Lot 4: Estimate £200 - £300
An Antiques & Collectables Auction to include a large single owner collection of military drums, Thursday 27th August 2026,

A set of six Imari pattern porcelain teacups and saucers, possibly Chamberlain's Worcester

A Beswick Mountie Stallion, Connoisseur model, black gloss, on wooden plinth 25.5cm high including base (a/f)

A Lladro porcelain 'Spanish Dancer' figurine 15cm high

A group of Rosenthal Studio-Linie Flash pattern tableware designed by Dorothy Hafner to include teapot and cover 19cm high, coffee pot and cover 23cm, two jugs, tall vase, two bowls, and a pair of egg cups

Eleven Royal Doulton porcelain figures of ladies to include Daydreams and Dinky Do tallest 19cm high

An Adderley's Ltd Amoy pattern wash set decorated with exotic birds, flowers and insects, comprising large bowl, two smaller bowls, bucket and two large jugs (a/f)

Three Whitefriars glass 'coffin' vases in red, orange and blue, 13cm high

A collection of six Bohemian Art Deco glass vases attributed to Leo Moser and the Moser Glass Works, comprising two faceted amethyst coloured examples with 'oroplastique' decoration, 26cm and 20cm high, two faceted amber coloured examples with 'oroplastique' decoration, one signed, 22cm and 17cm high, a signed clear example with 'oroplastique' decoration, 20cm high, and an unsigned undecorated faceted amber coloured example, 24cm high, (6).

Three Royal Crown Derby porcelain donkey paperweights 11cm high

A set of six Waterford crystal 'Nocturne' pattern wine glasses 22cm high

A collection of thirteen Beswick model horses to include an Appaloosa horse 20cm high, a bay brown Swish Tail horse 21.5cm high, Black Magic 20cm, and a Skewbald Pinto pony 16cm (a/f)

A set of ten 19th century Wedgwood porcelain plates with relief moulded leaf design on moulded basketweave ground and gilt embellishments 20.5cm diameter

A small Moorcroft 'Tribute To Charles Rennie Mackintosh' vase, designed by Rachel Bishop, 13cm high

A Whitefriars tangerine glass bottle vase 20cm high, a pair of Whitefriars green glass candleholders 8cm diameter, and four various Whitefriars style glass vases (7)

A 19th century Coalbrookdale style floral encrusted porcelain ink stand and taper holder, comprising tray and central taper holder flanked by a pair of ink / pounce pots tray 36cm by 22.5cm (a/f)

A Whitefriars kingfisher blue glass bark vase 19.5cm high, two Davidson blue glass bowls / ashtrays 13.5cm diameter, an Ingrid Glashutte blue glass bark vase 20.5cm high, and two other Whitefriars style vases (6)

Eight Beswick models of horses to include three dapple grey gloss models comprising the Bois Roussel racehorse 28cm high, Connemara 16cm, and Prancing Arab horse 16.5cm, a Highland pony 18cm, a palomino Prancing Arab horse and palomino foal (8)

A Royal Doulton hand-painted model of Red Rum modelled by Graham Tongue limited edition 296 of 7500, 32cm high, on wooden plinth base, with certificate

Attributed to Jacques Innocenti (French, 1926 - 1958), a Studio Pottery vase painted with a female figure, bears an indistinct painted signature to underside, 18cm high, (ARR).

Attributed to Phoebe Stabler (1879 - 1955), early 20th century, ceramic figure of a putti with floral garland, indistinct impressed marks to underside, 20cm high, (af).

A Royal Albert 'Old Country Roses' part table service, 77 pieces, (a/f - one turren handle detached).

A crackle glass of Art Nouveau design in the manner of Koloman Moser for Loetz, with a hollow integrated handle, 19cm high

Three Beswick shire horses comprising one action shire in matt dappled grey finish, one in matt brown finish, both 21cm high and a mare with gloss brown finish 22cm, together with a Royal Doulton black gloss horse 15cm with associated Beswick box (4)

A 19th century Crown Derby porcelain tyg painted and gilded in the Imari palette, 7cm high and small tea bowl, both with red painted factory mark, Stevenson & Hancock 1863-1866

A mixed 19th/ 20th century bone china part tea set, all similarly decorated, manufacturers including Grosvenor China and Allertons Ltd, each with green shagreen pattern ground, comprising; teapot, eighteen cups, eighteen saucers, two sugar bowl, fifteen side plates and three sandwich plates, each gilt heightened, teapot height 15cm, (some AF) (57 pieces)

A metal mounted Carlton ware porcelain biscuit barrel with floral decoration 15cm high excluding handle, a Royal Doulton glazed stoneware vase 22cm, and three Beswick models of Persian cats, largest 21cm

A Whitefriars meadow green glass 'coffin' vase 13cm high

A Baccarat glass verre dichroique eglantine pattern box decorated with roses, with a brass mount and cover 9.5cm high

Rosenthal Studio-Linie Flash Love Story pattern tableware designed by Dorothy Hafner with illustrations by Kitty Kahane comprising sauce boat on stand, sugar bowl and cover and milk jug

An Italian maiolica dish, probably Renaissance revival c.1880-1920, underside with painted mark, the lobbed form incorporating five divisions, 25cm diameter. Together with a faience twin handled pot, 11cm high, (2).

A Franciscan Desert Rose part dinner and tea service to include six dinner plates, six breakfast plates, six side plates, six cake plates, one vegetable tureen and cover, butter dish and cover, and eleven teacups (a/f)

A collection of eight antique ceramic named storage jars, including 'Ground Ginger', 'Candiedpeel', etc, tallest 20cm high, (8), (af - one lid missing and numerous faults).

Three studio pottery blue glazed models of historical helmets, unsigned, each on wooden stand, largest 29cm high including stand

An Italian ceramic table lamp modelled as a white dove beside a tree stump on wooden plinth base 24cm high including base

A large Italian maiolica charger, the well painted with a view of warriors in battle, on a ground of mythical creatures amongst scrolling decoration, the reverse monogrammed and numbered 2203, 40.5cm diameter

A Whitefriars glass 'coffin' vase in pewter 13cm high

Four Lladro porcelain figures of angels in various poses to include one playing an instrument 16cm high

A Royal Albert 'Old Country Roses' porcelain part tea and dinner service to include teapot approx 19cm high, milk jug, sugar bowl, two tier cake stand, six teacups and five saucers, platter, large bowl, and six dinner plates, together with matching mantle clock and candlestick

Studio Pottery: comprising a Phil Rogers vase, 9.5cm high, a Judith Fisher 'Raku' vase, 13cm high (cracked), and a Steve Woodhead jug, 11cm high, (3).

A Herend porcelain salmon dish with drainer 61.5cm long, together with a Herend porcelain sauce boat on stand and a serving spoon, all with matching floral decoration

An vintage Irish porcelain tea set in the Royal Linden pattern by Arklow, comprising 12 cups, 10 saucers, 10 side plates, 2 serving plates, 2 milk jugs and a sugar bowl, (37).

A 19th century Nailsea speckled coloured glass rolling pin, 40cm long.

A 19th century Palissy style tin glazed wall platter with naturalistic relief decoration in the manner of Bernard Palissy (1510-1589) depicting snake, fish, frog, lizard, stag beetle and other creatures and insects amongst plants on blue textured ground, no maker's marks 44cm by 36cm

A large Minton Art Pottery vase hand painted with an alpine scene by Edouard Rischgitz (Hungarian, 1829 - 1900), c. 1860's / 70's, depicting a goat herder leading his goats across a wooden bridge, and woodsmen chopping trees, between twin pendulous handles, signed to the base and bearing impressed factory marks to the underside, 53cm high, comes with an assosiated wooden stand, (af).

NB: Edouard Rischgitz was a pupil of Corot and medallist, before spending four years working at Mintons on the firm's exhibit for the 1867 Paris Exhibition Universelle.

A pair of Samson porcelain plates with floral decoration and gilt embellishments 22cm, and a pair of Johannes Roth style porcelain figures 12cm, together with a small collection of continental porcelain tableware to include a miniature cup in the manner of Augustus Rex

A large 19th century Derby porcelain vase, c.1830, of urn form decorated with lavish gilt, iron red, green, and blue, in the Japanesque Imari taste, factory marks underside, 25cm high by 26cm diameter.

Provenance: Christies South Kensington, 5th July 2007, lot 1139.

Three glass decanters with stoppers, 20th century, tallest 34cm, (3).

A Beswick prototype model of a Cowboy on horse painted in natural colours, height 24cm (missing reins)

An Eileen Lewenstein (1925-2005) glazed vessel or vase with impressed details to each side 12cm high

Six vintage novelty ceramic spirit decanters for Irish Mist Liqueur, modelled as soldiers, by Coronetti, Cunardo, Italy, tallest 48cm high, (6).

A Whitefriars red glass bowl / ashtray with part paper label 12.5cm diameter, a Whitefriars red glass bark vase 19cm high, a smaller Whitefriars style vase, and two bark textured glass vases / candlesticks (5)

Nine Beswick models of horses to include two large racehorses 30.5cm high, a dapple grey foal and a Norman Thelwell 'Kick-Start' figurine, together with a Beswick fawn and two other Beswick style animals

A large collection of studio pottery, 20th century: to include a Diana Barraclough model of a Tern (bird) on driftwood stand, Selborne Pottery, Ray Yor, and many other potters seal marks, (20 pieces).

A House of Faberge for Franklin Mint 'Snow Dove' crystal decanter and stopper, set of twelve matching goblets and pair of candlesticks

A collection of Royal Crown Derby 2451 Imari pattern porcelain tableware and miniatures to include a teapot, two jugs, sugar bowl and cover, three miniature teapots and two miniature jugs, together with a Royal Crown Derby Imari pattern plate, and three Bloor Derby Imari teacups and saucers

A Beswick model 2205 'Tang' horse 34.5cm high

A terracotta head, possibly French or Italian 18th century, facing full front, the tonsured head drilled for a halo, 25cm high, mounted on a later black metal stand, provenance: purchased by the current owner from Sotheby's European Works of Art Furniture and Decorations Auction October 1998

An Art Deco part tea set comprising milk jug, sugar bowl and cover, platter, six small plates, six teacups and seven saucers, all marked "Sterling Silver on Porcelain Foreign" on the underside

A David Sharp Rye pottery money box modelled as a rabbit 14.5cm high, and a Lorna Bailey pottery tea light holder modelled as a black cat beside a bubbling cauldron 8cm high

An Orrefors Skal bowl designed by Lars Hellsten, numbered 4259-121, height 12cm, width across the top 8cm

A collection Waterford Crystal, mostly drinking glasses, at least fifty-one pieces are signed, together with thirty-two non signed items of glassware (83).

A Chinese marble top carved and pierced hardwood side table / vase stand, early 20th century, 48cm high by 36cm square.

A vintage Japanese export 'eggshell' porcelain tea / coffee set complete for six settings (21), together with a set of three vintage Singapore famille rose cups, saucer and side plate trios (9), (30 items in total).

Four Japanese Imari export dishes, c.1900-1930, each of fluted circular form in tradional paletes, 2 x 30cm diameter, 21cm diameter, and 16cm diameter, (4).

A good quality early 20th century Mah Jong set in a chased metal mounted hardwood cabinet, with working lock and an instruction booklet by Max Robertson, 29cm high.

An antique Arakan Burmese bronze Clinthe Guardian Temple Lion, probably 18th century or earlier, made in detachable sections with a seated buddhistic figure on a platform which slots on to the back of the creature, being of well cast and heavy construction with decorative detailing throughout, 61cm high.

A Chinese blue and white porcelain jar and cover hand painted with horses in landscapes, 15cm high, (lid damaged), another Chinese blue and white porecelain jar and cover, 13cm high, two Chinese blue and white porcelain snuff bottles (only one with stopper), 6cm high, a pair of Japanese Kutani porcelain miniature vases, 14cm high, and a pair of Japanese Satsuma porcelain miniature vases, 13cm high, (8).

An 18th century Chinese blue and white 'Kraak' porcelain dish, with hand painted underglaze decoration and painted marks to the underside, 29cm diameter, (a.f.)

A Japanese Kutani porcelain vase converted to a table lamp, on wooden stand 44cm high including base and fittings

A pair of large antique Chinese blue and white porcelain vases, 19th century or earlier, featuring twin pierced handles, decoratd with dragons, exotic birds, a fish, and blossoming landscapes, 59cm high, (2).

An 18th century Chinese Export porcelain plate 22.5cm diameter, three cloisonne enamel vases to include a pair decorated with birds 15cm high, and a large 20th century Chinese ceramic vase on wooden stand 47cm high including stand

A copper finished milk churn for Pool's Dairies Romford with associated lid for West St Dairy Chichester approx 53cm high (a/f)

Kitchenalia: a copper and brass kettle 33cm high, a copper and cast iron ale warmer, cider measure, perforated skimming spoon and ladle, together with a large brass and cast iron perforated spoon, a cast iron trivet with turned wood handle

A good quality large vintage rouge marble and ormolu table lamp in the form of a classical corinthian column, with shade, height to top of bulb holder 63cm.

A copper finished milk churn for Chichester Dairies Ltd., 54cm high (a/f)

A collection of painted lead and metal soldiers, military figures and servicemen in various scales (a/f)

A Victorian rosewood travelling vanity box with trade label for Parkins & Gotto, 24 & 25 Oxford Street, London, the hinged lid and front panel inlaid with mother of pearl escucheons, enclosing a semi fitted mirrored interior, above a secret jewellery drawer, 31cm wide by 19cm high by 23cm deep.

A Gurkha kukri knife in a leather sheath 61.5cm long

Three graduated 19th century bronze bell weights, regional mark 'C*S', and further impressed marks, 56lbs, 28cm high, 28lbs, 24cm high, 11lbs, 20cm high, (3).

An Armand Marseille bisque head doll with sleeping eyes, open mouth, upper teeth, and movable limbs, approx 34cm high, (af).

After Pierre-Jules Mene (1810-1879), a bronzed metal sculpture of a pointer with game beside a tree trunk, inscised signature and dated 1850, 31cm high (a/f)

A 19th century folk art carved fruitwood screw-action novelty nut cracker in the form of a squirrel, approx 17cm tall

A large vintage Union Jack flag and the American flag, both mounted on canes (a/f)

A carved oak book stand, c.1900, decorated with stylised foliate motifs, 49cm wide by 23cm high.

A collection of antique and vintage silver plated items, to include a classical revival urn form wine cooler (25cm high), two oval entre dishes with covers, two large oval seving dishes, a Georgian revival teapot, an Art Deco chocolate pot with matching milk pot, a large ladle, and a burner with cradle, (10).

A child's acoustic guitar, no maker's labels, approx 32 inches (81.5cm) total length (a/f)

An Art Deco gilt patinated bronze table lamp depicting male and female figures dancing, with shade, total height 54cm.

A 19th century Meerschaum pipe, intricately carved to depict a lion and lioness in aggressive poses, with amber mouthpiece, contained within the original lined and fitted case, 22cm wide.

An Edwardian oak tantalus with silver plated mounts, containing three cut glass decanters with stoppers, lock working and key present, 35cm high by 37cm wide.

A pair 19th century German 'Kosmos' lamps by Wild & Wessel, later converted to electric, featuring streaky purple glazed bodies between ornate gilt metal mounts, with shades, height to top of bulb holder 44cm, (2).

Kitchenalia: a 19th century coopered oak flour barrel and cover, approx 29cm high

A 20th century Italian mandolin by G Puglisi Reale & Figli, with eight strings and tuning pegs, bearing makers label to inside, and maker's stamp to body, with spare strings

A collection of Hornby Dublo model railway to include a locomotive in LMS livery, no.6917, four rolling stock, a station, various track etc

A brass and copper finished fire extinguisher, 42cm high

A 1977 Queen's Silver Jubilee model Royal State Coach, boxed

A child's rocking swan of solid wooden construction, with carved and coloured decoration, length approx 1m

A small collection of Britains toy soldiers including HM Queen Elizabeth on horseback, and sentry box

Mecanical music interest, approximately sixty-five 'Hupfeld' boxed player - piano music rolls, a cased pinned tune barrel for 'Faventia' street piano, various prints with barrel organ interest, one dated 1826, player - piano and related instruction and similar booklets and leaflets

A late 19th century 'Apollo Harp' semi-automatic Zither, contained within original pine storage case, No 72E Flagg Manufacturing Company Boston, USA together with tuning key, plectra, original instruction booklet and Apollo music catalogue dated 1898

A pair of brass harness stamped 'Solid Brass' and 'Double Cased' wiith iron mounts and chains, 82cm long excluding chains

A good vintage period style ceiling lantern, the verdigris bronzed architectural frame of ornate gazebo form featuring a scrollwork dome above five pillars and clear glass insert, approx 64cm high, (af).

A Franz Xavier Bergman style cold painted bronze model of a horse (tail detached), unsigned, 12cm high

H C Coombs (c.1960's): a collection of six bronzed sculptures, depicting abstract human, dog and bird forms, two on marble plinth bases, three on wooden plinth bases, one is freestanding, tallest 47cm, (6).

Possibly the work of Herbert Cole "Nugget" Coombs (Australian, 1906 - 1997), an Australian economist and public servant, the first Governor of the Reserve Bank of Australia from 1960 to 1968, noted for his contributions to the arts, environment, and Indigenous justice movement.

As first Governor of the Reserve Bank of Australia, he was responsible for approving the acquisition of Norma Redpath’s 'Immortal Warrior' (1963-64) for the Reserve Bank in Adelaide, and commissioning 'Sculpture Column' (1968-72) for the foyer of the Reserve Bank in Brisbane. In 1972, when Redpath was appointed the H.C. Coombs Creative Arts Fellow at ANU, Coombs was ANU Chancellor and inaugural chair of the Australian Council for the Arts.

An antique crewel-work panel believed to be an Azerbaijani tent hanging, depicting floral motifs around a central doorway, 141cm by 97.5cm. framed

An interesting collection of original and facsimile phonograph catalogues including Pathe 1903, 'New Victor Bulletins' 1920's, together with other related books and booklets

An Art Deco style 'butterfly girl' table lamp, moderen, 51cm high.

A pair of vintage Wharfedale Airedale floor standing corner fitting speakers, wooden cased, 100cm high by 69cm wide by 36cm deep.

An oak cased Edison Bell 'Discaphone' portable gramophone with 'Winner' sound box, a similar 'Dulcetto' portable gramophone, together with a quantity of 78 rpm records contained in 'His Masters Voice' albums

A 19th century sailors fid, of turned lignum vitae, tapering form with ringed decoration, length 37.5cm, and a Victorian painted baluster police truncheon, turned, naively decorated with a crown and 'VR1', length 26cm

A vintage golf club printed Fred J Bowdrey Southampton 110cm long

Felix Haspel (Austrian, b.1951), a tapestry panel, signed with monogram in the weave, approx 160cm by 136cm.

NB: Felix Haspel is considered one of Austria’s leading textile artists, for further information see www.felixhaspel.at

A Victorian burr walnut work / sewing box with mother of pearl inlaid vacant cartouche and key escutcheon, and Tunbridgeware style inlaid bands, height 13.5cm, width 30cm, depth 22cm

Attributed to Giuseppe Renda (Italian, 1859 - 1939) or Giovanni Battista Amendola (Italian, 1848–1887): and original bronze sculpture 'Youth carrying vines', 52cm high.

A French wrought iron shop sign wall bracket, depicting a horn, wheat sheafs, leaves and flower heads, with parcial gilt decoration, late 19th / early 20th century, approx 155cm long, (af).

A vintage BACCHUS 'Rogar Estate' type cast metal bottle opener, approx 26cm high.

A framed Georgian silkwork embroidery depicting a figure playing a musical instrument beside a dog 19cm by 14.5cm

A violin 60cm long, with bow and case (a/f)

A set of four 19th century silver plated chambersticks, each with detachable sconce, wide fluted wavey edge drip pan, and scrolled thumbpiece, engraved with matching 'sunburst' crests, 15cm diameter.

An Edwardian Georgian revival silver plated desk stand with engraved inscription to Neil James Archibald Primrose, 1903, the hined lid with engraved 'lion and rose' crest revealing twin inkwells, covered recess, and twin pen wells, between twin lions mask drop ring handles. 27cm wide.

A collection of vintage greetings cards, mostly Valentines, many inscribed

Naval Interest: a 1942 HMS Sirius CPO Mess rum tray, circular form with low border, further inscribed 'THE KING GOD BLESS HIM', together with a set of six c.1950's grog (rum) measures (Quart, 1 Pint, 1/2 Pint, 1 1/3 Gill, Gill, 1/2 Gill), and a set of seven similar period grog (rum) measures (1/2 Gallon, Quart, Pint, 1/2 Pint, 1 1/2 Gill, Gill, 1/2 Gill), (14).

A pair of vintage Georgian glass ceiling lanterns, 20th century, the square gilt-brass forms inset with glass panels (some replacements and one with chipped corner), approx 60cm high, (af - one lower finial missing).

A 20th century cold painted bronze pheasant table lamp, the stem modelled with a cock pheasant sitting in a tree, hen pheasant below, set on an onyx base 29cm high including fittings, together with a cold painted bronze model of a pheasant mounted on an octagonal onyx dish dish 25cm wide

A vintage Georgian style gilt brass framed ceiling lantern, 20th century, the hexagonal form inset with clear glass panels (one cracked), approx 46cm high.

An Arts & Crafts copper pot and cover in the manner of Keswick School of Industrial Arts, c.1890-1920, featuring hammered decoration and scrolled borders, 5cm wide by 3cm high.

Felix Haspel (Austrian, b.1951), a tapestry panel, signed with monogram in the weave, approx 60cm by 80cm.

NB: Felix Haspel is considered one of Austria's leading textile artists, for further information see www.felixhaspel.at

Thirteen various 19th century graduated copper measures, tallest 30cm, a 19th century copper jug with lid, and four various 19th century copper funnels, (18).

Adolf Wagner (Austrian, 1884 – 1962), 'Ballerina', an original bronze figure with faded gilt patination, signed and dated 1922, raised on a marble plinth base, bronze height 32cm, combined height 49cm.

A pair of Edwardian silver plated entree dishes and covers, the oval forms with stag handles, 31cm long by 24cm wide by 20cm high, (af).

A Safex brass and copper finished fire extinguisher, with brass plaque 53cm high

A 19th century copper samovar (tea urn), late Georgian / early Victorian, 49cm high.

A pair of silver toned cast metal greyhound bust bookends mounted on black painted supports 22cm high by 22cm long overall

Two Edwardian silver plated revolving roll-top breakfast servers, with engraved decoration and ornate classical cast frames, 38cm wide and 23cm wide, (2).

A cased daguerrotype depicting a young lady, together with a small collection of doll's house miniatures

Adolf Wagner (Austrian, 1884 – 1962), 'The Pied Piper', an original bronze figure, signed and dated 1922, raised on a wooden plinth base, bronze height 38cm, combined height 46.5cm.

A large Elkington & Co twin handled copper finished stock pot / hot water dispenser and cover, with metal tap, inscribed 'Ohlsson's', 37cm high, and two large Elkington & Co copper finished twin handled pans, largest 68cm wide including handles

A Victorian silver plated biscuit box of scallop form with Aesthetic style cast frame, the hinged scollop form opening to reveal twin covered compartments, 27cm high.

A pair of vintage Georgian revival silver plated candelabra, 35cm high.

A collection of Victorian and later Ancient Order of the Foresters sashes and related ephemera to include an 1898 Balance Sheet Book of Court Loyal Archer no 3596

A Manivelle circular music box with Chinoiserie decorated top 7cm diameter

A pair of French Rococo revival style cast brass candlesticks 25.5cm high

A crewel work tapestry panel depicting six birds in natural habitat of stylised foliage, approx 150cm by 88cm.

A modern six string Spanish guitar hand made at the West Dean instrument workshop, 1984, various contributing makers listed on the attached label, 80cm long.

Tribal Art: two Maasai ceremonial spears, featuring metal bound painted wooden shafts with carved 'peak' finials, and hand forged steel blades, 112cm and 103cm long.

A large quantity of gramophone parts and mechanisms, including spring motors, turntables, tone-arms winding cranks and other parts

A vintage Jaeger 8 day dashboard clock (af), mounjted on a painted wooden block, dial 8.5cm diameter, combined height 12cm, (damaged).

A large collection of contemporary collector's stamps, special editions, First Day Covers, etc, including a lot of owl themed, (Quantity).

Five albums of 19th century and later Great Britain and World stamps, to include Stanley Gibbons Worldex Stamp Album, penny reds, George V half crown and five shillings seahorses *viewing highly recommended

A collection of good quality 'coffee table' antiques and collectables reference books, to include 'World Mirrors 1650-1900', 'Barye catalogue raisonne des sculptures' Persian rugs and carpets, Wristwatches, Patek Phiippe, Royal Crown Derby, Wines, etc, etc, (21).

Lloyd's Register of Yachts comprising 1908, 1926, 1933, 1936, 1938, Supplement to the 1939 Edition 1946, and 1973, together with a collection of maritime history and reference books to include Service Afloat or The Naval Career of Sir William Hoste, pub. W H Allen & Co 1887, Yachting vol I and II by Sir Edward Sullivan et al., facsimile of the first edition pub. Ashford Press 1985, and three 1971 Cornmarket Press facsimile reprints - A Narrative of The Proceedings of the British Fleet, commanded by Admiral Sir John Jervis, KB on the fourteenth of February 1797, A Narrative of the Proceedings of His Majesty's Fleet under the Command of Earl Howe, from the second of May to the second of June 1794, and A Journal of Voyages and Travels, by the late Thomas Rees, Serjeant of Marines 1822

A framed decorative sewn panel of cigarette silks depicting flags, military crests, badges and medals panel approx 47cm by 47cm

The Queens South Africa Medal with bar Transvaal to 6621 PTE H LLOYD RIFLE BRIGADE

Second World War Awards relating to James H Clarricoates British Army, The 1939-45 Star, The France and Germany Star, The Defence Medal, The 1939-45 War Medal, MID (Mention In Dispatches) Spray, The American Bronze Star Medal with case and ribbon fittings. The Imperial Service Medal Elizabeth II Issue to James Henry Clarricoates with case, and other items *Please see multiple catalogue images of this lot

Second World War Medals relating to PTE W G L FENN LEICESTERSHIRE REGIMENT, died 18th October 1944 while serving in Italy. 1939-45 Star, The Italy Star, The Defence Medal and The 1939-45 War Medal, with paperwork, forwarding slip in the name of Finn, box of postage, photograph of Cross memorial, coins

Tribal Art: two East / Central African Pangas (broad bladed heavy knife), with steel blades and crude leather handles and scabbards, 57cm and 51cm long.

A collection of eight iron cannon balls, various sizes, (8).

First World War Awards relating to George Henry Clarricoates: 1914-15 Star 306293 G H CLARRICOATES SPO, RN, 1914-18 British War Medal and 1914-19 Victory Medal to 306293 G H CLARRICOATS [sic] SPORW, note initial C on the British War Medal. First World War Memorial plaque detailed GEORGE HENRY CLARRICOATES, named memorial scroll. Served aboard HMS Good Hope, sunk 1st November 1914, further paperwork, also a framed picture of a four funnel ship (see second catalogue image)

Militaria: a British 1907 pattern bayonet, the 43cm blade with Wilkinson maker's mark, two piece wooden grip, pommel with release catch, in leather and steel scabbard, overall length approximately 57cm.

Provenance: by descent from Private Barry William B Toone, 22460415, Dispatch Rider of The Royal Sussex Regiment.

An Aspatria Town Band marching bass drum; the painted mahogany shell bearing the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", calfskin drumhead with rope tension system, the aged paintwork rendering the makers mark unclear, 83cm diameter, 46cm tall.

Two Military marching bass drums for Yorkshire Regiments; one for Alexandra Princess of Wales's Own Yorkshire Hussars Imperial Yeomanry, and another for 1st Volunteer Battalion Prince of Wales's Own West Yorkshire Regiment, painted mahogany shells, both bearing the Prince of Wales Imperial Feathers with the motto "ich dien", the latter bearing the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", both adorned with battle/campaign honours, the first for South Africa (1900-02), the second for Nec Aspera Terrent and India, calfskin drumheads with rope tension system, the former with makers mark for Henry Potter & Co., London, 64cm diameter & 32cm tall, 76cm diameter & 43cm tall respectively, offered together with a pair of beaters.

A Royal Marines marching snare drum; the painted brass shell bearing the royal motto "Dieu et mon droit", the military motto "Honi soit qui mal y pense" and the Royal Marines motto "Per mare, per terram", calfskin drumheads with rope tension system, gut snares, makers mark for A.F. Matthews, London, dated 1950, 37cm diameter 39 tall, offered together with a brown leather strap and a pair of ebonised drum sticks.

A 5th Battalion The King's Own Yorkshire Light Infantry marching tenor drum; the painted wood shell depicting the regimental badge of a Yorkshire Rose at the centre of twisted hunting bugle, also bearing the regimental motto "Cede Nullis", adorned with extensive battle/campaign honours including for Minden, Corunna, Vittoria, Pyrenees, Peninsula, Waterloo, Afghanistan (1878-80), Burma (1885-87), Messines (1914, 17, 18), Marne (1914, 18), The Somme (1916, 18), Ypres (1914, 15, 17), Havrincourt and Italy (1917-18), calfskin drumheads with rope tension system, paintwork signed K. Nicholls, 48cm diameter 41cm tall, offered together with a pair of Potter Aldershot drum sticks.

A 36th Middlesex Anti-Aircraft Battalion marching bass drum; the painted mahogany shell bearing the royal motto "Dieu et mon droit", the royal motto "Honi soit qui mal y pense" and the Royal Artillery motto "Quo fas et gloria ducunt", the drum also bears the name of the 317th Company Royal Engineers (T.A.), which was amalgameted into the 36th Battalion, calfskin drumhead with rope tension system, paintwork signed K. Nicholls, 72cm diameter, 32cm tall.

A 1st Battalion Border Regiment marching snare drum; the painted brass shell bearing the regimental badge with the Chinese Dragon at the centre, paying homage to the achievements of the former component regiment, the 55th Regiment of the Foot in the First China War, adorned with extensive battle/campaign honours including for Arroyo dos Molinos (1811), Peninsular, Vittoria, Sevastopol, Ypres (1914, 15, 17, 18), The Somme (1916, 18), Gallipoli (1915-16) and Arras (1917-18), totalling 27 honours, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, stamped Premier, England, 38cm diameter, 41cm tall.

Two Military marching bass drum; one for The Royal Navy Volunteer Reserce Tyne Division, and another for the 49th London Company Girls' Life Brigade, painted mahogany shells, the former depicting a crown and anchor, the latter bearing the motto "to save life", calfskin drumheads with rope tension system, the former with makers mark for Besson & Co., London, 75cm diameter, 40cm tall, the second with makers mark for Henry Potter & Co., London, 72cm diameter, 38cm tall.

A 48th Highlanders of Canada marching snare drum; the painted brass shell depicting a falcon's head and bearing the Gaelic regimental motto "Dileas Gu Brath", adorned with battle/campaign honours for Ypres (1915, 17), Festubert (1915), Mont Sorrel, The Somme (1916), Vimy (1917), Hill 70, Passchendale, Amiens, Procourt-Queant and Canal Du Nord, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Henry Potter & Co., London, 38cm diameter, 39cm tall.

