th century), 'Coastal landscape' with rocky coastline, seagulls and ships, oil on canvas, signed 'Allam', 34cm by 52cm, framed.

Peter Iden (British, 1945-2012), 'Street scene', watercolour, signed and dated 1982, 29cm by 40cm, mounted but unframed.

Peter Iden (British, 1945-2012), 'Mid century suburban houses', watercolour, signed and dated 1973, 33cm by 43cm, unframed.

Peter Iden (British, 1945-2012), 'Mid century housing development', watercolour, signed and dated 1982, 36cm by 40cm, unframed.

Peter Iden (British, 1945 - 2012), 'Suburban new builds', watercolour, signed and dated 1982, 29cm by 72cm, mounted but vunframed.

Peter Iden (British, 1945 - 2012), 'Modern suburban complex', watercolour, signed and dated 1986, 30cm by 72cm, mounted but unframed.

Peter Iden (British, 1945 - 2012), 'Chichester Theological College', produced for Whiteheads Design & Development Group, The Old Post Office, 52 South Street, Chichester, watercolour, signed and dated 1984, 30cm by 54cm, mounted but unframed.

Peter Iden (British, 1945 - 2012), 'Study of a grand house', watercolour, signed and dated 1973, 28cm by 43cm, unframed.

Peter Iden (British, 1945 - 2012), 'Mid century suburban street', watercolour, signed and dated 1982, 22cm by 37cm, mounted but unframed,

Bruce L Miller P.S.A. (Southern College of Art Portsmouth School of Architecture): an interesting collection of unframed architectural drawings, studies, and other original artwork (Quantity).

Of Architectural Interest: seven various watercolour studies of various suburban buildings, a folio of printed work relating to 'Old Thorns Redevelopment' by Miller Hughes Associates Ltd, and printed plans for 'Lancastrian Grange, Chichester', 'Chichester Theological College', Crosshaven, etc, (Quantity).

Peter Iden (British, 1945 - 2012), 'Eastgate Square, Chichester, Redevelopment', 'designed by L B Miller FFS MSIAD FRSA', watercolour, signed and dated 1981, 30cm by 54cm, framed.

W B Cooke after P Dewint, a 19th century coloured engraving of Bognor 14cm by 14cm, and Brian Denyer ARCA, Seven Sisters, coloured etching, numbered 2/75, inscribed and signed in pencil, paper label verso, 11cm by 31cm

Peter Iden (British, 1945 - 2012), 'Suburban Buildings', three watercolours on a single board, signed and dated 1981, 22cm by 43cm, 18cm by 38cm, 19cm by 34cm, mounted and framed, frame 81cm by 56cm.

Peter Iden (British, 1945 - 2012), 'Chichester Theological College, View A from Avenue de Chartres and View B from College', two watercolurs on a single board, signed and dated 1984, each being 20cm by 42cm, mounted but unframed.

A reproduction copy of an antique engraving of old Chichester, entitled 'To His Grace Charles Duke of Richmond, Lenox & Aubigny, Earl of March & Darnley, Knight Companion of the Most Noble Order of the Garter, Lieutenant General of His Majesty's Forces, High Steward of the City of Chichester, F.R.S. &c &c, This Plate representing one of the most interesting views of Chichester is with permision humbly inscribed by His Graces very faithful and obedient servant Joseph Francis Gilbert', 56cm by 77cm, framed.

An antique engraving 'The Market Cross at Chichester 1749', engraved by George vertue, drawn by William Ride, 55cm by 64cm, inset later gilt frame.

An antique engraving of The Chichester Market Cross, 'Crux Cicestriae', with further text, 48cm by 28cm, framed.

The Operative Bricklayers Society: an 1899 members certificate to Peter Palmer of the Portsmouth branch, designed by A J Waudby and engraved by J H Le Keux, 55cm by 42cm, later framed.

Simon Mahoney (Contemporary), 'Marine scene', watercolour and pencil, signed, artists label verso, 9cm by 50cm, framed.

British School (20th Century), 'Yachts at sea', watercolour, indistinctly signed, 34cm by 51cm, framed.

Olivia Pilling (British, b.1985), 'St Mark's Basilica, Venice', oil on canvas, 82cm by 102cm, stretchered but unframed.

Malcolm Croft (British, b.1964), 'Geraniums', oil on canvas, signed, remnants of Gallery label verso, 50cm by 40cm, framed,

Malcolm Croft (British, b.1964), 'Chips, Manchester', oil on canvas, 2009, signed, Gallery labels verso fof Collect Art, Lymm, Cheshire, further signed, dated and titled by artist verso, 40cm by 50cm, framed.

The 'Chips' building was designed by Will Alsop and is one of the most significant buildings in New Islington, Manchester.

Robert Jenkins (Contemporary), 'Accordion Player', oil on canvas, signed and dated 2008, Gallery labels verso for Collect Art, Lymm, Cheshire, 90cm by 70cm, framed.

Robert Jenkins (Contemporary), 'Still life', oil on canvas, signed and dated 2005, Gallery label verso for the Arison Gallery, Manchester, 70cm by 90cm, framed.

David Eustace RSBA RBA (British, 1950 - 2021), 'The Iron Bridge', oil on board, signed, titled verso, 29cm by 22cm, framed.

Ivan Taylor (British, b.1946), 'St Michaels Mount, Cornwall', oil on board, signed, artist's label verso, 50cm by 75cm, framed.

Born in Staffordshire he was the president of the Staffordshire Art Society, he exhibited 40 paintings on the popular BBC TV programme “Sketch Club” which ran from 1959 – 1961, these were later sold by the BBC to raise money for UNICEF, he has work in many private collections in various countries including USA , Canada , Australia , and South Africa.

Ivan Taylor (British, b.1946), 'The canal at Lymm' (Cheshire), oil on board, signed, artists label verso, Gallery label verso for Collect Art, Lymm, Cheshire, 40cm by 60cm, framed.

Born in Staffordshire he was the president of the Staffordshire Art Society, he exhibited 40 paintings on the popular BBC TV programme "Sketch Club" which ran from 1959 - 1961, these were later sold by the BBC to raise money for UNICEF, he has work in many private collections in various countries including USA, Canada, Australia, and South Africa.

Ian Norris MAFA (British, b.1960), 'Brickworks', oil on panel, 2011, signed, further signed, dated, and titled verso, 33cm by 25cm, framed.

Barry De More (Yorkshire artist, 1948 - 2023), 'Lloyds Bank, Halifax', oil on board, 2010, signed and dated, further signed, dated and titled by artist verso, label verso, 17cm by 27cm, framed.

Acclaimed as one of the North's greatest expressionist artists, Barry De More used a heavy impasto style to transfer his love of Yorkshire landscapes, townscapes and people to canvas.

Barry De More (Yorkshire artist, 1948 - 2023), 'Elland Town Hall', oil on board, 2010, signed and dated, further signed, dated, and titled by artist verso, label verso, 17cm by 27cm, framed.

Acclaimed as one of the North's greatest expressionist artists, Barry De More used a heavy impasto style to transfer his love of Yorkshire landscapes, townscapes and people to canvas.

Glyn Macey (Cornish, b.1969), 'Thames Evening', mixed media, signed, further signed and titled by artist verso, also with Gallery label verso for Collect Art, Lymm, Cheshire, 68cm by 76cm, framed.

John Walsh (20th / 21st Century), 'The Victoria, Salford Quay' (Manchester), oil on paper, 2004, signed with initials, dated, artists labels verso, 68cm by 56cm, framed.

20th century school, view of sunlight through trees with white painted cottage, impasto oil on canvas, indistinctly signed, 48cm by 58cm

Harold William Stagg (fl 1910-1915), Poole Harbour, watercolour, signed, 18cm by 25cm, and A Keightley (late 19th century), Ratcliffe Wharf at Limehouse, London, watercolour, unsigned, verso inscribed paper label for The Hampton Hill Gallery Ltd, 17cm by 25cm (2)

British School (19th century), 'Still Life' depicting various fruits and a butterfly on a table, oil on canvas, 27cm by 31cm, stretchered but unframed, (af).

NB: it appears to be one canvas laid on top of another and the original canvas could be earlier than that which is visible.

Laurence Stephen Lowry (1887-1976) 'The Beach', pencil signed print, published in 1973 by Venture Print Ltd, with Fine Art Trade Guild blind stamp, to the current owner by family descent, 39cm by 62.5cm (ARR)

Laurence Stephen Lowry (1887-1976) "Deal beach sketch" signed print, Fine Art Trade Guild blind stamp, published by Venture Prints Ltd., with blind stamp, nb: this is a print of the preparatory sketch for The Beach at Deal, to the current owner by family descent, 17cm x 24.5cm (ARR)

British School (19th century), 'Still Life' depicting a birds nest with eggs and fruits in an outdoor setting, oil on board, indistinctly inscribed by hand verso, 21cm by 26cm, framed.

Peter Symonds (b 1964), Castle Combe, Wiltshire, oil on canvas, signed, verso paper label for Godalming Galleries, 30cm by 40cm

A Victorian mahogany partners desk, the red leather inset rectangular top with rounded corners above an arrangement of three drawers and three opposing drawers on reeded baluster legs and ceramic castors width 136cm, depth 87cm, height 77cm

A Louis XV style gilt metal mounted rosewood serpentine fronted commode with marble top above two drawers on cabriole legs terminating in sabots width 153cm, height 90cm, depth 63cm

Originally from The Cadogan Hotel 75 Sloane Street London before the hotel relocated to Knightsbridge and detailed in an inventory and valuation of contents dated 1947. By repute belonged to Lily Langtry and formed part of her furnishings in her Pont Street home before its sale to the hotel

An Edwardian mahogany inlaid kneehole desk with green leather inset breakfront top above an arrangement of five drawers on tapered legs and castors width 121cm, height 75cm, depth 60cm

An early 20th century Arts & Crafts mahogany inlaid magazine rack with three stepped divisions and pierced sides height 95cm, width 38cm

A Norwegian Ekornes Stressless light tan leather reclining armchair and matching stool on bentwood supports

A 19th century mahogany tilt top occasional table with circular top on turned pedestal to outswept tripod legs 78cm diameter

An Edwardian mahogany inlaid bedside cabinet with marquetry panel door enclosing shelf, width 42cm, height 78cm, depth 38cm

A 19th century mahogany pot cupboard with three quarter gallery top above a panel door, on turned legs width 39.5cm, height 82cm, depth 36.5cm

A narrow mahogany side table the rectangular top with rounded corners on baluster legs width 137cm, depth 47cm, height 73cm

An early 20th century mahogany cheval dressing mirror height 159cm

A Victorian mahogany bowfront chest of two short over three long drawers on bracket feet width 107cm, height 105cm, depth 54cm

A mahogany four division Canterbury with drawer on turned legs and castors height 62cm, width 47cm, depth 38cm

A rectangular giltwood wall mirror with shell surmount above pierced floral and foliate decorated frame 68cm by 46cm

A pair of Art Deco style wall mirrors each with rectangular mirror plate with bevelled edge, within a blue and a pink mirrored border with stepped surmount, 66cm by 41cm

A Victorian rosewood card table the fold-over top enclosing green baize lined interior on decorative carved column to platform base, paw feet and castors width 92cm, depth 46cm, height 75cm

An early 20th century oak bookcase of five open shelves width 76cm, height 114cm, depth 20cm

A contemporary settee of rectangular form with woven cream fabric upholstery on square wooden legs 179cm wide

An Edwardian mahogany inlaid salon suite comprising two tub chairs and four chairs, all with matching cream and yellow floral upholstery on cabriole legs

A Victorian oak framed occasional low chair with yellow upholstery on turned legs and castors

A solid pine kitchen table, 20th century, the rectangular top with rounded corners, raised on turned supports, 153cm by 91cm.

A 20th century circular polychrome painted wall mirror, the frame decorated with moulded fruit and foliage 40cm diameter

A Victorian walnut inlaid Davenport with stationery box above writing flap and four real and four dummy side drawers, on a plinth base and castors width 55cm, height 85cm, depth 53cm

A 19th century mahogany inlaid hanging bowfront corner cabinet with two panel doors enclosing three shelves, height 99cm, width 69cm, with key

A wingback armchair with contemporary striped upholstery on turned legs and castors

A grey and white woven check upholstered armchair on baluster turned legs and castors

A herringbone upholstered armchair on turned supports and castors

An Edwardian mahogany inlaid pot stand with square top and circular undershelf on slender square tapered legs top 30.5cm square, height 91cm

A 19th century small mahogany Pembroke side table with an end drawer with turned knob handles and opposing dummy drawer, on turned legs and castors, 81cm width fully extended, 62cm deep, 72cm high

A yew wood pedestal desk the green leather inset rectangular top above an arrangement of nine drawers on plinth base width 121cm, height 79cm, depth 61cm, with key

A Victorian walnut and gilt metal mounted pier cabinet with marquetry decoration, the single glazed door enclosing a shelf, on shaped plinth base height 109cm, width 86cm, depth 31.5cm, with key

A carved dark oak dresser with mask surmount and two shelves with back panel decorated with the coat of arms for the United Kingdom over two drawers on turned supports width 119cm, depth 40cm, height 192cm (a/f)

A George III style wing back armchair, upholstered in studded brown leather, raised on square front supports

A garden statue of a classical figure approx 90cm high

A garden statue of a classical figure holding a bowl approx 90cm high

A composite (possibly white resin) garden statue of a classical female semi-nude figure 80cm high

A pair of garden statues of recumbent lions 49cm (a/f)

A contemporary wall mirror, the ebonised wooden frame with silvered metal insert, 119cm by 95cm.