A 1st Battalion Royal Sussex Regiment marching snare drum; the painted brass shell bearing the military motto "Honi soit qui mal y pense" and the royal motto "Dieu et mon droit", adorned with battle/campaign honours for Louisburg, Quebec (1759), Maida, Egypt (1882), Nile (1884-85) and Abu Klea, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, stamped Premier, London, dated 1941, 39cm diameter, 41cm tall, offered together with two snare drums, makers marks for Henry Potter & Co., London and Windsor, Birmingham.

A Royal Bombay Sappers & Miners marching bass drum; the painted mahogany shell bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Beni Bee Alli, Ghunzee (1838), Afghanistan (1839) (1878-80) (1919), Khelat, Mooltan, Goojerat, Punjaub, Reshire, Bushire, Koosh-Ab, Persia, Central India, Abyssinia, Burma (1885-87), Tirah, China (1900), La Bassee (1914), Neuve Chapelle, Ypres (1914), Megiddo, Shaira, Kut al Amara (1915-17), Ctesiphon, Kilimanjaro and East Africa (1914-18), calfskin drumhead with rope tension system, makers mark for Henry Potter & Co., London, 77cm diameter, 46cm tall.

A 2nd Battalion The Queen's Royal Regiment marching snare drum; the painted brass shell depicting a lamb of god, bearing the military motto "Honi soit qui mal y pense" and the historic regimental mottos "pristinae virtutis memor" and "vel exuviae triumphant", adorned with extensive battle/campaign honours including the oldest battle honour in the British army in Tangier (1662), as well as Namur (1695), Peninuslar, Aghanistan & Ghunzee (1839), Gallipoli (1915), The Somme (1916, 18), Ypres (1914, 17, 18), also bearing the date 1st June 1794, commemoratimg the Battle of the Glorious 1st of June, totalling 32 honours, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Boosey & Hawkes, London, serial number 24275, 37cm diameter, 40cm tall.

Two marching snare drums relating to The Buffs; the first for 2nd Battalion The Buffs, the painted brass shell bearing their famous Dragon badge with the motto "Invicta" and their regimental motto "Veteri frondescit honore", makers mark for Henry Potter & Co., London and a badge for George Potter & Co., Aldershot, paintwork signed K. Nicholls, 38cm diameter 39cm tall, the second for the Queen's Own Rifles of Canada, The Buffs Allied with K R RC, the unpainted brass shell bearing the motto "In pace paratus", calfskin drumheads with rope tension system, gut snares, 38cm diameter 39cm tall, both adorned with extensive battle/campaign honous, totalling 56 across both drums, offered together with Manual for the Drums, 2nd Battalion The Buffs.

An Oxfordshire & Buckinghamshire Light Infantry (T.A.) marching snare drum shell; the painted brass shell depicting the white bugle horn of the regiment known as the "Ox and Bucks", adorned with extensive battle/campaign honours including for Quebec (1759), Peninsula, Nivelle, Vittoria, Waterloo, Ypres (1914, 17), Mons, Cambrai (1917-18), The Somme (1916-18), Cassel (1940), Salerno, Normandy Landing and Pegasus Bridge (1944), totalling 47 honours, makers mark for A.F. Matthews, London, stamped no. 1492 and dated 1965, 35cm diameter 13cm tall; offered together with two marching snare drums, brass shells, one painted, calfskin drumheads with metal lugs, gut snares, one with makers mark for Henry Potter & Co., London.

A 1st Battalion The Gordon Highlanders marching tenor drum; the painted wood shell depicting the regimental badge of a stag over their motto "Bydand", adorned with extensive battle/campaign honours for Mysore, Corruna, Pyrenees, Lucknow, Kabul, Waterloo, Nile (1884-85), Seringapatam, Defence of Ladysmith, Vittoria, South Africa (1899-1902), Peninsula, Marne (1914, 18), Ypres (1914, 15, 17), The Somme (1917, 18), Arras (1917-18) calfskin drumheads with rope tension system, 48cm diameter 35cm tall.

A Royal Marines 41st Commando marching tenor drum; the painted mahogany shell bearing the name of the famed elite unit of the Royal Marines, the 41st Commando earned distinction accross many battles and daring assaults, particularly in the Second World War and the Korean War, also bearing the Royal Marines motto "Per Mare, Per Terram" and a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", calfskin drumheads with rope tension system, makers mark for Henry Potter & Co., London, 49cm diameter 40cm tall, offered together with a pair of drum sticks.

A Gold Coast Territorial Force marching snare drum; the painted brass shell depicting a white elephant under a palm tree, calfskin drumhead with rope tension system, gut snares, makers mark for J.B. Mayer & Sons, Manchester, stamped no. 24090, 38cm diameter 39cm tall, offered together with a further brass shelled snare drum, stamped for John Grey & Sons, London, and two miniture snare drums.

A 4th/5th Battalion King's Own Scottish Borderers marching snare drum; the painted wood shell depicting the Edinburgh Castle badge and bearing their regimental mottos "In Veritate Religionis Confido" and "Nisi Dominus frustra" and the military motto "Nec Aspera Terrent", adorned with extensive battle/campaign honours including for Namur (1695), Minden, Aisne (1914), Gallipoli (1915-16), Ypres (1914, 15, 17, 18), The Somme (1916-18), Hindenburg Line, Dunkirk (1940), Imphal (1944), Arnhem (1944) and Korea (1952-52), totalling 31 honours, modern lugs and snare tension screws, produced by Carlton, Dallas & London, 37cm diameter, 32cm tall.

A 3rd Battalion Royal Irish Regiment marching tenor drum; the painted mahogany shell bearing the regimental motto "Virtutis Namurcensis Praemium", paying homage to the valour of former component regiment the 18th Regiment of the Foot at the Siege of Namur (1695), also bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Namur (1695), Blenheim, Ramillies, Oudenarde, Malplaquet, Pegu, Sevastopol, New Zealand, Afghanistan (1879-80), Tel-el-Kebir, Egypt (1882) and Nile (1884-85), calfskin drumheads and rope tension system, makers mark for Henry Potter & Co., London, 52cm diameter 41cm tall, offered together with a black leather strap.

A 2nd Birkenhead Company marching bass drum; the painted mahogany shell bearing the "BB" of The Boy's Brigade and their biblical motto "Sure & Steadfast" on an anchor, calfskin drumhead with rope tension system, makers mark for R.J. Ward & Sons, Liverpool, 72cm diameter, 39cm tall.

A 2nd Battalion The Middlesex Regiment (Duke of Cambridge's Own) marching tenor drum; the painted wood shell depicting the regimental badge with the Prince of Wales Plume above the world Albuhera, paying homage to the actions of former component regiment, the 57th Regiment of the Foot, who earned the nickname "The Die-Hards" for their heroic stand at the Battle of Albuhera, also bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Mysore, Seringapatam, Albuhera, Ciudad Rodrigo, Badajoz, Vittoria, Pyrenees, Peninsula, Nive, Nivelle, Alma, New Zealand, South Africa (1879, 1900-02), Inkerman and Relief of Ladysmith, calfskin drumheads with rope tension system, makers mark for Henry Potter & Co., London, 49cm diameter 37cm tall.

Two Salvation Army marching snare drums; the first for The Hemel Hempstead Citadel Band, Corps no. 488, modern lugs and snare tension screws, calfskin drumheads, 38cm diameter 36cm tall, the second for Grays Band, Corps no. 592, modern lugs and snare tension screws, gut snares, Remo and Premier drumheads, interior label from George Potter & Co., Aldershot, 37cm diameter 33cm tall, both of the painted shells bearing their motto "Blood and fire".

A 2nd Battalion 10th Gurkha Rifles marching tenor drum; the painted wood shell depicting a traditional Kukri blade crossed with a bugle, calfskin drumheads with rope tension system, makers mark for Henry Potter & Co., London, paintwork signed K. Nicholls, 49cm diameter 37cm tall, offered together with a pair of tenor mallets.

A Royal Corps of Transport marching snare drum; the alluminium shell with the applied crest bearing the military motto "Honi soit qui mal y pense", 37cm diameter 40cm tall, offered together with a wooden marching snare, bearing the Royal Coat of Arms of the United Kindom with the mottos motto "Dieu et mon droit" and "Honi soit qui mal y pense", 36cm diameter 40cm tall.

A 1st Battalion Grenadier Guards marching bass drum; the painted mahogany shell bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the regimental motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Blenheim, Ramilles, Corunna, Dettingen, Malplaquet, Lincelles, Alma, Oudenarde, Barossa, Inkerman, Peninsula, Egypt, Waterloo, Sevastopol, Suakin (1885), Tel-el-Kebir, calfskin drumhead with rope tension system, makers mark for Henry Potter & Co., London, also stamped B. Cummings, London, 77cm diameter, 35cm tall, offered together with a pair of Chalklin mallets.

A Hampshire Regiment snare drum; the painted brass shell depicting a Hampshire Rose and an Indian Tiger, paying homage to former component regiment 67th Regiment of the Foot's achievements in India, also bearing the name of Farnborough Grammar C.C.F., who boasted an accomplished military band, adorned with battle/campaign honours for Blenheim, Ramilles, Oudenarde, Malplaquet, Dettingen, Minden, Tournay, Barrosa, Peninsula, Taku Forts, Pekin (1860), Charasia, Kabul (1879), Afghanistan (1878-80), Burma (1885-87), Paardeberg, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Butler, London & Dublin, 37cm diameter, 39cm tall.

A 1st Battalion Scots Guards marching snare drum; the painted birch shell bearing the royal motto "Dieu et mon droit" the military motto "Honi soit qui mal y pense", and the regimental motto "En ferus hostis", adorned with battle/campaign honours for Namur (1695), Dettingen, Lincelles, Talavera, Barrosa, Fuentes D'onor, Salamanca, Nive, Peninsula, Waterloo, Alma, Inkerman, Sevastopol, Tel-el-Kebir, Egypt (1882), Suakin (1885), Modder River, South Africa (1899-1902), Retreat from Mons, Marne (1914), Aisne (1914), Ypres (1914-17), Festubert (1915), Loos, Somme (1916-18), Cambrai (1917-18), Hindenburg Line, France & Flanders (1916-18), Quarry Hill, Rhineland, New Europe (1944-45), Gazala, Medenine, Djebel Bou Aoukaz (1943), North Africa (1941-43), Monte Camino, Anzio, Italy (1943-45), Falkland Islands (1982), The Gulf (1991), produced by Premier Drums, paintwork signed K. Nicholls, 39cm diameter, 37cm tall, offered together with a white leather strap.

Two military training corps marching snare drums; The first for the London Lads Training Corps, bearing their motto "By faith, not arms", the painted brass shell stamped A.O. Windsor, Birmingham and dated 1915, 38cm diameter 39cm tall, the second for T.S. Streatham Sea Cadet Corps, the painted mahogany shell depicting an anchor with their motto "aye ready aye", makers mark for Henry Potter & Co., London, 38cm diameter 36cm tall.

Three military marching snare drums; The first for Army Cadet Force, wooden shell with applied badge, makers mark for Henry Potter & Co., London, 37cm diameter 38cm tall; the second bearing a royal coat of arms with the mottos "Dieu et mon droit" and "Honi soit qui mal y pense", painted wooden shell with modern lugs, 34cm diameter 32cm tall; the third with a painted brass shell with personalised livery bearing the name Brian Iredale, 29cm diameter 30cm tall; all with calfskin drum heads and gut snares.

A 1st Battalion The Green Howards, Alexandra Princess of Wales's Own Yorkshire Regiment; the painted mahogany shell bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", also depicting white Yorkshire Roses, adorned with battle/campaign honours for Malplaquet, Alma, Inkerman, Sevastopol, Tirah, Relief of Kimberley, Paardeberg, South Africa (1899-1902), Ypres (1914, 15, 17), Loos, The Somme (1916, 18), Arras (1917-18), Messines (1917-18), Valenciennes, Sambre, France & Flanders (1914-18), Vittorio Veneto, Aghanistan (1919) and Suvla, calfskin drumheads and rope tension system, makers mark for Henry Potter & Co., London, paintwork signed K. Nicholls, 45cm diameter 37cm tall.

A Queen's Own Cameron Highlanders marching bass drum; the painted mahogany shell bearing the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Egmont op Zee, Corunna, Egypt, Busaco, Fuentes D'Onor, Salamanca, Pyrenees, Nivelle, Nive, Toulouse, Peninsula, Waterloo, Alma, Sevastopol, Lucknow, Tel el Kebir, Egypt (1882), Nile (1884-89), Khartum, South Africa (1900-02), Atbara, Marne (1914-18), Aisne (1914), Ypres (1914-18), Somme (1916-18), Neuve Chapelle, Loos, Delville Wood, Arras (1917-18), Sambre, Macedonia (1915-18), calfskin drumhead with rope tension system, makers mark for R.J. Ward & Sons, Liverpool, 72cm diameter, 39cm tall.

A 1st (Brecknockshire) V.B. South Wales Borderers marching snare drum; the painted brass shell depicting Red Dragon of Wales, adorned with battle/campaign honours for South Africa (1900-01), calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for A.F. Matthews Ltd., London, 37cm diameter, 40cm tall, offered together with two more snare drums, brass shells, makers marks for Riviere & Hawkes, London and A.F. Matthews Ltd., London.

Three Civilian marching band snare drums; The first for Christ's Hospital Horsham, bearing the names Iredale and Coleridge, 38cm diameter 40cm tall; the second for The Horndean Band, depicting rose above a lyre, makers mark for Henry Potter & Co., London, 37cm diameter 38cm tall; the third for Dagenham Girl Pipers, bearing the motto "Auctor pretiosa facit", makers mark for George Potter & Co., Aldershot, 38cm diameter 34cm tall, all with painted brass shells, calfskin drumheads with rope tension systems, gut snares, paintwork signed by K. Nicholls.

A 4th (Royal Irish) Dragoon Guards marching tenor drum; the painted mahogany shell depicting the regimental badge with the triple-crowned shamrock in an eight-pointed star, with the motto "Quis Separabit" and the numerals MDCCLXXXIII, in reference to the Most Illustrious Order of St. Patrick in 1783, also bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Balaklava, Egypt (1882), Sevastopol, Peninsula and Tel-el-Kebir, calfskin drumheads and rope tension system, paintwork signed K. Nicholls, 48cm diameter 41cm tall, together with a strap and drum stick set.

A Royal Artillery East Riding Heavy Brigade marching snare drum; the painted brass shell bearing the royal motto "Dieu et mon droit", the military motto "Honi soit qui mal y pense" and the historic regimental mottos "Quo fas et gloria ducunt" and "Ubique", calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for George Potter & Co., Aldershot, 38cm diameter, 40cm tall.

A 1st Fifth Fusiliers marching bass drum; the painted mahogany shell bearing the royal motto "Dieu et mon droit", the military motto "Honi soit qui mal y pense" and the Royal Fusiliers mottos "Nec aspera terrent" and "Quo fata vocant", adorned with battle/campaign honours for Wilhelmstadt, St Lucia (1778), Rolica, Vimiera, Corunna, Busaco, Ciudad Rodrigo, Badajoz, Salamanca, Vittoria, Nivelle, Orthes, Toulouse, Peninsula, Lucknow, Khartoum, Afghanistan (1878-80), Modder River and South Africa (1899-1902), calfskin drumhead with rope tension system, makers mark for Hawkes & Son, London, 72cm diameter, 36cm tall.

Two marching snare drums relating to Royal Marines; the first bearing the crest of the Royal Marines and their motto "Per mare, per terram", the painted brass shell with makers mark for A.F. Matthews Ltd., London, stamped no. 1453 and dated 1948, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, 38cm diameter 40cm tall, the second for Royal Marines Volunteer Boys' Corps, the painted birch shell bearing their motto "be worthy", Remo drumheads with modern lugs and a purely aesthetic rope tension look, missing its snares, made by Premier Drums, 38cm diameter 39cm tall.

A 2nd Battalion Royal Warwickshire Regiment marching bass drum; the painted mahogany shell depicting a white hart stag with a crown around it's neck, also bearing the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Namur (1695), Martinique (1794), Rolica, Vimiera, Corunna, Vittoria, Pyrenees, Nivelle, Orthes, Peninsula, Niagara, South Africa (1846-7, 1851-3, 1899-1902), Atbara, Khartoum, Le Cateau, Marne (1914), Ypres (1914-17), Somme (1916-18), Arras (1917-18), Lys, Hindenburg Line, Piave, Sari Bair and Baghdad, calfskin drumhead with rope tension system, makers mark for George Potter & Co., Aldershot, paintwork signed K. Nicholls, 73cm diameter, 33cm tall, the drum heads and hoops have become loose.

Six pairs of Promark drum sticks; American Hickory TX5AW by D'addario, together with 9 unmatched drum sticks.

Three military marching snare drums; unpainted brass shells, calfskin drumheads and gut snares, two with rope tension systems, one with modern lugs, one marked A.F. Matthews, London, stamped no. 506 and dated 1944, the others unmarked, one of more considerable age and wear missing its snares, the largest measuring 38cm diameter 37cm tall, the smallest 37cm diameter 24cm tall.

Three military marching snare drums; unpainted brass shells, calfskin drumheads and rope tension systems, gut snares, one marked A.F. Matthews, London, another simply marked London, another of considerable age and wear unmarked, the largest measuring 38cm diameter 39cm tall, the smallest 37cm diameter 36cm tall.

A 22nd Battalion "The Queen's" London Regiment marching snare drum; the painted brass shell depicting a lamb of god, adorned with battle/campaign honours for Festubert (1915), Loos, Somme (1916, 18), Messines (1917), Ypres (1917), Cambrai (1917), Albert (1918), Gaza, Jerusalem, Jordan and South Africa (1900-02), calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Henry Potter & Co., London, 38cm diameter, 34cm tall.

A 6th Battalion Devonshire Regiment marching bass drum; the painted mahogany shell bearing the regimental motto "Semper Fidelis", adorned with battle/campaign honours for Pyrenees, Nive, Toulouse, Afghanistan (1879-80), Defence of Ladysmith, South Africa (1899-1900), Salamanca, Nivelle, Orthes, Peninsula, Tirah, Relief of Ladysmith, La Basee (1914), Bois des Buttes, Vittorio Veneto, Ypres (1915-17), Somme (1916-18), Palestine (1917-18), Mesopotamia (1916-18), calfskin drumhead with rope tension system, makers mark for Henry Potter & Co., London, 84cm diameter, 43cm tall.

A Royal Fusiliers 4th City of London Regiment marching snare drum; the painted brass shell bearing a city of London coat of arms, adorned with battle/campaign honours for Neuve Chapelle, Ypres (1915, 17), Festubert (1915), The Somme (1916, 18), Arras (1917-18), Bullecourt, Cambrai (1917-18), Canal Du Nord, Sambre, Gallipoli (1915-16) and South Africa (1900), calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Geroge Potter & Co., Aldershot, 38cm diameter, 39cm tall.

A Bedfordshire & Hertfordshire Regiment marching snare drum; the painted wood shell depicting a White Hart and bearing the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Namur (1695), Blenheim, Ramillies, Oudenarde, Malplaquet, Surinam, Chitral, South Africa (1900-02), Mons, Marne (1914), Ypres (1914, 15, 17), Loos, The Somme (1916, 18), Arras (1917-18), Cambrai (1917-18), Sambre, Sulva, Gaza, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, 38cm diameter, 41cm tall.

A 1st Battalion Irish Guards marching snare drum; the painted brass shell depicting the regimental badge with the triple-crowned shamrock in an eight-pointed star, with the motto "Quis Separabit" and the numerals MDCCLXXXIII, in reference to the Most Illustrious Order of St. Patrick in 1783, also bearing a royal crest with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with extensive battle/campaign honours for Retreat from Mons, Marne (1914), Ypres (1914, 17), Festubert (1915), Loos, The Somme (1916, 18), Cambrai (1917, 18), Hazebrouck, Hindenburg Line, Norway (1940), Boulogne (1940), Mont Picon, Neerpelt, Nijmegen, Rhineland, Northwest Europe (1944-45), Djebel Bou Aoukaz (1943), North Africa (1943) and Anzio, calfskin drumheads with rope tension system, gut snares, makers mark for A.F. Matthews, London, stamped DCA 0134 and dated 1940, 38cm diameter, 40cm tall, offered together with a tan leather strap and a pair of ebonised drum sticks.

A Kashmir Bodyguard Cavalry marching snare drum; the painted brass shell depicting the Suryavanshi royal crest, an anthropomorphised sun with a tilak, above a dynastic motto, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Henry Potter & Co., London, also stamped A.O. Windsor, Birmingham, 37cm diameter, 42cm tall.

A 2nd Battalion The King's Regiment (Liverpool) marching snare drum; the painted brass shell depicting a white horse of Hanover with the military motto "Nec aspera terrent", adorned with battle/campaign honours for Festubert (1915), Loos, Somme (1916, 18), Messines (1917), Ypres (1917), The Somme (1916-18) and Cambrai (1917), calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Henry Potter & Co., London, 37cm diameter, 40cm tall.

A 19th century mahogany eight day longcase clock, the 12" painted arch dial indistinctly signed P? Frome, with subsidiary seconds dial and calendar aperture, and with painting of Clifton Suspension Bridge, Bristol, to the arch, 222cm high, with pendulum, two weights and winding key

A George III Cornish striking eight day longcase clock, the painted 12 inch arched dial inscribed 'John Pearce, St. Austell', featuring a painted subsidiary dial and a date aperture, painted with rustic buildings, the mahogany case with arched trunk door and circular panel to the base section, raised on shaped bracket feet, with pendulum and twin weights, 224cm (7'4").

A vintage brass anniversary clock with pretty painted enamel dial, with pendulum, no key, under glass dome, total combined height 31cm, (af).

A Biedermeier commode clock, the architectural case with two alabaster columns, brass fittings and bird surmount, the circular enamel dial with Arabic numerals, striking on a gong, 42.5cm high, with pendulum, key and loose brass fitting

An early 20th century carved oak cased barometer / thermometer 83cm high

An 18th century oak longcase clock the 9 1/2 inch brass dial inscribed Knight, West Marden, striking on two bells, with pendulum and weight, 203cm high

Automobilia interest: a vintage Phinney-Walker rim wind keyless 8 day dashboard clock, 7cm diameter.

A vintage brass cased ship's stick barometer and gimblal mount, attched to a wooden wall plaque, early / mid 20th century, combined height 103cm.

A vintage brass cased carriage clock with white enamel dial, complete with double ended key / hand adjuster, 11cm high.

An 18th century brass lantern clock by George Clarke of Leaden Hall Street, London, c.1760, having a knopped finial above the bell top, the arched dial with silvered name plaque to the arch, silvered chapter ring, and pierced spandrels, with weight, 38cm high by 20cm wide.

A brass skeleton mantle clock with fusee movement approx 35cm high, with pendulum and key, under a glass dome (glass dome a/f)

An early 19th century oak and mahogany painted dial eight day longcase clock, the 11 1/2 inch square painted dial signed T Benbow Northwood, 209cm high, with pendulum, keys and two weights

A 19th century mahogany circular fusee wall clock, the 11 inch dial with Roman numerals, 38cm diameter (a/f)

A fine quality George III striking eight day longcase clock by Thomas Mudge of London, the 13 inch arched brass dial with rotating moonphase feature, silvered chapter ring, twin winding holes, date aperture, engraved sunsidiary seconds dial, and ornate spandrels, the handsome inlaid and cross-banded figured mahogany case featuring gilt-brass mounts and an unusual stepped trunk door, raised on bracket feet, complete withy pendulum, twin weights, and winding key, 230cm (7' 6") high.

A 19th century French boule style mantle clock with shaped dark lacquered and brass inlaid case, with white enamel and Roman numeral dial 41.5cm high

Russian School (20th century), 'Window', oil on canvas, indistinctly signed verso, further inscribed verso, 60cm by 70cm, framed.

20th century European school, Impressionist style view through trees, oil on canvas, indistinctly signed, 36cm by 53cm (a/f)

W White (19th century), 'Rocky coastal scene with fishing boat', watercolour, signed and dated (18)87, 50cm by 74cm, oak frame, (af).

Dorofield Hardy (British, 1853 - 1937), 'A county House interior scene featuring a lady sat at a spinning wheel', watercolour, signed and dated 1883, 37cm by 58cm, framed.

A set of three Art Deco oval figurative etchings in the manner of Louis Icart (French, 1888 - 1950), each depicting seductive semi-clothed females, indistinctly signed in pencil, 32cm by 15cm, framed, (3).

Three antique Naval theme engravings after Cruikshank, comprising: 'The Battle of the Nile', 'The Point of Honor', and 'Paying Off'. Together with an antique Wimbledon Lawn Tennis engraving, some labelsm verso, (4).

20th Century School, 'Still Life', mixed media, indistinctly signed lower right, 45cm by 82cm, framed.

After Jean-Honoré Fragonard (French 1732-1806), four sepia wash prints (two within one frame) to include 'La Rossignol', each print approx 20cm by 15cm

After Heywood Hardy (British, 1842 - 1933), a pair of antique coloured engrvings depicting hunting scenes, 45cm by 67cm, framed. (two photographs)

Mike Jackson (b 1962), Lovers Lane, giclee print, numbered 33/150 and signed in pencil, verso Washington Green Certificate of Authenticity, 50cm by 40cm (ARR)

William Gillard (1812 - 1897), 'Still life with game birds and fruits', oil on canvas, signed, 60cm by 50cm,framed.

S J Johnson (19th / 20th century), two scenic views; 'Eventide' and 'On the Conway', both oil on canvas, monogrammed, with inscribed paper labels verso, 24.5cm by 35cm

Edward Wesson (1910-1983), A Surrey Farm nr Guildford, watercolour and ink, signed, 24cm by 70cm

Gordon King (b 1939), Grandfathers tales, limited edition colour print, numbered 559/850 and signed in pencil, 47cm by 63cm

David Bates (1840 - 1921), 'The Return rom the Moor', watercolour, signed, dated 1905, 43cm by 68cm, framed.

Edward Wesson (1910-1983), Jack & Jill at Clayton, watercolour and ink, signed, printed label verso, 20.5cm by 29cm

Mike Jackson (b 1962), The Perfect Gent, giclee print, numbered 80/150 and signed in pencil, verso Washington Green Certificate of Authenticity, 49cm by 40cm (ARR)

Terry Kubecki (contemporary), The Three Trees, etching, numbered 14/80, titled, inscribed RA Summer Exhibition 2004, and signed, 43cm by 53cm

Camille Roqueplan (French 1800-1855), landscape with figures and cattle, oil on wood, signed, 22cm by 30cm

Edgar John Varley (British, 1839 - 1888), 'Rustic countryside scene featuring thatched cottages, children playing, a fisherman and other figures', watercolour, signed and dated 1870, 43cm by 68cm, frmed.

Wilfrid Williams Ball (1853-1917), The Old Quay, Lymington and The River, Lymington, two colour prints, 18cm by 26cm

After Frank Paton (1855-1909), four framed prints to include 'Rough and Ready' and 'Every Dog Has His Day', each signed in pencil, 20.5cm by 25.5cm

Gennady Yelizarov (Russian b 1950), Luxembourg Gardens, oil on canvas, signed, verso inscribed, 48.5cm by 34cm

Felix Haspel (Austrian, b.1951), a series of three abstract lithographs, two limited editions, matching silvered frams, (af), (3).

Felix Haspel (Austrian, b.1951), 'Abstract Landscape', watercolour, signed, 48cm by 68cm, framed.

William Tatton Winter (1855-1928), two country landscape views of shepherds with their flock, watercolours, both signed, largest 24cm by 32.5cm

John Falconar Slater (1857-1937), Robin Hood's Bay, North Yorkshire, oil on wood, signed, verso paper label for J W Scott Plywood and Timber Merchants inscribed to the artist, 69cm by 105cm

Alexei Nikolsky (1899-1975), still life with hellebores, oil on canvas, signed and dated 1959, 39.5cm by 50cm

William R Garnett (19th/20th century), maritime scene with two figures on a rowing boat in the foreground, oil on panel, signed, 28cm by 38.5cm

Eveleen Lewis (fl 1870-1893), river landscape view, mountains beyond, watercolour, signed, 17cm by 44cm

Manner of George Romney (1734–1802), head of a young woman gazing upwards, oil on canvas, unsigned, 42cm by 34cm

Colin Paynton (British, b.1946), 'Don Quixote and Pancho Sanza', oil on canvas, signed, 84cm by 90cm, framed.

Leopold Rivers (British, 1852-1905), 'Rural landscape featuring a mother and child and ducks on a bridge beside a thatched cottage, watercolour, signed, 36cm by 53cm, gilt gesso frame (some small chips to frame).

Alan Lumsden (1934-2020), Church Fete, coloured etching, inscribed, signed and numbered 1/100 in pencil, 49cm by 65cm

Attributed to Nikolai Kozlenko (b.1952), 'still life depicting an upturned basket of fruits', oil on canvas, bears a signature lower right, inscribed by hand verso, 40cm by 60cm, framed.

Juliet Campbell (British, 20th Century), 'Entrance to the Souk', oil on board, signed, artists hand written label verso inscribed 'Entrance to the Souk, Juliet Campbell, Ypres Lodge, Rye, Sussex, No.6, 32 Guineas', 39cm by 49cm, framed.

Alexei Nikolsky (1899-1975), still life with blue vase of dried flowers and teasels, with oranges and grapes, oil on canvas, signed and 1970, 49cm by 59cm

James Joseph Brereton (British, b.1954), 'The Blue Pacific in Open Seas', 1986, oil on canvas, signed, further signed, titled and dated verso, 60cm by 90cm, framed.

Provenance: Purchased at Hahn Fine Art Dealers, 47 Albermarle Street, London, 23rd Deecember 1993, comes with gallery catalogue.

Mackenzie Thorpe (b 1956), All The Love In the World, photo lithograph, numbered 215/450, inscribed and signed in pencil, verso Washington Green Certificate of Authenticity, 50cm by 41.5cm (ARR)

Arthur Willett (British, 1857 - 1918), 'River scene in Berkshire'', watercolour, signed, label to mount, 52cm by 74cm, framed.

Adam Barland (British, fl.1843 - 1875), 'Fisherman in a Welsh river landscape', oil on canvas, signed with initials 'AB' in red, and dated '66, also bears artists name plaque to frame, 75cm by 126cm, framed.

Joachim Bereuter (b.1946), 'Still life depicting a cup, an apple and a cherry', oil on board, signed, 22cm by 28cm, framed.

Edward Wesson (1910-1983), country village street scene, watercolour and ink, signed, 31cm by 49cm

Charles Bone PPRI, ARCA (b 1926), Charles Bone's Waverley - A Portfolio of Four Prints and a fully illustrated volume in a limited edition of 750 copies each signed and numbered by the Artist, all unframed in presentation box, box 37cm by 52cm

19th century Italian school, figure playing a mandolin on a rocky coastline, oil on canvas, indistinctly signed R Moismile? Napoli and dated 1868, 44cm by 33cm

Mike Jackson (b 1962), It's a Dog's Life, giclee print, numbered 91/150 and signed in pencil, verso Washington Green Certificate of Authenticity, 50cm by 33cm (ARR)

T L Rowbotham (1859), 'Italian lake scene', watercolour, signed and dated, also inscribed ;No. 162', 32cm by 70cm, framed, (af - some foxing).