A mahogany revolving bookcase of square form with slatted sides width 47cm, depth 47cm, height 74cm

A nicely wethered slatted teak garden bench, 122cm wide.

A set of six nicely weathered slatted teak folding garden / patio chairs by Neptune.

A Victorian mahogany occasional table the oval top with moulded edge on reeded legs and castors width 114cm, height 78cm

A George III mahogany chest of four graduated drawers with brass drop handles and oval backplates on bracket feet height 89cm, width 91cm, depth 46cm

A modern mahogany effect pyramid shaped chest of seven drawers with brass cup handles on bracket feet width 45cm, height 111cm, depth 38cm

A George III mahogany inlaid linen press with four sliding trays (internal brackets missing) enclosed by a pair of panel doors, the base with two short over two long drawers, on bracket feet width 121cm, height 200cm, depth 60cm (a/f)

An English Regency Period mahogany drop leaf supper table, c.1820, the rectangular top with frieze drawer and drop leaves, raised on a turned column and four sabre legs with delicate brass casters, 107cm by 54cm opening to 111cm by 107cm.

George III mahogany dining table, c.1800, in three sections, comprising two D shaped ends (which can be alternatively used as a pair of console tables), and a leaf, each with reeded edges, raised on square supports, 171cm by 109cm when set up as dining table, each D end 109cm by 57cm, leaf 109cm by 57cm, no brass clips.

A George III mahogany breakfast table the rectangular top with rounded corners on turned column to four outswept reeded legs to brass caps and castors width 138cm, depth 119cm, height 72cm

A vintage Regency style gilt framed convex wall mirror, early / mid 20th century, the reeded circular form with ball decoration, 50cm diameter.

A vintage Regency style gilt framed convex wall mirror, 20th century, the circular form with ball decoration and fluted ebonised band, 42cm diameter.

A Victorian mahogany pedestal desk, the rectangular top with moulded edges, rounded corners, and inset writing surface, above a configuration of nine drawers with moulded decoration and turned knob handles, raised on plinth bases and brass casters, 122cm by 76cm (dismantles into three sections for ease of transport).

A diminuative vintage mahogany chest of drawers, c.1920's / 40's, the seven drawers with bronzed teardrop handles. raised on block supports, 56cm wide by 52cm deep by 71cm high.

A pair Victorian mahogany occasional chairs by James Winter & Sons of Wardour Street, London, the carved bar backs above upholstered seats, raised on front fluted and turned tapering supports, makers stamp to underside.

A pair of Victorian mahogany occasional chairs, having carved bar backs above upholstered serpentine fronted seats, raised on front fluted and turned tapering supports.

A Victorian walnut breakfast table, the oval hinged top with nicely moulded edges, raised on a tapered octagonal column and three foliate and scroll carved chunky outswept supports with wooden casters, 136cm by 97cm.

A vintage Plan chest, in two sections, later painted, with ten drawers with recessed handles, flanked by panelled sides, raised on a plinth base, 122cm wide by 89cm deep by 92cm high.

A pair of 19th century inlaid semi circular console tables / side tables, each top inlaid with boxwood stringing with radiating batswing designs, with crossbanded boxwood strung fronts, raised on square tapered supports, 100cm wide by 50cm deep by 77cm high.

An early 20th century elm and beach Smokers bow armchair, of usual form, dished seat, horseshoe shaped back with turned supports, turned legs united by H stretcher.

A William IV / early Victorian pedestal table, c. 1830 / 1840, with later painted finish, the rectangular hinged and swivel top with rounded front corners opening to reveal a larger surface, raised on a fluted column, quatreform base and bun feet with brass casters, 91cm wide by 45cm deep by 74cm high opening to 90cm by 91cm.

A George III giltwood and gilt gesso overmantle mirror, c.1800, the three plate frame with rope twist and beaded borders, 131cm wide by 54cm high, some age related chips and nicks.

A large decorative 19th century wall mirror / overmantle mirror, the carved giltwood frame with scrolling foliate decoration, 160cm wide by 130cm high, has a later wooden panel attached to the back to give it strength and stability, and some later decorative paint effect decoration, a good statement piece!

A painted nest of drawers, in the vintage industrial style, having eighteen drawers, raised on a plinth base, one handle missing, 32cm wide by 50cm deep by 69cm high.

A painted pine side cabinet, continental, early 20th century, having two frieze drawers above two panelled cupboard doors, raised on shaped bracket feet, 100cm wide by 51cm deep by 84cm high.

A stylish contemporary light oak narrow chest of drawers, having rounded top edges, six drawers with integrated recessed handles, and block supports, 50cm wide by 49cm deep by 137cm high.

A stylish contemporary light oak desk, loosely based on a contemporary twist on modernism, the inset writing surface above one long frieze drawer and a bank of three further drawers, 159cm wide by 77cm deep.

A good quality 19th century carved mahogany 'ribbon back' open armchair, the elaboratley carved back above red dralon upholstered seat flanked by acanthus and scroll carved open arms, raised on front foliate carved cabriole supports with claw and ball feet.

An Edwardian light oak side table, the rectangular top with moulded edges above two frieze drawers above an open undertier, raised on ring turned tapering supports, 119cm wide by 56cm deep.

A set of eight Victorian style mahogany dining chairs, the balloon shaped and carved bar backs above upholstered serpentine fronted seats, raised on front turned and fluted tapering cylindrical supports.

A pair of Victorian heavy quality mahogany occasional chairs, the elegant curved backs above upholstered seats, raised on front scroll carved cabriole legs.

A good quality E J Riley dual purpose snooker / dining table, c.1900, having a slate bed, height adjustable mahogany frame, five table top leaves, Riley score board, balls, cues and rests, size with table leaves on 223cm by 118cm (7' 4" by 3' 10.5").

A 19th century mahogany side table, the rectangular top with moulded edges and rounded front corners, raised on four turned tapering cylindrical legs, 107cm wide by 50cm deep.

An Edwardian carved mahogany elbow chair, the elegant carved and pierced high back above upholstered seat and swept open arms, raised on front ogee supports terminating on hoof feet.

A set of reproduction mahogany library steps, with four curved treads and turned hand rest.

A 19th century small carved oak wall cabinet the single panel door with diamond motif depicting a bacchanalian mask amongst scrolling decoration, enclosing shelves, height 47cm, width 42m, depth 22cm

A pair of Charles Rennie Mackintosh design high back chairs by Bruce Hamilton of Glasgow, 20th century, in the Ingram pattern, 150cm high.

The original Mackintosh chairs were made for The White Dining Room in Miss Cranstons Tearooms in Ingram Street, Glasgow, c. 1900.

A French Louis XV style gilt-metal mounted marble topped beach side table, 20th century, the galleried circular top above single drawer and open undertier, 47cm diameter by 67cm high.

A childs elm and beach Windsor chair, carved to underside 'DM May 1994', 68cm high.

A carved show-wood armchair in the Victorian style, with buttoned patterned fabric upholstery (af)

A 18th century French provincial fruitwood shaped front chest of drawers, having three long drawers decorated with shaped panels above the shaped apron and scrolled ogee front feet, with shaped fielded panels to either end, 129cm wide by 61cm deep by 88cm high, (af).

An Art Nouveau wrought iron and copper floor lamp, c.1900, approx 130cm high.

A French gilt metal mounted Vitrine in the Louis XV style with single serpentine shaped glazed door enclosing two shelves with Vernis Martin style painted panel, on cabriole legs, 73cmt

A good quality 19th century light / medium oak entomological / collectors 40 drawer cabinet by T Gurney of Broadway and London Fields, the twin panelled doors enclosing 40 numbered drawers with ebonised handles, lined interiors and glass tops, many containing nicely displayed butterflies and moths, raised on a plinth base, applied name plaque inside right hand door, 105cm wide by 122cm high by 51cm deep.

A George III mahogany bureau writing desk, c.1800, the hinged sloping fall front enclosing pigeon holes and drawers, above four graduated long drawers with cast openwork escucheons and back plates and swan neck handles, raised on bracket feet, 80cm wide.

A George III mahogany corner fitting washstand inlaid with boxwood banding, the fitted upper tier with later ceramic jug and basin, the lower open tier with single drawer, raised on outswept supports united by a decorative shaped flat stretcher, 58cm wide by 97cm high.

An antique PUKKA travel trunk, leather mounted canvas, with various period stuck on shipping labels attached, and a tied on period Cunard White Star Line, Queen Mary, New York to Southampton, locked no key, 94cm wide by 35cm high by 54cm deep, (af).

A wooden spinning wheel crank action with foot pedal

A George III oak bureau with fall enclosing pigeon holes and small drawers, over two short and three long drawers, on bracket feet, (a/f) 102cm

Two pairs of Victorian balloon back dining / occasional chairs to include one pair with scroll carved back rail over drop-in needlework upholstered seats (4) (a/f)

A 19th century Chippendale style commode chair with a pierced vase splat, and a Victorian mahogany bar back commode chair with matching blue upholstered seat

A Victorian mahogany two leaf extending dining table, with rectangular cut cornered top on baluster turned legs and castors height 74cm, length fully extended 176cm

A Victorian ebonised dining chair with carved and pierced vase back, upholstered seat on cabriole legs

A Bokhara rug, Pakistan, 20th century, decorated with traditional motifs within borders on a red ground, 186cm by 118cm.

An Iranian Niriz (Neyriz) hand woven rug, red ground with central repeating feather motif, verso label for Fired Earth, 200cm by 155cm

A Chinese sang de beouf glazed porcelain vase, character marks to base, 10cm high, on associated wooden stand

A Minton Archive collection Chinaman teapot, limited edition 870/2500, with certificate and original box

A large Lladro gres figure of a sailor 'Stormy Sea', 53cm high, on wooden stand (a/f)

Three Lladro porcelain figures comprising Don Quixote (a/f) 30.5cm, a lady wearing a hat 36cm, with associated base, and a lady carrying lilies 24cm high

A Lladro porcelain model of a gazelle 33cm, and an antelope 16cm (a/f)

Four Royal Doulton character jugs, comprising Auld Mac, 6cm high, Fat Boy, 9cm high, Arry, 9cm high, and Sairey Gamp, 8cm high.

Alan Wallwork (1931-2019), a studio pottery stoneware slice wedge shaped form with pierced decoration, incised AW mark to base, 22cm high, 29cm wide (ARR) purchased at the Old Bakery Gallery, Fishbourne, late 1990's

Alan Wallwork (1931-2019), a studio pottery stoneware split seed pod, flattened oviform shape with turquoise glaze to the centre, incised AW to base, 17cm high purchased at the Old Bakery Gallery, Fishbourne, late 1990's

Jude Jelfs (b 1950), a studio pottery jug of a nude male torso, verso inscribed 'Et In Arcadia Ego', signed and dated 19, 30cm high (ARR) purchased at the Old Bakery Gallery, Fishbourne, late 1990's

Terri Holman, a studio pottery two handled vase of flattened form with incised decoration, incised initials TH to base, 21cm high purchased at the Old Bakery Gallery, Fishbourne, late 1990's

Adam Aaronson (contemporary), two art glass vases with applied metallic decoration, both signed and dated 1999, tallest 15cm high purchased at the Old Bakery Gallery, Fishbourne, late 1990's

John Kershaw (b 1940), a two handled vase with turquoise and white glaze, 21.5cm high (ARR) purchased at the Old Bakery Gallery, Fishbourne, late 1990's

A Rosenthal Versace 'Les Tresors de la Mer' large ceramic plate 31cm diameter, with box

A Rosenthal Versace 'Ikarus' jug and cover 10cm high, with box

A Rosenthal Versace 'Barocco' cylinder vase 14cm high

A Rosenthal Versace 'Barocco' small circular plate 11.5cm

A Rosenthal Versace 'Medusa' cup and saucer

A Hermes Paris porcelain ashtray decorated with exotic fish, with gilt embellishments, 16cm by 20cm, with Hermes box

A 19th century German porcelain dessert service with central painted vignettes of courting couples in a landscape within a scroll pierced yellow border with gilt embellishments, comprising a tazza, four low tazzas and twelve plates, pattern 398, indistinctly marked to base

Four Swiss pottery wall plates with children in various pursuits, backs marked Rheinfelden Handarvbeit, 27cm

A large early 19th century Derby porcelain figure group 26.5cm high (a/f)

A Chinese ceramic platter with polychrome figural decoration 27cm by 36cm

A 19th century porcelain figure of a lady holding a fan, gold anchor mark verso 20.5cm high

Two green glazed Sylvac models of bunnies comprising no 1027 23cm high, and no 990 12cm high

A set of six Staffordshire Midwinter coffee cups and saucers

An oak framed set of two wall tiles painted with a figure harvesting with a scythe frame has not been opened - outer dimensions of frame 48cm by 27cm

A childrens willow pattern ceramic tea / dinner set comprising tureen and cover, oval platter, six dinner plates, teapot, milk jug, sugar bowl and cover, six teacups and saucers (a/f)

A Brannam Barum art pottery dragon spill / candle holder dated 1892, glazed in blue, brown and yellow, incised marks to base 10cm high

A Royal Crown Derby Imari pattern twin handled campana shaped vase and cover, cover restored, 19.5cm high.