Felix Haspel (Austrian, b,1951): a series of ten pencil signed limited edition prints depicting abstract landscapes, all framed, (10).

Jacques Ochs (Belgian 1883-1971), two framed drawings of a solider and a dancing figure, both signed in pencil, 24cm 19cm, together with two framed prints after Jacques Ochs (4)

Frank Martin (1921-2005), Billy Rose's Diamond Horseshoe, etching and aquatint, numbered 44/50, inscribed and signed in pencil, 59cm by 78cm

Juliet de Gaye (British, 1930 - 2012), two pencil signed etchings, 'West of Riding, Allegory', limited edition 23/150, 54cm by 69cm, and 'West Riding Feast', Artists Proof, 54cm by 69cm, matching silvered frames, (2), (ARR).

An antique print 'Gentleman and lady with Page serving beverages' after Gerard ter Borch (Dutch, 1617-1681), 35cm by 25cm, framed.

Gloria Marojevic (contemporary), Fusion I, II, and III, a set of three limited edition giclee prints, numbered 100/395 and signed in pencil, approx 5cm by 5cm

Joan Williams (1922 - 2002), pencil signed limited edition etching, 8/15, labels verso, 40cm by 49cm, framed.

John Reed Dickinson (British, 1844 - 1887), 'Chinaman in Medoo', watercolour, label verso, 40cm by 60cvm, framed.

Ena Carter (20th / 21st century), 'Morning Mist', watercolour, signed, label verso, 25cm by 34cm, framed. l

Frank Martin (1921-2005), A Shopworn Angel: Nancy Carroll, etching, numbered 41/40, inscribed and signed in pencil, 76cm by 56cm

Edward Wesson (1910-1983), The Boat Yard, Pin Mill, watercolour and ink, signed, verso paper labels, 21.5cm by 29cm

Malcolm Barlow (20th century), 'Galerie Bernier, Rouen', watercolour, signed, gallery label verso for the Bourne Gallery, 31/33 Lesbourne Road, Reigate, Surrey, catalogue number 62, 26cm by 36cm, framed.

Frank Martin (1921-2005), Marina, etching, numbered 2/100, inscribed and signed in pencil, 59cm by 77cm (a/f - glass cracked)

Alexander Belkin (Russian b 1946), ballerina, oil on board, signed, verso inscribed, 31cm by 22cm

Charles McCall (1902-1989), two pencil drawings; 'Mitzi Sleeping', signed and dated '49, printed paper label verso, 26.5cm by 23cm, and 'Edinburgh Gardens', signed, verso printed paper label and label for Charles McCall Retrospective at Christie's [...] 4th-13th September 1995, 31cm by 24cm (2)

Dick Lee (1923-2001), Barfleur Harbour, low tide, afternoon, watercolour, unsigned, with original New Grafton Gallery label, 23cm by 33cm

An Edwardian marquetry and parquetry inlaid mahogany side table with batswing and conch shell decoration, raised on tapered square supports terminating on spade feet, 74cm wide by 44cm deep by 81cm high, (af).

A late 19th cetury walnut dining table, the rectangular top with cut corners, raised on solid turned cylindrical supports with original casters, 121cm by 106cm, with fitted moden heat pad.

A George III gate leg drop leaf 'cottage' dining table, raised on padfoot supports, 124cm by 41cm opening to 128cm by 124cm.

A Victorian figured mahogany pedestal bedside cabinet, the panelled door enclosing a shelf interior, raised on a plinth base, 80cm high by 40cm wide by 34cm deep.

A large good quality Christopher Howe designer Ottoman stool, with shaped brown leather and hessian removeable cushion height approx 44cm, 122cm long

An antique mahogany show-wood framed open side armchair in the Hepplewhite style, with upholstered seat, back and arms (a/f - damage)

A late 19th century walnut Davenport desk decorated with Arts & crafts style panels, 58cm wide, (af)

A stylish contemporary Italian marbled stone console table, 141cm wide by 80cm deep by 75cm high, together with a similar low coffee table with clear glass top and marbled stone base, 110cm wide by 66cm deep by 42cm high.

A wheelback Windsor armchair, bentwood hoop back enclosing spindles and pierced central wheel splat, shaped arms, on turned legs united by H frame stretcher

An Edwardian mahogany three tier cake stand, c.1910, inlaid with boxwood stringing, the three tiers hinged to fold away after use, raised on end supports, 86cm high.

A contemporary yellow finished pine tall narrow chest of six drawers, raised on shaped bracket feet, 71cm wide by 48cm deep by 124cm high, together with a matching bedside chest of three drawers, 40cm wide by 40cm deep by 64cm high, (2).

A modern brown leather two seater sofa, 166cm wide by 100cm deep.

A vintage Georgian style mahogany side table of small proportions, with satinwood banding and two drawers, 63cm wide by 32cm deep by 75cm high.

A George III mahogany Pembroke table, 80cm by 54cm, opening to 110cm by 80cm.

Two weathered terracotta garden planters, on wrought iron stands, combined heights 53cm and 36cm.

A 19th century marquetry inlaid and satinwood banded mahogany and feathered mahogany kneehole dressing table / writing table, the larger central drawer fitted with partions, flanked by six smaller drawers, raised on tapered supports terminating on brass casters, 114cm wide by 59cm deep by 79cm high, (af - top split and some veneers missing).

An artificial palm plant in ceramic pot, 153cm (5') high.

A Victorian mahogany hall stand of attractive form, featuring six arms mounted with turned hat and coat pegs, above a removable metal lined drip pan for umbrellas, raised on bun feet, 204cm high by 82cm wide.

A vintage Arkana style white finished 'Tulip' table on column support and circular base, 110cm diameter.

A Victorian carved walnut show-wood framed nursing chair with buttoned pink upholstery.

A Victorian carved oak high back chair the back panel carved and pierced with floral and foliate design between barley twist uprights with acorn finials 128cm high

A vintge walnut tall bookcase in a Georgian 'country house' style, early 20th century, the two glass panelled doors enclosing shelves, above two panelled cupboard doors, 135cm wide by 214cm high by 36cm deep.

A fine specimen marble centre table in the Italian Grand Tour taste, the impressive circular top featuring a multitude of multicoloured specimen marbles in an optical swirling geometric design radiating from a central point, within a bold black marble outer border, raised on a veined black marble baluster turned pedestal column terminating on a stepped plinth base, 101cm diameter by 73cm high.

A vintage oak fronted and glazed haberdashery display cabinet with sixteen drawers height 92cm, width 180cm, depth 59cm

An Arts & Crafts copper framed rectangular wall mirror in the manner of Liberty & Co., with green enamelled decoration, 75cm by 113.5cm (a/f - three screw holes to the top)

A collection of six metal garden ornaments modelled as birds, tallest 115cm, together with a cast iron door stop modeelled as a terrier standing on its hind legs, (7), (af).

A vintage G Plan 'Fresco' teak chest of eight drawers set out as ytwo0 banks of four drawers each side, on a plinth base, 142 cm wide by 45 cm deep by 76 cm high.

An Edwardian marquetry inlaid and boxwood strung rosewood seven piece salon suite, comprising a sofa, 132cm wide, a pair of low armchairs, and a set of four occasional chairs, (7)

A 19th century oak chest of two short over three long crossbanded drawers on bracket feet height 107.5cm, width 92cm, depth 49.5cm

An antique George III style walnut stool with needlework drop in seat, late 19th / early 20th century, with old ivorine trade label for G Jetley, 52 South Audley Street, London, 57cm wide by 44cm high.

An Edwardian walnut free standing corner cabinet in the Aesthetic taste, 57cm wide by 149cm high.

A William Yeoward chestnut wood dining table with rectangular top and twin pedestal supports on square tapered legs height 72cm, length 201cm, depth 80cm (maker's labels lacking)

A pair vintage Empire revival satin birdseye maplewood pedestal bedside cabinets, early / mid 20th century, applied with ornate cast gilt metal mounts, 72cm high by 38cm wide by 35cm deep.

A modern brown leather electric recliner armchair, 102cm wide by 102cm deep.

A vintage Chinese export black lacquered and chinoiserie decorated portable low drinks table with folding legs, applied hardstone and inlaid mother of pearl decoration, 95cm long by 54cm wide by 47cm high.

A set of four vintage beach kitchen chairs, with decorative pierced back splats, raised on ring turned supports united by H stretchers.

A 19th century French giltwood and gesso framed sofa, featuring a later floral embroidered silk back panel, ornate scroll arms, and serpentine front, loose seat cushion, raised on tapered hoof feet, 143cm wide by 104cm high by 56cm deep, (af).

A Porta Romana two door console chest with a dark wood finish, triple leather inset panel top above two cupboard doors with gold coloured cast metal ring handles on square tapered legs, height 70.5cm, width 110cm, depth 40cm

A pair of period style wing armchairs, modern (with fire safety compliant labels), with well padded comfy loose seat cushions, raised on front cabriole legs.

A 19th century mahogany circular tilt top low table, raised on a tapered octagonal column terminating on a triform platform and flat bun feet, 87cm diameter, 50cm high when table top is flat.

A mahogany inlaid breakfast table with circular tilt-top on four outswept legs terminating in brass paws and castors 106cm diameter

A Victorian button back armchair with scroll carved show wood frame on ceramic castors

A contemporary bevelled octagonal wall mirror, 91cm by 91cm.

A George III mahogany bowfront chest of two short over three long drawers on bracket feet height 110.5cm, width 106cm, depth 49.5cm

A George III style feathered mahogany chest of drawers of small proportions, late 19th / early 20th century, fitted with four graduated drawers, raised on shaped bracket feet, 60cm wide by 41cm deep by 78cm high.

A set of six vintage Regency style yew wood dining chairs, 20th century, comprising two carvers and four singles, (6).

A pair of English Regency period mahogany 'country house' hall chairs, painted with bird & coronet armorial crests, and stamped 'RB' to the underside, with scrolled backs and front ring turned tapered supports, (2).

Two similar oak and maquetry inlaid rush seated side chairs, one with panel back inset with name and date 'Dorothea Schmidt Anno 1753' butterflies, flowers and birds,

A Victorian satinwood banded figured walnut Canterbury, raised on the original ceramic casters, 56cm wide by 41cm deep by 49cm high, (af).

An 18th/19th century German inlaid walnut armoire, the two panelled doors applied with ornate cast gilt metal handles and escucheons, with original key, enclosing three shelves, raised on flat bun feet, 166cm wide by 198cm high.

A vintage figured walnut Georgian revival tall bookcase, c.1920's, the two glass panelled doors enclosing three adjustable shelves and one fixed shelf, raised on scrolled feet, 104cm wide by 196cm high.

A vintage mahogany folding boot jack, late 19th / early 20th century, length 76cm.

A George III style walnut semi circular console table, with wavey edge frieze, raised elongated cabriole supports terminating on claw and ball feet, 123cm wide by 62cm deep by 74cm high.

A 19th century mahogany open front bookcase, the three shelves decorated with gilt tooled red leather mounts, raised on a plinth base, 87cm wide by 116cm high by 32cm deep.

A stripped pine 'waterfall' bookcase, fitted with five open front shelves above two base drawers, raised on a plinth base, 81cm wide by 146cm high by 40cm deep.

A pair good quality Willim IV rosewood side chairs, c.1830, with nicely re-upholstered damask drop-in seats.

A pine display cabinet with arched cornice over a glazed panel door and glazed sides enclosing four shelves, with drawer to base, on bun feet, 181cm high, 37.5cm deep, 90cm wide

A French style small mahogany occasional table with circular top on cabriole legs 61cm high, 29cm wide

A 19th century rustic walnut chest of drawers, the rectangular top with moulded edges and rounded front corners aove two short and three long lockable drawers, with applied decoration, plain supports, 103cm wide by 46cm deep by 100cm high.

A Victorian mahogany adjustable stool, the revolving wool tapestry seat raised on a turned pedestal terminating on a dished circular base and three outswept supports.

A pair of vintage Regency style cross banded feathered mahogany side tables / wine tables, 20th century, the hinged serpentine shaped tops raised on turned columns and outswept supports, 50cm by 37cm, by 54cm high, (2).

A fine 19th century French inlaid, cross-banded and quarter veneered walnut ladies dressing table, the top with three hinged compartments, the centre one fitted with a mirror, above four working drawers, three dummy drawers, and a pull-out slide, set out around the shaped kneehole space to the front, raised on tapered supports terminating on spade feet, 94cm wide by 53cm deep by 75cm high, (af).

A Coalbrookdale style 'Fern and Blackberry' patterned garden bench and two chairs, the white painted metal chairs stamped 22322, the back of the bench 22323 and the base 22324, bench 141cm wide, chairs 66cm wide

An Evan’s Furniture 1960’s bedroom chair in white vinyl, The product design was selected by the Council of Industrial design for the Design Centre, original assembly information to the underside, 68cm high

A vintage French carved fruitwood framed open armchair in the Louis XV style, 20th century, with nicely upholstered back, seat, and arms.

A George III brass inlaid feathered mahogany corner fitting side cabinet, fitted with three frieze drawers above two cupboard doors, applied with classical revival handles and escucheons, 90cm wide by 64cm deep by 87cm high, (some brass lifting).

A 19th century mahogany x-shaped stool with period style re-upholstered silk damask drop in seat, 52cm wide by 40cm high.

A set of four mid century teak dining chairs, no maker's labels, 75cm high

A 19th century Adam style side table, single frieze drawer with brass ribbon and garland escutcheon and matching handles on fluted square tapered legs height 78cm, width 132cm, depth 57.5cm

A good quality George III marquetry and parquetry inlaid figured mahogany bow front sideboard, fitted with an array of oak lined drawers and a fitted cellerette, raised on six tapered square supports terminating on spade feet, 185cm wide by 78cm deep by 94cm high. Together with a 19th century watercolour depicting a cottage interior full of antiques and art, and featuring this sideboard, 38cm by 64cm, framed, (2).

An elegant Edwardian inlaid mahogany side table, the square top raised on tapered outswept supports bunited by a domed 'x' stretcher, 40cm by 40cm, by 71cm high.

A 19th century Aesthetic Movement wall mirror, c.1880, featuring an ebonised and parcel gilt incised outer frame and marquetry quarter-batswing inlaid satinwood centre panel, 68cm high by 55cm wide.

A pair of vintage Georgian style mahogany chests of three long drawers, 20th century, with brass swan neck handles, shaped aprons and bracket feet, 80cm wide by 49cm deep by 76cm high.

A set of eight wavy ladderback chairs including two carvers, all with rush seats on turned supports

A late 19th century carved walnut tall bookcase, with two glass panelled doors enclosing adjustable shelves, above two frieze drawers and two cupboard doors, 108cm wide by 215cm high by 46cm deep.

A 19th century mahogany and satinwood games, work and writing table, the central hinged writing surface with rachet support, enclosing inlaid backgamon surface above a pull-out chessboard with sewing basket beneath, flanked by a pair of D-shaped hinged compartments on slender curved supports height 74cm, width 70cm, depth 43cm

A South African hardwood framed buttoned leather upholstered chaise lounge, 188cm long.

A 19th century mahogany rectangular swing toilet mirror the box base fitted with three small drawers 64cm high by 57cm wide

A Victorian mahogany step commode, featuring two gilt tooled green leather steps (lower one folds away), the hinged top with fitted interior, 47cm wide by 45cm high.

Two near identical French Louis XV revival ormolu mounted and marquetry inlaid side tables, with diffarent marquetry tops, featuring three quarter gallery backs above side drawers and leather lined pull-out slides, the delicate tapered ogee supports united by quarter veneered concave undertiers, each approx 40cm wide by 74cm high by 30cm deep, (2).

A 19th century four-panel room screen, the top section inset with colourful engravings of parrots, divided into two two-panel sections each panel 182cm by 65cm (a/f - glass missing from two panels)

A set of three contemporary graduated clear perspex nesting tables, 42cm wide by 40cm high by 33cm deep, together with a matching 'long John' coffee table, 92cm wide by 45cm deep by 40cm high.

A large Chinese Chppendale style set of mahogany hanging wall shelves with fretwork sides enclosing five shelves with central glazed cabinet containing six glass shelves and velvet lined interior, above three drawers, height 122cm, width 100cm, depth 17cm

A 19th century gilt gesso framed overmantle mirror relief moulded to depict branches, 112cm wide by 80cm high,

A French marquetry inlaid ladies writing bureau with a pierced gilt metal gallery above sloping fall front enclosing fitted interior with well compartment, on slender cabriole legs with gilt-metal mounts height 91cm, width 73cm, depth 45cm, with a key Provenance details from the current owner: known to have belonged to Lady Enid de Chair, wofe of Admiral Sir Dudley de Chair who served as Governor of New South Wales, Australia from 1924-1930 (a/f)

An Arts & Crafts oak mirror back sideboard, c.1900, 122cm wide by 59cm deep by 148cm high.

A Victorian oak bureau profusely carved with foliate designs, fall front over four drawers with turned knob handles on bracket feet height 110cm, width 92cm, depth 51.5cm

A vintage Georgian style mahogany semi circular console table, 20th century, with carved decoration and tapered padfoot supports, 74cm wide by 38cm deep by 76cm high.

A Swedish satin birch and parcel gilt side cabinet in the Biedermeier style, 19th century, 155cm high by 82cm wide by 32cm deep.

A superior quality early 20th century double-caned bergere four piece lounge suite, comprising a three sester settee, 206cm wide, and three armchairs, all featuring exceptional carved decoration throughout and good quality loose cushions, a fine example of classic country house furniture.

An Edwardian mahogany 'spiders leg' drop leaf table in a George III design, raised on six column turned and block supports, 61cm by 17cm opening to 78cm by 61cm, standing 62cm high.

A 19th century mahogany travel chest with twin brass carrying handles, the hinged lid revealing an old trade label for 'Jacob Brisk, Trunks, Bags & Valises', 66cm wide by 44cm deep by 48cm high, (af).

A South African blackwood cabinet, fitted with two short drawers above two cupboard doors enclosing adjustable shelves, 113cm wide by 140cm high by 52cm deep.

A white painted metal garden table with rectangular composite stone top 48cm high, 91cm wide, 53.5cm deep (a/f)

A cast iron and slatted wood garden bench applied with a maritime motif, late 19th / early 20th century, 150cm wide, (af).

A 19th century English Regency period mahogany coffee table (adapted and cut down from a taller table), the circular top with beaded borders raised on a short column and four sabre supports terminating with cast gilt-brass caps, 110cm diameter by 50cm high.

An Edwardian mahogany display cabinet, featuring a glass panelled door enclosing four adjustable shelves and lined interior, flanked by fluted canted corners, raised on tapered supports with spade feet, 84cm wide by 157cm high by 33cm deep.

A Victorian satin birds eye maple inlaid rosewood games table / sewing table, featuring an inlaid checkerboard top hinged to reveal an inlaid and fitted interior, above a fitted drawer and slide-out fabrics bag, raised on elegant shaped end supports, contains lots of vintage sewing equipoment, 61cm wide by 39cm deep by 72cm high, (af).

A c.1920's oak roll top desk, with lockable tambour top, key, fitted interior, 128cm wide by 76cm deep.

Two Edwardian inlaid and cross-banded mahogany side tables, kidney shaped 57cm wide by 70cm high, oval 67cm wide by 72cm high, (2).

A good quality 19th century mahogany show-wood framed country house sofa attributed to Holland & Sons, re-upholstered in a hard wearing neutral fabric, with one long loose seat cushion, the castors stamped 'COPE'S PATENT' and 'STRONG', one of the legs is also stamped 'GVR' beneath a crown, size approx 229cm wide by 94cm deep by 64 cm high.

An antique Persian Baluch rug, depicting a classic 'pencil box' grid design in rich tones of dark brown and muted coral, approx 175cm by 98cm.

An antique Turkmen Bokhara rug, in predominately red and decorated with repeating octagonal gul (elephants foot) motifs within borders, approx 214cm by 148cm.

An antique Kurdish runner decorated with stylised and geometric designs within borders, in tones of red, brown and blue, approx 270cm by 114cm.

An antique Persian Caucasian rug decorated with stylised and geometric designs in soft faded terracotta and indigo palettes, approx 141cm by 84cm, (worn).

A large good quality Chinese wool carpet / rug in the Peking / Aubusson style, the thick pile decorated with a central Peacock medallion and bird & foliate border panels, predominately in tones of blues and cream, size approx 370cm by 275cm (12' x 9').

A Turkoman rug, red ground, with geometric design within multiple borders, 212cm by 105cm

An antique Persian Kashan Milliefleur prayer rug, featuring a central mihrab design with stylised designs and floral urn motifs within borders, approx 196cm by 132cm.

A good quality Persian Kashan runner featuring a classic predominately blue field with intricate stylised floral medallion patterns within borders, approx 390cm by 107cm.

A large Persian style rug, teal ground, with floral and foliate decoration, approx 283cm by 196cm

A set of six Imari pattern porcelain teacups and saucers, possibly Chamberlain's Worcester

A Beswick Mountie Stallion, Connoisseur model, black gloss, on wooden plinth 25.5cm high including base (a/f)

A Lladro porcelain 'Spanish Dancer' figurine 15cm high

A group of Rosenthal Studio-Linie Flash pattern tableware designed by Dorothy Hafner to include teapot and cover 19cm high, coffee pot and cover 23cm, two jugs, tall vase, two bowls, and a pair of egg cups

Eleven Royal Doulton porcelain figures of ladies to include Daydreams and Dinky Do tallest 19cm high

An Adderley's Ltd Amoy pattern wash set decorated with exotic birds, flowers and insects, comprising large bowl, two smaller bowls, bucket and two large jugs (a/f)

Three Whitefriars glass 'coffin' vases in red, orange and blue, 13cm high

A collection of six Bohemian Art Deco glass vases attributed to Leo Moser and the Moser Glass Works, comprising two faceted amethyst coloured examples with 'oroplastique' decoration, 26cm and 20cm high, two faceted amber coloured examples with 'oroplastique' decoration, one signed, 22cm and 17cm high, a signed clear example with 'oroplastique' decoration, 20cm high, and an unsigned undecorated faceted amber coloured example, 24cm high, (6).

Three Royal Crown Derby porcelain donkey paperweights 11cm high

A set of six Waterford crystal 'Nocturne' pattern wine glasses 22cm high

A collection of thirteen Beswick model horses to include an Appaloosa horse 20cm high, a bay brown Swish Tail horse 21.5cm high, Black Magic 20cm, and a Skewbald Pinto pony 16cm (a/f)

A set of ten 19th century Wedgwood porcelain plates with relief moulded leaf design on moulded basketweave ground and gilt embellishments 20.5cm diameter

A small Moorcroft 'Tribute To Charles Rennie Mackintosh' vase, designed by Rachel Bishop, 13cm high

A Whitefriars tangerine glass bottle vase 20cm high, a pair of Whitefriars green glass candleholders 8cm diameter, and four various Whitefriars style glass vases (7)

A 19th century Coalbrookdale style floral encrusted porcelain ink stand and taper holder, comprising tray and central taper holder flanked by a pair of ink / pounce pots tray 36cm by 22.5cm (a/f)

A Whitefriars kingfisher blue glass bark vase 19.5cm high, two Davidson blue glass bowls / ashtrays 13.5cm diameter, an Ingrid Glashutte blue glass bark vase 20.5cm high, and two other Whitefriars style vases (6)

Eight Beswick models of horses to include three dapple grey gloss models comprising the Bois Roussel racehorse 28cm high, Connemara 16cm, and Prancing Arab horse 16.5cm, a Highland pony 18cm, a palomino Prancing Arab horse and palomino foal (8)

A Royal Doulton hand-painted model of Red Rum modelled by Graham Tongue limited edition 296 of 7500, 32cm high, on wooden plinth base, with certificate

Attributed to Jacques Innocenti (French, 1926 - 1958), a Studio Pottery vase painted with a female figure, bears an indistinct painted signature to underside, 18cm high, (ARR).

Attributed to Phoebe Stabler (1879 - 1955), early 20th century, ceramic figure of a putti with floral garland, indistinct impressed marks to underside, 20cm high, (af).

A Royal Albert 'Old Country Roses' part table service, 77 pieces, (a/f - one turren handle detached).

A crackle glass of Art Nouveau design in the manner of Koloman Moser for Loetz, with a hollow integrated handle, 19cm high

Three Beswick shire horses comprising one action shire in matt dappled grey finish, one in matt brown finish, both 21cm high and a mare with gloss brown finish 22cm, together with a Royal Doulton black gloss horse 15cm with associated Beswick box (4)

A 19th century Crown Derby porcelain tyg painted and gilded in the Imari palette, 7cm high and small tea bowl, both with red painted factory mark, Stevenson & Hancock 1863-1866

A mixed 19th/ 20th century bone china part tea set, all similarly decorated, manufacturers including Grosvenor China and Allertons Ltd, each with green shagreen pattern ground, comprising; teapot, eighteen cups, eighteen saucers, two sugar bowl, fifteen side plates and three sandwich plates, each gilt heightened, teapot height 15cm, (some AF) (57 pieces)

A metal mounted Carlton ware porcelain biscuit barrel with floral decoration 15cm high excluding handle, a Royal Doulton glazed stoneware vase 22cm, and three Beswick models of Persian cats, largest 21cm

A Whitefriars meadow green glass 'coffin' vase 13cm high

A Baccarat glass verre dichroique eglantine pattern box decorated with roses, with a brass mount and cover 9.5cm high

Rosenthal Studio-Linie Flash Love Story pattern tableware designed by Dorothy Hafner with illustrations by Kitty Kahane comprising sauce boat on stand, sugar bowl and cover and milk jug

An Italian maiolica dish, probably Renaissance revival c.1880-1920, underside with painted mark, the lobbed form incorporating five divisions, 25cm diameter. Together with a faience twin handled pot, 11cm high, (2).

A Franciscan Desert Rose part dinner and tea service to include six dinner plates, six breakfast plates, six side plates, six cake plates, one vegetable tureen and cover, butter dish and cover, and eleven teacups (a/f)

A collection of eight antique ceramic named storage jars, including 'Ground Ginger', 'Candiedpeel', etc, tallest 20cm high, (8), (af - one lid missing and numerous faults).

Three studio pottery blue glazed models of historical helmets, unsigned, each on wooden stand, largest 29cm high including stand

An Italian ceramic table lamp modelled as a white dove beside a tree stump on wooden plinth base 24cm high including base

A large Italian maiolica charger, the well painted with a view of warriors in battle, on a ground of mythical creatures amongst scrolling decoration, the reverse monogrammed and numbered 2203, 40.5cm diameter

A Whitefriars glass 'coffin' vase in pewter 13cm high

Four Lladro porcelain figures of angels in various poses to include one playing an instrument 16cm high

A Royal Albert 'Old Country Roses' porcelain part tea and dinner service to include teapot approx 19cm high, milk jug, sugar bowl, two tier cake stand, six teacups and five saucers, platter, large bowl, and six dinner plates, together with matching mantle clock and candlestick

Studio Pottery: comprising a Phil Rogers vase, 9.5cm high, a Judith Fisher 'Raku' vase, 13cm high (cracked), and a Steve Woodhead jug, 11cm high, (3).

A Herend porcelain salmon dish with drainer 61.5cm long, together with a Herend porcelain sauce boat on stand and a serving spoon, all with matching floral decoration

An vintage Irish porcelain tea set in the Royal Linden pattern by Arklow, comprising 12 cups, 10 saucers, 10 side plates, 2 serving plates, 2 milk jugs and a sugar bowl, (37).

A 19th century Nailsea speckled coloured glass rolling pin, 40cm long.

A 19th century Palissy style tin glazed wall platter with naturalistic relief decoration in the manner of Bernard Palissy (1510-1589) depicting snake, fish, frog, lizard, stag beetle and other creatures and insects amongst plants on blue textured ground, no maker's marks 44cm by 36cm

A large Minton Art Pottery vase hand painted with an alpine scene by Edouard Rischgitz (Hungarian, 1829 - 1900), c. 1860's / 70's, depicting a goat herder leading his goats across a wooden bridge, and woodsmen chopping trees, between twin pendulous handles, signed to the base and bearing impressed factory marks to the underside, 53cm high, comes with an assosiated wooden stand, (af).

NB: Edouard Rischgitz was a pupil of Corot and medallist, before spending four years working at Mintons on the firm's exhibit for the 1867 Paris Exhibition Universelle.

A pair of Samson porcelain plates with floral decoration and gilt embellishments 22cm, and a pair of Johannes Roth style porcelain figures 12cm, together with a small collection of continental porcelain tableware to include a miniature cup in the manner of Augustus Rex

A large 19th century Derby porcelain vase, c.1830, of urn form decorated with lavish gilt, iron red, green, and blue, in the Japanesque Imari taste, factory marks underside, 25cm high by 26cm diameter.

Provenance: Christies South Kensington, 5th July 2007, lot 1139.

Three glass decanters with stoppers, 20th century, tallest 34cm, (3).

A Beswick prototype model of a Cowboy on horse painted in natural colours, height 24cm (missing reins)

An Eileen Lewenstein (1925-2005) glazed vessel or vase with impressed details to each side 12cm high

Six vintage novelty ceramic spirit decanters for Irish Mist Liqueur, modelled as soldiers, by Coronetti, Cunardo, Italy, tallest 48cm high, (6).

A Whitefriars red glass bowl / ashtray with part paper label 12.5cm diameter, a Whitefriars red glass bark vase 19cm high, a smaller Whitefriars style vase, and two bark textured glass vases / candlesticks (5)

Nine Beswick models of horses to include two large racehorses 30.5cm high, a dapple grey foal and a Norman Thelwell 'Kick-Start' figurine, together with a Beswick fawn and two other Beswick style animals

A large collection of studio pottery, 20th century: to include a Diana Barraclough model of a Tern (bird) on driftwood stand, Selborne Pottery, Ray Yor, and many other potters seal marks, (20 pieces).

A House of Faberge for Franklin Mint 'Snow Dove' crystal decanter and stopper, set of twelve matching goblets and pair of candlesticks

A collection of Royal Crown Derby 2451 Imari pattern porcelain tableware and miniatures to include a teapot, two jugs, sugar bowl and cover, three miniature teapots and two miniature jugs, together with a Royal Crown Derby Imari pattern plate, and three Bloor Derby Imari teacups and saucers

A Beswick model 2205 'Tang' horse 34.5cm high

A terracotta head, possibly French or Italian 18th century, facing full front, the tonsured head drilled for a halo, 25cm high, mounted on a later black metal stand, provenance: purchased by the current owner from Sotheby's European Works of Art Furniture and Decorations Auction October 1998

An Art Deco part tea set comprising milk jug, sugar bowl and cover, platter, six small plates, six teacups and seven saucers, all marked "Sterling Silver on Porcelain Foreign" on the underside

A David Sharp Rye pottery money box modelled as a rabbit 14.5cm high, and a Lorna Bailey pottery tea light holder modelled as a black cat beside a bubbling cauldron 8cm high

An Orrefors Skal bowl designed by Lars Hellsten, numbered 4259-121, height 12cm, width across the top 8cm

A collection Waterford Crystal, mostly drinking glasses, at least fifty-one pieces are signed, together with thirty-two non signed items of glassware (83).

A Chinese marble top carved and pierced hardwood side table / vase stand, early 20th century, 48cm high by 36cm square.

A vintage Japanese export 'eggshell' porcelain tea / coffee set complete for six settings (21), together with a set of three vintage Singapore famille rose cups, saucer and side plate trios (9), (30 items in total).

Four Japanese Imari export dishes, c.1900-1930, each of fluted circular form in tradional paletes, 2 x 30cm diameter, 21cm diameter, and 16cm diameter, (4).

A good quality early 20th century Mah Jong set in a chased metal mounted hardwood cabinet, with working lock and an instruction booklet by Max Robertson, 29cm high.

An antique Arakan Burmese bronze Clinthe Guardian Temple Lion, probably 18th century or earlier, made in detachable sections with a seated buddhistic figure on a platform which slots on to the back of the creature, being of well cast and heavy construction with decorative detailing throughout, 61cm high.

A Chinese blue and white porcelain jar and cover hand painted with horses in landscapes, 15cm high, (lid damaged), another Chinese blue and white porecelain jar and cover, 13cm high, two Chinese blue and white porcelain snuff bottles (only one with stopper), 6cm high, a pair of Japanese Kutani porcelain miniature vases, 14cm high, and a pair of Japanese Satsuma porcelain miniature vases, 13cm high, (8).

An 18th century Chinese blue and white 'Kraak' porcelain dish, with hand painted underglaze decoration and painted marks to the underside, 29cm diameter, (a.f.)

A Japanese Kutani porcelain vase converted to a table lamp, on wooden stand 44cm high including base and fittings

A pair of large antique Chinese blue and white porcelain vases, 19th century or earlier, featuring twin pierced handles, decoratd with dragons, exotic birds, a fish, and blossoming landscapes, 59cm high, (2).

An 18th century Chinese Export porcelain plate 22.5cm diameter, three cloisonne enamel vases to include a pair decorated with birds 15cm high, and a large 20th century Chinese ceramic vase on wooden stand 47cm high including stand

A copper finished milk churn for Pool's Dairies Romford with associated lid for West St Dairy Chichester approx 53cm high (a/f)

Kitchenalia: a copper and brass kettle 33cm high, a copper and cast iron ale warmer, cider measure, perforated skimming spoon and ladle, together with a large brass and cast iron perforated spoon, a cast iron trivet with turned wood handle

A good quality large vintage rouge marble and ormolu table lamp in the form of a classical corinthian column, with shade, height to top of bulb holder 63cm.

A copper finished milk churn for Chichester Dairies Ltd., 54cm high (a/f)

A collection of painted lead and metal soldiers, military figures and servicemen in various scales (a/f)

A Victorian rosewood travelling vanity box with trade label for Parkins & Gotto, 24 & 25 Oxford Street, London, the hinged lid and front panel inlaid with mother of pearl escucheons, enclosing a semi fitted mirrored interior, above a secret jewellery drawer, 31cm wide by 19cm high by 23cm deep.

A Gurkha kukri knife in a leather sheath 61.5cm long

Three graduated 19th century bronze bell weights, regional mark 'C*S', and further impressed marks, 56lbs, 28cm high, 28lbs, 24cm high, 11lbs, 20cm high, (3).

An Armand Marseille bisque head doll with sleeping eyes, open mouth, upper teeth, and movable limbs, approx 34cm high, (af).

After Pierre-Jules Mene (1810-1879), a bronzed metal sculpture of a pointer with game beside a tree trunk, inscised signature and dated 1850, 31cm high (a/f)

A 19th century folk art carved fruitwood screw-action novelty nut cracker in the form of a squirrel, approx 17cm tall

A large vintage Union Jack flag and the American flag, both mounted on canes (a/f)

A carved oak book stand, c.1900, decorated with stylised foliate motifs, 49cm wide by 23cm high.

A collection of antique and vintage silver plated items, to include a classical revival urn form wine cooler (25cm high), two oval entre dishes with covers, two large oval seving dishes, a Georgian revival teapot, an Art Deco chocolate pot with matching milk pot, a large ladle, and a burner with cradle, (10).

A child's acoustic guitar, no maker's labels, approx 32 inches (81.5cm) total length (a/f)

An Art Deco gilt patinated bronze table lamp depicting male and female figures dancing, with shade, total height 54cm.

A 19th century Meerschaum pipe, intricately carved to depict a lion and lioness in aggressive poses, with amber mouthpiece, contained within the original lined and fitted case, 22cm wide.

An Edwardian oak tantalus with silver plated mounts, containing three cut glass decanters with stoppers, lock working and key present, 35cm high by 37cm wide.

A pair 19th century German 'Kosmos' lamps by Wild & Wessel, later converted to electric, featuring streaky purple glazed bodies between ornate gilt metal mounts, with shades, height to top of bulb holder 44cm, (2).

Kitchenalia: a 19th century coopered oak flour barrel and cover, approx 29cm high

A 20th century Italian mandolin by G Puglisi Reale & Figli, with eight strings and tuning pegs, bearing makers label to inside, and maker's stamp to body, with spare strings

A collection of Hornby Dublo model railway to include a locomotive in LMS livery, no.6917, four rolling stock, a station, various track etc

A brass and copper finished fire extinguisher, 42cm high

A 1977 Queen's Silver Jubilee model Royal State Coach, boxed

A child's rocking swan of solid wooden construction, with carved and coloured decoration, length approx 1m

A small collection of Britains toy soldiers including HM Queen Elizabeth on horseback, and sentry box

Mecanical music interest, approximately sixty-five 'Hupfeld' boxed player - piano music rolls, a cased pinned tune barrel for 'Faventia' street piano, various prints with barrel organ interest, one dated 1826, player - piano and related instruction and similar booklets and leaflets

A late 19th century 'Apollo Harp' semi-automatic Zither, contained within original pine storage case, No 72E Flagg Manufacturing Company Boston, USA together with tuning key, plectra, original instruction booklet and Apollo music catalogue dated 1898

A pair of brass harness stamped 'Solid Brass' and 'Double Cased' wiith iron mounts and chains, 82cm long excluding chains

A good vintage period style ceiling lantern, the verdigris bronzed architectural frame of ornate gazebo form featuring a scrollwork dome above five pillars and clear glass insert, approx 64cm high, (af).

A Franz Xavier Bergman style cold painted bronze model of a horse (tail detached), unsigned, 12cm high

H C Coombs (c.1960's): a collection of six bronzed sculptures, depicting abstract human, dog and bird forms, two on marble plinth bases, three on wooden plinth bases, one is freestanding, tallest 47cm, (6).

Possibly the work of Herbert Cole "Nugget" Coombs (Australian, 1906 - 1997), an Australian economist and public servant, the first Governor of the Reserve Bank of Australia from 1960 to 1968, noted for his contributions to the arts, environment, and Indigenous justice movement.

As first Governor of the Reserve Bank of Australia, he was responsible for approving the acquisition of Norma Redpath’s 'Immortal Warrior' (1963-64) for the Reserve Bank in Adelaide, and commissioning 'Sculpture Column' (1968-72) for the foyer of the Reserve Bank in Brisbane. In 1972, when Redpath was appointed the H.C. Coombs Creative Arts Fellow at ANU, Coombs was ANU Chancellor and inaugural chair of the Australian Council for the Arts.

An antique crewel-work panel believed to be an Azerbaijani tent hanging, depicting floral motifs around a central doorway, 141cm by 97.5cm. framed

An interesting collection of original and facsimile phonograph catalogues including Pathe 1903, 'New Victor Bulletins' 1920's, together with other related books and booklets

An Art Deco style 'butterfly girl' table lamp, moderen, 51cm high.

A pair of vintage Wharfedale Airedale floor standing corner fitting speakers, wooden cased, 100cm high by 69cm wide by 36cm deep.

An oak cased Edison Bell 'Discaphone' portable gramophone with 'Winner' sound box, a similar 'Dulcetto' portable gramophone, together with a quantity of 78 rpm records contained in 'His Masters Voice' albums

A 19th century sailors fid, of turned lignum vitae, tapering form with ringed decoration, length 37.5cm, and a Victorian painted baluster police truncheon, turned, naively decorated with a crown and 'VR1', length 26cm

A vintage golf club printed Fred J Bowdrey Southampton 110cm long

Felix Haspel (Austrian, b.1951), a tapestry panel, signed with monogram in the weave, approx 160cm by 136cm.

NB: Felix Haspel is considered one of Austria’s leading textile artists, for further information see www.felixhaspel.at

A Victorian burr walnut work / sewing box with mother of pearl inlaid vacant cartouche and key escutcheon, and Tunbridgeware style inlaid bands, height 13.5cm, width 30cm, depth 22cm

Attributed to Giuseppe Renda (Italian, 1859 - 1939) or Giovanni Battista Amendola (Italian, 1848–1887): and original bronze sculpture 'Youth carrying vines', 52cm high.

A French wrought iron shop sign wall bracket, depicting a horn, wheat sheafs, leaves and flower heads, with parcial gilt decoration, late 19th / early 20th century, approx 155cm long, (af).

A vintage BACCHUS 'Rogar Estate' type cast metal bottle opener, approx 26cm high.

A framed Georgian silkwork embroidery depicting a figure playing a musical instrument beside a dog 19cm by 14.5cm

A violin 60cm long, with bow and case (a/f)

A set of four 19th century silver plated chambersticks, each with detachable sconce, wide fluted wavey edge drip pan, and scrolled thumbpiece, engraved with matching 'sunburst' crests, 15cm diameter.

An Edwardian Georgian revival silver plated desk stand with engraved inscription to Neil James Archibald Primrose, 1903, the hined lid with engraved 'lion and rose' crest revealing twin inkwells, covered recess, and twin pen wells, between twin lions mask drop ring handles. 27cm wide.

A collection of vintage greetings cards, mostly Valentines, many inscribed

Naval Interest: a 1942 HMS Sirius CPO Mess rum tray, circular form with low border, further inscribed 'THE KING GOD BLESS HIM', together with a set of six c.1950's grog (rum) measures (Quart, 1 Pint, 1/2 Pint, 1 1/3 Gill, Gill, 1/2 Gill), and a set of seven similar period grog (rum) measures (1/2 Gallon, Quart, Pint, 1/2 Pint, 1 1/2 Gill, Gill, 1/2 Gill), (14).

A pair of vintage Georgian glass ceiling lanterns, 20th century, the square gilt-brass forms inset with glass panels (some replacements and one with chipped corner), approx 60cm high, (af - one lower finial missing).

A 20th century cold painted bronze pheasant table lamp, the stem modelled with a cock pheasant sitting in a tree, hen pheasant below, set on an onyx base 29cm high including fittings, together with a cold painted bronze model of a pheasant mounted on an octagonal onyx dish dish 25cm wide

A vintage Georgian style gilt brass framed ceiling lantern, 20th century, the hexagonal form inset with clear glass panels (one cracked), approx 46cm high.

An Arts & Crafts copper pot and cover in the manner of Keswick School of Industrial Arts, c.1890-1920, featuring hammered decoration and scrolled borders, 5cm wide by 3cm high.

Felix Haspel (Austrian, b.1951), a tapestry panel, signed with monogram in the weave, approx 60cm by 80cm.

NB: Felix Haspel is considered one of Austria's leading textile artists, for further information see www.felixhaspel.at

Thirteen various 19th century graduated copper measures, tallest 30cm, a 19th century copper jug with lid, and four various 19th century copper funnels, (18).

Adolf Wagner (Austrian, 1884 – 1962), 'Ballerina', an original bronze figure with faded gilt patination, signed and dated 1922, raised on a marble plinth base, bronze height 32cm, combined height 49cm.

A pair of Edwardian silver plated entree dishes and covers, the oval forms with stag handles, 31cm long by 24cm wide by 20cm high, (af).

A Safex brass and copper finished fire extinguisher, with brass plaque 53cm high

A 19th century copper samovar (tea urn), late Georgian / early Victorian, 49cm high.

A pair of silver toned cast metal greyhound bust bookends mounted on black painted supports 22cm high by 22cm long overall

Two Edwardian silver plated revolving roll-top breakfast servers, with engraved decoration and ornate classical cast frames, 38cm wide and 23cm wide, (2).

A cased daguerrotype depicting a young lady, together with a small collection of doll's house miniatures

Adolf Wagner (Austrian, 1884 – 1962), 'The Pied Piper', an original bronze figure, signed and dated 1922, raised on a wooden plinth base, bronze height 38cm, combined height 46.5cm.

A large Elkington & Co twin handled copper finished stock pot / hot water dispenser and cover, with metal tap, inscribed 'Ohlsson's', 37cm high, and two large Elkington & Co copper finished twin handled pans, largest 68cm wide including handles

A Victorian silver plated biscuit box of scallop form with Aesthetic style cast frame, the hinged scollop form opening to reveal twin covered compartments, 27cm high.

A pair of vintage Georgian revival silver plated candelabra, 35cm high.

A collection of Victorian and later Ancient Order of the Foresters sashes and related ephemera to include an 1898 Balance Sheet Book of Court Loyal Archer no 3596

A Manivelle circular music box with Chinoiserie decorated top 7cm diameter

A pair of French Rococo revival style cast brass candlesticks 25.5cm high

A crewel work tapestry panel depicting six birds in natural habitat of stylised foliage, approx 150cm by 88cm.

A modern six string Spanish guitar hand made at the West Dean instrument workshop, 1984, various contributing makers listed on the attached label, 80cm long.

Tribal Art: two Maasai ceremonial spears, featuring metal bound painted wooden shafts with carved 'peak' finials, and hand forged steel blades, 112cm and 103cm long.

A large quantity of gramophone parts and mechanisms, including spring motors, turntables, tone-arms winding cranks and other parts

A vintage Jaeger 8 day dashboard clock (af), mounjted on a painted wooden block, dial 8.5cm diameter, combined height 12cm, (damaged).

A large collection of contemporary collector's stamps, special editions, First Day Covers, etc, including a lot of owl themed, (Quantity).

Five albums of 19th century and later Great Britain and World stamps, to include Stanley Gibbons Worldex Stamp Album, penny reds, George V half crown and five shillings seahorses *viewing highly recommended

A collection of good quality 'coffee table' antiques and collectables reference books, to include 'World Mirrors 1650-1900', 'Barye catalogue raisonne des sculptures' Persian rugs and carpets, Wristwatches, Patek Phiippe, Royal Crown Derby, Wines, etc, etc, (21).

Lloyd's Register of Yachts comprising 1908, 1926, 1933, 1936, 1938, Supplement to the 1939 Edition 1946, and 1973, together with a collection of maritime history and reference books to include Service Afloat or The Naval Career of Sir William Hoste, pub. W H Allen & Co 1887, Yachting vol I and II by Sir Edward Sullivan et al., facsimile of the first edition pub. Ashford Press 1985, and three 1971 Cornmarket Press facsimile reprints - A Narrative of The Proceedings of the British Fleet, commanded by Admiral Sir John Jervis, KB on the fourteenth of February 1797, A Narrative of the Proceedings of His Majesty's Fleet under the Command of Earl Howe, from the second of May to the second of June 1794, and A Journal of Voyages and Travels, by the late Thomas Rees, Serjeant of Marines 1822

A framed decorative sewn panel of cigarette silks depicting flags, military crests, badges and medals panel approx 47cm by 47cm

The Queens South Africa Medal with bar Transvaal to 6621 PTE H LLOYD RIFLE BRIGADE

Second World War Awards relating to James H Clarricoates British Army, The 1939-45 Star, The France and Germany Star, The Defence Medal, The 1939-45 War Medal, MID (Mention In Dispatches) Spray, The American Bronze Star Medal with case and ribbon fittings. The Imperial Service Medal Elizabeth II Issue to James Henry Clarricoates with case, and other items *Please see multiple catalogue images of this lot

Second World War Medals relating to PTE W G L FENN LEICESTERSHIRE REGIMENT, died 18th October 1944 while serving in Italy. 1939-45 Star, The Italy Star, The Defence Medal and The 1939-45 War Medal, with paperwork, forwarding slip in the name of Finn, box of postage, photograph of Cross memorial, coins

Tribal Art: two East / Central African Pangas (broad bladed heavy knife), with steel blades and crude leather handles and scabbards, 57cm and 51cm long.

A collection of eight iron cannon balls, various sizes, (8).

First World War Awards relating to George Henry Clarricoates: 1914-15 Star 306293 G H CLARRICOATES SPO, RN, 1914-18 British War Medal and 1914-19 Victory Medal to 306293 G H CLARRICOATS [sic] SPORW, note initial C on the British War Medal. First World War Memorial plaque detailed GEORGE HENRY CLARRICOATES, named memorial scroll. Served aboard HMS Good Hope, sunk 1st November 1914, further paperwork, also a framed picture of a four funnel ship (see second catalogue image)

Militaria: a British 1907 pattern bayonet, the 43cm blade with Wilkinson maker's mark, two piece wooden grip, pommel with release catch, in leather and steel scabbard, overall length approximately 57cm.

Provenance: by descent from Private Barry William B Toone, 22460415, Dispatch Rider of The Royal Sussex Regiment.

An Aspatria Town Band marching bass drum; the painted mahogany shell bearing the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", calfskin drumhead with rope tension system, the aged paintwork rendering the makers mark unclear, 83cm diameter, 46cm tall.

Two Military marching bass drums for Yorkshire Regiments; one for Alexandra Princess of Wales's Own Yorkshire Hussars Imperial Yeomanry, and another for 1st Volunteer Battalion Prince of Wales's Own West Yorkshire Regiment, painted mahogany shells, both bearing the Prince of Wales Imperial Feathers with the motto "ich dien", the latter bearing the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", both adorned with battle/campaign honours, the first for South Africa (1900-02), the second for Nec Aspera Terrent and India, calfskin drumheads with rope tension system, the former with makers mark for Henry Potter & Co., London, 64cm diameter & 32cm tall, 76cm diameter & 43cm tall respectively, offered together with a pair of beaters.

A Royal Marines marching snare drum; the painted brass shell bearing the royal motto "Dieu et mon droit", the military motto "Honi soit qui mal y pense" and the Royal Marines motto "Per mare, per terram", calfskin drumheads with rope tension system, gut snares, makers mark for A.F. Matthews, London, dated 1950, 37cm diameter 39 tall, offered together with a brown leather strap and a pair of ebonised drum sticks.

A 5th Battalion The King's Own Yorkshire Light Infantry marching tenor drum; the painted wood shell depicting the regimental badge of a Yorkshire Rose at the centre of twisted hunting bugle, also bearing the regimental motto "Cede Nullis", adorned with extensive battle/campaign honours including for Minden, Corunna, Vittoria, Pyrenees, Peninsula, Waterloo, Afghanistan (1878-80), Burma (1885-87), Messines (1914, 17, 18), Marne (1914, 18), The Somme (1916, 18), Ypres (1914, 15, 17), Havrincourt and Italy (1917-18), calfskin drumheads with rope tension system, paintwork signed K. Nicholls, 48cm diameter 41cm tall, offered together with a pair of Potter Aldershot drum sticks.

A 36th Middlesex Anti-Aircraft Battalion marching bass drum; the painted mahogany shell bearing the royal motto "Dieu et mon droit", the royal motto "Honi soit qui mal y pense" and the Royal Artillery motto "Quo fas et gloria ducunt", the drum also bears the name of the 317th Company Royal Engineers (T.A.), which was amalgameted into the 36th Battalion, calfskin drumhead with rope tension system, paintwork signed K. Nicholls, 72cm diameter, 32cm tall.

A 1st Battalion Border Regiment marching snare drum; the painted brass shell bearing the regimental badge with the Chinese Dragon at the centre, paying homage to the achievements of the former component regiment, the 55th Regiment of the Foot in the First China War, adorned with extensive battle/campaign honours including for Arroyo dos Molinos (1811), Peninsular, Vittoria, Sevastopol, Ypres (1914, 15, 17, 18), The Somme (1916, 18), Gallipoli (1915-16) and Arras (1917-18), totalling 27 honours, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, stamped Premier, England, 38cm diameter, 41cm tall.

Two Military marching bass drum; one for The Royal Navy Volunteer Reserce Tyne Division, and another for the 49th London Company Girls' Life Brigade, painted mahogany shells, the former depicting a crown and anchor, the latter bearing the motto "to save life", calfskin drumheads with rope tension system, the former with makers mark for Besson & Co., London, 75cm diameter, 40cm tall, the second with makers mark for Henry Potter & Co., London, 72cm diameter, 38cm tall.

A 48th Highlanders of Canada marching snare drum; the painted brass shell depicting a falcon's head and bearing the Gaelic regimental motto "Dileas Gu Brath", adorned with battle/campaign honours for Ypres (1915, 17), Festubert (1915), Mont Sorrel, The Somme (1916), Vimy (1917), Hill 70, Passchendale, Amiens, Procourt-Queant and Canal Du Nord, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Henry Potter & Co., London, 38cm diameter, 39cm tall.

A 1st Battalion Royal Sussex Regiment marching snare drum; the painted brass shell bearing the military motto "Honi soit qui mal y pense" and the royal motto "Dieu et mon droit", adorned with battle/campaign honours for Louisburg, Quebec (1759), Maida, Egypt (1882), Nile (1884-85) and Abu Klea, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, stamped Premier, London, dated 1941, 39cm diameter, 41cm tall, offered together with two snare drums, makers marks for Henry Potter & Co., London and Windsor, Birmingham.

A Royal Bombay Sappers & Miners marching bass drum; the painted mahogany shell bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Beni Bee Alli, Ghunzee (1838), Afghanistan (1839) (1878-80) (1919), Khelat, Mooltan, Goojerat, Punjaub, Reshire, Bushire, Koosh-Ab, Persia, Central India, Abyssinia, Burma (1885-87), Tirah, China (1900), La Bassee (1914), Neuve Chapelle, Ypres (1914), Megiddo, Shaira, Kut al Amara (1915-17), Ctesiphon, Kilimanjaro and East Africa (1914-18), calfskin drumhead with rope tension system, makers mark for Henry Potter & Co., London, 77cm diameter, 46cm tall.

A 2nd Battalion The Queen's Royal Regiment marching snare drum; the painted brass shell depicting a lamb of god, bearing the military motto "Honi soit qui mal y pense" and the historic regimental mottos "pristinae virtutis memor" and "vel exuviae triumphant", adorned with extensive battle/campaign honours including the oldest battle honour in the British army in Tangier (1662), as well as Namur (1695), Peninuslar, Aghanistan & Ghunzee (1839), Gallipoli (1915), The Somme (1916, 18), Ypres (1914, 17, 18), also bearing the date 1st June 1794, commemoratimg the Battle of the Glorious 1st of June, totalling 32 honours, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Boosey & Hawkes, London, serial number 24275, 37cm diameter, 40cm tall.

Two marching snare drums relating to The Buffs; the first for 2nd Battalion The Buffs, the painted brass shell bearing their famous Dragon badge with the motto "Invicta" and their regimental motto "Veteri frondescit honore", makers mark for Henry Potter & Co., London and a badge for George Potter & Co., Aldershot, paintwork signed K. Nicholls, 38cm diameter 39cm tall, the second for the Queen's Own Rifles of Canada, The Buffs Allied with K R RC, the unpainted brass shell bearing the motto "In pace paratus", calfskin drumheads with rope tension system, gut snares, 38cm diameter 39cm tall, both adorned with extensive battle/campaign honous, totalling 56 across both drums, offered together with Manual for the Drums, 2nd Battalion The Buffs.

An Oxfordshire & Buckinghamshire Light Infantry (T.A.) marching snare drum shell; the painted brass shell depicting the white bugle horn of the regiment known as the "Ox and Bucks", adorned with extensive battle/campaign honours including for Quebec (1759), Peninsula, Nivelle, Vittoria, Waterloo, Ypres (1914, 17), Mons, Cambrai (1917-18), The Somme (1916-18), Cassel (1940), Salerno, Normandy Landing and Pegasus Bridge (1944), totalling 47 honours, makers mark for A.F. Matthews, London, stamped no. 1492 and dated 1965, 35cm diameter 13cm tall; offered together with two marching snare drums, brass shells, one painted, calfskin drumheads with metal lugs, gut snares, one with makers mark for Henry Potter & Co., London.

A 1st Battalion The Gordon Highlanders marching tenor drum; the painted wood shell depicting the regimental badge of a stag over their motto "Bydand", adorned with extensive battle/campaign honours for Mysore, Corruna, Pyrenees, Lucknow, Kabul, Waterloo, Nile (1884-85), Seringapatam, Defence of Ladysmith, Vittoria, South Africa (1899-1902), Peninsula, Marne (1914, 18), Ypres (1914, 15, 17), The Somme (1917, 18), Arras (1917-18) calfskin drumheads with rope tension system, 48cm diameter 35cm tall.

A Royal Marines 41st Commando marching tenor drum; the painted mahogany shell bearing the name of the famed elite unit of the Royal Marines, the 41st Commando earned distinction accross many battles and daring assaults, particularly in the Second World War and the Korean War, also bearing the Royal Marines motto "Per Mare, Per Terram" and a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", calfskin drumheads with rope tension system, makers mark for Henry Potter & Co., London, 49cm diameter 40cm tall, offered together with a pair of drum sticks.

A Gold Coast Territorial Force marching snare drum; the painted brass shell depicting a white elephant under a palm tree, calfskin drumhead with rope tension system, gut snares, makers mark for J.B. Mayer & Sons, Manchester, stamped no. 24090, 38cm diameter 39cm tall, offered together with a further brass shelled snare drum, stamped for John Grey & Sons, London, and two miniture snare drums.

A 4th/5th Battalion King's Own Scottish Borderers marching snare drum; the painted wood shell depicting the Edinburgh Castle badge and bearing their regimental mottos "In Veritate Religionis Confido" and "Nisi Dominus frustra" and the military motto "Nec Aspera Terrent", adorned with extensive battle/campaign honours including for Namur (1695), Minden, Aisne (1914), Gallipoli (1915-16), Ypres (1914, 15, 17, 18), The Somme (1916-18), Hindenburg Line, Dunkirk (1940), Imphal (1944), Arnhem (1944) and Korea (1952-52), totalling 31 honours, modern lugs and snare tension screws, produced by Carlton, Dallas & London, 37cm diameter, 32cm tall.

A 3rd Battalion Royal Irish Regiment marching tenor drum; the painted mahogany shell bearing the regimental motto "Virtutis Namurcensis Praemium", paying homage to the valour of former component regiment the 18th Regiment of the Foot at the Siege of Namur (1695), also bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Namur (1695), Blenheim, Ramillies, Oudenarde, Malplaquet, Pegu, Sevastopol, New Zealand, Afghanistan (1879-80), Tel-el-Kebir, Egypt (1882) and Nile (1884-85), calfskin drumheads and rope tension system, makers mark for Henry Potter & Co., London, 52cm diameter 41cm tall, offered together with a black leather strap.

A 2nd Birkenhead Company marching bass drum; the painted mahogany shell bearing the "BB" of The Boy's Brigade and their biblical motto "Sure & Steadfast" on an anchor, calfskin drumhead with rope tension system, makers mark for R.J. Ward & Sons, Liverpool, 72cm diameter, 39cm tall.

A 2nd Battalion The Middlesex Regiment (Duke of Cambridge's Own) marching tenor drum; the painted wood shell depicting the regimental badge with the Prince of Wales Plume above the world Albuhera, paying homage to the actions of former component regiment, the 57th Regiment of the Foot, who earned the nickname "The Die-Hards" for their heroic stand at the Battle of Albuhera, also bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Mysore, Seringapatam, Albuhera, Ciudad Rodrigo, Badajoz, Vittoria, Pyrenees, Peninsula, Nive, Nivelle, Alma, New Zealand, South Africa (1879, 1900-02), Inkerman and Relief of Ladysmith, calfskin drumheads with rope tension system, makers mark for Henry Potter & Co., London, 49cm diameter 37cm tall.

Two Salvation Army marching snare drums; the first for The Hemel Hempstead Citadel Band, Corps no. 488, modern lugs and snare tension screws, calfskin drumheads, 38cm diameter 36cm tall, the second for Grays Band, Corps no. 592, modern lugs and snare tension screws, gut snares, Remo and Premier drumheads, interior label from George Potter & Co., Aldershot, 37cm diameter 33cm tall, both of the painted shells bearing their motto "Blood and fire".

A 2nd Battalion 10th Gurkha Rifles marching tenor drum; the painted wood shell depicting a traditional Kukri blade crossed with a bugle, calfskin drumheads with rope tension system, makers mark for Henry Potter & Co., London, paintwork signed K. Nicholls, 49cm diameter 37cm tall, offered together with a pair of tenor mallets.

A Royal Corps of Transport marching snare drum; the alluminium shell with the applied crest bearing the military motto "Honi soit qui mal y pense", 37cm diameter 40cm tall, offered together with a wooden marching snare, bearing the Royal Coat of Arms of the United Kindom with the mottos motto "Dieu et mon droit" and "Honi soit qui mal y pense", 36cm diameter 40cm tall.

A 1st Battalion Grenadier Guards marching bass drum; the painted mahogany shell bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the regimental motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Blenheim, Ramilles, Corunna, Dettingen, Malplaquet, Lincelles, Alma, Oudenarde, Barossa, Inkerman, Peninsula, Egypt, Waterloo, Sevastopol, Suakin (1885), Tel-el-Kebir, calfskin drumhead with rope tension system, makers mark for Henry Potter & Co., London, also stamped B. Cummings, London, 77cm diameter, 35cm tall, offered together with a pair of Chalklin mallets.

A Hampshire Regiment snare drum; the painted brass shell depicting a Hampshire Rose and an Indian Tiger, paying homage to former component regiment 67th Regiment of the Foot's achievements in India, also bearing the name of Farnborough Grammar C.C.F., who boasted an accomplished military band, adorned with battle/campaign honours for Blenheim, Ramilles, Oudenarde, Malplaquet, Dettingen, Minden, Tournay, Barrosa, Peninsula, Taku Forts, Pekin (1860), Charasia, Kabul (1879), Afghanistan (1878-80), Burma (1885-87), Paardeberg, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Butler, London & Dublin, 37cm diameter, 39cm tall.

A 1st Battalion Scots Guards marching snare drum; the painted birch shell bearing the royal motto "Dieu et mon droit" the military motto "Honi soit qui mal y pense", and the regimental motto "En ferus hostis", adorned with battle/campaign honours for Namur (1695), Dettingen, Lincelles, Talavera, Barrosa, Fuentes D'onor, Salamanca, Nive, Peninsula, Waterloo, Alma, Inkerman, Sevastopol, Tel-el-Kebir, Egypt (1882), Suakin (1885), Modder River, South Africa (1899-1902), Retreat from Mons, Marne (1914), Aisne (1914), Ypres (1914-17), Festubert (1915), Loos, Somme (1916-18), Cambrai (1917-18), Hindenburg Line, France & Flanders (1916-18), Quarry Hill, Rhineland, New Europe (1944-45), Gazala, Medenine, Djebel Bou Aoukaz (1943), North Africa (1941-43), Monte Camino, Anzio, Italy (1943-45), Falkland Islands (1982), The Gulf (1991), produced by Premier Drums, paintwork signed K. Nicholls, 39cm diameter, 37cm tall, offered together with a white leather strap.