A pair of Royal Crown Derby Imari pattern jars with covers, 11.5cm high.

A pair of Royal Crown Derby Imari pattern plates, circular form, 21.5cm diameter.

A pair of large two-handled vases baluster shape decorated in shades of lilac and blue with woodland scenes of figures amongst ruins, height 44cm

A Moorcroft pottery 'Spring Flowers' pattern bowl, 10.5cm diameter, and a Moorcroft pottery 'Hibiscus' pattern bowl 9.5cm

A 19th century Parian ware figure, depicting a naked classical maiden seated on drapes and rocks, indistinct makers mark, 53cm high, (a.f. - significant damage)

Susan Hadley, a terracotta model of a child resting in a hand, paper label verso 21cm long

A Karl Ens porcelain model of an owl 25cm high, and a woodpecker 24cm

A French blue opaline glass gilt metal mounted hinged box on pedestal base to circular foot 16cm high

A Royal Crown Derby Imari porcelain plate pattern 1128, diameter 27cm

A Poole pottery vase and jug with floral banded pattern tallest 22cm high, and a Poole pottery vase with kintsugi effect decoration

A set of four Continental roemer style green drinking glasses, the hollow stems with applied prunts, on a ribbed conical foot with pontil, 11cm high, together with a similar pair of green glasses (a/f)

A Crown Derby porcelain jug and stopper with applied floral decoration and gilt embellishments 17cm, together with four Masons Ironstone jugs, tallest 16cm high (with stapled repair)

Five Staffordshire pottery pastille burners tallest 20cm high, together with two similar models of cottages (a/f)

A William Moorcroft 'leaf and berry' pattern vase of cylinder form, decorated in blue and green 25cm high

A pair of Japanese satsuma ware baluster vases painted with panels of ladies and infants in a landscape, on blue ground with gilt embellishments, character marks to base 39cm high (a/f)

A Carlton Ware bowl pattern no. 3143 'Paradise Bird and Tree with Cloud', 19.5cm diameter, and a Carlton Ware jug pattern 2728, 9cm (jug with repaired handle)

A Royal Worcester porcelain miniature teacup and saucer painted with autumn fruits by J Skerrett, and a Royal Worcester porcelain vase painted with autumn fruits by Roberts 9cm high

A collection of Royal Copenhagen porcelain comprising a model of a kingfisher 18cm high, a lady beside a white goose 19cm, a vase decorated with a mallard and two Christmas plates for 1974 and 1982

A collection of seven Royal Doulton figures of ladies to include Southern Belle 21cm high, and Cherie 15cm high (a/f)

A set of six Royal Crown Derby 'Old Imari' porcelain bowls 21.5cm diameter

Four Royal Crown Derby porcelain paperweights of animals to include a snail and a hedgehog (missing stoppers and marked as seconds)

Four Royal Crown Derby porcelain paperweights of animals to include a ram and a platypus (missing stoppers and marked and seconds)

Dame Lucie Rie (Austrian / British 1902-1995), a footed bowl of flaring conical form with flecked glaze and dark brown rim, seal mark to base, 17cm diameter, with auction catalogue and receipt dated January 2013 (ARR)

Dame Lucie Rie (Austrian / British 1902-1995), a white glazed vase of pebble shaped form with inverted rim, seal mark to base, 9cm high, with paper label for the Henk Huffener Christiaani Collection and Lefays Fine Arts receipt (ARR)

A collection of Scottie Wilson for Royal Worcester Crown Ware decorated with a black and white silhouette pattern, comprising tureen and cover, bowl, two handled soup bowl and cover, and a side plate or saucer

An Addersley 'Lupin' pattern bone china part tea and dinner service exclusive to Harrods, to include two teapots, hot water pot, two different jugs, two egg cups, cups and saucers etc

Lladro: comprising a mother and daughter group, 36cm high, a girl and a goose group, 22cm high, a boy with an accordion, 21cm high, a Nao ballerina, 14cm high, and a Nao boy in a cloak, 26cm high, (5).

Mixed ceramics: comprising a Royal Doulton figure 'The Old Balloon Seller' HN1315, a Royal Doulton figure 'Twopence a Bag' HN2320, a Beswick Beatrix Potter figure 'Peter Rabbit', two Beswick sheep, two Beswick lambs, and a plaster bust of Gladstone, 21cm high, (8).

An antique Chinese blue and white porcelain miniature vase, 19th century or earlier, 9cm high, together with a later Oriental porcelain miniature vase painted in polychrome enamels on a celadon ground, 12cm high, (2).

An extensive Royal Doulton 'York Town' pattern dinner, tea and coffee service, approx 104 pieces.

A Moorcroft Pottery 'Moon Flower' pattern vase by Philip Gibson 2007 25cm high

A Lladro figure no 5172 'Chinese in the Market' 26cm high, boxed, and a Lladro figure no 4.991 'Japonesita abanico' 30cm high, without box

A Lladro figure no 5172 'Chinese in the Market' 26cm, and a Lladro figure no 4989 'Japanese Sayonara' 26cm, both boxed

A Lladro figure no 4608 'Cook in trouble' 24.5cm high, boxed, and a Nao figure no 01298 'Dreaming on Ice' 20cm long, boxed

Five Lladro figures of soldiers no 403 - 407 carrying a flag, a sabre, a drum, a trumpet and a rifle, 32cm high, all boxed (a/f)

A Lladro figure no 5615 'Mirando al mar' or 'Bathing Beauty' 25cm high, boxed

A Spode Italian pattern meat platter 41cm

A Royal Albert 'Old Country Roses' porcelain tea service comprising teapot 18cm high, platter 26cm, six cake plates 21cm, six small plates 16cm, milk jug, sugar bowl, six tea cups and saucers

A large majolica style jug / vase decorated with a stag amongst a landscape, inscription to base 49cm high

A studio pottery bowl with blue and black glaze, initials 'NK' stamped to base 22cm diameter, a studio pottery bowl with brown drip glaze initialled 'MC' to base 11cm high, and a Holcombe pottery green glazed vase 18cm high

A Clarice Cliff Newport Pottery bowl 36a with foliate, flower and fruit border on pale blue ground 19cm diameter

Six boxed Royal Doulton 'The Mickey Mouse Collection' ceramic figures with gold stamps to base to include Mickey Mouse, Minnie Mouse and Pluto

A collection of four Beswick model foxes in various poses largest 13cm high

A Beswick model deer family comprising 981 stag 20cm high, doe and fawn (fawn a/f)

Four small Beswick approved by Peter Scott models of ducks comprising mallard, shoveler, wigeon and king rider (king rider a/f), together with a graduated set of three ceramic mallards

Two Beswick 1383 models of pigeons in brown and grey 15cm high

Ten small Beswick models of birds to include goldcrest, stonechat and whitethroat together with a Goebel model of a long-tailed titmouse (a/f)

A Beswick model Welsh Mountain pony in grey 1643, 16cm high

A Beswick model of a Shetland pony 14.5cm, a donkey 11cm, and a donkey foal 11cm

A Beswick model horse group depicting brown horse and foal on shaped oval green base 19cm high

Two Beswick model foals, a Royal Belvedere model foal, and two Beswick style models of horses

A Beswick model group of two Turtle Doves 1022 20cm high

A Beswick model 1159 kookaburra 15cm

A Beswick model 2416 lapwing 14cm and 2417 jay 13cm

A Beswick model 1046 barn owl 18cm high, and 1226 pheasant 14cm

A Beswick model 1218 woodpecker 22cm high, and 2371 kingfisher 12cm, together with a Goebel model of a woodpecker on stump

A Royal Worcester porcelain 'Chamberlain' pattern part tea service comprising six tea cups and five saucers, a plate and six small plates

A collection of ten Goebel figures to include 'Playmates' and 'We Congratulate'

A fine quality 19th century Paris porcelain coffee pot and milk jug, each decorated with hand painted figurative panels in coloured enamels, and rich gilt borders and motifs throughout, the coffee pot with old riveted repairs to the handle, 25cm high, the jug 17.5cm high, (2).

Two matched 18th century Chinese blue and white porcelain plates, each dished circular form hand painted underglaze with central scenes of urns and meandering foliage between foliate borders, 23cm diameter.

A Clarice Cliff 'Water Lily' pattern table centre bowl modelled as a flowering water lily, shape 973, green script signature, 22.5cm wide by 12.5cm high, and a Rye Pottery figure 'The Wife of Bath' from the Canterbury Tales, 19cm high, (2).

A continental porcelain model of a Cockatoo perched on a tree stump, late 19th / early 20th century, bears the Royal Vienna 'beehive' mark, 27cm high, some old restoration.

A Meissen porcelain figure modelled as an 18th century man wearing a satchel and leaning on a staff, 19th century, underside with blue crossed swords mark and incised number '1835', 13.5cm high, a smaller Meissen figure of a bare footed maiden carrying a basket of vegetables, blue crossed swords mark and incised number '1807', 11cm high, and a Volkstedt porcelain figure of a female vendor carrying a tray of flowers and a candle, blue printed factory mark, 14cm high, (3), (af).

A Robert Melville studio pottery charger decorated with the head of a bearded warrior in blue glazes, verso initialled and dated 1972, 37cm diameter Robert Melville was a talented artist and jazz musician. Initially working as an art teacher in Hampshire he went on to set up a pottery in Prawle South Devon. He left Prawle and began a pottery in Keswick in the late 1970's

Two Judith Woodruff (Hayter) studio pottery models of toads, the larger numbered 1/99, 8cm high, the smaller numbered x/99, 7cm high, together with an anthropomorphic vase by the same artist numbered i/03, 12cm high

Eric James Mellon (1925-2014), a cylindrical vase decorated with a figure in an interior, verso signed and inscribed 'A/ Elm Ash ded to Sarah & Mary', 11.5cm high (ARR)

A Charles Tustin for Winchcombe studio pottery condiment pot and cover, baluster form, with slip decorated wave design, seal marks to base 7.5cm high

Bernard Leach (1887-1979), a small studio pottery vase, painted BL monogram and seal mark to base 9cm high (ARR)

Trevor Corser (1938-2015), a brown slip glazed bowl, seal marks to base 16cm diameter (ARR) Trevor Corser initially came to St Ives as a fisherman and became the longest serving member of the Leach Pottery

Patrick Sargent (1956-1998), a studio pottery fluted bowl with green glaze, 16cm diameter (ARR)

Helen Pincombe (1908-2004), a stoneware jar in speckled glaze with iron decoration, impressed mark to base 14cm high (ARR)

Ray Marshall (1913-1986), two studio pottery vases and a milk jug, all with textured decoration and green glaze, tallest 12cm high

Ursula Mommens (1908-2010) a stoneware vase with trailing tenmoku glaze, impressed mark to base 24.5cm high (ARR)

Ray Marshall (1913-1986), a studio pottery baluster vase with striped decoration, 31cm high, and a smaller baluster vase by the same potter with textured decoration 19cm high

Phil Rogers (1951-2020), a green glazed jar and cover with impressed decoration, artist's seal mark to base, 33cm high (ARR) (a/f - chip to rim)

Peter Beard (1951-), two studio pottery lidded pots and covers with ceramic fungi / trees to the centre tallest 14cm high (ARR)

Don Glanville (1937-2004), a near pair of studio pottery jars and covers with striped decoration together with a bowl, tallest 16cm high (ARR)

Svend Bayer (1946-2007), a studio pottery bowl, 7.5cm high, Micki Schloessingk (born 1949) small jug, artist's seal mark to base 10cm high, and a Mabel Padfield studio pottery cup decorated with fish, with initials to base 7.5cm high (3) (ARR)

Carenza Hayhoe (Portland pottery), a blue glazed lobed bowl, artist's seal mark to base 12cm diameter, together with other items comprising a ceramic trinket box, the shaped cover decorated with a figure sitting on a mound with two rabbits, and a small blue vase

A Japanese porcelain plate decorated with plants and flowers on white ground 27.5cm diam

A William Baron Barnstaple art pottery model of a monkey in red gaze 6.5cm high, a CH Brannam art pottery model of a cat in green and blue glaze 17cm high, and a Royal Barum Ware model of a cat in black glaze 11cm high (a/f)

Two CH Brannam Barum art pottery vases decorated with fish, one of baluster form in blue glaze 15cm high, the other bottle shaped in green and brown glazes 14cm

A CH Brannam Barum art pottery 'owl' bowl, in blue glaze with sculpted owl faces and sgraffito decoration 15cm diameter

A Prattware ceramic chapel money box, probably Mexborough, Yorkshire, modelled in the form of a chapel with male and female figures standing either end, inscribed 'SHARP GARLAND CHICHESTER', painted in traditional colours and spongeware, 14cm wide by 13cm high.

NB: Sharp Garland's grocery shop once stood on the north-east corner of Eastgate Square, Chichester, and was reputed to have been the oldest continuously running grocery business in the country, and is believed to have been founded by John Smith in 1665, ownership of the business changed hands multiple times to different dignitaries and local people important to Chichester, including various members of the Hardham family, in 1860 the grocers was purchased from the Hardhams by Sharp Garland who had been born in Petworth in 1832, the business remained under the Garland family name for 104 years.

An early CH Brannam Barum art pottery jug dated 1880 decorated in brown and cream glaze 7.5cm high, a CH Brannam Barum mug with lettering 'E'rth I am and very dry Yet Im made to wet your eye', a Brannam Barum pottery boat shaped bowl in green glaze 24cm long, and a W Godwin tile with fleur de lis pattern 10.5cm square

A collection of mostly CH Brannam Barum and W Baron Barnstaple art pottery to include a jug with fish head spout and with sgraffito verse 'From mother Earth I took my birth, then formed a jug by man, Now I stand here, filled with good cheer, Taste of me if you Can' 19cm high, a blue glazed pot decorated with an eagle and initials 'SB 1930' 19cm and two puzzle jugs

Four items of Devonshire art pottery to include a CH Brannum Barum red glazed vase 26cm high and a Baron Barnstaple glazed yellow planter 14cm high

A Hutschenreuther porcelain figure depicting a Lippizan horse and rider, German early / mid 20th century, hand painted decoration, printed factory marks, 20cm high.

Two Sylvac pink glazed models of bunnies comprising no 1027 23cm high and no 1026 17cm, together with a Sylvac pink glazed model of a hare no 1299 (3)

Two Sylvac green glazed models of bunnies comprising no 1027 23cm high, the other with no number 15cm, together with a Sylvac green glazed model of a hare no 1526 24cm high (3)

Six Sylvac models of bunnies to include three in coffee coloured glaze no 1027 23cm high, and a Sylvac model of a hare on coffee coloured glaze no 1299 18cm high (7)

Six Sylvac models of dogs comprising two no 1209 in green and overpainted white 28cm high, two no 1380 in pink and green glaze 27cm, and two others (6)

Six Sylvac models of dogs comprising two no 1209 in pink and coffee coloured glaze 28cm high, one no 1380 in green glaze 29cm, and three others

A collection of Sylvac models of dogs and other Sylvac ornaments to include an alligator 6181, onion, lemon, strawberry and bee shaped pots and covers, and a poodle

A William Baron Barnstaple North Devon slipware art pottery frog or toad spill holder, incised marks to base

A framed 17th century John Seller map of the British Isles 'Insulae Albion et Hibernia' 13cm by 15.5cm

A framed 18th century map of 'Worthing, Little Hampton [sic] and Great Bognor' 8cm by 12cm

A framed 17th century Robert Morden map of Sussex 33cm by 40cm

Austen, Jane, Pride And Prejudice, 1895, London: Macmillan & Co., black & white illustrations by Charles E. Brock

'An Accurate Plan of the City of Chichester with the Suburbs and Liberty there of', after William Gardner 1769, 95cm by 85cm, framed, (af).

Two volumes: 'Psychological Commentaries on the teaching of G I Gurdjieff and P D Ouspensky', volumes two and three, by Maurice Nicoll, Privately Printed for subscribers only, 1949, one of 200 only printed. A black and white printed photograph of George Ivanovich Gurdjieff. A young Richard Attenborough autographed photograph. Volume: 'The Mark' by Maurice Nicoll, 1954. Volume: 'My Autobiography' by Charles Chaplin, 1964, and other books, (Quantity).

'Fairground Art', The Art Forms of Travelling Fairs, Carousels and Carnival Midways' Geoff Weedon and Richard Ward, pub. 1981 White Mouse Editions, hardbound volume with colour illustrations in protective slip case, together with perforated cardboard music for the song 'Half Way to Heaven' pub Chappa Limited

Durning-Lawrence, Sir Edwin, Bacon is Shakespeare, first edition pub Gay & Hancock Ltd, signed by the author to Reginald Garratt Esq, together with Lamb, Charles and Mary, Tales from Shakespeare, Oxford Edition, pub Oxford University Press 1913

Holland, Henry, Journal of a Voyage &c. to Iceland, in the summer of 1810, half leather bound photostat copy of the original manuscript, given by the Landsbokasafn Islands, where the original manuscript resides, to David Holland, Librarian of the House of Commons, in 1959, together with several pieces of correspondence

Bligh, Captain W, The Log of H.M.S. Bounty 1787-1789, Genesis Publication 1975, half leather bound, number 311 of a limited edition of 500 copies

An Armand Marseille bisque head doll marked AM 351/6, on stuffed cloth body (a/f)

A French 'globe de Mariée' wedding dome containing red velvet cushion with gilt metal mounts and surrounded by gilt metal arbour with inset rectangular mirrors beneath a glass dome on a black painted wooden plinth base

A Kelvin & Hughes sextant no 61992 in fitted case, purchased by the current owner in 1954 then used extensively while an Officer in the Merchant Navy 1954-1979 to obtain sightings of the sun and stars, together with collection of work books showing the Navigation workings for each day at sea, a list of ships and ports visited, a US Navy Star Finder and Identifier, Norie's Nautical Tables, Nicholl's Concise Guide, a Hemmi bamboo slide rule with instruction book and a Portland Navigation Plotter

Churchill, T.O., The Life of Lord Viscount Nelson, Duke of Bronté, &c. Illustrated by engravings of it's most striking and memorable incidents, printed for R. Bowyer, 1808 (a/f)

A lignum vitae barrel with lid 13cm high, and a Tunbridge ware napkin ring

A small collection of Masonic regalia including apron in leather pouch

A Central Bank of Iraq coin set commemorating The Restoration of the City of Babylon, in case and card folder together with The Day of the Concorde Commemorative Issue coin and stamp set, a bronze 1974 Peace coin, and a cased 50 pence coin

A collection of British and World coinage, bank notes, a fossil, mineral rocks, and an ancient style bangle.

(TBA - contacted 7/10 LH)

A Victoria Straits Settlements Fifty Cents 1900, a Mexico Peso 1898, a Hong Kong Dollar 1900, three further coins and three further items

Michael Simpson (contemporary), a limited edition bronze sculpture of two stags locking horns, '700 The Duel', number 10 of 150, length 24cm, height 10cm, with certificate, receipt and box

Susie MacMurray (b 1951), 'Shell', limited edition sculpture number 55 of 250 commissioned by Pallant House Gallery Chichester, 2006, boxed, with information booklet

In 2006, Susie MacMurray was commissioned to produce a site-specific work of art in response to Pallant House, Chichester. MacMurray’s commission, After Shell, comprised 20,000 mussel shells, each filled with a small piece of velvet

A Clarinet by Martin of Paris, signed, white metal mounted, cased, 68cm long.

After Professor Giuseppe Bessi (Italian 1857-1922), a statue of a nude figure of a woman on alabaster plinth, marked to back of base 'Studio Prof G Bessi' 50cm high including base

A 1:50 scale model of a sailing ship, Santa Maria on rest, La Santa María was the largest of the three small ships used by Christopher Columbus in his first expedition across the Atlantic Ocean in 1492, with the backing of the Spanish monarchs. 75cm

A wooden scale model of a two-mast schooner, Trotamares on rest with plaque, built in Spain in 1958, this fishing boat was restored as a luxury charter yacht and latterly moored at the docks of Monte Carlo, 80cm

A scale model of a three mast galleon warship on rest (a/f), 57cm

Tiffany & Co. six early 20th century silver plated tablespoons, five dessert spoons and four dessert forks with zig-zag borders and engraved initials, marked Tiffany & Co. EP PAT.1903, with three cloth wraps bearing labels, Tiffany & Co. New York

A brass miners lamp 'The Protector' by Lamp & Lighting Co Ld Eccles, Manchester

A Lego Creator 10249 Winter Toy Shop set, in sealed box (box with some light dents and scuffs)

A George III half Crown bull head issue 1817, a Victorian double florin 1890 and a George V 1935 Silver Jubilee Crown

Four wooden models of masted ships to include Pinta Caravel (a/f)

A W Ottway & Co gun sighting telescope no. 2582

Two manuscripts of palm leaves, possibly prayer books, the leaves written to rectos and versos, threaded together with two string cords and to painted wooden battens

An early 20th century carved oak box sloping top with central medallion, 50cm

A Copeland parian figure of Marguerite with a bronze effect glaze, designed by Sarah Terry for Copeland, impressed marks, Copeland, S Terry Sc, 1868, height 50cm

An African carved stool oval top with incised geometric design, on four block feet, 40cm

A George III and later mahogany knife box height 34cm (a/f)

A Lego The Batman Movie set 70906 The Joker Notorious Lowrider, in sealed box

A pair of 19th century cast gilt brass candlesticks, of heavy quality, with stylised foliate and fluted decoration in relief, 23cm high.

A late 19th century Swiss Chalet musical box with rising roof lid revealing a velvet lined jewellery box, the three storey building includes beehives, water troughs and firewood, resting on a carved wood plinth containing the musical movement, consisting of a 21cm cylinder paying eight airs, c.1870, height 44.5cm, width 60cm

After Mathurin Moreau (1822-1912) A French Art Nouveau bronze figure 'La Source' of a seated woman drinking from a shell, with foundry stamp, Colin & Cie, Paris, 55cm high

A collection of Continental silver and other commemorative teaspoons

Six Victorian silk programmes for a Display of Fireworks to be exhibited on the 29th May 1856 on Primrose Hill

A bronzed reconstituted stone but of Diana on pedestal base, 20th century, total height 107cm.

A large Liberty leather Rhino, approx 100cm long by 55cm high.

A pair of antiquity style busts depicting Greco-Roman males, moulded to simulate carved marble, 20th century, on metal stands, 30cm and 28cm high.

An African tribal carved wooden head, featuring twin handles and inset with metal nails, the wear and patination appear early 20th century or earlier, 30cm high.

An African tribal mask, the carved wood face wearing a crown, and with raffia fringe, 20th century, 51cm long (not including the fringe).

A set of three graduated alchemist's style jars, bronzed metal, contemporary, each of circular form with cover, decorated with a scorpion, a spider, and a crab, 12cm high, 7cm high, and 5cm high.

A large and interesting collection of stamps: six albums and a tin, including Victorian Penny Blacks, Reds and Blues, 19th century, early 20th century and later worldwide examples, including USA, Canada, South American countries, European countries, British Bechuanaland, African and African Islands, India, Hong Kong, Saint Helena, Pitcairn Islands, Malaya, Straits Settlememts, Sarawak, Pakistan, India, Australia, Norfolk Island, New Zealand, British Solomon Islands, Cook Island, Trinidad & Tobago, Turks & Caicos Islands, Virgin Islands, St Vincent, St Lucia, Jamaica, Barbados, Antigua, Philippine Islands, Lebanon, Egypt, Japan, Iran, etc, etc.

This collection of albums have been handed down to the vendor from his late Grandfather, William White, a civil servant at the Patent Office, London, before, during, and after the war. The tin containing Penny Red stamped letters and Penny Blacks were handed down from a late uncle, an auctioneer from Hampshire approx 50 to 60 years ago.

A George III feathered mahogany work box with rosewood cross banding and boxwood stringing, flanked by brass drop ring handles, 28cm wide (af), and an early Victorian rosewood sarcophagus shaped tea caddy, the hinged lid enclosing two covered partitions, 21.5cm wide, (2)

A trio of decorative alchemists style bronzed pots / ornaments, each piece sat on a separate quatreform base, 24cm, 20cm, and 11cm high, (3)

A set of three graduated brass models of skulls, 12cm, 9cm, and 8cm high, (3)

A set of three Alchemists style pots, labelled for 'ZOLFO', 'SOLFATO', and 'ARSENICO', the domed lids decorated with snakes, toads, and a scorpion, each 23cm high, (3)

A heavy quality skull sculpture, solid brass in a bronze finish mounted on a black marble base, 37cm high.

A pair of decorative 'ring turned' style candlesticks, ebonised metal, contemporary, 42cm high.

A vintage crocodile leather travel case by Alexander Clark of London, with gilt lettering and stamped locks, the hinged lid enclosing a lined interior, 51cm wide.

A vintage Coleman's mustard tin, early 20th century, the tapered circular form decorated in a chintz style design, the lid with Coleman's advertising to the underside, with swing handle, 20cm high.