Two military training corps marching snare drums; The first for the London Lads Training Corps, bearing their motto "By faith, not arms", the painted brass shell stamped A.O. Windsor, Birmingham and dated 1915, 38cm diameter 39cm tall, the second for T.S. Streatham Sea Cadet Corps, the painted mahogany shell depicting an anchor with their motto "aye ready aye", makers mark for Henry Potter & Co., London, 38cm diameter 36cm tall.

Three military marching snare drums; The first for Army Cadet Force, wooden shell with applied badge, makers mark for Henry Potter & Co., London, 37cm diameter 38cm tall; the second bearing a royal coat of arms with the mottos "Dieu et mon droit" and "Honi soit qui mal y pense", painted wooden shell with modern lugs, 34cm diameter 32cm tall; the third with a painted brass shell with personalised livery bearing the name Brian Iredale, 29cm diameter 30cm tall; all with calfskin drum heads and gut snares.

A 1st Battalion The Green Howards, Alexandra Princess of Wales's Own Yorkshire Regiment; the painted mahogany shell bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", also depicting white Yorkshire Roses, adorned with battle/campaign honours for Malplaquet, Alma, Inkerman, Sevastopol, Tirah, Relief of Kimberley, Paardeberg, South Africa (1899-1902), Ypres (1914, 15, 17), Loos, The Somme (1916, 18), Arras (1917-18), Messines (1917-18), Valenciennes, Sambre, France & Flanders (1914-18), Vittorio Veneto, Aghanistan (1919) and Suvla, calfskin drumheads and rope tension system, makers mark for Henry Potter & Co., London, paintwork signed K. Nicholls, 45cm diameter 37cm tall.

A Queen's Own Cameron Highlanders marching bass drum; the painted mahogany shell bearing the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Egmont op Zee, Corunna, Egypt, Busaco, Fuentes D'Onor, Salamanca, Pyrenees, Nivelle, Nive, Toulouse, Peninsula, Waterloo, Alma, Sevastopol, Lucknow, Tel el Kebir, Egypt (1882), Nile (1884-89), Khartum, South Africa (1900-02), Atbara, Marne (1914-18), Aisne (1914), Ypres (1914-18), Somme (1916-18), Neuve Chapelle, Loos, Delville Wood, Arras (1917-18), Sambre, Macedonia (1915-18), calfskin drumhead with rope tension system, makers mark for R.J. Ward & Sons, Liverpool, 72cm diameter, 39cm tall.

A 1st (Brecknockshire) V.B. South Wales Borderers marching snare drum; the painted brass shell depicting Red Dragon of Wales, adorned with battle/campaign honours for South Africa (1900-01), calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for A.F. Matthews Ltd., London, 37cm diameter, 40cm tall, offered together with two more snare drums, brass shells, makers marks for Riviere & Hawkes, London and A.F. Matthews Ltd., London.

Three Civilian marching band snare drums; The first for Christ's Hospital Horsham, bearing the names Iredale and Coleridge, 38cm diameter 40cm tall; the second for The Horndean Band, depicting rose above a lyre, makers mark for Henry Potter & Co., London, 37cm diameter 38cm tall; the third for Dagenham Girl Pipers, bearing the motto "Auctor pretiosa facit", makers mark for George Potter & Co., Aldershot, 38cm diameter 34cm tall, all with painted brass shells, calfskin drumheads with rope tension systems, gut snares, paintwork signed by K. Nicholls.

A 4th (Royal Irish) Dragoon Guards marching tenor drum; the painted mahogany shell depicting the regimental badge with the triple-crowned shamrock in an eight-pointed star, with the motto "Quis Separabit" and the numerals MDCCLXXXIII, in reference to the Most Illustrious Order of St. Patrick in 1783, also bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Balaklava, Egypt (1882), Sevastopol, Peninsula and Tel-el-Kebir, calfskin drumheads and rope tension system, paintwork signed K. Nicholls, 48cm diameter 41cm tall, together with a strap and drum stick set.

A Royal Artillery East Riding Heavy Brigade marching snare drum; the painted brass shell bearing the royal motto "Dieu et mon droit", the military motto "Honi soit qui mal y pense" and the historic regimental mottos "Quo fas et gloria ducunt" and "Ubique", calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for George Potter & Co., Aldershot, 38cm diameter, 40cm tall.

A 1st Fifth Fusiliers marching bass drum; the painted mahogany shell bearing the royal motto "Dieu et mon droit", the military motto "Honi soit qui mal y pense" and the Royal Fusiliers mottos "Nec aspera terrent" and "Quo fata vocant", adorned with battle/campaign honours for Wilhelmstadt, St Lucia (1778), Rolica, Vimiera, Corunna, Busaco, Ciudad Rodrigo, Badajoz, Salamanca, Vittoria, Nivelle, Orthes, Toulouse, Peninsula, Lucknow, Khartoum, Afghanistan (1878-80), Modder River and South Africa (1899-1902), calfskin drumhead with rope tension system, makers mark for Hawkes & Son, London, 72cm diameter, 36cm tall.

Two marching snare drums relating to Royal Marines; the first bearing the crest of the Royal Marines and their motto "Per mare, per terram", the painted brass shell with makers mark for A.F. Matthews Ltd., London, stamped no. 1453 and dated 1948, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, 38cm diameter 40cm tall, the second for Royal Marines Volunteer Boys' Corps, the painted birch shell bearing their motto "be worthy", Remo drumheads with modern lugs and a purely aesthetic rope tension look, missing its snares, made by Premier Drums, 38cm diameter 39cm tall.

A 2nd Battalion Royal Warwickshire Regiment marching bass drum; the painted mahogany shell depicting a white hart stag with a crown around it's neck, also bearing the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Namur (1695), Martinique (1794), Rolica, Vimiera, Corunna, Vittoria, Pyrenees, Nivelle, Orthes, Peninsula, Niagara, South Africa (1846-7, 1851-3, 1899-1902), Atbara, Khartoum, Le Cateau, Marne (1914), Ypres (1914-17), Somme (1916-18), Arras (1917-18), Lys, Hindenburg Line, Piave, Sari Bair and Baghdad, calfskin drumhead with rope tension system, makers mark for George Potter & Co., Aldershot, paintwork signed K. Nicholls, 73cm diameter, 33cm tall, the drum heads and hoops have become loose.

Six pairs of Promark drum sticks; American Hickory TX5AW by D'addario, together with 9 unmatched drum sticks.

Three military marching snare drums; unpainted brass shells, calfskin drumheads and gut snares, two with rope tension systems, one with modern lugs, one marked A.F. Matthews, London, stamped no. 506 and dated 1944, the others unmarked, one of more considerable age and wear missing its snares, the largest measuring 38cm diameter 37cm tall, the smallest 37cm diameter 24cm tall.

Three military marching snare drums; unpainted brass shells, calfskin drumheads and rope tension systems, gut snares, one marked A.F. Matthews, London, another simply marked London, another of considerable age and wear unmarked, the largest measuring 38cm diameter 39cm tall, the smallest 37cm diameter 36cm tall.

A 22nd Battalion "The Queen's" London Regiment marching snare drum; the painted brass shell depicting a lamb of god, adorned with battle/campaign honours for Festubert (1915), Loos, Somme (1916, 18), Messines (1917), Ypres (1917), Cambrai (1917), Albert (1918), Gaza, Jerusalem, Jordan and South Africa (1900-02), calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Henry Potter & Co., London, 38cm diameter, 34cm tall.

A 6th Battalion Devonshire Regiment marching bass drum; the painted mahogany shell bearing the regimental motto "Semper Fidelis", adorned with battle/campaign honours for Pyrenees, Nive, Toulouse, Afghanistan (1879-80), Defence of Ladysmith, South Africa (1899-1900), Salamanca, Nivelle, Orthes, Peninsula, Tirah, Relief of Ladysmith, La Basee (1914), Bois des Buttes, Vittorio Veneto, Ypres (1915-17), Somme (1916-18), Palestine (1917-18), Mesopotamia (1916-18), calfskin drumhead with rope tension system, makers mark for Henry Potter & Co., London, 84cm diameter, 43cm tall.

A Royal Fusiliers 4th City of London Regiment marching snare drum; the painted brass shell bearing a city of London coat of arms, adorned with battle/campaign honours for Neuve Chapelle, Ypres (1915, 17), Festubert (1915), The Somme (1916, 18), Arras (1917-18), Bullecourt, Cambrai (1917-18), Canal Du Nord, Sambre, Gallipoli (1915-16) and South Africa (1900), calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Geroge Potter & Co., Aldershot, 38cm diameter, 39cm tall.

A Bedfordshire & Hertfordshire Regiment marching snare drum; the painted wood shell depicting a White Hart and bearing the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Namur (1695), Blenheim, Ramillies, Oudenarde, Malplaquet, Surinam, Chitral, South Africa (1900-02), Mons, Marne (1914), Ypres (1914, 15, 17), Loos, The Somme (1916, 18), Arras (1917-18), Cambrai (1917-18), Sambre, Sulva, Gaza, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, 38cm diameter, 41cm tall.

A 1st Battalion Irish Guards marching snare drum; the painted brass shell depicting the regimental badge with the triple-crowned shamrock in an eight-pointed star, with the motto "Quis Separabit" and the numerals MDCCLXXXIII, in reference to the Most Illustrious Order of St. Patrick in 1783, also bearing a royal crest with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with extensive battle/campaign honours for Retreat from Mons, Marne (1914), Ypres (1914, 17), Festubert (1915), Loos, The Somme (1916, 18), Cambrai (1917, 18), Hazebrouck, Hindenburg Line, Norway (1940), Boulogne (1940), Mont Picon, Neerpelt, Nijmegen, Rhineland, Northwest Europe (1944-45), Djebel Bou Aoukaz (1943), North Africa (1943) and Anzio, calfskin drumheads with rope tension system, gut snares, makers mark for A.F. Matthews, London, stamped DCA 0134 and dated 1940, 38cm diameter, 40cm tall, offered together with a tan leather strap and a pair of ebonised drum sticks.

A Kashmir Bodyguard Cavalry marching snare drum; the painted brass shell depicting the Suryavanshi royal crest, an anthropomorphised sun with a tilak, above a dynastic motto, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Henry Potter & Co., London, also stamped A.O. Windsor, Birmingham, 37cm diameter, 42cm tall.

A 2nd Battalion The King's Regiment (Liverpool) marching snare drum; the painted brass shell depicting a white horse of Hanover with the military motto "Nec aspera terrent", adorned with battle/campaign honours for Festubert (1915), Loos, Somme (1916, 18), Messines (1917), Ypres (1917), The Somme (1916-18) and Cambrai (1917), calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Henry Potter & Co., London, 37cm diameter, 40cm tall.

A 19th century mahogany eight day longcase clock, the 12" painted arch dial indistinctly signed P? Frome, with subsidiary seconds dial and calendar aperture, and with painting of Clifton Suspension Bridge, Bristol, to the arch, 222cm high, with pendulum, two weights and winding key

A George III Cornish striking eight day longcase clock, the painted 12 inch arched dial inscribed 'John Pearce, St. Austell', featuring a painted subsidiary dial and a date aperture, painted with rustic buildings, the mahogany case with arched trunk door and circular panel to the base section, raised on shaped bracket feet, with pendulum and twin weights, 224cm (7'4").

A vintage brass anniversary clock with pretty painted enamel dial, with pendulum, no key, under glass dome, total combined height 31cm, (af).

A Biedermeier commode clock, the architectural case with two alabaster columns, brass fittings and bird surmount, the circular enamel dial with Arabic numerals, striking on a gong, 42.5cm high, with pendulum, key and loose brass fitting

An early 20th century carved oak cased barometer / thermometer 83cm high

An 18th century oak longcase clock the 9 1/2 inch brass dial inscribed Knight, West Marden, striking on two bells, with pendulum and weight, 203cm high

Automobilia interest: a vintage Phinney-Walker rim wind keyless 8 day dashboard clock, 7cm diameter.

A vintage brass cased ship's stick barometer and gimblal mount, attched to a wooden wall plaque, early / mid 20th century, combined height 103cm.

A vintage brass cased carriage clock with white enamel dial, complete with double ended key / hand adjuster, 11cm high.

An 18th century brass lantern clock by George Clarke of Leaden Hall Street, London, c.1760, having a knopped finial above the bell top, the arched dial with silvered name plaque to the arch, silvered chapter ring, and pierced spandrels, with weight, 38cm high by 20cm wide.

A brass skeleton mantle clock with fusee movement approx 35cm high, with pendulum and key, under a glass dome (glass dome a/f)

An early 19th century oak and mahogany painted dial eight day longcase clock, the 11 1/2 inch square painted dial signed T Benbow Northwood, 209cm high, with pendulum, keys and two weights

A 19th century mahogany circular fusee wall clock, the 11 inch dial with Roman numerals, 38cm diameter (a/f)

A fine quality George III striking eight day longcase clock by Thomas Mudge of London, the 13 inch arched brass dial with rotating moonphase feature, silvered chapter ring, twin winding holes, date aperture, engraved sunsidiary seconds dial, and ornate spandrels, the handsome inlaid and cross-banded figured mahogany case featuring gilt-brass mounts and an unusual stepped trunk door, raised on bracket feet, complete withy pendulum, twin weights, and winding key, 230cm (7' 6") high.

A 19th century French boule style mantle clock with shaped dark lacquered and brass inlaid case, with white enamel and Roman numeral dial 41.5cm high

Russian School (20th century), 'Window', oil on canvas, indistinctly signed verso, further inscribed verso, 60cm by 70cm, framed.

20th century European school, Impressionist style view through trees, oil on canvas, indistinctly signed, 36cm by 53cm (a/f)

W White (19th century), 'Rocky coastal scene with fishing boat', watercolour, signed and dated (18)87, 50cm by 74cm, oak frame, (af).

Dorofield Hardy (British, 1853 - 1937), 'A county House interior scene featuring a lady sat at a spinning wheel', watercolour, signed and dated 1883, 37cm by 58cm, framed.

A set of three Art Deco oval figurative etchings in the manner of Louis Icart (French, 1888 - 1950), each depicting seductive semi-clothed females, indistinctly signed in pencil, 32cm by 15cm, framed, (3).

Three antique Naval theme engravings after Cruikshank, comprising: 'The Battle of the Nile', 'The Point of Honor', and 'Paying Off'. Together with an antique Wimbledon Lawn Tennis engraving, some labelsm verso, (4).

20th Century School, 'Still Life', mixed media, indistinctly signed lower right, 45cm by 82cm, framed.

After Jean-Honoré Fragonard (French 1732-1806), four sepia wash prints (two within one frame) to include 'La Rossignol', each print approx 20cm by 15cm

After Heywood Hardy (British, 1842 - 1933), a pair of antique coloured engrvings depicting hunting scenes, 45cm by 67cm, framed. (two photographs)

Mike Jackson (b 1962), Lovers Lane, giclee print, numbered 33/150 and signed in pencil, verso Washington Green Certificate of Authenticity, 50cm by 40cm (ARR)

William Gillard (1812 - 1897), 'Still life with game birds and fruits', oil on canvas, signed, 60cm by 50cm,framed.

S J Johnson (19th / 20th century), two scenic views; 'Eventide' and 'On the Conway', both oil on canvas, monogrammed, with inscribed paper labels verso, 24.5cm by 35cm

Edward Wesson (1910-1983), A Surrey Farm nr Guildford, watercolour and ink, signed, 24cm by 70cm

Gordon King (b 1939), Grandfathers tales, limited edition colour print, numbered 559/850 and signed in pencil, 47cm by 63cm

David Bates (1840 - 1921), 'The Return rom the Moor', watercolour, signed, dated 1905, 43cm by 68cm, framed.

Edward Wesson (1910-1983), Jack & Jill at Clayton, watercolour and ink, signed, printed label verso, 20.5cm by 29cm

Mike Jackson (b 1962), The Perfect Gent, giclee print, numbered 80/150 and signed in pencil, verso Washington Green Certificate of Authenticity, 49cm by 40cm (ARR)

Terry Kubecki (contemporary), The Three Trees, etching, numbered 14/80, titled, inscribed RA Summer Exhibition 2004, and signed, 43cm by 53cm

Camille Roqueplan (French 1800-1855), landscape with figures and cattle, oil on wood, signed, 22cm by 30cm

Edgar John Varley (British, 1839 - 1888), 'Rustic countryside scene featuring thatched cottages, children playing, a fisherman and other figures', watercolour, signed and dated 1870, 43cm by 68cm, frmed.

Wilfrid Williams Ball (1853-1917), The Old Quay, Lymington and The River, Lymington, two colour prints, 18cm by 26cm

After Frank Paton (1855-1909), four framed prints to include 'Rough and Ready' and 'Every Dog Has His Day', each signed in pencil, 20.5cm by 25.5cm

Gennady Yelizarov (Russian b 1950), Luxembourg Gardens, oil on canvas, signed, verso inscribed, 48.5cm by 34cm

Felix Haspel (Austrian, b.1951), a series of three abstract lithographs, two limited editions, matching silvered frams, (af), (3).

Felix Haspel (Austrian, b.1951), 'Abstract Landscape', watercolour, signed, 48cm by 68cm, framed.

William Tatton Winter (1855-1928), two country landscape views of shepherds with their flock, watercolours, both signed, largest 24cm by 32.5cm

John Falconar Slater (1857-1937), Robin Hood's Bay, North Yorkshire, oil on wood, signed, verso paper label for J W Scott Plywood and Timber Merchants inscribed to the artist, 69cm by 105cm

Alexei Nikolsky (1899-1975), still life with hellebores, oil on canvas, signed and dated 1959, 39.5cm by 50cm

William R Garnett (19th/20th century), maritime scene with two figures on a rowing boat in the foreground, oil on panel, signed, 28cm by 38.5cm

Eveleen Lewis (fl 1870-1893), river landscape view, mountains beyond, watercolour, signed, 17cm by 44cm

Manner of George Romney (1734–1802), head of a young woman gazing upwards, oil on canvas, unsigned, 42cm by 34cm

Colin Paynton (British, b.1946), 'Don Quixote and Pancho Sanza', oil on canvas, signed, 84cm by 90cm, framed.

Leopold Rivers (British, 1852-1905), 'Rural landscape featuring a mother and child and ducks on a bridge beside a thatched cottage, watercolour, signed, 36cm by 53cm, gilt gesso frame (some small chips to frame).

Alan Lumsden (1934-2020), Church Fete, coloured etching, inscribed, signed and numbered 1/100 in pencil, 49cm by 65cm

Attributed to Nikolai Kozlenko (b.1952), 'still life depicting an upturned basket of fruits', oil on canvas, bears a signature lower right, inscribed by hand verso, 40cm by 60cm, framed.

Juliet Campbell (British, 20th Century), 'Entrance to the Souk', oil on board, signed, artists hand written label verso inscribed 'Entrance to the Souk, Juliet Campbell, Ypres Lodge, Rye, Sussex, No.6, 32 Guineas', 39cm by 49cm, framed.

Alexei Nikolsky (1899-1975), still life with blue vase of dried flowers and teasels, with oranges and grapes, oil on canvas, signed and 1970, 49cm by 59cm

James Joseph Brereton (British, b.1954), 'The Blue Pacific in Open Seas', 1986, oil on canvas, signed, further signed, titled and dated verso, 60cm by 90cm, framed.

Provenance: Purchased at Hahn Fine Art Dealers, 47 Albermarle Street, London, 23rd Deecember 1993, comes with gallery catalogue.

Mackenzie Thorpe (b 1956), All The Love In the World, photo lithograph, numbered 215/450, inscribed and signed in pencil, verso Washington Green Certificate of Authenticity, 50cm by 41.5cm (ARR)

Arthur Willett (British, 1857 - 1918), 'River scene in Berkshire'', watercolour, signed, label to mount, 52cm by 74cm, framed.

Adam Barland (British, fl.1843 - 1875), 'Fisherman in a Welsh river landscape', oil on canvas, signed with initials 'AB' in red, and dated '66, also bears artists name plaque to frame, 75cm by 126cm, framed.

Joachim Bereuter (b.1946), 'Still life depicting a cup, an apple and a cherry', oil on board, signed, 22cm by 28cm, framed.

Edward Wesson (1910-1983), country village street scene, watercolour and ink, signed, 31cm by 49cm

Charles Bone PPRI, ARCA (b 1926), Charles Bone's Waverley - A Portfolio of Four Prints and a fully illustrated volume in a limited edition of 750 copies each signed and numbered by the Artist, all unframed in presentation box, box 37cm by 52cm

19th century Italian school, figure playing a mandolin on a rocky coastline, oil on canvas, indistinctly signed R Moismile? Napoli and dated 1868, 44cm by 33cm

Mike Jackson (b 1962), It's a Dog's Life, giclee print, numbered 91/150 and signed in pencil, verso Washington Green Certificate of Authenticity, 50cm by 33cm (ARR)

T L Rowbotham (1859), 'Italian lake scene', watercolour, signed and dated, also inscribed ;No. 162', 32cm by 70cm, framed, (af - some foxing).

Felix Haspel (Austrian, b,1951): a series of ten pencil signed limited edition prints depicting abstract landscapes, all framed, (10).

Jacques Ochs (Belgian 1883-1971), two framed drawings of a solider and a dancing figure, both signed in pencil, 24cm 19cm, together with two framed prints after Jacques Ochs (4)

Frank Martin (1921-2005), Billy Rose's Diamond Horseshoe, etching and aquatint, numbered 44/50, inscribed and signed in pencil, 59cm by 78cm

Juliet de Gaye (British, 1930 - 2012), two pencil signed etchings, 'West of Riding, Allegory', limited edition 23/150, 54cm by 69cm, and 'West Riding Feast', Artists Proof, 54cm by 69cm, matching silvered frames, (2), (ARR).

An antique print 'Gentleman and lady with Page serving beverages' after Gerard ter Borch (Dutch, 1617-1681), 35cm by 25cm, framed.

Gloria Marojevic (contemporary), Fusion I, II, and III, a set of three limited edition giclee prints, numbered 100/395 and signed in pencil, approx 5cm by 5cm

Joan Williams (1922 - 2002), pencil signed limited edition etching, 8/15, labels verso, 40cm by 49cm, framed.

John Reed Dickinson (British, 1844 - 1887), 'Chinaman in Medoo', watercolour, label verso, 40cm by 60cvm, framed.

Ena Carter (20th / 21st century), 'Morning Mist', watercolour, signed, label verso, 25cm by 34cm, framed. l

Frank Martin (1921-2005), A Shopworn Angel: Nancy Carroll, etching, numbered 41/40, inscribed and signed in pencil, 76cm by 56cm

Edward Wesson (1910-1983), The Boat Yard, Pin Mill, watercolour and ink, signed, verso paper labels, 21.5cm by 29cm

Malcolm Barlow (20th century), 'Galerie Bernier, Rouen', watercolour, signed, gallery label verso for the Bourne Gallery, 31/33 Lesbourne Road, Reigate, Surrey, catalogue number 62, 26cm by 36cm, framed.

Frank Martin (1921-2005), Marina, etching, numbered 2/100, inscribed and signed in pencil, 59cm by 77cm (a/f - glass cracked)

Alexander Belkin (Russian b 1946), ballerina, oil on board, signed, verso inscribed, 31cm by 22cm

Charles McCall (1902-1989), two pencil drawings; 'Mitzi Sleeping', signed and dated '49, printed paper label verso, 26.5cm by 23cm, and 'Edinburgh Gardens', signed, verso printed paper label and label for Charles McCall Retrospective at Christie's [...] 4th-13th September 1995, 31cm by 24cm (2)

Dick Lee (1923-2001), Barfleur Harbour, low tide, afternoon, watercolour, unsigned, with original New Grafton Gallery label, 23cm by 33cm

An Edwardian marquetry and parquetry inlaid mahogany side table with batswing and conch shell decoration, raised on tapered square supports terminating on spade feet, 74cm wide by 44cm deep by 81cm high, (af).

A late 19th cetury walnut dining table, the rectangular top with cut corners, raised on solid turned cylindrical supports with original casters, 121cm by 106cm, with fitted moden heat pad.

A George III gate leg drop leaf 'cottage' dining table, raised on padfoot supports, 124cm by 41cm opening to 128cm by 124cm.

A Victorian figured mahogany pedestal bedside cabinet, the panelled door enclosing a shelf interior, raised on a plinth base, 80cm high by 40cm wide by 34cm deep.

A large good quality Christopher Howe designer Ottoman stool, with shaped brown leather and hessian removeable cushion height approx 44cm, 122cm long

An antique mahogany show-wood framed open side armchair in the Hepplewhite style, with upholstered seat, back and arms (a/f - damage)

A late 19th century walnut Davenport desk decorated with Arts & crafts style panels, 58cm wide, (af)

A stylish contemporary Italian marbled stone console table, 141cm wide by 80cm deep by 75cm high, together with a similar low coffee table with clear glass top and marbled stone base, 110cm wide by 66cm deep by 42cm high.

A wheelback Windsor armchair, bentwood hoop back enclosing spindles and pierced central wheel splat, shaped arms, on turned legs united by H frame stretcher

An Edwardian mahogany three tier cake stand, c.1910, inlaid with boxwood stringing, the three tiers hinged to fold away after use, raised on end supports, 86cm high.

A contemporary yellow finished pine tall narrow chest of six drawers, raised on shaped bracket feet, 71cm wide by 48cm deep by 124cm high, together with a matching bedside chest of three drawers, 40cm wide by 40cm deep by 64cm high, (2).

A modern brown leather two seater sofa, 166cm wide by 100cm deep.

A vintage Georgian style mahogany side table of small proportions, with satinwood banding and two drawers, 63cm wide by 32cm deep by 75cm high.

A George III mahogany Pembroke table, 80cm by 54cm, opening to 110cm by 80cm.

Two weathered terracotta garden planters, on wrought iron stands, combined heights 53cm and 36cm.

A 19th century marquetry inlaid and satinwood banded mahogany and feathered mahogany kneehole dressing table / writing table, the larger central drawer fitted with partions, flanked by six smaller drawers, raised on tapered supports terminating on brass casters, 114cm wide by 59cm deep by 79cm high, (af - top split and some veneers missing).

An artificial palm plant in ceramic pot, 153cm (5') high.

A Victorian mahogany hall stand of attractive form, featuring six arms mounted with turned hat and coat pegs, above a removable metal lined drip pan for umbrellas, raised on bun feet, 204cm high by 82cm wide.

A vintage Arkana style white finished 'Tulip' table on column support and circular base, 110cm diameter.

A Victorian carved walnut show-wood framed nursing chair with buttoned pink upholstery.

A Victorian carved oak high back chair the back panel carved and pierced with floral and foliate design between barley twist uprights with acorn finials 128cm high

A vintge walnut tall bookcase in a Georgian 'country house' style, early 20th century, the two glass panelled doors enclosing shelves, above two panelled cupboard doors, 135cm wide by 214cm high by 36cm deep.

A fine specimen marble centre table in the Italian Grand Tour taste, the impressive circular top featuring a multitude of multicoloured specimen marbles in an optical swirling geometric design radiating from a central point, within a bold black marble outer border, raised on a veined black marble baluster turned pedestal column terminating on a stepped plinth base, 101cm diameter by 73cm high.

A vintage oak fronted and glazed haberdashery display cabinet with sixteen drawers height 92cm, width 180cm, depth 59cm

An Arts & Crafts copper framed rectangular wall mirror in the manner of Liberty & Co., with green enamelled decoration, 75cm by 113.5cm (a/f - three screw holes to the top)

A collection of six metal garden ornaments modelled as birds, tallest 115cm, together with a cast iron door stop modeelled as a terrier standing on its hind legs, (7), (af).

A vintage G Plan 'Fresco' teak chest of eight drawers set out as ytwo0 banks of four drawers each side, on a plinth base, 142 cm wide by 45 cm deep by 76 cm high.

An Edwardian marquetry inlaid and boxwood strung rosewood seven piece salon suite, comprising a sofa, 132cm wide, a pair of low armchairs, and a set of four occasional chairs, (7)

A 19th century oak chest of two short over three long crossbanded drawers on bracket feet height 107.5cm, width 92cm, depth 49.5cm

An antique George III style walnut stool with needlework drop in seat, late 19th / early 20th century, with old ivorine trade label for G Jetley, 52 South Audley Street, London, 57cm wide by 44cm high.

An Edwardian walnut free standing corner cabinet in the Aesthetic taste, 57cm wide by 149cm high.

A William Yeoward chestnut wood dining table with rectangular top and twin pedestal supports on square tapered legs height 72cm, length 201cm, depth 80cm (maker's labels lacking)

A pair vintage Empire revival satin birdseye maplewood pedestal bedside cabinets, early / mid 20th century, applied with ornate cast gilt metal mounts, 72cm high by 38cm wide by 35cm deep.

A modern brown leather electric recliner armchair, 102cm wide by 102cm deep.

A vintage Chinese export black lacquered and chinoiserie decorated portable low drinks table with folding legs, applied hardstone and inlaid mother of pearl decoration, 95cm long by 54cm wide by 47cm high.

A set of four vintage beach kitchen chairs, with decorative pierced back splats, raised on ring turned supports united by H stretchers.

A 19th century French giltwood and gesso framed sofa, featuring a later floral embroidered silk back panel, ornate scroll arms, and serpentine front, loose seat cushion, raised on tapered hoof feet, 143cm wide by 104cm high by 56cm deep, (af).

A Porta Romana two door console chest with a dark wood finish, triple leather inset panel top above two cupboard doors with gold coloured cast metal ring handles on square tapered legs, height 70.5cm, width 110cm, depth 40cm

A pair of period style wing armchairs, modern (with fire safety compliant labels), with well padded comfy loose seat cushions, raised on front cabriole legs.

A 19th century mahogany circular tilt top low table, raised on a tapered octagonal column terminating on a triform platform and flat bun feet, 87cm diameter, 50cm high when table top is flat.

A mahogany inlaid breakfast table with circular tilt-top on four outswept legs terminating in brass paws and castors 106cm diameter

A Victorian button back armchair with scroll carved show wood frame on ceramic castors

A contemporary bevelled octagonal wall mirror, 91cm by 91cm.

A George III mahogany bowfront chest of two short over three long drawers on bracket feet height 110.5cm, width 106cm, depth 49.5cm

A George III style feathered mahogany chest of drawers of small proportions, late 19th / early 20th century, fitted with four graduated drawers, raised on shaped bracket feet, 60cm wide by 41cm deep by 78cm high.

A set of six vintage Regency style yew wood dining chairs, 20th century, comprising two carvers and four singles, (6).

A pair of English Regency period mahogany 'country house' hall chairs, painted with bird & coronet armorial crests, and stamped 'RB' to the underside, with scrolled backs and front ring turned tapered supports, (2).

Two similar oak and maquetry inlaid rush seated side chairs, one with panel back inset with name and date 'Dorothea Schmidt Anno 1753' butterflies, flowers and birds,

A Victorian satinwood banded figured walnut Canterbury, raised on the original ceramic casters, 56cm wide by 41cm deep by 49cm high, (af).

An 18th/19th century German inlaid walnut armoire, the two panelled doors applied with ornate cast gilt metal handles and escucheons, with original key, enclosing three shelves, raised on flat bun feet, 166cm wide by 198cm high.

A vintage figured walnut Georgian revival tall bookcase, c.1920's, the two glass panelled doors enclosing three adjustable shelves and one fixed shelf, raised on scrolled feet, 104cm wide by 196cm high.