Four boxed Corgi Classics 'The Showmans Range' model fairground vehicles comprising 12601 Foden Closed Pole Truck Set, 16502 Scammel Highwayman Ballast Closed Pole Trailer & Caravan Set, 27602 Atkinson 8 Wheel Rigid Truck & Trailer with Loads Set, and 15901 Scammel Highwayman Generator with Closed Pole Trailer & Dodgem Trailer Set, together with a boxed Commercials from Corgi limited edition model J Ayers AEC Mercury Truck & Trailer

An Arts & Crafts Newlyn copper pedestal bowl decorated with a border of fish, stamped 'Newlyn' to base, 27cm diameter

A silver medallion detailed 'International Regatta Torbay June 1937' commemorating the Coronation of George VI, 62.5g cased, a square medallion detailed 'Habib Bank', thirteen Elizabeth II Commemorative Crowns and six further items

A boxed Tri-ang Scalextric set including two cars and transformer (unchecked), together with three Tri-ang Scalextric cars comprising Aston Martin DB4 GT MM/C68, Mercedes 190 SL and racing car C72 BRM

'The Military Badge Collection', contained within two purpose made military campaign style frames, each frame 50cm by 70cm.

A scratch built model ship 'HMS Endeavour 1768', wooden built with rigging and sails, 20th century, on wooden plinth stand with name plaque, 90cm long by 88cm high.

HMS Endeavour was a British Royal Navy research vessel that Lieutenant James Cook commanded to Tahiti, New Zealand, and Australia on his first voyage of discovery from 1768 to 1771.

'British Campaign & Gallantry Medals', replicas, displayed in a military campaign style frame, paperwork on the reverse, frame 50cm by 65cm.

A Steiff 'Pirate' 672828 teddy bear, in original suitcase box, together with a miniature enamelled model of a Steiff bear with pouch

A group of British and foreign coins to include a Victoria Jubilee head crown 1889, a 1935 Crown, a Victoria half Crown 1899, a quantity of silver threepences, a 1953 plastic set and a large quantity of commemorative Crown sized coins, a few banknotes

A collection of British and foreign coins to include commemorative Crowns, also a few medallions and banknotes

A collection of USA bank notes comprising two One Hundred Dollars, five Fifty Dollars, five Twenty Dollars, two Five Dollars and fifteen One Dollars

Three car badges comprising Freetown Aquasports Club, Asian BCB and AA

An Edwardian silver tray by Harrison Brothers & Howson (George Howson), being of shaped rectangular form with inverted corners, beaded edges, scrolled feet, 31cm wide, London 1908, approx 25 ozs.

A Georgian plated hot milk or chocolate pot, with turned wooden handle, domed lid, embossed decoration, 18cm high.

An antique bronzed plaque in the neo classical taste, the dished circular form decorated in relief with classical figures of antiquity, putti, demon masks, and classical motifs throughout, 37cm diameter (af).

A late 19th / early 20th century gilt-brass mounted oak card box, c.1890/1910, the carrying handle flanked by two hinged lids, 31cm wide.

An early 20th century Macfarlane, Lang & Co novelty writing slope biscuit tin with walnut effect finish width 20cm, depth 14cm, height 10cm, together with a chocolate tin 'The Gift of the Colonies of Trinidad, Grenada & St Lucia to His Majestys Naval Military Forces'

A collection of George IV and later British coinage to include four commemorative £5 coins, crowns, shillings and pennies

A collection of cigarette cards and silks to include Player's and Spencer's, many in boxes

A Windsor & Newton artist's box (contents a/f), a cased draughtsman's set containing pen and nibs and a cased set of geometric instruments

Two brass shells tallest 69cm high

Three mahogany mantle clock wall brackets

A George VI silver hunting horn, Birmingham 1938, 31cm long, 1.2oz

A collection of Victorian and later postcards and greetings cards housed in an album and a box file, to include country house interiors, scenic English and French views, doll's houses, together with a book on collecting postcards

A 17th century and later oak spice box, the geometrically moulded door with wrought iron hinges opening to fitted interior containing an arrangement of drawers with brass ring handles 27.5cm high, 30.5cm wide, 20cm deep, with key (a/f)

A pine doll's house in the form of a three storey house with hinged roof and front panels enclosing an arrangement of rooms and a small collection of accessories, height 87cm, width 80cm, depth 48cm, with key

Two Victorian walnut inlaid jewellery boxes, to include one with Tunbridge ware style bands and mother of pearl cartouche and escutcheons width 27.5cm, depth 19.5cm, height 13cm, together with four various inlaid boxes (6) (a/f)

A collection of nine mauchline ware boxes to include Shanklin Chine containing a fitted glass, High-Gate Hawkhurst and The Pier Bognor

A London Stereoscopic Company Ltd. mahogany and brass camera (a/f)

A Paillard Bolex G916 16mm film projector, a Bolex Paillard 18-5 film projector, a Bolex Paillard SM8 sound projector and a Bolex 155 Super (a/f) (4)

A framed 19th century alphabet sampler 22.5cm square (a/f)

A framed West Ham match worn shirt of Ukrainian footballer and coach Serhiy Rebrov signed by the West Ham Squad players who were promoted to the Premier League 2004/2005, frame 90cm square, for list of signatures see additional photograph

A William IV truncheon with painted lettering 'IV WR ST MARTINS', 45cm long

A pair of Art Deco style desk stands each with oval hardstone pen tray surmounted by a painted metal model of a panther, together with a gilt metal ornament of an eagle

A Sheaffer electroplated gold fountain pen with 14k nib, cased with paperwork, and a Waterman gold plated fountain pen with 18k nib, cased

A set of four boxed The Beatles Yellow Submarine Sgt Pepper Lonely Hearts Club Band MacFarlane Toys figures comprising John with the bulldog, Paul with sucking monster, George with snapping turk and Ringo with apple bonker

A Victorian walnut inlaid writing slope the exterior with Tunbridge ware style borders, mother of pearl inlaid cartouche and escutcheon, width 30cm, depth 23cm, height 15cm

Three metal Anglepoise desk lamps in black, cream and grey (a/f)

A vintage heavy quality cast iron and brass model cannon, 44cm long by 22cm high.

A vintage Union Jack flag, by family repute from WW1 but not verified, 174cm by 86cm, (a.f.), attached to a bamboo pole, and a later Union Jack flag, 180cm by 91cm. (2)

A travelling fairground organ model of Gavioli fair organ 'Brevete', Miller Amusements Portsmouth with illuminating lights and music system to interior, on wheels, height 73cm, depth 43cm, length 127cm (a/f - must be tested by an electrician before use)

A collection of 1960s, 70s, 80s and later football programmes, magazines and ephemera to include Liverpool and West Ham, together with a small collection of sticker books (a/f)

A collection of mostly Walton and Woodmansterne colour slides to include North Wales, Chester, St Pauls Cathedral, Chester, Hampton Court, London: The City and Christmas Lights 1964

A Lego The Flintstones set 21316, in sealed box (tear to one corner)

Lego Star Wars The Helmet Collection Darth Vader 75304, in sealed box

A Lego Ghostbusters set 75828 Ecto-1 & 2, in sealed box (dents to box)

A Lego Disney Princess set 43206, in sealed box (dented)

Lego Star Wars 75318 The Mandalorian 'The Child', in sealed box

Lego Ideas 21307 Caterham Seven 620 R, in sealed box

Lego Ideas 21324 Sesame Street set, in sealed box

Lego Star Wars The Helmet Collection 75274 Tie Fighter Pilot, in sealed box

Lego 21306 The Beatles Yellow Submarine, in sealed box

Lego Star Wars The Helmet Collection 75276 Stormtrooper, in sealed box

Lego Star Wars 75306 Imperial Probe Droid, in sealed box

A collection of boxed model buses mostly Corgi, Original Omnibus Company and Oxford to include many Southdown buses

A Coca-Cola model Holiday Caravan and Volkswagen T1 bus, both boxed

Five boxed Corgi Aviation Archive diecast models to include AA39002 Westland WG-13 Lynx MK-8-202, AA37 Westland Wessex HAS.3, XM328 No 737 Squadron Royal Navy and limited edition AA33614 Panavia Tornado GR4

A set of three graduated copper and brass spirit ladles, for Whisky, Rum and Brandy, each approx 37cm long, together with an old copper receptacle of flared circular form, 26cm diameter by 14cm high, (4).

A Georgian silkwork panel, the oval form hand woven and hand painted with a young maiden, within old Hogarth frame, silkwork 17cm by 13cm, frame 34cm by 28cm.

A Russian painted brass samovar and tray with floral and bird decoration on dark red ground (a/f - electrical wires missing)

A marquetry inlaid and gilt metal mounted rectangular form jardiniere 40cm width

A copper and brass jardiniere / log basket with applied crest and foliate decoration and lion mask ring handles on three paw feet 34cm diameter, 37cm high

A vintage Geographia Ltd Dr. R. Neuse Columbus Terrestrial table globe, with chromed metal support and wooden stand, 49cm high.

An album containing collection Victorian and later postcards depicting views of Pagham, Aldwick and Bognor together with an album of assorted postcards including views of Paris, Morgat and Saint-Omer

An old tribal spear, with 29cm metal head and a bound wooden handle, total length 128cm.

A cast iron barber's shop foot rest (could be used as a bookstand) the pierced design with lettering 'CLARKE 7 CT DOVER ST SE' 43cm wide

A Persian saddle bag, dark brown ground, with diamond motifs and striped design 140cm by 51cm, a small carpet bag and a woven bag with long tassels

A framed sketch of an original costume design for Diana Rigg as Cleopatra in Anthony & Cleopatra at Chichester Festival Theatre 1985, watercolour and pencil, 29cm by 20cm

Sooty and Sweep hand puppets, together with a monkey hand puppet and a bear hand puppet, (4).

Five wooden walking sticks, comprising four with knob handles and one with antler handle

A pair of Art Nouveau gilt spelter figures of ladies converted to table lamps 59cm high including base and fittings

Frederick William Booty (1840-1924), Old Bar, Scarborough, watercolour, signed and dated 1915, verso inscribed paper label for Henry Whitley & Son, 67cm by 51cm (a/f)

A Japanese wooden Sumitsubo, a carpenters ink pot for marking lines on the wood, stamped seal mark to underside, 19.5cm long.

A French brass and bevelled glass cased carriage clock the white enamel dial with Roman numerals 15cm high, with leather travel case and key

Two brass and bevelled glass cased carriage clocks tallest 15cm (a/f)

A collection of scientific instruments: comprising a Sike's Hydrometer from Wickenden & Sons, Hotel Valuers of Tunbridge Wells, a Theodolite, a Shortland Bowen table top compensated barometer, and a cased replica portable sundial, (4).

A 19th century French gilt figural mantle clock, the drum shaped case flanked by a classical figure 40cm high

A 19th century French boulle clock, maker Richard et cie, the cartouche shaped case with figural surmount above a circular brass dial with enamel plaque Roman numerals, the movement striking on a gong 79cm high (a/f)

A circular mahogany wall clock, the 14 inch dial with Roman numerals and crows foot mark (a/f)

A Victorian Black Forest cuckoo clock the movement striking on a gong, the carved oak case with applied bone Roman numerals and with cuckoo aperture to the top 50.5cm high, with pendulum and keys (a/f)

A George III mahogany banded oak cased striking longcase clock by James Kirkham of Holywell, the gilt metal mounted arched hood with hand painted foliate decoration, the 13" arched brass dial with moonphase movement, silvered chapter ring, silvered seconds ring, date aperture, twin winding holes, engraved decoration and applied spandrels, the trunk door flanked by fluted quarter columns, with two weights, 220cm high.

A Georgian oak cased eight day striking longcase clock, the 12" painted square dial with subsidiary seconds dial and twin winding holes, the trunk door with glass lenticel, with pendulum and twin weights, 201cm high.

A late 19th century continental Vienna type wall clock, glazed walnut case of architectural form, the movement striking on a gong, with key and pendulum, approx 98cm high.

A Winterhalder and Hofmeier chiming longcase clock with 32cm silvered chapter ring and Roman numerals, chime/silent and seconds subsidiary dials, in domed hood and mahogany case with oval glass panel door, height 208cm

A Maple and Co. circular mahogany wall clock fusee movement with 8 inch dial and Roman numerals, c 1920/30's, 29cm

A George III oak longcase clock by Jos. Jackeman on London Bridge with 27cm square brass dial, (a/f hood panel detached but present) height 204cm

An FCC Precision brass bulk head barometer and clock set on wooden stand (a/f clock in need of repair) 32cm

A George III longcase clock by Thomas Agnes, London with 30cm brass dial, silvered chapter ring and Roman numerals, eight day movement with strike/silent and seconds subsidiary dials, calendar aperture, in arched hood with blind fret decoration and brass capped column supports, ht.248cm

A George III mahogany longcase clock by Joshua Wilkinson, London with arched silvered dial, Roman numerals, calendar slot, subsidiary seconds and Strike/Silent dials, in arched hood with fluted column supports and case with quarter column supports, ht.218cm

Johannes Holst (20th Century) sailing boats off a headland, oil on canvas, signed and dated 1936, 29cm by 44cm

Charles Edward Dixon (1872 -1934), maritime view, 'Westward Ho!', indistinctly inscribed and dated 9.12.06, watercolour, 46cm by 68cm, provenance: by family descent, the original owner was a friend of Dixon and by repute shared the cost of art materials (a/f)

John Hamilton Glass SSA (fl 1890-1925), village harbour view with figures on a shoreline, watercolour, signed, 34.5cm by 51.5cm

Early 20th century school, portrait of a lady, oil on canvas, indistinctly signed Po*son and dated 29, 76cm by 66cm, unframed

20th century school, figures beside moored boats, oil on canvas, indistinctly signed 'Drosz K 959'?, 50cm by 60cm, together with a harbour view by another hand, oil on board, unsigned, 51cm by 61cm, both unframed

Malcolm Teasdale (British, b.1944), 'West Gate', gouache, signed, label verso, 27cm by 32cm, framed.

Wyn Appleford (1923-2016), Boats, Newquay Harbour, Cornwall, mixed media, signed, verso paper labels, 19cm by 15cm

Wyn Appleford (1923-2016), Trinity House Lifeboat, mixed media, signed, verso paper labels, 21.5cm by 34cm

Wyn Appleford (1923-2016), Cornish Estuary, watercolour, signed, verso paper labels including for Sidmouth Society of Artists, 35cm by 51cm

Joseph Cayet (1907-1987), portrait of a lady, signed in pencil, verso paper label for P Vermeersch Bruxelles, 59cm by 49cm

Francis Murphy, two framed pencil drawings, a head and shoulders portrait of a lady, 31cm by 26cm, and a lady seated before a painting, 41cm by 29.5cm, both signed

Francis Murphy was a student at the Royal Academy of Arts

After Francois Boucher (1703-1770), reclining nude with child, reproduction print, 16cm by 27cm

Lylya Lemcka (Ukrainian, contemporary), pair of abstract oils on board in red and yellow, signed and dated 06, each panel 61cm by 40cm

A framed Robert Delaunay Tate Gallery poster 68cm by 48cm

Eduardo de Moira (Portuguese 1817–1887) portrait of a man in uniform with walking cane, watercolour, signed E Moira, pinx. and, E Haigh phot., oval gilt beaded mount, 36cm by 29cm

Attributed to Thales Fielding (1793-1837) Shipping off the coast, watercolour, 10.5cm by 14cm

William Lionel Wyllie (1851-1931), The Poseidon Temple, Attica, etching, signed in pencil, verso paper label, frame 47cm by 55.5cm

John Doyle (Irish 1797–1868), political lithograph, 'The Man Wot Jockeys The Sovereign' 54cm by 41cm

David Michael Carroll OJ (1936-2007), Swedish training ships, oil on board, signed, 28cm by 39cm

David Michael Carroll OJ (1936-2007), Coastguard and other ship, oil on board, signed, 28cm by 39cm

David Michael Carroll OJ (1936-2007), Asgard II (Irish TS) and Soren Larsen, watercolour, signed, 26cm by 39.5cm

Frank Harding (British 1935-1990) ships in Brixham and Poole Harbours, two etchings, both inscribed and signed in pencil,15cm by 27cm and 13cm by 31cm

Norman Wilkinson (1878-1971), Navy destroyers moored off a coastline, oil on board, unsigned, verso paper label for Reading Fine Art Gallery Ltd, 29cm by 49cm (ARR) purchased by the current owner's father from Reading Fine Art Gallery in the early 1970s

20th century school, a pair of oval coloured prints depicting Pierrot with a lady, indistinctly signed in pencil, pub Hautecoeur Paris, 33cm by 43cm

Manner of Henry Scott Tuke (1858-1929), bathers, oil on board, unsigned, 23cm by 34cm

Tom Groom (20th Century) view of Venice, views of harbour and country lanes, seven small watercolours, signed, 10cm by 15cm

Albert Dunnington (1860-1941) two views of the Dean's Close Winchester and The Old Butter Cross Winchester, watercolours, signed, 36cm by 25cm

G L Hall (19th Century) Woody Bay, North Devon, paper label verso, watercolour, signed, 21.5cm by 31cm

Tom Rowden (1842-1926) ponies and cattle on moorland, a pair of watercolours, signed, 20cm by 38cm

Leslie Arthur Wilcox RI RSMA (British, 1904-1982), 'Harbour scene', oil on canvas, signed, gallery label verso, 58cm by 78cm, inset swept gilt and cream finished frame. Together with a valuation note from Studio Van Hemersveld of Fort Worth, Texas, USA, dated 12th September 1978, relating to a painting by this artist but titled 'Chichester Harbour', which this does not appear to be!

Graham McKean (Scottish, b.1962), 'Chasing the Dream', Pencil signed limited edition giclee on paper, number 38/195, with certificate of authenticity version, 47cm by 60cm, framed;

Graham McKean (Scottish, b. 1962), 'Swings & Roundabouts', Pencil signed limited edition giclee on paper, number 19/195, with DeMontfort Fine Art label verso, 47cm by 60cm, framed.

Graham McKean (Scottish, b.1962), 'The Bread Winner', Pencil signed limited edition giclee on paper, numbered '16/20AP', with DeMontfort Fine Art label verso, 45cm by 36cm, framed.

Alex Portner (German, 1920 - 1982), 'Portrait of an elderly Gentleman', oil on canvas, signed with monogram, remnants of old label verso, inscribed by hand verso, 50cm by 40cm, framed.

Clive Fredriksson (Contemporary, born in Africa now resides in East Sussex), 'Male figure attempting to catch fish with his hands', oil on canvas, signed and dated 2022, 113cm by 76cm, stretchered but unframed.

Norman Battershill (b 1922), rural landscape view across fields with distant cattle, oil on board, initialled, verso inscribed, 11cm by 20cm

Peter Iden (1945-2012), Winter in Priory Park, Chichester, limited edition colour print numbered 274 of 500 and signed in pencil, 41cm by 58cm

Kathleen Caddick (b 1937) rural winter landscape with outbuildings, oil on board, monogrammed, 48cm by 74cm

Athanasius Nikolsky (late 20th century), still life of roses, oil on canvas, signed and dated 1971, 49cm by 59cm

Cecil Kennedy (British, 1905 - 1997), 'Cydonia' a still life depicting delicate blossoms in a glass ewer, a ladybird and a bumble bee', oil on canvas, name and title plaque applied to front, rear stretcher hand written by artist "this painting may be varnished in Sept 1975 by me (CK) if i am available", 51cm by 41cm, framed.

A large scale antique engraving: 'The Relief of Lucknow, a Triumphant Meeting of Havelock, Outram and Sir Colin Campbell', by Charles Lewis after Thomas Barker, image 66cm by 125cm, giltwood frame with egg and dart moulded borders 98cm by 158cm, (a.f. - some condition issues).

This scene records the aftermath of one of the most traumatic episodes of the British involvement in India, when a siege that had lasted four months was finally lifted, the original version in oils is now in the National Portrait Gallery, London.

Derek George Montague Gardner (British, 1914 - 2007), a pencil signed marine print with blind stamp, depicting HMS Minerva's action with French Warship 'Warwick' in January 1761, 46cm by 68cm, framed.

British School (19th century), 'Marine scene with fishing boats in calm waters', watercolour, initialled 'R,M.', 15cm by 34cm, framed.

An antique engraving of old Chichester: entitled 'To his Grace, Charles Duke of Richmond, Lenox & Aubigny, Earl of March & Darnley, Knight Companion of the Most Noble Order of the Garter, Lieutenant General of His Majesty's Forces, High Steward of the City of Chichester, F.R.S. &c &c. This Plate representing one of the most interesting views in Chichester, is with permission, humbly inscribed by his Graces very faithful and obedient servant Joseph Francis Gilbert', Published June 1814, engraved by M Dubourg, Painted by I F Gilbert, 46cm by 60cm visible, later framed and sealed behind glass.

Jillian Squelch (20th century), figure through a door, oil on canvas, signed, verso paper label for The Garden Painting Competition, inscribed and dated 1981, 55cm by 81cm

Dion Pears (British. 1929-1985), 'Racing Yacht in action', oil on canvas, signed, 70cm by 91cm, framed.

British School (20th century), 'Harbour scene', oil on canvas, signed 'SPENCE' (possibly for James Spence, Scottish,1929 - 2016), 60cm by 120cm, framed.

Flemish School (18th / 19th century), 'still life featuring a young male attendant laying out a banquet with a boars head, lobster, goose, stag, and copious fruits, with cats watching near by', large scale oil on canvas, re-lined, 138cm by 213cm (4'6" x 7'), inset later gilt frame.

Albert Dunnington (1860-1941) two views of Overton on Dee Cheshire and Artists Lane Nether Alderley Cheshire, two watercolours, signed and dated 1915, 35cm by 25cm

Jan Van Hessel (Dutch b.1894) winter scene with skaters on a lake, oil on board, signed, 19cm by 24cm

Manner of Bessie Bamber (1870-1910), kittens, oil on board, bearing initials 'BB', 22cm by 16cm

Boyd & Evans (Fionnuala Boyd / Les Evans, b.1944/45), 'Sea of Custard', oil on canvas, 1995, inscribed by hand verso with artists name, date, and title, assumed by artist, also with label verso for the Angela Flowers Gallery, 199/205 Richmond Road, London, with this artworks details, 18cm by 23cm, framed.

John S Piper (British. b.1946), 'Porthgwarra' a Cornish coastal scene, oil on board, 1988, signed, dated, and titled verso, 26cm by 33cm, framed.

Jonathan Waller (British, b.1956), 'Mother No 60', from the Birth Series, pastel and charcoal study on paper, 1999, initialled and dated lower right, signed, dated, and titled verso, 102cm by 65cm, framed.

Sergei Chepik (Russian / Ukranian, 1953 - 2011), 'Salome', gouache preparatory work on paper, signed lower right, labels verso for the Roy Miles Gallery, 29 Bruton Street, London W1, and for Academy Framing at the Royal Academy of Arts, Burlington House, Picadilly, London W1, 39cm by 15cm, framed.

Alastair Paterson (20th century), 'Arundel meadow with the castle in the distance' and 'A Sussex Farm', a pair, watercolours, signed, 24cm by 34cm, framed.

Sir Peter Scott (British, 1909 - 1989), 'White Wagtail', a signed limited edition print, number 4/25, 8cm by 9.5cm, framed.

Sir Peter Scott (British, 1909 - 1989), 'Andromeda', signed limited edition print, number 13/25, 9cm by 7.5cm, framed.

Marjorie Collins (American, b.1941), 'Botanical still life', watercolour, signed, 15cm by 23cm, framed.

Marjorie Collins is a Member of the Society of Botanical Artists, the Society of Women Artists and the Oxford Art Society, born in Chicago and moved to England in 1975, she has a Bachelor of Science Degree in Design from the University of Michigan.

She has exhibited her work widely in both in the US and the UK and open exhibitions include the Royal Academy Summer Exhibition, Sunday Times Watercolour Competition, Royal Institute of Painters in Watercolour, Royal Institute of Oil Painters and the Royal Watercolour Society, her paintings can be found in a number of corporate, private and public collections in both the UK and the US.

Vivienne Redmond (20th century), 'Molly & Grace' two cats, 1999, Pencil signed with initials limited edition etching, number 31/200, titled by hand, 17cm by 14cm, framed.

Jill Uht (British, b.1934 - wife of John Uht, 1924 - 2010), 'Reverends Return', watercolour, signed, label verso for the Linda Blackstone Gallery, The Old Slaughterhouse, rear of 13 High Street, Pinner, Middlesex, listing interesting info regarding the artist, 11.5cm by 16cm, framed.

Godfrey Gilbert (early 20th century), three views of Italy, all oils on canvas, all signed, to include 'Florence from Villa Campodonico exhibited Royal Academy 1947', 54cm by 64cm

Peter Symonds (b 1964), 'Down at Polperro', oil on canvas, signed, verso paper label for Godalming Galleries Ltd, 30cm by 46cm

Douglas Falconer, 'Surrey landscape, near Dorking, England', oil on board, signed, verso inscribed paper label, 24cm by 34cm

Douglas Falconer, 'Part of Ullswater, The Lake District England', oil on board, signed, verso inscribed paper label, 24cm by 34cm

Luke Elwes (British, b.1961), 'Walk', 1993, large scale oil on canvas, signed, titled and dated verso, also bears label verso for Galerie Vielle du Temple, 23 Rue Vielle du Temple, Paris, 107cm by 198cm, stretchered but unframed.