A vintage mahogany folding boot jack, late 19th / early 20th century, length 76cm.

A George III style walnut semi circular console table, with wavey edge frieze, raised elongated cabriole supports terminating on claw and ball feet, 123cm wide by 62cm deep by 74cm high.

A 19th century mahogany open front bookcase, the three shelves decorated with gilt tooled red leather mounts, raised on a plinth base, 87cm wide by 116cm high by 32cm deep.

A stripped pine 'waterfall' bookcase, fitted with five open front shelves above two base drawers, raised on a plinth base, 81cm wide by 146cm high by 40cm deep.

A pair good quality Willim IV rosewood side chairs, c.1830, with nicely re-upholstered damask drop-in seats.

A pine display cabinet with arched cornice over a glazed panel door and glazed sides enclosing four shelves, with drawer to base, on bun feet, 181cm high, 37.5cm deep, 90cm wide

A French style small mahogany occasional table with circular top on cabriole legs 61cm high, 29cm wide

A 19th century rustic walnut chest of drawers, the rectangular top with moulded edges and rounded front corners aove two short and three long lockable drawers, with applied decoration, plain supports, 103cm wide by 46cm deep by 100cm high.

A Victorian mahogany adjustable stool, the revolving wool tapestry seat raised on a turned pedestal terminating on a dished circular base and three outswept supports.

A pair of vintage Regency style cross banded feathered mahogany side tables / wine tables, 20th century, the hinged serpentine shaped tops raised on turned columns and outswept supports, 50cm by 37cm, by 54cm high, (2).

A fine 19th century French inlaid, cross-banded and quarter veneered walnut ladies dressing table, the top with three hinged compartments, the centre one fitted with a mirror, above four working drawers, three dummy drawers, and a pull-out slide, set out around the shaped kneehole space to the front, raised on tapered supports terminating on spade feet, 94cm wide by 53cm deep by 75cm high, (af).

A Coalbrookdale style 'Fern and Blackberry' patterned garden bench and two chairs, the white painted metal chairs stamped 22322, the back of the bench 22323 and the base 22324, bench 141cm wide, chairs 66cm wide

An Evan’s Furniture 1960’s bedroom chair in white vinyl, The product design was selected by the Council of Industrial design for the Design Centre, original assembly information to the underside, 68cm high

A vintage French carved fruitwood framed open armchair in the Louis XV style, 20th century, with nicely upholstered back, seat, and arms.

A George III brass inlaid feathered mahogany corner fitting side cabinet, fitted with three frieze drawers above two cupboard doors, applied with classical revival handles and escucheons, 90cm wide by 64cm deep by 87cm high, (some brass lifting).

A 19th century mahogany x-shaped stool with period style re-upholstered silk damask drop in seat, 52cm wide by 40cm high.

A set of four mid century teak dining chairs, no maker's labels, 75cm high

A 19th century Adam style side table, single frieze drawer with brass ribbon and garland escutcheon and matching handles on fluted square tapered legs height 78cm, width 132cm, depth 57.5cm

A good quality George III marquetry and parquetry inlaid figured mahogany bow front sideboard, fitted with an array of oak lined drawers and a fitted cellerette, raised on six tapered square supports terminating on spade feet, 185cm wide by 78cm deep by 94cm high. Together with a 19th century watercolour depicting a cottage interior full of antiques and art, and featuring this sideboard, 38cm by 64cm, framed, (2).

An elegant Edwardian inlaid mahogany side table, the square top raised on tapered outswept supports bunited by a domed 'x' stretcher, 40cm by 40cm, by 71cm high.

A 19th century Aesthetic Movement wall mirror, c.1880, featuring an ebonised and parcel gilt incised outer frame and marquetry quarter-batswing inlaid satinwood centre panel, 68cm high by 55cm wide.

A pair of vintage Georgian style mahogany chests of three long drawers, 20th century, with brass swan neck handles, shaped aprons and bracket feet, 80cm wide by 49cm deep by 76cm high.

A set of eight wavy ladderback chairs including two carvers, all with rush seats on turned supports

A late 19th century carved walnut tall bookcase, with two glass panelled doors enclosing adjustable shelves, above two frieze drawers and two cupboard doors, 108cm wide by 215cm high by 46cm deep.

A 19th century mahogany and satinwood games, work and writing table, the central hinged writing surface with rachet support, enclosing inlaid backgamon surface above a pull-out chessboard with sewing basket beneath, flanked by a pair of D-shaped hinged compartments on slender curved supports height 74cm, width 70cm, depth 43cm

A South African hardwood framed buttoned leather upholstered chaise lounge, 188cm long.

A 19th century mahogany rectangular swing toilet mirror the box base fitted with three small drawers 64cm high by 57cm wide

A Victorian mahogany step commode, featuring two gilt tooled green leather steps (lower one folds away), the hinged top with fitted interior, 47cm wide by 45cm high.

Two near identical French Louis XV revival ormolu mounted and marquetry inlaid side tables, with diffarent marquetry tops, featuring three quarter gallery backs above side drawers and leather lined pull-out slides, the delicate tapered ogee supports united by quarter veneered concave undertiers, each approx 40cm wide by 74cm high by 30cm deep, (2).

A 19th century four-panel room screen, the top section inset with colourful engravings of parrots, divided into two two-panel sections each panel 182cm by 65cm (a/f - glass missing from two panels)

A set of three contemporary graduated clear perspex nesting tables, 42cm wide by 40cm high by 33cm deep, together with a matching 'long John' coffee table, 92cm wide by 45cm deep by 40cm high.

A large Chinese Chppendale style set of mahogany hanging wall shelves with fretwork sides enclosing five shelves with central glazed cabinet containing six glass shelves and velvet lined interior, above three drawers, height 122cm, width 100cm, depth 17cm

A 19th century gilt gesso framed overmantle mirror relief moulded to depict branches, 112cm wide by 80cm high,

A French marquetry inlaid ladies writing bureau with a pierced gilt metal gallery above sloping fall front enclosing fitted interior with well compartment, on slender cabriole legs with gilt-metal mounts height 91cm, width 73cm, depth 45cm, with a key Provenance details from the current owner: known to have belonged to Lady Enid de Chair, wofe of Admiral Sir Dudley de Chair who served as Governor of New South Wales, Australia from 1924-1930 (a/f)

An Arts & Crafts oak mirror back sideboard, c.1900, 122cm wide by 59cm deep by 148cm high.

A Victorian oak bureau profusely carved with foliate designs, fall front over four drawers with turned knob handles on bracket feet height 110cm, width 92cm, depth 51.5cm

A vintage Georgian style mahogany semi circular console table, 20th century, with carved decoration and tapered padfoot supports, 74cm wide by 38cm deep by 76cm high.

A Swedish satin birch and parcel gilt side cabinet in the Biedermeier style, 19th century, 155cm high by 82cm wide by 32cm deep.

A superior quality early 20th century double-caned bergere four piece lounge suite, comprising a three sester settee, 206cm wide, and three armchairs, all featuring exceptional carved decoration throughout and good quality loose cushions, a fine example of classic country house furniture.

An Edwardian mahogany 'spiders leg' drop leaf table in a George III design, raised on six column turned and block supports, 61cm by 17cm opening to 78cm by 61cm, standing 62cm high.

A 19th century mahogany travel chest with twin brass carrying handles, the hinged lid revealing an old trade label for 'Jacob Brisk, Trunks, Bags & Valises', 66cm wide by 44cm deep by 48cm high, (af).

A South African blackwood cabinet, fitted with two short drawers above two cupboard doors enclosing adjustable shelves, 113cm wide by 140cm high by 52cm deep.

A white painted metal garden table with rectangular composite stone top 48cm high, 91cm wide, 53.5cm deep (a/f)

A cast iron and slatted wood garden bench applied with a maritime motif, late 19th / early 20th century, 150cm wide, (af).

A 19th century English Regency period mahogany coffee table (adapted and cut down from a taller table), the circular top with beaded borders raised on a short column and four sabre supports terminating with cast gilt-brass caps, 110cm diameter by 50cm high.

An Edwardian mahogany display cabinet, featuring a glass panelled door enclosing four adjustable shelves and lined interior, flanked by fluted canted corners, raised on tapered supports with spade feet, 84cm wide by 157cm high by 33cm deep.

A Victorian satin birds eye maple inlaid rosewood games table / sewing table, featuring an inlaid checkerboard top hinged to reveal an inlaid and fitted interior, above a fitted drawer and slide-out fabrics bag, raised on elegant shaped end supports, contains lots of vintage sewing equipoment, 61cm wide by 39cm deep by 72cm high, (af).

A c.1920's oak roll top desk, with lockable tambour top, key, fitted interior, 128cm wide by 76cm deep.

Two Edwardian inlaid and cross-banded mahogany side tables, kidney shaped 57cm wide by 70cm high, oval 67cm wide by 72cm high, (2).

A good quality 19th century mahogany show-wood framed country house sofa attributed to Holland & Sons, re-upholstered in a hard wearing neutral fabric, with one long loose seat cushion, the castors stamped 'COPE'S PATENT' and 'STRONG', one of the legs is also stamped 'GVR' beneath a crown, size approx 229cm wide by 94cm deep by 64 cm high.

An antique Persian Baluch rug, depicting a classic 'pencil box' grid design in rich tones of dark brown and muted coral, approx 175cm by 98cm.

An antique Turkmen Bokhara rug, in predominately red and decorated with repeating octagonal gul (elephants foot) motifs within borders, approx 214cm by 148cm.

An antique Kurdish runner decorated with stylised and geometric designs within borders, in tones of red, brown and blue, approx 270cm by 114cm.

An antique Persian Caucasian rug decorated with stylised and geometric designs in soft faded terracotta and indigo palettes, approx 141cm by 84cm, (worn).

A large good quality Chinese wool carpet / rug in the Peking / Aubusson style, the thick pile decorated with a central Peacock medallion and bird & foliate border panels, predominately in tones of blues and cream, size approx 370cm by 275cm (12' x 9').

A Turkoman rug, red ground, with geometric design within multiple borders, 212cm by 105cm

An antique Persian Kashan Milliefleur prayer rug, featuring a central mihrab design with stylised designs and floral urn motifs within borders, approx 196cm by 132cm.

A good quality Persian Kashan runner featuring a classic predominately blue field with intricate stylised floral medallion patterns within borders, approx 390cm by 107cm.

A large Persian style rug, teal ground, with floral and foliate decoration, approx 283cm by 196cm

A set of six Imari pattern porcelain teacups and saucers, possibly Chamberlain's Worcester

A Beswick Mountie Stallion, Connoisseur model, black gloss, on wooden plinth 25.5cm high including base (a/f)

A Lladro porcelain 'Spanish Dancer' figurine 15cm high

A group of Rosenthal Studio-Linie Flash pattern tableware designed by Dorothy Hafner to include teapot and cover 19cm high, coffee pot and cover 23cm, two jugs, tall vase, two bowls, and a pair of egg cups

Eleven Royal Doulton porcelain figures of ladies to include Daydreams and Dinky Do tallest 19cm high

An Adderley's Ltd Amoy pattern wash set decorated with exotic birds, flowers and insects, comprising large bowl, two smaller bowls, bucket and two large jugs (a/f)

Three Whitefriars glass 'coffin' vases in red, orange and blue, 13cm high

A collection of six Bohemian Art Deco glass vases attributed to Leo Moser and the Moser Glass Works, comprising two faceted amethyst coloured examples with 'oroplastique' decoration, 26cm and 20cm high, two faceted amber coloured examples with 'oroplastique' decoration, one signed, 22cm and 17cm high, a signed clear example with 'oroplastique' decoration, 20cm high, and an unsigned undecorated faceted amber coloured example, 24cm high, (6).

Three Royal Crown Derby porcelain donkey paperweights 11cm high

A set of six Waterford crystal 'Nocturne' pattern wine glasses 22cm high

A collection of thirteen Beswick model horses to include an Appaloosa horse 20cm high, a bay brown Swish Tail horse 21.5cm high, Black Magic 20cm, and a Skewbald Pinto pony 16cm (a/f)

A set of ten 19th century Wedgwood porcelain plates with relief moulded leaf design on moulded basketweave ground and gilt embellishments 20.5cm diameter

A small Moorcroft 'Tribute To Charles Rennie Mackintosh' vase, designed by Rachel Bishop, 13cm high

A Whitefriars tangerine glass bottle vase 20cm high, a pair of Whitefriars green glass candleholders 8cm diameter, and four various Whitefriars style glass vases (7)

A 19th century Coalbrookdale style floral encrusted porcelain ink stand and taper holder, comprising tray and central taper holder flanked by a pair of ink / pounce pots tray 36cm by 22.5cm (a/f)

A Whitefriars kingfisher blue glass bark vase 19.5cm high, two Davidson blue glass bowls / ashtrays 13.5cm diameter, an Ingrid Glashutte blue glass bark vase 20.5cm high, and two other Whitefriars style vases (6)

Eight Beswick models of horses to include three dapple grey gloss models comprising the Bois Roussel racehorse 28cm high, Connemara 16cm, and Prancing Arab horse 16.5cm, a Highland pony 18cm, a palomino Prancing Arab horse and palomino foal (8)

A Royal Doulton hand-painted model of Red Rum modelled by Graham Tongue limited edition 296 of 7500, 32cm high, on wooden plinth base, with certificate

Attributed to Jacques Innocenti (French, 1926 - 1958), a Studio Pottery vase painted with a female figure, bears an indistinct painted signature to underside, 18cm high, (ARR).

Attributed to Phoebe Stabler (1879 - 1955), early 20th century, ceramic figure of a putti with floral garland, indistinct impressed marks to underside, 20cm high, (af).

A Royal Albert 'Old Country Roses' part table service, 77 pieces, (a/f - one turren handle detached).

A crackle glass of Art Nouveau design in the manner of Koloman Moser for Loetz, with a hollow integrated handle, 19cm high

Three Beswick shire horses comprising one action shire in matt dappled grey finish, one in matt brown finish, both 21cm high and a mare with gloss brown finish 22cm, together with a Royal Doulton black gloss horse 15cm with associated Beswick box (4)

A 19th century Crown Derby porcelain tyg painted and gilded in the Imari palette, 7cm high and small tea bowl, both with red painted factory mark, Stevenson & Hancock 1863-1866

A mixed 19th/ 20th century bone china part tea set, all similarly decorated, manufacturers including Grosvenor China and Allertons Ltd, each with green shagreen pattern ground, comprising; teapot, eighteen cups, eighteen saucers, two sugar bowl, fifteen side plates and three sandwich plates, each gilt heightened, teapot height 15cm, (some AF) (57 pieces)

A metal mounted Carlton ware porcelain biscuit barrel with floral decoration 15cm high excluding handle, a Royal Doulton glazed stoneware vase 22cm, and three Beswick models of Persian cats, largest 21cm

A Whitefriars meadow green glass 'coffin' vase 13cm high

A Baccarat glass verre dichroique eglantine pattern box decorated with roses, with a brass mount and cover 9.5cm high

Rosenthal Studio-Linie Flash Love Story pattern tableware designed by Dorothy Hafner with illustrations by Kitty Kahane comprising sauce boat on stand, sugar bowl and cover and milk jug

An Italian maiolica dish, probably Renaissance revival c.1880-1920, underside with painted mark, the lobbed form incorporating five divisions, 25cm diameter. Together with a faience twin handled pot, 11cm high, (2).

A Franciscan Desert Rose part dinner and tea service to include six dinner plates, six breakfast plates, six side plates, six cake plates, one vegetable tureen and cover, butter dish and cover, and eleven teacups (a/f)

A collection of eight antique ceramic named storage jars, including 'Ground Ginger', 'Candiedpeel', etc, tallest 20cm high, (8), (af - one lid missing and numerous faults).

Three studio pottery blue glazed models of historical helmets, unsigned, each on wooden stand, largest 29cm high including stand

An Italian ceramic table lamp modelled as a white dove beside a tree stump on wooden plinth base 24cm high including base

A large Italian maiolica charger, the well painted with a view of warriors in battle, on a ground of mythical creatures amongst scrolling decoration, the reverse monogrammed and numbered 2203, 40.5cm diameter

A Whitefriars glass 'coffin' vase in pewter 13cm high

Four Lladro porcelain figures of angels in various poses to include one playing an instrument 16cm high

A Royal Albert 'Old Country Roses' porcelain part tea and dinner service to include teapot approx 19cm high, milk jug, sugar bowl, two tier cake stand, six teacups and five saucers, platter, large bowl, and six dinner plates, together with matching mantle clock and candlestick

Studio Pottery: comprising a Phil Rogers vase, 9.5cm high, a Judith Fisher 'Raku' vase, 13cm high (cracked), and a Steve Woodhead jug, 11cm high, (3).

A Herend porcelain salmon dish with drainer 61.5cm long, together with a Herend porcelain sauce boat on stand and a serving spoon, all with matching floral decoration

An vintage Irish porcelain tea set in the Royal Linden pattern by Arklow, comprising 12 cups, 10 saucers, 10 side plates, 2 serving plates, 2 milk jugs and a sugar bowl, (37).

A 19th century Nailsea speckled coloured glass rolling pin, 40cm long.

A 19th century Palissy style tin glazed wall platter with naturalistic relief decoration in the manner of Bernard Palissy (1510-1589) depicting snake, fish, frog, lizard, stag beetle and other creatures and insects amongst plants on blue textured ground, no maker's marks 44cm by 36cm

A large Minton Art Pottery vase hand painted with an alpine scene by Edouard Rischgitz (Hungarian, 1829 - 1900), c. 1860's / 70's, depicting a goat herder leading his goats across a wooden bridge, and woodsmen chopping trees, between twin pendulous handles, signed to the base and bearing impressed factory marks to the underside, 53cm high, comes with an assosiated wooden stand, (af).

NB: Edouard Rischgitz was a pupil of Corot and medallist, before spending four years working at Mintons on the firm's exhibit for the 1867 Paris Exhibition Universelle.

A pair of Samson porcelain plates with floral decoration and gilt embellishments 22cm, and a pair of Johannes Roth style porcelain figures 12cm, together with a small collection of continental porcelain tableware to include a miniature cup in the manner of Augustus Rex

A large 19th century Derby porcelain vase, c.1830, of urn form decorated with lavish gilt, iron red, green, and blue, in the Japanesque Imari taste, factory marks underside, 25cm high by 26cm diameter.

Provenance: Christies South Kensington, 5th July 2007, lot 1139.

Three glass decanters with stoppers, 20th century, tallest 34cm, (3).

A Beswick prototype model of a Cowboy on horse painted in natural colours, height 24cm (missing reins)

An Eileen Lewenstein (1925-2005) glazed vessel or vase with impressed details to each side 12cm high

Six vintage novelty ceramic spirit decanters for Irish Mist Liqueur, modelled as soldiers, by Coronetti, Cunardo, Italy, tallest 48cm high, (6).

A Whitefriars red glass bowl / ashtray with part paper label 12.5cm diameter, a Whitefriars red glass bark vase 19cm high, a smaller Whitefriars style vase, and two bark textured glass vases / candlesticks (5)

Nine Beswick models of horses to include two large racehorses 30.5cm high, a dapple grey foal and a Norman Thelwell 'Kick-Start' figurine, together with a Beswick fawn and two other Beswick style animals

A large collection of studio pottery, 20th century: to include a Diana Barraclough model of a Tern (bird) on driftwood stand, Selborne Pottery, Ray Yor, and many other potters seal marks, (20 pieces).

A House of Faberge for Franklin Mint 'Snow Dove' crystal decanter and stopper, set of twelve matching goblets and pair of candlesticks

A collection of Royal Crown Derby 2451 Imari pattern porcelain tableware and miniatures to include a teapot, two jugs, sugar bowl and cover, three miniature teapots and two miniature jugs, together with a Royal Crown Derby Imari pattern plate, and three Bloor Derby Imari teacups and saucers

A Beswick model 2205 'Tang' horse 34.5cm high

A terracotta head, possibly French or Italian 18th century, facing full front, the tonsured head drilled for a halo, 25cm high, mounted on a later black metal stand, provenance: purchased by the current owner from Sotheby's European Works of Art Furniture and Decorations Auction October 1998

An Art Deco part tea set comprising milk jug, sugar bowl and cover, platter, six small plates, six teacups and seven saucers, all marked "Sterling Silver on Porcelain Foreign" on the underside

A David Sharp Rye pottery money box modelled as a rabbit 14.5cm high, and a Lorna Bailey pottery tea light holder modelled as a black cat beside a bubbling cauldron 8cm high

An Orrefors Skal bowl designed by Lars Hellsten, numbered 4259-121, height 12cm, width across the top 8cm

A collection Waterford Crystal, mostly drinking glasses, at least fifty-one pieces are signed, together with thirty-two non signed items of glassware (83).

A Chinese marble top carved and pierced hardwood side table / vase stand, early 20th century, 48cm high by 36cm square.

A vintage Japanese export 'eggshell' porcelain tea / coffee set complete for six settings (21), together with a set of three vintage Singapore famille rose cups, saucer and side plate trios (9), (30 items in total).

Four Japanese Imari export dishes, c.1900-1930, each of fluted circular form in tradional paletes, 2 x 30cm diameter, 21cm diameter, and 16cm diameter, (4).

A good quality early 20th century Mah Jong set in a chased metal mounted hardwood cabinet, with working lock and an instruction booklet by Max Robertson, 29cm high.

An antique Arakan Burmese bronze Clinthe Guardian Temple Lion, probably 18th century or earlier, made in detachable sections with a seated buddhistic figure on a platform which slots on to the back of the creature, being of well cast and heavy construction with decorative detailing throughout, 61cm high.

A Chinese blue and white porcelain jar and cover hand painted with horses in landscapes, 15cm high, (lid damaged), another Chinese blue and white porecelain jar and cover, 13cm high, two Chinese blue and white porcelain snuff bottles (only one with stopper), 6cm high, a pair of Japanese Kutani porcelain miniature vases, 14cm high, and a pair of Japanese Satsuma porcelain miniature vases, 13cm high, (8).

An 18th century Chinese blue and white 'Kraak' porcelain dish, with hand painted underglaze decoration and painted marks to the underside, 29cm diameter, (a.f.)

A Japanese Kutani porcelain vase converted to a table lamp, on wooden stand 44cm high including base and fittings

A pair of large antique Chinese blue and white porcelain vases, 19th century or earlier, featuring twin pierced handles, decoratd with dragons, exotic birds, a fish, and blossoming landscapes, 59cm high, (2).

An 18th century Chinese Export porcelain plate 22.5cm diameter, three cloisonne enamel vases to include a pair decorated with birds 15cm high, and a large 20th century Chinese ceramic vase on wooden stand 47cm high including stand

A copper finished milk churn for Pool's Dairies Romford with associated lid for West St Dairy Chichester approx 53cm high (a/f)

Kitchenalia: a copper and brass kettle 33cm high, a copper and cast iron ale warmer, cider measure, perforated skimming spoon and ladle, together with a large brass and cast iron perforated spoon, a cast iron trivet with turned wood handle

A good quality large vintage rouge marble and ormolu table lamp in the form of a classical corinthian column, with shade, height to top of bulb holder 63cm.

A copper finished milk churn for Chichester Dairies Ltd., 54cm high (a/f)

A collection of painted lead and metal soldiers, military figures and servicemen in various scales (a/f)

A Victorian rosewood travelling vanity box with trade label for Parkins & Gotto, 24 & 25 Oxford Street, London, the hinged lid and front panel inlaid with mother of pearl escucheons, enclosing a semi fitted mirrored interior, above a secret jewellery drawer, 31cm wide by 19cm high by 23cm deep.

A Gurkha kukri knife in a leather sheath 61.5cm long

Three graduated 19th century bronze bell weights, regional mark 'C*S', and further impressed marks, 56lbs, 28cm high, 28lbs, 24cm high, 11lbs, 20cm high, (3).

An Armand Marseille bisque head doll with sleeping eyes, open mouth, upper teeth, and movable limbs, approx 34cm high, (af).

After Pierre-Jules Mene (1810-1879), a bronzed metal sculpture of a pointer with game beside a tree trunk, inscised signature and dated 1850, 31cm high (a/f)

A 19th century folk art carved fruitwood screw-action novelty nut cracker in the form of a squirrel, approx 17cm tall

A large vintage Union Jack flag and the American flag, both mounted on canes (a/f)

A carved oak book stand, c.1900, decorated with stylised foliate motifs, 49cm wide by 23cm high.

A collection of antique and vintage silver plated items, to include a classical revival urn form wine cooler (25cm high), two oval entre dishes with covers, two large oval seving dishes, a Georgian revival teapot, an Art Deco chocolate pot with matching milk pot, a large ladle, and a burner with cradle, (10).

A child's acoustic guitar, no maker's labels, approx 32 inches (81.5cm) total length (a/f)

An Art Deco gilt patinated bronze table lamp depicting male and female figures dancing, with shade, total height 54cm.

A 19th century Meerschaum pipe, intricately carved to depict a lion and lioness in aggressive poses, with amber mouthpiece, contained within the original lined and fitted case, 22cm wide.

An Edwardian oak tantalus with silver plated mounts, containing three cut glass decanters with stoppers, lock working and key present, 35cm high by 37cm wide.

A pair 19th century German 'Kosmos' lamps by Wild & Wessel, later converted to electric, featuring streaky purple glazed bodies between ornate gilt metal mounts, with shades, height to top of bulb holder 44cm, (2).

Kitchenalia: a 19th century coopered oak flour barrel and cover, approx 29cm high

A 20th century Italian mandolin by G Puglisi Reale & Figli, with eight strings and tuning pegs, bearing makers label to inside, and maker's stamp to body, with spare strings

A collection of Hornby Dublo model railway to include a locomotive in LMS livery, no.6917, four rolling stock, a station, various track etc

A brass and copper finished fire extinguisher, 42cm high

A 1977 Queen's Silver Jubilee model Royal State Coach, boxed

A child's rocking swan of solid wooden construction, with carved and coloured decoration, length approx 1m

A small collection of Britains toy soldiers including HM Queen Elizabeth on horseback, and sentry box

Mecanical music interest, approximately sixty-five 'Hupfeld' boxed player - piano music rolls, a cased pinned tune barrel for 'Faventia' street piano, various prints with barrel organ interest, one dated 1826, player - piano and related instruction and similar booklets and leaflets

A late 19th century 'Apollo Harp' semi-automatic Zither, contained within original pine storage case, No 72E Flagg Manufacturing Company Boston, USA together with tuning key, plectra, original instruction booklet and Apollo music catalogue dated 1898

A pair of brass harness stamped 'Solid Brass' and 'Double Cased' wiith iron mounts and chains, 82cm long excluding chains

A good vintage period style ceiling lantern, the verdigris bronzed architectural frame of ornate gazebo form featuring a scrollwork dome above five pillars and clear glass insert, approx 64cm high, (af).

A Franz Xavier Bergman style cold painted bronze model of a horse (tail detached), unsigned, 12cm high

H C Coombs (c.1960's): a collection of six bronzed sculptures, depicting abstract human, dog and bird forms, two on marble plinth bases, three on wooden plinth bases, one is freestanding, tallest 47cm, (6).

Possibly the work of Herbert Cole "Nugget" Coombs (Australian, 1906 - 1997), an Australian economist and public servant, the first Governor of the Reserve Bank of Australia from 1960 to 1968, noted for his contributions to the arts, environment, and Indigenous justice movement.

As first Governor of the Reserve Bank of Australia, he was responsible for approving the acquisition of Norma Redpath’s 'Immortal Warrior' (1963-64) for the Reserve Bank in Adelaide, and commissioning 'Sculpture Column' (1968-72) for the foyer of the Reserve Bank in Brisbane. In 1972, when Redpath was appointed the H.C. Coombs Creative Arts Fellow at ANU, Coombs was ANU Chancellor and inaugural chair of the Australian Council for the Arts.

An antique crewel-work panel believed to be an Azerbaijani tent hanging, depicting floral motifs around a central doorway, 141cm by 97.5cm. framed

An interesting collection of original and facsimile phonograph catalogues including Pathe 1903, 'New Victor Bulletins' 1920's, together with other related books and booklets

An Art Deco style 'butterfly girl' table lamp, moderen, 51cm high.

A pair of vintage Wharfedale Airedale floor standing corner fitting speakers, wooden cased, 100cm high by 69cm wide by 36cm deep.

An oak cased Edison Bell 'Discaphone' portable gramophone with 'Winner' sound box, a similar 'Dulcetto' portable gramophone, together with a quantity of 78 rpm records contained in 'His Masters Voice' albums

A 19th century sailors fid, of turned lignum vitae, tapering form with ringed decoration, length 37.5cm, and a Victorian painted baluster police truncheon, turned, naively decorated with a crown and 'VR1', length 26cm

A vintage golf club printed Fred J Bowdrey Southampton 110cm long

Felix Haspel (Austrian, b.1951), a tapestry panel, signed with monogram in the weave, approx 160cm by 136cm.

NB: Felix Haspel is considered one of Austria’s leading textile artists, for further information see www.felixhaspel.at

A Victorian burr walnut work / sewing box with mother of pearl inlaid vacant cartouche and key escutcheon, and Tunbridgeware style inlaid bands, height 13.5cm, width 30cm, depth 22cm

Attributed to Giuseppe Renda (Italian, 1859 - 1939) or Giovanni Battista Amendola (Italian, 1848–1887): and original bronze sculpture 'Youth carrying vines', 52cm high.

A French wrought iron shop sign wall bracket, depicting a horn, wheat sheafs, leaves and flower heads, with parcial gilt decoration, late 19th / early 20th century, approx 155cm long, (af).

A vintage BACCHUS 'Rogar Estate' type cast metal bottle opener, approx 26cm high.

A framed Georgian silkwork embroidery depicting a figure playing a musical instrument beside a dog 19cm by 14.5cm

A violin 60cm long, with bow and case (a/f)

A set of four 19th century silver plated chambersticks, each with detachable sconce, wide fluted wavey edge drip pan, and scrolled thumbpiece, engraved with matching 'sunburst' crests, 15cm diameter.

An Edwardian Georgian revival silver plated desk stand with engraved inscription to Neil James Archibald Primrose, 1903, the hined lid with engraved 'lion and rose' crest revealing twin inkwells, covered recess, and twin pen wells, between twin lions mask drop ring handles. 27cm wide.

A collection of vintage greetings cards, mostly Valentines, many inscribed

Naval Interest: a 1942 HMS Sirius CPO Mess rum tray, circular form with low border, further inscribed 'THE KING GOD BLESS HIM', together with a set of six c.1950's grog (rum) measures (Quart, 1 Pint, 1/2 Pint, 1 1/3 Gill, Gill, 1/2 Gill), and a set of seven similar period grog (rum) measures (1/2 Gallon, Quart, Pint, 1/2 Pint, 1 1/2 Gill, Gill, 1/2 Gill), (14).

A pair of vintage Georgian glass ceiling lanterns, 20th century, the square gilt-brass forms inset with glass panels (some replacements and one with chipped corner), approx 60cm high, (af - one lower finial missing).

A 20th century cold painted bronze pheasant table lamp, the stem modelled with a cock pheasant sitting in a tree, hen pheasant below, set on an onyx base 29cm high including fittings, together with a cold painted bronze model of a pheasant mounted on an octagonal onyx dish dish 25cm wide

A vintage Georgian style gilt brass framed ceiling lantern, 20th century, the hexagonal form inset with clear glass panels (one cracked), approx 46cm high.

An Arts & Crafts copper pot and cover in the manner of Keswick School of Industrial Arts, c.1890-1920, featuring hammered decoration and scrolled borders, 5cm wide by 3cm high.

Felix Haspel (Austrian, b.1951), a tapestry panel, signed with monogram in the weave, approx 60cm by 80cm.

NB: Felix Haspel is considered one of Austria's leading textile artists, for further information see www.felixhaspel.at

Thirteen various 19th century graduated copper measures, tallest 30cm, a 19th century copper jug with lid, and four various 19th century copper funnels, (18).

Adolf Wagner (Austrian, 1884 – 1962), 'Ballerina', an original bronze figure with faded gilt patination, signed and dated 1922, raised on a marble plinth base, bronze height 32cm, combined height 49cm.

A pair of Edwardian silver plated entree dishes and covers, the oval forms with stag handles, 31cm long by 24cm wide by 20cm high, (af).

A Safex brass and copper finished fire extinguisher, with brass plaque 53cm high

A 19th century copper samovar (tea urn), late Georgian / early Victorian, 49cm high.

A pair of silver toned cast metal greyhound bust bookends mounted on black painted supports 22cm high by 22cm long overall

Two Edwardian silver plated revolving roll-top breakfast servers, with engraved decoration and ornate classical cast frames, 38cm wide and 23cm wide, (2).

A cased daguerrotype depicting a young lady, together with a small collection of doll's house miniatures

Adolf Wagner (Austrian, 1884 – 1962), 'The Pied Piper', an original bronze figure, signed and dated 1922, raised on a wooden plinth base, bronze height 38cm, combined height 46.5cm.

A large Elkington & Co twin handled copper finished stock pot / hot water dispenser and cover, with metal tap, inscribed 'Ohlsson's', 37cm high, and two large Elkington & Co copper finished twin handled pans, largest 68cm wide including handles

A Victorian silver plated biscuit box of scallop form with Aesthetic style cast frame, the hinged scollop form opening to reveal twin covered compartments, 27cm high.

A pair of vintage Georgian revival silver plated candelabra, 35cm high.

A collection of Victorian and later Ancient Order of the Foresters sashes and related ephemera to include an 1898 Balance Sheet Book of Court Loyal Archer no 3596

A Manivelle circular music box with Chinoiserie decorated top 7cm diameter

A pair of French Rococo revival style cast brass candlesticks 25.5cm high

A crewel work tapestry panel depicting six birds in natural habitat of stylised foliage, approx 150cm by 88cm.

A modern six string Spanish guitar hand made at the West Dean instrument workshop, 1984, various contributing makers listed on the attached label, 80cm long.

Tribal Art: two Maasai ceremonial spears, featuring metal bound painted wooden shafts with carved 'peak' finials, and hand forged steel blades, 112cm and 103cm long.

A large quantity of gramophone parts and mechanisms, including spring motors, turntables, tone-arms winding cranks and other parts

A vintage Jaeger 8 day dashboard clock (af), mounjted on a painted wooden block, dial 8.5cm diameter, combined height 12cm, (damaged).

A large collection of contemporary collector's stamps, special editions, First Day Covers, etc, including a lot of owl themed, (Quantity).

Five albums of 19th century and later Great Britain and World stamps, to include Stanley Gibbons Worldex Stamp Album, penny reds, George V half crown and five shillings seahorses *viewing highly recommended

A collection of good quality 'coffee table' antiques and collectables reference books, to include 'World Mirrors 1650-1900', 'Barye catalogue raisonne des sculptures' Persian rugs and carpets, Wristwatches, Patek Phiippe, Royal Crown Derby, Wines, etc, etc, (21).

Lloyd's Register of Yachts comprising 1908, 1926, 1933, 1936, 1938, Supplement to the 1939 Edition 1946, and 1973, together with a collection of maritime history and reference books to include Service Afloat or The Naval Career of Sir William Hoste, pub. W H Allen & Co 1887, Yachting vol I and II by Sir Edward Sullivan et al., facsimile of the first edition pub. Ashford Press 1985, and three 1971 Cornmarket Press facsimile reprints - A Narrative of The Proceedings of the British Fleet, commanded by Admiral Sir John Jervis, KB on the fourteenth of February 1797, A Narrative of the Proceedings of His Majesty's Fleet under the Command of Earl Howe, from the second of May to the second of June 1794, and A Journal of Voyages and Travels, by the late Thomas Rees, Serjeant of Marines 1822

A framed decorative sewn panel of cigarette silks depicting flags, military crests, badges and medals panel approx 47cm by 47cm

The Queens South Africa Medal with bar Transvaal to 6621 PTE H LLOYD RIFLE BRIGADE

Second World War Awards relating to James H Clarricoates British Army, The 1939-45 Star, The France and Germany Star, The Defence Medal, The 1939-45 War Medal, MID (Mention In Dispatches) Spray, The American Bronze Star Medal with case and ribbon fittings. The Imperial Service Medal Elizabeth II Issue to James Henry Clarricoates with case, and other items *Please see multiple catalogue images of this lot

Second World War Medals relating to PTE W G L FENN LEICESTERSHIRE REGIMENT, died 18th October 1944 while serving in Italy. 1939-45 Star, The Italy Star, The Defence Medal and The 1939-45 War Medal, with paperwork, forwarding slip in the name of Finn, box of postage, photograph of Cross memorial, coins

Tribal Art: two East / Central African Pangas (broad bladed heavy knife), with steel blades and crude leather handles and scabbards, 57cm and 51cm long.

A collection of eight iron cannon balls, various sizes, (8).

First World War Awards relating to George Henry Clarricoates: 1914-15 Star 306293 G H CLARRICOATES SPO, RN, 1914-18 British War Medal and 1914-19 Victory Medal to 306293 G H CLARRICOATS [sic] SPORW, note initial C on the British War Medal. First World War Memorial plaque detailed GEORGE HENRY CLARRICOATES, named memorial scroll. Served aboard HMS Good Hope, sunk 1st November 1914, further paperwork, also a framed picture of a four funnel ship (see second catalogue image)

Militaria: a British 1907 pattern bayonet, the 43cm blade with Wilkinson maker's mark, two piece wooden grip, pommel with release catch, in leather and steel scabbard, overall length approximately 57cm.

Provenance: by descent from Private Barry William B Toone, 22460415, Dispatch Rider of The Royal Sussex Regiment.

An Aspatria Town Band marching bass drum; the painted mahogany shell bearing the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", calfskin drumhead with rope tension system, the aged paintwork rendering the makers mark unclear, 83cm diameter, 46cm tall.

Two Military marching bass drums for Yorkshire Regiments; one for Alexandra Princess of Wales's Own Yorkshire Hussars Imperial Yeomanry, and another for 1st Volunteer Battalion Prince of Wales's Own West Yorkshire Regiment, painted mahogany shells, both bearing the Prince of Wales Imperial Feathers with the motto "ich dien", the latter bearing the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", both adorned with battle/campaign honours, the first for South Africa (1900-02), the second for Nec Aspera Terrent and India, calfskin drumheads with rope tension system, the former with makers mark for Henry Potter & Co., London, 64cm diameter & 32cm tall, 76cm diameter & 43cm tall respectively, offered together with a pair of beaters.

A Royal Marines marching snare drum; the painted brass shell bearing the royal motto "Dieu et mon droit", the military motto "Honi soit qui mal y pense" and the Royal Marines motto "Per mare, per terram", calfskin drumheads with rope tension system, gut snares, makers mark for A.F. Matthews, London, dated 1950, 37cm diameter 39 tall, offered together with a brown leather strap and a pair of ebonised drum sticks.

A 5th Battalion The King's Own Yorkshire Light Infantry marching tenor drum; the painted wood shell depicting the regimental badge of a Yorkshire Rose at the centre of twisted hunting bugle, also bearing the regimental motto "Cede Nullis", adorned with extensive battle/campaign honours including for Minden, Corunna, Vittoria, Pyrenees, Peninsula, Waterloo, Afghanistan (1878-80), Burma (1885-87), Messines (1914, 17, 18), Marne (1914, 18), The Somme (1916, 18), Ypres (1914, 15, 17), Havrincourt and Italy (1917-18), calfskin drumheads with rope tension system, paintwork signed K. Nicholls, 48cm diameter 41cm tall, offered together with a pair of Potter Aldershot drum sticks.

A 36th Middlesex Anti-Aircraft Battalion marching bass drum; the painted mahogany shell bearing the royal motto "Dieu et mon droit", the royal motto "Honi soit qui mal y pense" and the Royal Artillery motto "Quo fas et gloria ducunt", the drum also bears the name of the 317th Company Royal Engineers (T.A.), which was amalgameted into the 36th Battalion, calfskin drumhead with rope tension system, paintwork signed K. Nicholls, 72cm diameter, 32cm tall.

A 1st Battalion Border Regiment marching snare drum; the painted brass shell bearing the regimental badge with the Chinese Dragon at the centre, paying homage to the achievements of the former component regiment, the 55th Regiment of the Foot in the First China War, adorned with extensive battle/campaign honours including for Arroyo dos Molinos (1811), Peninsular, Vittoria, Sevastopol, Ypres (1914, 15, 17, 18), The Somme (1916, 18), Gallipoli (1915-16) and Arras (1917-18), totalling 27 honours, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, stamped Premier, England, 38cm diameter, 41cm tall.

Two Military marching bass drum; one for The Royal Navy Volunteer Reserce Tyne Division, and another for the 49th London Company Girls' Life Brigade, painted mahogany shells, the former depicting a crown and anchor, the latter bearing the motto "to save life", calfskin drumheads with rope tension system, the former with makers mark for Besson & Co., London, 75cm diameter, 40cm tall, the second with makers mark for Henry Potter & Co., London, 72cm diameter, 38cm tall.

A 48th Highlanders of Canada marching snare drum; the painted brass shell depicting a falcon's head and bearing the Gaelic regimental motto "Dileas Gu Brath", adorned with battle/campaign honours for Ypres (1915, 17), Festubert (1915), Mont Sorrel, The Somme (1916), Vimy (1917), Hill 70, Passchendale, Amiens, Procourt-Queant and Canal Du Nord, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Henry Potter & Co., London, 38cm diameter, 39cm tall.

A 1st Battalion Royal Sussex Regiment marching snare drum; the painted brass shell bearing the military motto "Honi soit qui mal y pense" and the royal motto "Dieu et mon droit", adorned with battle/campaign honours for Louisburg, Quebec (1759), Maida, Egypt (1882), Nile (1884-85) and Abu Klea, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, stamped Premier, London, dated 1941, 39cm diameter, 41cm tall, offered together with two snare drums, makers marks for Henry Potter & Co., London and Windsor, Birmingham.

A Royal Bombay Sappers & Miners marching bass drum; the painted mahogany shell bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Beni Bee Alli, Ghunzee (1838), Afghanistan (1839) (1878-80) (1919), Khelat, Mooltan, Goojerat, Punjaub, Reshire, Bushire, Koosh-Ab, Persia, Central India, Abyssinia, Burma (1885-87), Tirah, China (1900), La Bassee (1914), Neuve Chapelle, Ypres (1914), Megiddo, Shaira, Kut al Amara (1915-17), Ctesiphon, Kilimanjaro and East Africa (1914-18), calfskin drumhead with rope tension system, makers mark for Henry Potter & Co., London, 77cm diameter, 46cm tall.

A 2nd Battalion The Queen's Royal Regiment marching snare drum; the painted brass shell depicting a lamb of god, bearing the military motto "Honi soit qui mal y pense" and the historic regimental mottos "pristinae virtutis memor" and "vel exuviae triumphant", adorned with extensive battle/campaign honours including the oldest battle honour in the British army in Tangier (1662), as well as Namur (1695), Peninuslar, Aghanistan & Ghunzee (1839), Gallipoli (1915), The Somme (1916, 18), Ypres (1914, 17, 18), also bearing the date 1st June 1794, commemoratimg the Battle of the Glorious 1st of June, totalling 32 honours, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Boosey & Hawkes, London, serial number 24275, 37cm diameter, 40cm tall.

Two marching snare drums relating to The Buffs; the first for 2nd Battalion The Buffs, the painted brass shell bearing their famous Dragon badge with the motto "Invicta" and their regimental motto "Veteri frondescit honore", makers mark for Henry Potter & Co., London and a badge for George Potter & Co., Aldershot, paintwork signed K. Nicholls, 38cm diameter 39cm tall, the second for the Queen's Own Rifles of Canada, The Buffs Allied with K R RC, the unpainted brass shell bearing the motto "In pace paratus", calfskin drumheads with rope tension system, gut snares, 38cm diameter 39cm tall, both adorned with extensive battle/campaign honous, totalling 56 across both drums, offered together with Manual for the Drums, 2nd Battalion The Buffs.

An Oxfordshire & Buckinghamshire Light Infantry (T.A.) marching snare drum shell; the painted brass shell depicting the white bugle horn of the regiment known as the "Ox and Bucks", adorned with extensive battle/campaign honours including for Quebec (1759), Peninsula, Nivelle, Vittoria, Waterloo, Ypres (1914, 17), Mons, Cambrai (1917-18), The Somme (1916-18), Cassel (1940), Salerno, Normandy Landing and Pegasus Bridge (1944), totalling 47 honours, makers mark for A.F. Matthews, London, stamped no. 1492 and dated 1965, 35cm diameter 13cm tall; offered together with two marching snare drums, brass shells, one painted, calfskin drumheads with metal lugs, gut snares, one with makers mark for Henry Potter & Co., London.

A 1st Battalion The Gordon Highlanders marching tenor drum; the painted wood shell depicting the regimental badge of a stag over their motto "Bydand", adorned with extensive battle/campaign honours for Mysore, Corruna, Pyrenees, Lucknow, Kabul, Waterloo, Nile (1884-85), Seringapatam, Defence of Ladysmith, Vittoria, South Africa (1899-1902), Peninsula, Marne (1914, 18), Ypres (1914, 15, 17), The Somme (1917, 18), Arras (1917-18) calfskin drumheads with rope tension system, 48cm diameter 35cm tall.

A Royal Marines 41st Commando marching tenor drum; the painted mahogany shell bearing the name of the famed elite unit of the Royal Marines, the 41st Commando earned distinction accross many battles and daring assaults, particularly in the Second World War and the Korean War, also bearing the Royal Marines motto "Per Mare, Per Terram" and a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", calfskin drumheads with rope tension system, makers mark for Henry Potter & Co., London, 49cm diameter 40cm tall, offered together with a pair of drum sticks.

A Gold Coast Territorial Force marching snare drum; the painted brass shell depicting a white elephant under a palm tree, calfskin drumhead with rope tension system, gut snares, makers mark for J.B. Mayer & Sons, Manchester, stamped no. 24090, 38cm diameter 39cm tall, offered together with a further brass shelled snare drum, stamped for John Grey & Sons, London, and two miniture snare drums.

A 4th/5th Battalion King's Own Scottish Borderers marching snare drum; the painted wood shell depicting the Edinburgh Castle badge and bearing their regimental mottos "In Veritate Religionis Confido" and "Nisi Dominus frustra" and the military motto "Nec Aspera Terrent", adorned with extensive battle/campaign honours including for Namur (1695), Minden, Aisne (1914), Gallipoli (1915-16), Ypres (1914, 15, 17, 18), The Somme (1916-18), Hindenburg Line, Dunkirk (1940), Imphal (1944), Arnhem (1944) and Korea (1952-52), totalling 31 honours, modern lugs and snare tension screws, produced by Carlton, Dallas & London, 37cm diameter, 32cm tall.

A 3rd Battalion Royal Irish Regiment marching tenor drum; the painted mahogany shell bearing the regimental motto "Virtutis Namurcensis Praemium", paying homage to the valour of former component regiment the 18th Regiment of the Foot at the Siege of Namur (1695), also bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Namur (1695), Blenheim, Ramillies, Oudenarde, Malplaquet, Pegu, Sevastopol, New Zealand, Afghanistan (1879-80), Tel-el-Kebir, Egypt (1882) and Nile (1884-85), calfskin drumheads and rope tension system, makers mark for Henry Potter & Co., London, 52cm diameter 41cm tall, offered together with a black leather strap.

A 2nd Birkenhead Company marching bass drum; the painted mahogany shell bearing the "BB" of The Boy's Brigade and their biblical motto "Sure & Steadfast" on an anchor, calfskin drumhead with rope tension system, makers mark for R.J. Ward & Sons, Liverpool, 72cm diameter, 39cm tall.

A 2nd Battalion The Middlesex Regiment (Duke of Cambridge's Own) marching tenor drum; the painted wood shell depicting the regimental badge with the Prince of Wales Plume above the world Albuhera, paying homage to the actions of former component regiment, the 57th Regiment of the Foot, who earned the nickname "The Die-Hards" for their heroic stand at the Battle of Albuhera, also bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Mysore, Seringapatam, Albuhera, Ciudad Rodrigo, Badajoz, Vittoria, Pyrenees, Peninsula, Nive, Nivelle, Alma, New Zealand, South Africa (1879, 1900-02), Inkerman and Relief of Ladysmith, calfskin drumheads with rope tension system, makers mark for Henry Potter & Co., London, 49cm diameter 37cm tall.

Two Salvation Army marching snare drums; the first for The Hemel Hempstead Citadel Band, Corps no. 488, modern lugs and snare tension screws, calfskin drumheads, 38cm diameter 36cm tall, the second for Grays Band, Corps no. 592, modern lugs and snare tension screws, gut snares, Remo and Premier drumheads, interior label from George Potter & Co., Aldershot, 37cm diameter 33cm tall, both of the painted shells bearing their motto "Blood and fire".

A 2nd Battalion 10th Gurkha Rifles marching tenor drum; the painted wood shell depicting a traditional Kukri blade crossed with a bugle, calfskin drumheads with rope tension system, makers mark for Henry Potter & Co., London, paintwork signed K. Nicholls, 49cm diameter 37cm tall, offered together with a pair of tenor mallets.

A Royal Corps of Transport marching snare drum; the alluminium shell with the applied crest bearing the military motto "Honi soit qui mal y pense", 37cm diameter 40cm tall, offered together with a wooden marching snare, bearing the Royal Coat of Arms of the United Kindom with the mottos motto "Dieu et mon droit" and "Honi soit qui mal y pense", 36cm diameter 40cm tall.

A 1st Battalion Grenadier Guards marching bass drum; the painted mahogany shell bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the regimental motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Blenheim, Ramilles, Corunna, Dettingen, Malplaquet, Lincelles, Alma, Oudenarde, Barossa, Inkerman, Peninsula, Egypt, Waterloo, Sevastopol, Suakin (1885), Tel-el-Kebir, calfskin drumhead with rope tension system, makers mark for Henry Potter & Co., London, also stamped B. Cummings, London, 77cm diameter, 35cm tall, offered together with a pair of Chalklin mallets.

A Hampshire Regiment snare drum; the painted brass shell depicting a Hampshire Rose and an Indian Tiger, paying homage to former component regiment 67th Regiment of the Foot's achievements in India, also bearing the name of Farnborough Grammar C.C.F., who boasted an accomplished military band, adorned with battle/campaign honours for Blenheim, Ramilles, Oudenarde, Malplaquet, Dettingen, Minden, Tournay, Barrosa, Peninsula, Taku Forts, Pekin (1860), Charasia, Kabul (1879), Afghanistan (1878-80), Burma (1885-87), Paardeberg, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Butler, London & Dublin, 37cm diameter, 39cm tall.

A 1st Battalion Scots Guards marching snare drum; the painted birch shell bearing the royal motto "Dieu et mon droit" the military motto "Honi soit qui mal y pense", and the regimental motto "En ferus hostis", adorned with battle/campaign honours for Namur (1695), Dettingen, Lincelles, Talavera, Barrosa, Fuentes D'onor, Salamanca, Nive, Peninsula, Waterloo, Alma, Inkerman, Sevastopol, Tel-el-Kebir, Egypt (1882), Suakin (1885), Modder River, South Africa (1899-1902), Retreat from Mons, Marne (1914), Aisne (1914), Ypres (1914-17), Festubert (1915), Loos, Somme (1916-18), Cambrai (1917-18), Hindenburg Line, France & Flanders (1916-18), Quarry Hill, Rhineland, New Europe (1944-45), Gazala, Medenine, Djebel Bou Aoukaz (1943), North Africa (1941-43), Monte Camino, Anzio, Italy (1943-45), Falkland Islands (1982), The Gulf (1991), produced by Premier Drums, paintwork signed K. Nicholls, 39cm diameter, 37cm tall, offered together with a white leather strap.

Two military training corps marching snare drums; The first for the London Lads Training Corps, bearing their motto "By faith, not arms", the painted brass shell stamped A.O. Windsor, Birmingham and dated 1915, 38cm diameter 39cm tall, the second for T.S. Streatham Sea Cadet Corps, the painted mahogany shell depicting an anchor with their motto "aye ready aye", makers mark for Henry Potter & Co., London, 38cm diameter 36cm tall.

Three military marching snare drums; The first for Army Cadet Force, wooden shell with applied badge, makers mark for Henry Potter & Co., London, 37cm diameter 38cm tall; the second bearing a royal coat of arms with the mottos "Dieu et mon droit" and "Honi soit qui mal y pense", painted wooden shell with modern lugs, 34cm diameter 32cm tall; the third with a painted brass shell with personalised livery bearing the name Brian Iredale, 29cm diameter 30cm tall; all with calfskin drum heads and gut snares.

A 1st Battalion The Green Howards, Alexandra Princess of Wales's Own Yorkshire Regiment; the painted mahogany shell bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", also depicting white Yorkshire Roses, adorned with battle/campaign honours for Malplaquet, Alma, Inkerman, Sevastopol, Tirah, Relief of Kimberley, Paardeberg, South Africa (1899-1902), Ypres (1914, 15, 17), Loos, The Somme (1916, 18), Arras (1917-18), Messines (1917-18), Valenciennes, Sambre, France & Flanders (1914-18), Vittorio Veneto, Aghanistan (1919) and Suvla, calfskin drumheads and rope tension system, makers mark for Henry Potter & Co., London, paintwork signed K. Nicholls, 45cm diameter 37cm tall.

A Queen's Own Cameron Highlanders marching bass drum; the painted mahogany shell bearing the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Egmont op Zee, Corunna, Egypt, Busaco, Fuentes D'Onor, Salamanca, Pyrenees, Nivelle, Nive, Toulouse, Peninsula, Waterloo, Alma, Sevastopol, Lucknow, Tel el Kebir, Egypt (1882), Nile (1884-89), Khartum, South Africa (1900-02), Atbara, Marne (1914-18), Aisne (1914), Ypres (1914-18), Somme (1916-18), Neuve Chapelle, Loos, Delville Wood, Arras (1917-18), Sambre, Macedonia (1915-18), calfskin drumhead with rope tension system, makers mark for R.J. Ward & Sons, Liverpool, 72cm diameter, 39cm tall.

A 1st (Brecknockshire) V.B. South Wales Borderers marching snare drum; the painted brass shell depicting Red Dragon of Wales, adorned with battle/campaign honours for South Africa (1900-01), calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for A.F. Matthews Ltd., London, 37cm diameter, 40cm tall, offered together with two more snare drums, brass shells, makers marks for Riviere & Hawkes, London and A.F. Matthews Ltd., London.

Three Civilian marching band snare drums; The first for Christ's Hospital Horsham, bearing the names Iredale and Coleridge, 38cm diameter 40cm tall; the second for The Horndean Band, depicting rose above a lyre, makers mark for Henry Potter & Co., London, 37cm diameter 38cm tall; the third for Dagenham Girl Pipers, bearing the motto "Auctor pretiosa facit", makers mark for George Potter & Co., Aldershot, 38cm diameter 34cm tall, all with painted brass shells, calfskin drumheads with rope tension systems, gut snares, paintwork signed by K. Nicholls.

A 4th (Royal Irish) Dragoon Guards marching tenor drum; the painted mahogany shell depicting the regimental badge with the triple-crowned shamrock in an eight-pointed star, with the motto "Quis Separabit" and the numerals MDCCLXXXIII, in reference to the Most Illustrious Order of St. Patrick in 1783, also bearing a royal coat of arms with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Balaklava, Egypt (1882), Sevastopol, Peninsula and Tel-el-Kebir, calfskin drumheads and rope tension system, paintwork signed K. Nicholls, 48cm diameter 41cm tall, together with a strap and drum stick set.

A Royal Artillery East Riding Heavy Brigade marching snare drum; the painted brass shell bearing the royal motto "Dieu et mon droit", the military motto "Honi soit qui mal y pense" and the historic regimental mottos "Quo fas et gloria ducunt" and "Ubique", calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for George Potter & Co., Aldershot, 38cm diameter, 40cm tall.

A 1st Fifth Fusiliers marching bass drum; the painted mahogany shell bearing the royal motto "Dieu et mon droit", the military motto "Honi soit qui mal y pense" and the Royal Fusiliers mottos "Nec aspera terrent" and "Quo fata vocant", adorned with battle/campaign honours for Wilhelmstadt, St Lucia (1778), Rolica, Vimiera, Corunna, Busaco, Ciudad Rodrigo, Badajoz, Salamanca, Vittoria, Nivelle, Orthes, Toulouse, Peninsula, Lucknow, Khartoum, Afghanistan (1878-80), Modder River and South Africa (1899-1902), calfskin drumhead with rope tension system, makers mark for Hawkes & Son, London, 72cm diameter, 36cm tall.

Two marching snare drums relating to Royal Marines; the first bearing the crest of the Royal Marines and their motto "Per mare, per terram", the painted brass shell with makers mark for A.F. Matthews Ltd., London, stamped no. 1453 and dated 1948, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, 38cm diameter 40cm tall, the second for Royal Marines Volunteer Boys' Corps, the painted birch shell bearing their motto "be worthy", Remo drumheads with modern lugs and a purely aesthetic rope tension look, missing its snares, made by Premier Drums, 38cm diameter 39cm tall.

A 2nd Battalion Royal Warwickshire Regiment marching bass drum; the painted mahogany shell depicting a white hart stag with a crown around it's neck, also bearing the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Namur (1695), Martinique (1794), Rolica, Vimiera, Corunna, Vittoria, Pyrenees, Nivelle, Orthes, Peninsula, Niagara, South Africa (1846-7, 1851-3, 1899-1902), Atbara, Khartoum, Le Cateau, Marne (1914), Ypres (1914-17), Somme (1916-18), Arras (1917-18), Lys, Hindenburg Line, Piave, Sari Bair and Baghdad, calfskin drumhead with rope tension system, makers mark for George Potter & Co., Aldershot, paintwork signed K. Nicholls, 73cm diameter, 33cm tall, the drum heads and hoops have become loose.

Six pairs of Promark drum sticks; American Hickory TX5AW by D'addario, together with 9 unmatched drum sticks.

Three military marching snare drums; unpainted brass shells, calfskin drumheads and gut snares, two with rope tension systems, one with modern lugs, one marked A.F. Matthews, London, stamped no. 506 and dated 1944, the others unmarked, one of more considerable age and wear missing its snares, the largest measuring 38cm diameter 37cm tall, the smallest 37cm diameter 24cm tall.

Three military marching snare drums; unpainted brass shells, calfskin drumheads and rope tension systems, gut snares, one marked A.F. Matthews, London, another simply marked London, another of considerable age and wear unmarked, the largest measuring 38cm diameter 39cm tall, the smallest 37cm diameter 36cm tall.

A 22nd Battalion "The Queen's" London Regiment marching snare drum; the painted brass shell depicting a lamb of god, adorned with battle/campaign honours for Festubert (1915), Loos, Somme (1916, 18), Messines (1917), Ypres (1917), Cambrai (1917), Albert (1918), Gaza, Jerusalem, Jordan and South Africa (1900-02), calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Henry Potter & Co., London, 38cm diameter, 34cm tall.

A 6th Battalion Devonshire Regiment marching bass drum; the painted mahogany shell bearing the regimental motto "Semper Fidelis", adorned with battle/campaign honours for Pyrenees, Nive, Toulouse, Afghanistan (1879-80), Defence of Ladysmith, South Africa (1899-1900), Salamanca, Nivelle, Orthes, Peninsula, Tirah, Relief of Ladysmith, La Basee (1914), Bois des Buttes, Vittorio Veneto, Ypres (1915-17), Somme (1916-18), Palestine (1917-18), Mesopotamia (1916-18), calfskin drumhead with rope tension system, makers mark for Henry Potter & Co., London, 84cm diameter, 43cm tall.

A Royal Fusiliers 4th City of London Regiment marching snare drum; the painted brass shell bearing a city of London coat of arms, adorned with battle/campaign honours for Neuve Chapelle, Ypres (1915, 17), Festubert (1915), The Somme (1916, 18), Arras (1917-18), Bullecourt, Cambrai (1917-18), Canal Du Nord, Sambre, Gallipoli (1915-16) and South Africa (1900), calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Geroge Potter & Co., Aldershot, 38cm diameter, 39cm tall.

A Bedfordshire & Hertfordshire Regiment marching snare drum; the painted wood shell depicting a White Hart and bearing the military motto "Honi soit qui mal y pense", adorned with battle/campaign honours for Namur (1695), Blenheim, Ramillies, Oudenarde, Malplaquet, Surinam, Chitral, South Africa (1900-02), Mons, Marne (1914), Ypres (1914, 15, 17), Loos, The Somme (1916, 18), Arras (1917-18), Cambrai (1917-18), Sambre, Sulva, Gaza, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, 38cm diameter, 41cm tall.

A 1st Battalion Irish Guards marching snare drum; the painted brass shell depicting the regimental badge with the triple-crowned shamrock in an eight-pointed star, with the motto "Quis Separabit" and the numerals MDCCLXXXIII, in reference to the Most Illustrious Order of St. Patrick in 1783, also bearing a royal crest with the royal motto "Dieu et mon droit" and the military motto "Honi soit qui mal y pense", adorned with extensive battle/campaign honours for Retreat from Mons, Marne (1914), Ypres (1914, 17), Festubert (1915), Loos, The Somme (1916, 18), Cambrai (1917, 18), Hazebrouck, Hindenburg Line, Norway (1940), Boulogne (1940), Mont Picon, Neerpelt, Nijmegen, Rhineland, Northwest Europe (1944-45), Djebel Bou Aoukaz (1943), North Africa (1943) and Anzio, calfskin drumheads with rope tension system, gut snares, makers mark for A.F. Matthews, London, stamped DCA 0134 and dated 1940, 38cm diameter, 40cm tall, offered together with a tan leather strap and a pair of ebonised drum sticks.

A Kashmir Bodyguard Cavalry marching snare drum; the painted brass shell depicting the Suryavanshi royal crest, an anthropomorphised sun with a tilak, above a dynastic motto, calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Henry Potter & Co., London, also stamped A.O. Windsor, Birmingham, 37cm diameter, 42cm tall.

A 2nd Battalion The King's Regiment (Liverpool) marching snare drum; the painted brass shell depicting a white horse of Hanover with the military motto "Nec aspera terrent", adorned with battle/campaign honours for Festubert (1915), Loos, Somme (1916, 18), Messines (1917), Ypres (1917), The Somme (1916-18) and Cambrai (1917), calfskin drumhead with rope tension system, gut snares, paintwork signed K. Nicholls, makers mark for Henry Potter & Co., London, 37cm diameter, 40cm tall.