Luke Elwes lives and works in London, his early years were spent in Tehran, where the light and terrain were a formative influence, he studied at UAL (Camberwell school of Art) and holds undergraduate and research degrees from Bristol University and University of London, in 1987 he went to the central Australian desert to study the landscape and its place in indigenous storytelling and artforms, and has spent extended periods of time travelling and working in India, Asia and North Africa. In 1998 he was artist in residence on an expedition to Mount Kailash in western Tibet, and returned to the Himalayas in 2008 to explore the remote kingdom of Mustang, in recent years he has gone on to make significant bodies of work during residencies in the USA, at the Vermont Studio Center (2013) and the Albers Foundation in Connecticut (2015). In 2022 he was visiting fellow at the Ballinglen Art Foundation (Ireland). his work has been shown regularly in private and public galleries in the UK, US and Europe, including: Frestonian Gallery (London), Adam Gallery (London), Broadbent (London), Art First Contemporary (London), Browse & Darby (London), Art First (New York), Galerie Vieille du Temple (Paris), Galerie Marceau Bastille (Paris), Grand Palais (Paris), Palazzo Lanfranchi (Pisa), Galleria Ceribelli (Milan & Bergamo), Galleria Ghelfi (Vicenza). In 2022 he showed alongside Bridget Riley at the Myung-Won Museum in Seoul, South Korea.

Ludmilla Block, cornflowers and milk, oil on canvas, signed and dated 97, 36cm by 83cm

Yuri Anokhin (1926-1977) Winter in Sparrow Mountains, oil on board, verso paper label for Churzee Studio Gallery inscribed by the artist's son, 48cm by 66cm

Benjamin D Sigmund (1857-1947), woman and ducks before a country cottage and gardens, watercolour, signed, 25cm by 35cm

Edmund J Thring (1906-1985), 'Unloading bricks at Shoreham, Sussex', watercolour, signed and dated 1924, verso inscribed paper label, 25cm by 35cm

Edmund J Thring was an architectural perspectivist who produced over 2,500 perspectives in his lifetime. He spent much of the Second WorId War in the Photographic Reconnaissance Interpretation Unit at RAF Nuneham Park, interpreting aerial photographs and making models.

Anna Marrow (contemporary), diver and tower, 'Mr Blue Sky', limited edition screenprint, numbered 8/25, inscribed and signed in pencil, 58cm by 55cm

Anna Marrow (contemporary), female surfer riding a wave, 'Surf's Up', screenprint, artist's proof, inscribed and signed in pencil, 57cm by 38cm

Svan Grandin (Swedish 1906-1982), 'Winter Beach Scene', oil on board, signed, verso paper label for Arti, 27cm by 55cm

A collection of framed Baxter and oval Le Blond prints to include the Duke of Wellington, Prince Albert, Six Malagasy Christians and Brighton Chain Pier (SEE MULTIPLE IMAGES OF COLLECTION)

Attributed to David Cox (1783-1859), 'A cart on a windy heath', watercolour, unsigned, verso paper label for Spink & Son Ltd, 16cm by 26cm

Richard Allam (19th century), 'River landscape' with fisherman on a bridge and mountains beyond, oil on canvas, signed 'Allam', 34cm by 52cm, framed.

Richard Allam (19th century), 'Coastal landscape' with rocky coastline, seagulls and ships, oil on canvas, signed 'Allam', 34cm by 52cm, framed.

Peter Iden (British, 1945-2012), 'Street scene', watercolour, signed and dated 1982, 29cm by 40cm, mounted but unframed.

Peter Iden (British, 1945-2012), 'Mid century suburban houses', watercolour, signed and dated 1973, 33cm by 43cm, unframed.

Peter Iden (British, 1945-2012), 'Mid century housing development', watercolour, signed and dated 1982, 36cm by 40cm, unframed.

Peter Iden (British, 1945 - 2012), 'Suburban new builds', watercolour, signed and dated 1982, 29cm by 72cm, mounted but vunframed.

Peter Iden (British, 1945 - 2012), 'Modern suburban complex', watercolour, signed and dated 1986, 30cm by 72cm, mounted but unframed.

Peter Iden (British, 1945 - 2012), 'Chichester Theological College', produced for Whiteheads Design & Development Group, The Old Post Office, 52 South Street, Chichester, watercolour, signed and dated 1984, 30cm by 54cm, mounted but unframed.

Peter Iden (British, 1945 - 2012), 'Study of a grand house', watercolour, signed and dated 1973, 28cm by 43cm, unframed.

Peter Iden (British, 1945 - 2012), 'Mid century suburban street', watercolour, signed and dated 1982, 22cm by 37cm, mounted but unframed,

Bruce L Miller P.S.A. (Southern College of Art Portsmouth School of Architecture): an interesting collection of unframed architectural drawings, studies, and other original artwork (Quantity).

Of Architectural Interest: seven various watercolour studies of various suburban buildings, a folio of printed work relating to 'Old Thorns Redevelopment' by Miller Hughes Associates Ltd, and printed plans for 'Lancastrian Grange, Chichester', 'Chichester Theological College', Crosshaven, etc, (Quantity).

Peter Iden (British, 1945 - 2012), 'Eastgate Square, Chichester, Redevelopment', 'designed by L B Miller FFS MSIAD FRSA', watercolour, signed and dated 1981, 30cm by 54cm, framed.

W B Cooke after P Dewint, a 19th century coloured engraving of Bognor 14cm by 14cm, and Brian Denyer ARCA, Seven Sisters, coloured etching, numbered 2/75, inscribed and signed in pencil, paper label verso, 11cm by 31cm

Peter Iden (British, 1945 - 2012), 'Suburban Buildings', three watercolours on a single board, signed and dated 1981, 22cm by 43cm, 18cm by 38cm, 19cm by 34cm, mounted and framed, frame 81cm by 56cm.

Peter Iden (British, 1945 - 2012), 'Chichester Theological College, View A from Avenue de Chartres and View B from College', two watercolurs on a single board, signed and dated 1984, each being 20cm by 42cm, mounted but unframed.

A reproduction copy of an antique engraving of old Chichester, entitled 'To His Grace Charles Duke of Richmond, Lenox & Aubigny, Earl of March & Darnley, Knight Companion of the Most Noble Order of the Garter, Lieutenant General of His Majesty's Forces, High Steward of the City of Chichester, F.R.S. &c &c, This Plate representing one of the most interesting views of Chichester is with permision humbly inscribed by His Graces very faithful and obedient servant Joseph Francis Gilbert', 56cm by 77cm, framed.

An antique engraving 'The Market Cross at Chichester 1749', engraved by George vertue, drawn by William Ride, 55cm by 64cm, inset later gilt frame.

An antique engraving of The Chichester Market Cross, 'Crux Cicestriae', with further text, 48cm by 28cm, framed.

The Operative Bricklayers Society: an 1899 members certificate to Peter Palmer of the Portsmouth branch, designed by A J Waudby and engraved by J H Le Keux, 55cm by 42cm, later framed.

Simon Mahoney (Contemporary), 'Marine scene', watercolour and pencil, signed, artists label verso, 9cm by 50cm, framed.

British School (20th Century), 'Yachts at sea', watercolour, indistinctly signed, 34cm by 51cm, framed.

Olivia Pilling (British, b.1985), 'St Mark's Basilica, Venice', oil on canvas, 82cm by 102cm, stretchered but unframed.

Malcolm Croft (British, b.1964), 'Geraniums', oil on canvas, signed, remnants of Gallery label verso, 50cm by 40cm, framed,

Malcolm Croft (British, b.1964), 'Chips, Manchester', oil on canvas, 2009, signed, Gallery labels verso fof Collect Art, Lymm, Cheshire, further signed, dated and titled by artist verso, 40cm by 50cm, framed.

The 'Chips' building was designed by Will Alsop and is one of the most significant buildings in New Islington, Manchester.

Robert Jenkins (Contemporary), 'Accordion Player', oil on canvas, signed and dated 2008, Gallery labels verso for Collect Art, Lymm, Cheshire, 90cm by 70cm, framed.

Robert Jenkins (Contemporary), 'Still life', oil on canvas, signed and dated 2005, Gallery label verso for the Arison Gallery, Manchester, 70cm by 90cm, framed.

David Eustace RSBA RBA (British, 1950 - 2021), 'The Iron Bridge', oil on board, signed, titled verso, 29cm by 22cm, framed.

Ivan Taylor (British, b.1946), 'St Michaels Mount, Cornwall', oil on board, signed, artist's label verso, 50cm by 75cm, framed.

Born in Staffordshire he was the president of the Staffordshire Art Society, he exhibited 40 paintings on the popular BBC TV programme “Sketch Club” which ran from 1959 – 1961, these were later sold by the BBC to raise money for UNICEF, he has work in many private collections in various countries including USA , Canada , Australia , and South Africa.

Ivan Taylor (British, b.1946), 'The canal at Lymm' (Cheshire), oil on board, signed, artists label verso, Gallery label verso for Collect Art, Lymm, Cheshire, 40cm by 60cm, framed.

Born in Staffordshire he was the president of the Staffordshire Art Society, he exhibited 40 paintings on the popular BBC TV programme "Sketch Club" which ran from 1959 - 1961, these were later sold by the BBC to raise money for UNICEF, he has work in many private collections in various countries including USA, Canada, Australia, and South Africa.

Ian Norris MAFA (British, b.1960), 'Brickworks', oil on panel, 2011, signed, further signed, dated, and titled verso, 33cm by 25cm, framed.

Barry De More (Yorkshire artist, 1948 - 2023), 'Lloyds Bank, Halifax', oil on board, 2010, signed and dated, further signed, dated and titled by artist verso, label verso, 17cm by 27cm, framed.

Acclaimed as one of the North's greatest expressionist artists, Barry De More used a heavy impasto style to transfer his love of Yorkshire landscapes, townscapes and people to canvas.

Barry De More (Yorkshire artist, 1948 - 2023), 'Elland Town Hall', oil on board, 2010, signed and dated, further signed, dated, and titled by artist verso, label verso, 17cm by 27cm, framed.

Acclaimed as one of the North's greatest expressionist artists, Barry De More used a heavy impasto style to transfer his love of Yorkshire landscapes, townscapes and people to canvas.

Glyn Macey (Cornish, b.1969), 'Thames Evening', mixed media, signed, further signed and titled by artist verso, also with Gallery label verso for Collect Art, Lymm, Cheshire, 68cm by 76cm, framed.

John Walsh (20th / 21st Century), 'The Victoria, Salford Quay' (Manchester), oil on paper, 2004, signed with initials, dated, artists labels verso, 68cm by 56cm, framed.

20th century school, view of sunlight through trees with white painted cottage, impasto oil on canvas, indistinctly signed, 48cm by 58cm

Harold William Stagg (fl 1910-1915), Poole Harbour, watercolour, signed, 18cm by 25cm, and A Keightley (late 19th century), Ratcliffe Wharf at Limehouse, London, watercolour, unsigned, verso inscribed paper label for The Hampton Hill Gallery Ltd, 17cm by 25cm (2)

British School (19th century), 'Still Life' depicting various fruits and a butterfly on a table, oil on canvas, 27cm by 31cm, stretchered but unframed, (af).

NB: it appears to be one canvas laid on top of another and the original canvas could be earlier than that which is visible.

Laurence Stephen Lowry (1887-1976) 'The Beach', pencil signed print, published in 1973 by Venture Print Ltd, with Fine Art Trade Guild blind stamp, to the current owner by family descent, 39cm by 62.5cm (ARR)

Laurence Stephen Lowry (1887-1976) "Deal beach sketch" signed print, Fine Art Trade Guild blind stamp, published by Venture Prints Ltd., with blind stamp, nb: this is a print of the preparatory sketch for The Beach at Deal, to the current owner by family descent, 17cm x 24.5cm (ARR)

British School (19th century), 'Still Life' depicting a birds nest with eggs and fruits in an outdoor setting, oil on board, indistinctly inscribed by hand verso, 21cm by 26cm, framed.