A 19th century mahogany eight day longcase clock, the 12" painted arch dial indistinctly signed P? Frome, with subsidiary seconds dial and calendar aperture, and with painting of Clifton Suspension Bridge, Bristol, to the arch, 222cm high, with pendulum, two weights and winding key

A George III Cornish striking eight day longcase clock, the painted 12 inch arched dial inscribed 'John Pearce, St. Austell', featuring a painted subsidiary dial and a date aperture, painted with rustic buildings, the mahogany case with arched trunk door and circular panel to the base section, raised on shaped bracket feet, with pendulum and twin weights, 224cm (7'4").

A vintage brass anniversary clock with pretty painted enamel dial, with pendulum, no key, under glass dome, total combined height 31cm, (af).

A Biedermeier commode clock, the architectural case with two alabaster columns, brass fittings and bird surmount, the circular enamel dial with Arabic numerals, striking on a gong, 42.5cm high, with pendulum, key and loose brass fitting

An early 20th century carved oak cased barometer / thermometer 83cm high

An 18th century oak longcase clock the 9 1/2 inch brass dial inscribed Knight, West Marden, striking on two bells, with pendulum and weight, 203cm high

Automobilia interest: a vintage Phinney-Walker rim wind keyless 8 day dashboard clock, 7cm diameter.

A vintage brass cased ship's stick barometer and gimblal mount, attched to a wooden wall plaque, early / mid 20th century, combined height 103cm.

A vintage brass cased carriage clock with white enamel dial, complete with double ended key / hand adjuster, 11cm high.

An 18th century brass lantern clock by George Clarke of Leaden Hall Street, London, c.1760, having a knopped finial above the bell top, the arched dial with silvered name plaque to the arch, silvered chapter ring, and pierced spandrels, with weight, 38cm high by 20cm wide.

A brass skeleton mantle clock with fusee movement approx 35cm high, with pendulum and key, under a glass dome (glass dome a/f)

An early 19th century oak and mahogany painted dial eight day longcase clock, the 11 1/2 inch square painted dial signed T Benbow Northwood, 209cm high, with pendulum, keys and two weights

A 19th century mahogany circular fusee wall clock, the 11 inch dial with Roman numerals, 38cm diameter (a/f)

A fine quality George III striking eight day longcase clock by Thomas Mudge of London, the 13 inch arched brass dial with rotating moonphase feature, silvered chapter ring, twin winding holes, date aperture, engraved sunsidiary seconds dial, and ornate spandrels, the handsome inlaid and cross-banded figured mahogany case featuring gilt-brass mounts and an unusual stepped trunk door, raised on bracket feet, complete withy pendulum, twin weights, and winding key, 230cm (7' 6") high.

A 19th century French boule style mantle clock with shaped dark lacquered and brass inlaid case, with white enamel and Roman numeral dial 41.5cm high

Russian School (20th century), 'Window', oil on canvas, indistinctly signed verso, further inscribed verso, 60cm by 70cm, framed.

20th century European school, Impressionist style view through trees, oil on canvas, indistinctly signed, 36cm by 53cm (a/f)

W White (19th century), 'Rocky coastal scene with fishing boat', watercolour, signed and dated (18)87, 50cm by 74cm, oak frame, (af).

Dorofield Hardy (British, 1853 - 1937), 'A county House interior scene featuring a lady sat at a spinning wheel', watercolour, signed and dated 1883, 37cm by 58cm, framed.

A set of three Art Deco oval figurative etchings in the manner of Louis Icart (French, 1888 - 1950), each depicting seductive semi-clothed females, indistinctly signed in pencil, 32cm by 15cm, framed, (3).

Three antique Naval theme engravings after Cruikshank, comprising: 'The Battle of the Nile', 'The Point of Honor', and 'Paying Off'. Together with an antique Wimbledon Lawn Tennis engraving, some labelsm verso, (4).

20th Century School, 'Still Life', mixed media, indistinctly signed lower right, 45cm by 82cm, framed.

After Jean-Honoré Fragonard (French 1732-1806), four sepia wash prints (two within one frame) to include 'La Rossignol', each print approx 20cm by 15cm

After Heywood Hardy (British, 1842 - 1933), a pair of antique coloured engrvings depicting hunting scenes, 45cm by 67cm, framed. (two photographs)

Mike Jackson (b 1962), Lovers Lane, giclee print, numbered 33/150 and signed in pencil, verso Washington Green Certificate of Authenticity, 50cm by 40cm (ARR)

William Gillard (1812 - 1897), 'Still life with game birds and fruits', oil on canvas, signed, 60cm by 50cm,framed.

S J Johnson (19th / 20th century), two scenic views; 'Eventide' and 'On the Conway', both oil on canvas, monogrammed, with inscribed paper labels verso, 24.5cm by 35cm

Edward Wesson (1910-1983), A Surrey Farm nr Guildford, watercolour and ink, signed, 24cm by 70cm

Gordon King (b 1939), Grandfathers tales, limited edition colour print, numbered 559/850 and signed in pencil, 47cm by 63cm

David Bates (1840 - 1921), 'The Return rom the Moor', watercolour, signed, dated 1905, 43cm by 68cm, framed.

Edward Wesson (1910-1983), Jack & Jill at Clayton, watercolour and ink, signed, printed label verso, 20.5cm by 29cm

Mike Jackson (b 1962), The Perfect Gent, giclee print, numbered 80/150 and signed in pencil, verso Washington Green Certificate of Authenticity, 49cm by 40cm (ARR)

Terry Kubecki (contemporary), The Three Trees, etching, numbered 14/80, titled, inscribed RA Summer Exhibition 2004, and signed, 43cm by 53cm

Camille Roqueplan (French 1800-1855), landscape with figures and cattle, oil on wood, signed, 22cm by 30cm

Edgar John Varley (British, 1839 - 1888), 'Rustic countryside scene featuring thatched cottages, children playing, a fisherman and other figures', watercolour, signed and dated 1870, 43cm by 68cm, frmed.

Wilfrid Williams Ball (1853-1917), The Old Quay, Lymington and The River, Lymington, two colour prints, 18cm by 26cm

After Frank Paton (1855-1909), four framed prints to include 'Rough and Ready' and 'Every Dog Has His Day', each signed in pencil, 20.5cm by 25.5cm

Gennady Yelizarov (Russian b 1950), Luxembourg Gardens, oil on canvas, signed, verso inscribed, 48.5cm by 34cm

Felix Haspel (Austrian, b.1951), a series of three abstract lithographs, two limited editions, matching silvered frams, (af), (3).

Felix Haspel (Austrian, b.1951), 'Abstract Landscape', watercolour, signed, 48cm by 68cm, framed.

William Tatton Winter (1855-1928), two country landscape views of shepherds with their flock, watercolours, both signed, largest 24cm by 32.5cm

John Falconar Slater (1857-1937), Robin Hood's Bay, North Yorkshire, oil on wood, signed, verso paper label for J W Scott Plywood and Timber Merchants inscribed to the artist, 69cm by 105cm

Alexei Nikolsky (1899-1975), still life with hellebores, oil on canvas, signed and dated 1959, 39.5cm by 50cm

William R Garnett (19th/20th century), maritime scene with two figures on a rowing boat in the foreground, oil on panel, signed, 28cm by 38.5cm

Eveleen Lewis (fl 1870-1893), river landscape view, mountains beyond, watercolour, signed, 17cm by 44cm

Manner of George Romney (1734–1802), head of a young woman gazing upwards, oil on canvas, unsigned, 42cm by 34cm

Colin Paynton (British, b.1946), 'Don Quixote and Pancho Sanza', oil on canvas, signed, 84cm by 90cm, framed.

Leopold Rivers (British, 1852-1905), 'Rural landscape featuring a mother and child and ducks on a bridge beside a thatched cottage, watercolour, signed, 36cm by 53cm, gilt gesso frame (some small chips to frame).

Alan Lumsden (1934-2020), Church Fete, coloured etching, inscribed, signed and numbered 1/100 in pencil, 49cm by 65cm

Attributed to Nikolai Kozlenko (b.1952), 'still life depicting an upturned basket of fruits', oil on canvas, bears a signature lower right, inscribed by hand verso, 40cm by 60cm, framed.

Juliet Campbell (British, 20th Century), 'Entrance to the Souk', oil on board, signed, artists hand written label verso inscribed 'Entrance to the Souk, Juliet Campbell, Ypres Lodge, Rye, Sussex, No.6, 32 Guineas', 39cm by 49cm, framed.

Alexei Nikolsky (1899-1975), still life with blue vase of dried flowers and teasels, with oranges and grapes, oil on canvas, signed and 1970, 49cm by 59cm

James Joseph Brereton (British, b.1954), 'The Blue Pacific in Open Seas', 1986, oil on canvas, signed, further signed, titled and dated verso, 60cm by 90cm, framed.

Provenance: Purchased at Hahn Fine Art Dealers, 47 Albermarle Street, London, 23rd Deecember 1993, comes with gallery catalogue.

Mackenzie Thorpe (b 1956), All The Love In the World, photo lithograph, numbered 215/450, inscribed and signed in pencil, verso Washington Green Certificate of Authenticity, 50cm by 41.5cm (ARR)

Arthur Willett (British, 1857 - 1918), 'River scene in Berkshire'', watercolour, signed, label to mount, 52cm by 74cm, framed.

Adam Barland (British, fl.1843 - 1875), 'Fisherman in a Welsh river landscape', oil on canvas, signed with initials 'AB' in red, and dated '66, also bears artists name plaque to frame, 75cm by 126cm, framed.

Joachim Bereuter (b.1946), 'Still life depicting a cup, an apple and a cherry', oil on board, signed, 22cm by 28cm, framed.

Edward Wesson (1910-1983), country village street scene, watercolour and ink, signed, 31cm by 49cm

Charles Bone PPRI, ARCA (b 1926), Charles Bone's Waverley - A Portfolio of Four Prints and a fully illustrated volume in a limited edition of 750 copies each signed and numbered by the Artist, all unframed in presentation box, box 37cm by 52cm

19th century Italian school, figure playing a mandolin on a rocky coastline, oil on canvas, indistinctly signed R Moismile? Napoli and dated 1868, 44cm by 33cm

Mike Jackson (b 1962), It's a Dog's Life, giclee print, numbered 91/150 and signed in pencil, verso Washington Green Certificate of Authenticity, 50cm by 33cm (ARR)

T L Rowbotham (1859), 'Italian lake scene', watercolour, signed and dated, also inscribed ;No. 162', 32cm by 70cm, framed, (af - some foxing).

Felix Haspel (Austrian, b,1951): a series of ten pencil signed limited edition prints depicting abstract landscapes, all framed, (10).

Jacques Ochs (Belgian 1883-1971), two framed drawings of a solider and a dancing figure, both signed in pencil, 24cm 19cm, together with two framed prints after Jacques Ochs (4)

Frank Martin (1921-2005), Billy Rose's Diamond Horseshoe, etching and aquatint, numbered 44/50, inscribed and signed in pencil, 59cm by 78cm

Juliet de Gaye (British, 1930 - 2012), two pencil signed etchings, 'West of Riding, Allegory', limited edition 23/150, 54cm by 69cm, and 'West Riding Feast', Artists Proof, 54cm by 69cm, matching silvered frames, (2), (ARR).

An antique print 'Gentleman and lady with Page serving beverages' after Gerard ter Borch (Dutch, 1617-1681), 35cm by 25cm, framed.

Gloria Marojevic (contemporary), Fusion I, II, and III, a set of three limited edition giclee prints, numbered 100/395 and signed in pencil, approx 5cm by 5cm

Joan Williams (1922 - 2002), pencil signed limited edition etching, 8/15, labels verso, 40cm by 49cm, framed.

John Reed Dickinson (British, 1844 - 1887), 'Chinaman in Medoo', watercolour, label verso, 40cm by 60cvm, framed.

Ena Carter (20th / 21st century), 'Morning Mist', watercolour, signed, label verso, 25cm by 34cm, framed. l

Frank Martin (1921-2005), A Shopworn Angel: Nancy Carroll, etching, numbered 41/40, inscribed and signed in pencil, 76cm by 56cm

Edward Wesson (1910-1983), The Boat Yard, Pin Mill, watercolour and ink, signed, verso paper labels, 21.5cm by 29cm

Malcolm Barlow (20th century), 'Galerie Bernier, Rouen', watercolour, signed, gallery label verso for the Bourne Gallery, 31/33 Lesbourne Road, Reigate, Surrey, catalogue number 62, 26cm by 36cm, framed.

Frank Martin (1921-2005), Marina, etching, numbered 2/100, inscribed and signed in pencil, 59cm by 77cm (a/f - glass cracked)

Alexander Belkin (Russian b 1946), ballerina, oil on board, signed, verso inscribed, 31cm by 22cm

Charles McCall (1902-1989), two pencil drawings; 'Mitzi Sleeping', signed and dated '49, printed paper label verso, 26.5cm by 23cm, and 'Edinburgh Gardens', signed, verso printed paper label and label for Charles McCall Retrospective at Christie's [...] 4th-13th September 1995, 31cm by 24cm (2)

Dick Lee (1923-2001), Barfleur Harbour, low tide, afternoon, watercolour, unsigned, with original New Grafton Gallery label, 23cm by 33cm

An Edwardian marquetry and parquetry inlaid mahogany side table with batswing and conch shell decoration, raised on tapered square supports terminating on spade feet, 74cm wide by 44cm deep by 81cm high, (af).

A late 19th cetury walnut dining table, the rectangular top with cut corners, raised on solid turned cylindrical supports with original casters, 121cm by 106cm, with fitted moden heat pad.

A George III gate leg drop leaf 'cottage' dining table, raised on padfoot supports, 124cm by 41cm opening to 128cm by 124cm.

A Victorian figured mahogany pedestal bedside cabinet, the panelled door enclosing a shelf interior, raised on a plinth base, 80cm high by 40cm wide by 34cm deep.

A large good quality Christopher Howe designer Ottoman stool, with shaped brown leather and hessian removeable cushion height approx 44cm, 122cm long

An antique mahogany show-wood framed open side armchair in the Hepplewhite style, with upholstered seat, back and arms (a/f - damage)

A late 19th century walnut Davenport desk decorated with Arts & crafts style panels, 58cm wide, (af)

A stylish contemporary Italian marbled stone console table, 141cm wide by 80cm deep by 75cm high, together with a similar low coffee table with clear glass top and marbled stone base, 110cm wide by 66cm deep by 42cm high.

A wheelback Windsor armchair, bentwood hoop back enclosing spindles and pierced central wheel splat, shaped arms, on turned legs united by H frame stretcher

An Edwardian mahogany three tier cake stand, c.1910, inlaid with boxwood stringing, the three tiers hinged to fold away after use, raised on end supports, 86cm high.

A contemporary yellow finished pine tall narrow chest of six drawers, raised on shaped bracket feet, 71cm wide by 48cm deep by 124cm high, together with a matching bedside chest of three drawers, 40cm wide by 40cm deep by 64cm high, (2).

A modern brown leather two seater sofa, 166cm wide by 100cm deep.

A vintage Georgian style mahogany side table of small proportions, with satinwood banding and two drawers, 63cm wide by 32cm deep by 75cm high.

A George III mahogany Pembroke table, 80cm by 54cm, opening to 110cm by 80cm.

Two weathered terracotta garden planters, on wrought iron stands, combined heights 53cm and 36cm.

A 19th century marquetry inlaid and satinwood banded mahogany and feathered mahogany kneehole dressing table / writing table, the larger central drawer fitted with partions, flanked by six smaller drawers, raised on tapered supports terminating on brass casters, 114cm wide by 59cm deep by 79cm high, (af - top split and some veneers missing).

An artificial palm plant in ceramic pot, 153cm (5') high.

A Victorian mahogany hall stand of attractive form, featuring six arms mounted with turned hat and coat pegs, above a removable metal lined drip pan for umbrellas, raised on bun feet, 204cm high by 82cm wide.

A vintage Arkana style white finished 'Tulip' table on column support and circular base, 110cm diameter.

A Victorian carved walnut show-wood framed nursing chair with buttoned pink upholstery.

A Victorian carved oak high back chair the back panel carved and pierced with floral and foliate design between barley twist uprights with acorn finials 128cm high

A vintge walnut tall bookcase in a Georgian 'country house' style, early 20th century, the two glass panelled doors enclosing shelves, above two panelled cupboard doors, 135cm wide by 214cm high by 36cm deep.

A fine specimen marble centre table in the Italian Grand Tour taste, the impressive circular top featuring a multitude of multicoloured specimen marbles in an optical swirling geometric design radiating from a central point, within a bold black marble outer border, raised on a veined black marble baluster turned pedestal column terminating on a stepped plinth base, 101cm diameter by 73cm high.

A vintage oak fronted and glazed haberdashery display cabinet with sixteen drawers height 92cm, width 180cm, depth 59cm

An Arts & Crafts copper framed rectangular wall mirror in the manner of Liberty & Co., with green enamelled decoration, 75cm by 113.5cm (a/f - three screw holes to the top)

A collection of six metal garden ornaments modelled as birds, tallest 115cm, together with a cast iron door stop modeelled as a terrier standing on its hind legs, (7), (af).

A vintage G Plan 'Fresco' teak chest of eight drawers set out as ytwo0 banks of four drawers each side, on a plinth base, 142 cm wide by 45 cm deep by 76 cm high.

An Edwardian marquetry inlaid and boxwood strung rosewood seven piece salon suite, comprising a sofa, 132cm wide, a pair of low armchairs, and a set of four occasional chairs, (7)

A 19th century oak chest of two short over three long crossbanded drawers on bracket feet height 107.5cm, width 92cm, depth 49.5cm

An antique George III style walnut stool with needlework drop in seat, late 19th / early 20th century, with old ivorine trade label for G Jetley, 52 South Audley Street, London, 57cm wide by 44cm high.

An Edwardian walnut free standing corner cabinet in the Aesthetic taste, 57cm wide by 149cm high.

A William Yeoward chestnut wood dining table with rectangular top and twin pedestal supports on square tapered legs height 72cm, length 201cm, depth 80cm (maker's labels lacking)

A pair vintage Empire revival satin birdseye maplewood pedestal bedside cabinets, early / mid 20th century, applied with ornate cast gilt metal mounts, 72cm high by 38cm wide by 35cm deep.

A modern brown leather electric recliner armchair, 102cm wide by 102cm deep.

A vintage Chinese export black lacquered and chinoiserie decorated portable low drinks table with folding legs, applied hardstone and inlaid mother of pearl decoration, 95cm long by 54cm wide by 47cm high.

A set of four vintage beach kitchen chairs, with decorative pierced back splats, raised on ring turned supports united by H stretchers.

A 19th century French giltwood and gesso framed sofa, featuring a later floral embroidered silk back panel, ornate scroll arms, and serpentine front, loose seat cushion, raised on tapered hoof feet, 143cm wide by 104cm high by 56cm deep, (af).

A Porta Romana two door console chest with a dark wood finish, triple leather inset panel top above two cupboard doors with gold coloured cast metal ring handles on square tapered legs, height 70.5cm, width 110cm, depth 40cm

A pair of period style wing armchairs, modern (with fire safety compliant labels), with well padded comfy loose seat cushions, raised on front cabriole legs.

A 19th century mahogany circular tilt top low table, raised on a tapered octagonal column terminating on a triform platform and flat bun feet, 87cm diameter, 50cm high when table top is flat.

A mahogany inlaid breakfast table with circular tilt-top on four outswept legs terminating in brass paws and castors 106cm diameter

A Victorian button back armchair with scroll carved show wood frame on ceramic castors

A contemporary bevelled octagonal wall mirror, 91cm by 91cm.

A George III mahogany bowfront chest of two short over three long drawers on bracket feet height 110.5cm, width 106cm, depth 49.5cm

A George III style feathered mahogany chest of drawers of small proportions, late 19th / early 20th century, fitted with four graduated drawers, raised on shaped bracket feet, 60cm wide by 41cm deep by 78cm high.

A set of six vintage Regency style yew wood dining chairs, 20th century, comprising two carvers and four singles, (6).

A pair of English Regency period mahogany 'country house' hall chairs, painted with bird & coronet armorial crests, and stamped 'RB' to the underside, with scrolled backs and front ring turned tapered supports, (2).

Two similar oak and maquetry inlaid rush seated side chairs, one with panel back inset with name and date 'Dorothea Schmidt Anno 1753' butterflies, flowers and birds,

A Victorian satinwood banded figured walnut Canterbury, raised on the original ceramic casters, 56cm wide by 41cm deep by 49cm high, (af).

An 18th/19th century German inlaid walnut armoire, the two panelled doors applied with ornate cast gilt metal handles and escucheons, with original key, enclosing three shelves, raised on flat bun feet, 166cm wide by 198cm high.

A vintage figured walnut Georgian revival tall bookcase, c.1920's, the two glass panelled doors enclosing three adjustable shelves and one fixed shelf, raised on scrolled feet, 104cm wide by 196cm high.

A vintage mahogany folding boot jack, late 19th / early 20th century, length 76cm.

A George III style walnut semi circular console table, with wavey edge frieze, raised elongated cabriole supports terminating on claw and ball feet, 123cm wide by 62cm deep by 74cm high.

A 19th century mahogany open front bookcase, the three shelves decorated with gilt tooled red leather mounts, raised on a plinth base, 87cm wide by 116cm high by 32cm deep.

A stripped pine 'waterfall' bookcase, fitted with five open front shelves above two base drawers, raised on a plinth base, 81cm wide by 146cm high by 40cm deep.

A pair good quality Willim IV rosewood side chairs, c.1830, with nicely re-upholstered damask drop-in seats.

A pine display cabinet with arched cornice over a glazed panel door and glazed sides enclosing four shelves, with drawer to base, on bun feet, 181cm high, 37.5cm deep, 90cm wide

A French style small mahogany occasional table with circular top on cabriole legs 61cm high, 29cm wide

A 19th century rustic walnut chest of drawers, the rectangular top with moulded edges and rounded front corners aove two short and three long lockable drawers, with applied decoration, plain supports, 103cm wide by 46cm deep by 100cm high.

A Victorian mahogany adjustable stool, the revolving wool tapestry seat raised on a turned pedestal terminating on a dished circular base and three outswept supports.

A pair of vintage Regency style cross banded feathered mahogany side tables / wine tables, 20th century, the hinged serpentine shaped tops raised on turned columns and outswept supports, 50cm by 37cm, by 54cm high, (2).

A fine 19th century French inlaid, cross-banded and quarter veneered walnut ladies dressing table, the top with three hinged compartments, the centre one fitted with a mirror, above four working drawers, three dummy drawers, and a pull-out slide, set out around the shaped kneehole space to the front, raised on tapered supports terminating on spade feet, 94cm wide by 53cm deep by 75cm high, (af).

A Coalbrookdale style 'Fern and Blackberry' patterned garden bench and two chairs, the white painted metal chairs stamped 22322, the back of the bench 22323 and the base 22324, bench 141cm wide, chairs 66cm wide

An Evan’s Furniture 1960’s bedroom chair in white vinyl, The product design was selected by the Council of Industrial design for the Design Centre, original assembly information to the underside, 68cm high

A vintage French carved fruitwood framed open armchair in the Louis XV style, 20th century, with nicely upholstered back, seat, and arms.

A George III brass inlaid feathered mahogany corner fitting side cabinet, fitted with three frieze drawers above two cupboard doors, applied with classical revival handles and escucheons, 90cm wide by 64cm deep by 87cm high, (some brass lifting).

A 19th century mahogany x-shaped stool with period style re-upholstered silk damask drop in seat, 52cm wide by 40cm high.

A set of four mid century teak dining chairs, no maker's labels, 75cm high

A 19th century Adam style side table, single frieze drawer with brass ribbon and garland escutcheon and matching handles on fluted square tapered legs height 78cm, width 132cm, depth 57.5cm

A good quality George III marquetry and parquetry inlaid figured mahogany bow front sideboard, fitted with an array of oak lined drawers and a fitted cellerette, raised on six tapered square supports terminating on spade feet, 185cm wide by 78cm deep by 94cm high. Together with a 19th century watercolour depicting a cottage interior full of antiques and art, and featuring this sideboard, 38cm by 64cm, framed, (2).

An elegant Edwardian inlaid mahogany side table, the square top raised on tapered outswept supports bunited by a domed 'x' stretcher, 40cm by 40cm, by 71cm high.

A 19th century Aesthetic Movement wall mirror, c.1880, featuring an ebonised and parcel gilt incised outer frame and marquetry quarter-batswing inlaid satinwood centre panel, 68cm high by 55cm wide.

A pair of vintage Georgian style mahogany chests of three long drawers, 20th century, with brass swan neck handles, shaped aprons and bracket feet, 80cm wide by 49cm deep by 76cm high.

A set of eight wavy ladderback chairs including two carvers, all with rush seats on turned supports

A late 19th century carved walnut tall bookcase, with two glass panelled doors enclosing adjustable shelves, above two frieze drawers and two cupboard doors, 108cm wide by 215cm high by 46cm deep.

A 19th century mahogany and satinwood games, work and writing table, the central hinged writing surface with rachet support, enclosing inlaid backgamon surface above a pull-out chessboard with sewing basket beneath, flanked by a pair of D-shaped hinged compartments on slender curved supports height 74cm, width 70cm, depth 43cm

A South African hardwood framed buttoned leather upholstered chaise lounge, 188cm long.

A 19th century mahogany rectangular swing toilet mirror the box base fitted with three small drawers 64cm high by 57cm wide

A Victorian mahogany step commode, featuring two gilt tooled green leather steps (lower one folds away), the hinged top with fitted interior, 47cm wide by 45cm high.

Two near identical French Louis XV revival ormolu mounted and marquetry inlaid side tables, with diffarent marquetry tops, featuring three quarter gallery backs above side drawers and leather lined pull-out slides, the delicate tapered ogee supports united by quarter veneered concave undertiers, each approx 40cm wide by 74cm high by 30cm deep, (2).

A 19th century four-panel room screen, the top section inset with colourful engravings of parrots, divided into two two-panel sections each panel 182cm by 65cm (a/f - glass missing from two panels)

A set of three contemporary graduated clear perspex nesting tables, 42cm wide by 40cm high by 33cm deep, together with a matching 'long John' coffee table, 92cm wide by 45cm deep by 40cm high.

A large Chinese Chppendale style set of mahogany hanging wall shelves with fretwork sides enclosing five shelves with central glazed cabinet containing six glass shelves and velvet lined interior, above three drawers, height 122cm, width 100cm, depth 17cm

A 19th century gilt gesso framed overmantle mirror relief moulded to depict branches, 112cm wide by 80cm high,

A French marquetry inlaid ladies writing bureau with a pierced gilt metal gallery above sloping fall front enclosing fitted interior with well compartment, on slender cabriole legs with gilt-metal mounts height 91cm, width 73cm, depth 45cm, with a key Provenance details from the current owner: known to have belonged to Lady Enid de Chair, wofe of Admiral Sir Dudley de Chair who served as Governor of New South Wales, Australia from 1924-1930 (a/f)

An Arts & Crafts oak mirror back sideboard, c.1900, 122cm wide by 59cm deep by 148cm high.

A Victorian oak bureau profusely carved with foliate designs, fall front over four drawers with turned knob handles on bracket feet height 110cm, width 92cm, depth 51.5cm

A vintage Georgian style mahogany semi circular console table, 20th century, with carved decoration and tapered padfoot supports, 74cm wide by 38cm deep by 76cm high.

A Swedish satin birch and parcel gilt side cabinet in the Biedermeier style, 19th century, 155cm high by 82cm wide by 32cm deep.

A superior quality early 20th century double-caned bergere four piece lounge suite, comprising a three sester settee, 206cm wide, and three armchairs, all featuring exceptional carved decoration throughout and good quality loose cushions, a fine example of classic country house furniture.

An Edwardian mahogany 'spiders leg' drop leaf table in a George III design, raised on six column turned and block supports, 61cm by 17cm opening to 78cm by 61cm, standing 62cm high.

A 19th century mahogany travel chest with twin brass carrying handles, the hinged lid revealing an old trade label for 'Jacob Brisk, Trunks, Bags & Valises', 66cm wide by 44cm deep by 48cm high, (af).

A South African blackwood cabinet, fitted with two short drawers above two cupboard doors enclosing adjustable shelves, 113cm wide by 140cm high by 52cm deep.

A white painted metal garden table with rectangular composite stone top 48cm high, 91cm wide, 53.5cm deep (a/f)

A cast iron and slatted wood garden bench applied with a maritime motif, late 19th / early 20th century, 150cm wide, (af).

A 19th century English Regency period mahogany coffee table (adapted and cut down from a taller table), the circular top with beaded borders raised on a short column and four sabre supports terminating with cast gilt-brass caps, 110cm diameter by 50cm high.

An Edwardian mahogany display cabinet, featuring a glass panelled door enclosing four adjustable shelves and lined interior, flanked by fluted canted corners, raised on tapered supports with spade feet, 84cm wide by 157cm high by 33cm deep.

A Victorian satin birds eye maple inlaid rosewood games table / sewing table, featuring an inlaid checkerboard top hinged to reveal an inlaid and fitted interior, above a fitted drawer and slide-out fabrics bag, raised on elegant shaped end supports, contains lots of vintage sewing equipoment, 61cm wide by 39cm deep by 72cm high, (af).

A c.1920's oak roll top desk, with lockable tambour top, key, fitted interior, 128cm wide by 76cm deep.

Two Edwardian inlaid and cross-banded mahogany side tables, kidney shaped 57cm wide by 70cm high, oval 67cm wide by 72cm high, (2).

A good quality 19th century mahogany show-wood framed country house sofa attributed to Holland & Sons, re-upholstered in a hard wearing neutral fabric, with one long loose seat cushion, the castors stamped 'COPE'S PATENT' and 'STRONG', one of the legs is also stamped 'GVR' beneath a crown, size approx 229cm wide by 94cm deep by 64 cm high.

An antique Persian Baluch rug, depicting a classic 'pencil box' grid design in rich tones of dark brown and muted coral, approx 175cm by 98cm.

An antique Turkmen Bokhara rug, in predominately red and decorated with repeating octagonal gul (elephants foot) motifs within borders, approx 214cm by 148cm.

An antique Kurdish runner decorated with stylised and geometric designs within borders, in tones of red, brown and blue, approx 270cm by 114cm.

An antique Persian Caucasian rug decorated with stylised and geometric designs in soft faded terracotta and indigo palettes, approx 141cm by 84cm, (worn).

A large good quality Chinese wool carpet / rug in the Peking / Aubusson style, the thick pile decorated with a central Peacock medallion and bird & foliate border panels, predominately in tones of blues and cream, size approx 370cm by 275cm (12' x 9').

A Turkoman rug, red ground, with geometric design within multiple borders, 212cm by 105cm

An antique Persian Kashan Milliefleur prayer rug, featuring a central mihrab design with stylised designs and floral urn motifs within borders, approx 196cm by 132cm.

A good quality Persian Kashan runner featuring a classic predominately blue field with intricate stylised floral medallion patterns within borders, approx 390cm by 107cm.

A large Persian style rug, teal ground, with floral and foliate decoration, approx 283cm by 196cm