Peter Symonds (b 1964), Castle Combe, Wiltshire, oil on canvas, signed, verso paper label for Godalming Galleries, 30cm by 40cm

A Victorian mahogany partners desk, the red leather inset rectangular top with rounded corners above an arrangement of three drawers and three opposing drawers on reeded baluster legs and ceramic castors width 136cm, depth 87cm, height 77cm

A Louis XV style gilt metal mounted rosewood serpentine fronted commode with marble top above two drawers on cabriole legs terminating in sabots width 153cm, height 90cm, depth 63cm

Originally from The Cadogan Hotel 75 Sloane Street London before the hotel relocated to Knightsbridge and detailed in an inventory and valuation of contents dated 1947. By repute belonged to Lily Langtry and formed part of her furnishings in her Pont Street home before its sale to the hotel

An Edwardian mahogany inlaid kneehole desk with green leather inset breakfront top above an arrangement of five drawers on tapered legs and castors width 121cm, height 75cm, depth 60cm

An early 20th century Arts & Crafts mahogany inlaid magazine rack with three stepped divisions and pierced sides height 95cm, width 38cm

A Norwegian Ekornes Stressless light tan leather reclining armchair and matching stool on bentwood supports

A 19th century mahogany tilt top occasional table with circular top on turned pedestal to outswept tripod legs 78cm diameter

An Edwardian mahogany inlaid bedside cabinet with marquetry panel door enclosing shelf, width 42cm, height 78cm, depth 38cm

A 19th century mahogany pot cupboard with three quarter gallery top above a panel door, on turned legs width 39.5cm, height 82cm, depth 36.5cm

A narrow mahogany side table the rectangular top with rounded corners on baluster legs width 137cm, depth 47cm, height 73cm

An early 20th century mahogany cheval dressing mirror height 159cm

A Victorian mahogany bowfront chest of two short over three long drawers on bracket feet width 107cm, height 105cm, depth 54cm

A mahogany four division Canterbury with drawer on turned legs and castors height 62cm, width 47cm, depth 38cm

A rectangular giltwood wall mirror with shell surmount above pierced floral and foliate decorated frame 68cm by 46cm

A pair of Art Deco style wall mirrors each with rectangular mirror plate with bevelled edge, within a blue and a pink mirrored border with stepped surmount, 66cm by 41cm

A Victorian rosewood card table the fold-over top enclosing green baize lined interior on decorative carved column to platform base, paw feet and castors width 92cm, depth 46cm, height 75cm

An early 20th century oak bookcase of five open shelves width 76cm, height 114cm, depth 20cm

A contemporary settee of rectangular form with woven cream fabric upholstery on square wooden legs 179cm wide

An Edwardian mahogany inlaid salon suite comprising two tub chairs and four chairs, all with matching cream and yellow floral upholstery on cabriole legs

A Victorian oak framed occasional low chair with yellow upholstery on turned legs and castors

A solid pine kitchen table, 20th century, the rectangular top with rounded corners, raised on turned supports, 153cm by 91cm.

A 20th century circular polychrome painted wall mirror, the frame decorated with moulded fruit and foliage 40cm diameter

A Victorian walnut inlaid Davenport with stationery box above writing flap and four real and four dummy side drawers, on a plinth base and castors width 55cm, height 85cm, depth 53cm

A 19th century mahogany inlaid hanging bowfront corner cabinet with two panel doors enclosing three shelves, height 99cm, width 69cm, with key

A wingback armchair with contemporary striped upholstery on turned legs and castors

A grey and white woven check upholstered armchair on baluster turned legs and castors

A herringbone upholstered armchair on turned supports and castors

An Edwardian mahogany inlaid pot stand with square top and circular undershelf on slender square tapered legs top 30.5cm square, height 91cm

A 19th century small mahogany Pembroke side table with an end drawer with turned knob handles and opposing dummy drawer, on turned legs and castors, 81cm width fully extended, 62cm deep, 72cm high

A yew wood pedestal desk the green leather inset rectangular top above an arrangement of nine drawers on plinth base width 121cm, height 79cm, depth 61cm, with key

A Victorian walnut and gilt metal mounted pier cabinet with marquetry decoration, the single glazed door enclosing a shelf, on shaped plinth base height 109cm, width 86cm, depth 31.5cm, with key

A carved dark oak dresser with mask surmount and two shelves with back panel decorated with the coat of arms for the United Kingdom over two drawers on turned supports width 119cm, depth 40cm, height 192cm (a/f)

A George III style wing back armchair, upholstered in studded brown leather, raised on square front supports

A garden statue of a classical figure approx 90cm high

A garden statue of a classical figure holding a bowl approx 90cm high

A composite (possibly white resin) garden statue of a classical female semi-nude figure 80cm high

A pair of garden statues of recumbent lions 49cm (a/f)

A contemporary wall mirror, the ebonised wooden frame with silvered metal insert, 119cm by 95cm.

A mahogany revolving bookcase of square form with slatted sides width 47cm, depth 47cm, height 74cm

A nicely wethered slatted teak garden bench, 122cm wide.

A set of six nicely weathered slatted teak folding garden / patio chairs by Neptune.

A Victorian mahogany occasional table the oval top with moulded edge on reeded legs and castors width 114cm, height 78cm

A George III mahogany chest of four graduated drawers with brass drop handles and oval backplates on bracket feet height 89cm, width 91cm, depth 46cm

A modern mahogany effect pyramid shaped chest of seven drawers with brass cup handles on bracket feet width 45cm, height 111cm, depth 38cm

A George III mahogany inlaid linen press with four sliding trays (internal brackets missing) enclosed by a pair of panel doors, the base with two short over two long drawers, on bracket feet width 121cm, height 200cm, depth 60cm (a/f)

An English Regency Period mahogany drop leaf supper table, c.1820, the rectangular top with frieze drawer and drop leaves, raised on a turned column and four sabre legs with delicate brass casters, 107cm by 54cm opening to 111cm by 107cm.

George III mahogany dining table, c.1800, in three sections, comprising two D shaped ends (which can be alternatively used as a pair of console tables), and a leaf, each with reeded edges, raised on square supports, 171cm by 109cm when set up as dining table, each D end 109cm by 57cm, leaf 109cm by 57cm, no brass clips.

A George III mahogany breakfast table the rectangular top with rounded corners on turned column to four outswept reeded legs to brass caps and castors width 138cm, depth 119cm, height 72cm

A vintage Regency style gilt framed convex wall mirror, early / mid 20th century, the reeded circular form with ball decoration, 50cm diameter.

A vintage Regency style gilt framed convex wall mirror, 20th century, the circular form with ball decoration and fluted ebonised band, 42cm diameter.

A Victorian mahogany pedestal desk, the rectangular top with moulded edges, rounded corners, and inset writing surface, above a configuration of nine drawers with moulded decoration and turned knob handles, raised on plinth bases and brass casters, 122cm by 76cm (dismantles into three sections for ease of transport).

A diminuative vintage mahogany chest of drawers, c.1920's / 40's, the seven drawers with bronzed teardrop handles. raised on block supports, 56cm wide by 52cm deep by 71cm high.

A pair Victorian mahogany occasional chairs by James Winter & Sons of Wardour Street, London, the carved bar backs above upholstered seats, raised on front fluted and turned tapering supports, makers stamp to underside.

A pair of Victorian mahogany occasional chairs, having carved bar backs above upholstered serpentine fronted seats, raised on front fluted and turned tapering supports.

A Victorian walnut breakfast table, the oval hinged top with nicely moulded edges, raised on a tapered octagonal column and three foliate and scroll carved chunky outswept supports with wooden casters, 136cm by 97cm.

A vintage Plan chest, in two sections, later painted, with ten drawers with recessed handles, flanked by panelled sides, raised on a plinth base, 122cm wide by 89cm deep by 92cm high.

A pair of 19th century inlaid semi circular console tables / side tables, each top inlaid with boxwood stringing with radiating batswing designs, with crossbanded boxwood strung fronts, raised on square tapered supports, 100cm wide by 50cm deep by 77cm high.

An early 20th century elm and beach Smokers bow armchair, of usual form, dished seat, horseshoe shaped back with turned supports, turned legs united by H stretcher.

A William IV / early Victorian pedestal table, c. 1830 / 1840, with later painted finish, the rectangular hinged and swivel top with rounded front corners opening to reveal a larger surface, raised on a fluted column, quatreform base and bun feet with brass casters, 91cm wide by 45cm deep by 74cm high opening to 90cm by 91cm.

A George III giltwood and gilt gesso overmantle mirror, c.1800, the three plate frame with rope twist and beaded borders, 131cm wide by 54cm high, some age related chips and nicks.

A large decorative 19th century wall mirror / overmantle mirror, the carved giltwood frame with scrolling foliate decoration, 160cm wide by 130cm high, has a later wooden panel attached to the back to give it strength and stability, and some later decorative paint effect decoration, a good statement piece!

A painted nest of drawers, in the vintage industrial style, having eighteen drawers, raised on a plinth base, one handle missing, 32cm wide by 50cm deep by 69cm high.

A painted pine side cabinet, continental, early 20th century, having two frieze drawers above two panelled cupboard doors, raised on shaped bracket feet, 100cm wide by 51cm deep by 84cm high.

A stylish contemporary light oak narrow chest of drawers, having rounded top edges, six drawers with integrated recessed handles, and block supports, 50cm wide by 49cm deep by 137cm high.

A stylish contemporary light oak desk, loosely based on a contemporary twist on modernism, the inset writing surface above one long frieze drawer and a bank of three further drawers, 159cm wide by 77cm deep.

A good quality 19th century carved mahogany 'ribbon back' open armchair, the elaboratley carved back above red dralon upholstered seat flanked by acanthus and scroll carved open arms, raised on front foliate carved cabriole supports with claw and ball feet.

An Edwardian light oak side table, the rectangular top with moulded edges above two frieze drawers above an open undertier, raised on ring turned tapering supports, 119cm wide by 56cm deep.

A set of eight Victorian style mahogany dining chairs, the balloon shaped and carved bar backs above upholstered serpentine fronted seats, raised on front turned and fluted tapering cylindrical supports.

A pair of Victorian heavy quality mahogany occasional chairs, the elegant curved backs above upholstered seats, raised on front scroll carved cabriole legs.

A good quality E J Riley dual purpose snooker / dining table, c.1900, having a slate bed, height adjustable mahogany frame, five table top leaves, Riley score board, balls, cues and rests, size with table leaves on 223cm by 118cm (7' 4" by 3' 10.5").

A 19th century mahogany side table, the rectangular top with moulded edges and rounded front corners, raised on four turned tapering cylindrical legs, 107cm wide by 50cm deep.

An Edwardian carved mahogany elbow chair, the elegant carved and pierced high back above upholstered seat and swept open arms, raised on front ogee supports terminating on hoof feet.

A set of reproduction mahogany library steps, with four curved treads and turned hand rest.

A 19th century small carved oak wall cabinet the single panel door with diamond motif depicting a bacchanalian mask amongst scrolling decoration, enclosing shelves, height 47cm, width 42m, depth 22cm

A pair of Charles Rennie Mackintosh design high back chairs by Bruce Hamilton of Glasgow, 20th century, in the Ingram pattern, 150cm high.

The original Mackintosh chairs were made for The White Dining Room in Miss Cranstons Tearooms in Ingram Street, Glasgow, c. 1900.

A French Louis XV style gilt-metal mounted marble topped beach side table, 20th century, the galleried circular top above single drawer and open undertier, 47cm diameter by 67cm high.

A childs elm and beach Windsor chair, carved to underside 'DM May 1994', 68cm high.

A carved show-wood armchair in the Victorian style, with buttoned patterned fabric upholstery (af)

A 18th century French provincial fruitwood shaped front chest of drawers, having three long drawers decorated with shaped panels above the shaped apron and scrolled ogee front feet, with shaped fielded panels to either end, 129cm wide by 61cm deep by 88cm high, (af).

An Art Nouveau wrought iron and copper floor lamp, c.1900, approx 130cm high.

A French gilt metal mounted Vitrine in the Louis XV style with single serpentine shaped glazed door enclosing two shelves with Vernis Martin style painted panel, on cabriole legs, 73cmt

A good quality 19th century light / medium oak entomological / collectors 40 drawer cabinet by T Gurney of Broadway and London Fields, the twin panelled doors enclosing 40 numbered drawers with ebonised handles, lined interiors and glass tops, many containing nicely displayed butterflies and moths, raised on a plinth base, applied name plaque inside right hand door, 105cm wide by 122cm high by 51cm deep.

A George III mahogany bureau writing desk, c.1800, the hinged sloping fall front enclosing pigeon holes and drawers, above four graduated long drawers with cast openwork escucheons and back plates and swan neck handles, raised on bracket feet, 80cm wide.

A George III mahogany corner fitting washstand inlaid with boxwood banding, the fitted upper tier with later ceramic jug and basin, the lower open tier with single drawer, raised on outswept supports united by a decorative shaped flat stretcher, 58cm wide by 97cm high.

An antique PUKKA travel trunk, leather mounted canvas, with various period stuck on shipping labels attached, and a tied on period Cunard White Star Line, Queen Mary, New York to Southampton, locked no key, 94cm wide by 35cm high by 54cm deep, (af).

A wooden spinning wheel crank action with foot pedal

A George III oak bureau with fall enclosing pigeon holes and small drawers, over two short and three long drawers, on bracket feet, (a/f) 102cm

Two pairs of Victorian balloon back dining / occasional chairs to include one pair with scroll carved back rail over drop-in needlework upholstered seats (4) (a/f)

A 19th century Chippendale style commode chair with a pierced vase splat, and a Victorian mahogany bar back commode chair with matching blue upholstered seat

A Victorian mahogany two leaf extending dining table, with rectangular cut cornered top on baluster turned legs and castors height 74cm, length fully extended 176cm

A Victorian ebonised dining chair with carved and pierced vase back, upholstered seat on cabriole legs

A Bokhara rug, Pakistan, 20th century, decorated with traditional motifs within borders on a red ground, 186cm by 118cm.

An Iranian Niriz (Neyriz) hand woven rug, red ground with central repeating feather motif, verso label for Fired Earth, 200cm by 155cm