Lot 338: Estimate £40 - £60
A Fine Art, Antiques & Collectables Auction to include The Cecil Aldin Collection Part II, Friday 20th June 2025, 10am

Lord of the Rings Interest: a Studio Pottery ceramic liquid dispenser decorated in sgraffito with Elvish script, amidst naturalistic leaves and foliage decoration, incised to underside 'ANSTY KIG 73', with wooden tap, cork bung, and loop handle, 43cm high.

Commissioned by the vendor's parents around the 1970s in the New Forest, Hampshire.

A pair of Bohemian green glass vases with gilded decoration and white enamel panels painted with flowers 29cm high (a/f - chip)

A Jugendstil WMF (Wurttembergische MetallwarenFabrik) No.268 silver plated and glass biscuit box, green tinted glass, the silver plated mounts cast with sinuous flowers and foliage, stamped mark to foot, 24cm high, together with a hardbound edition of Art Nouveau Domestic Metalwork from Wurttembergische MetallwarenFabrik 1906, published for the Antique Collector's Club 1988 (*the biscuit box is illustrated on page 251)

An early 19th century Marseilles porcelain chocolate cup and cover decorated with a vignette of figures in a garden, with gilt embellishments, 15cm high

Seven Rosenthal Studio-line `Aladin und die Wunderlampe` plates 16.5cm diameter

A Lalique 'Deux Fleurs' clear and frosted scent bottle and stopper 9.5cm high

A pair of Volkstedt, Germany porcelain figures if a gentleman seated beside a bird cage, and a lady with hens, 12.5cm high (a/f)

A studio pottery model of a fish in brown and white glaze, inscribed 'P Sarisbury' to base 19cm long

A Minton 'Spring Valley' pattern porcelain part dinner service comprising two oval tureens and covers, sauceboat on stand, six dinner plates, six side plates and six bread plates, and six bowls

A Royal Crown Derby porcelain 'Vine' pattern cake platter and two small plates, a pair of Coalport porcelain plates with floral design, and an Aynsley porcelain part tea service comprising cake platter, six teacups and saucers, milk jug, slops bowl, and six small plates

A Moroccan or Hispano Moresque polychrome decorated ceramic dish, tin glazed, with repeating geometric motif, diameter 32cm.

Of St. Barbe Sladen family interest: comprising a pair of 18th century porcelain pouring vessels painted in coloured enamels with the family crest, 20cm long, a pair of 18th century porcelain plates painted in coloured enamels with the family crest, 23cm diameter, a 19th century engraved silver plated goblet, dated 1887, 23cm high, an a 19th century twin handled metal deed box, painted to the lid 'Mrs St Barbe Sladen', 53cm wide by 38cm deep by 31cm high, (6), (af).

Three Beswick models of cats to include a white Persian cat, standing 12cm high

Six small porcelain imari pattern plates with retailers mark verso for Maple & Co London, 18cm diameter, together with a Chelsea style porcelain plate decorated with exotic birds and insects on a cobalt blue ground, gold anchor mark verso, 18.5cm

A Dartington Crystal daisy cheese platter, boxed, a small Coalport porcelain Revelry knife and plate set, boxed, a hardback edition of A Collector's Guide to Royal Copenhagen porcelain by Nick and Caroline Pope and a vintage Ercol furniture catalogue

A Royal Copenhagen Tenera faience small dish 11cm, a Royal Copenhagen model of two birds 13.5cm, and a small candlestick, together with a Bing & Grondhal model of a boy and a small vase decorated with a seagull (5)

A large Royal Worcester 'Astley' pattern part tea, coffee and dinner service to include teapot, seven tea cups and eight saucers, eleven dinner plates, two shell shape butter dishes, a casserole dish with lid and two oval serving plates (approx 116 pieces) (a/f)

A Dartington crystal 'Rosemary' perfume spray with atomiser, and 'Angelica' cologne flask with dipper, an Aynsley china 'Pembroke' swirl atomiser, A Wedgwood 'Wild Strawberry' trinket dish and an egg shaped box, all with boxes, together with a small Aynsley 'Wild Tudor' pattern vase

A Lorna Bailey 'Pagoda Garden' pattern tall jug 21cm high

A Lorna Bailey Collectors Club 2nd Limited Edition 'Thunderbolt' sugar sifter 14.5cm high

A Lorna Bailey limited edition 'Honey Cone' sugar sifter, numbered 212/250, 14cm high

A Lorna Bailey Collectors Club 5th Limited Edition 'Fire' sugar sifter 14.5cm high

A Lorna Bailey 'Beach' jug 13.5cm high

A Lorna Bailey limited edition 'The Flower Vase' number 25 of 50, 16cm high, with Certificate of Authenticity

A Lorna Bailey Collectors Club miniature wedding cake, 6cm high, and two pairs of Lorna Bailey salt and peppers of baluster form, comprising one set in 'Beach' pattern 10.5cm high, the other decorated with daffodils 11cm (5)

A Lorna Bailey 'Marshland Cottage' jug 13.5cm high

A collection of twenty-six W Godwin fleur de lys pattern tiles in bluff and terracotta red 10.7cm by 10.7cm

Lladro Porcelain: comprising two fairies, a unicorn, a boy with a dog, and a girl with a bird. Together with a Nao model of two puppies, tallest 26cm, (6).

A Carters of Poole style Emaux Ombrants tile depicting Admiral Sir John Jellicoe, (no maker's marks) 15cm by 11cm

A pair of Rene Lalique 'Pouilly' champagne glasses, each with moulded green band of a school of fish, engraved to bases 'R. Lalique', (AF - small chips to glass rims) height 6.5cm

Four Royal Crown Derby Imari porcelain coffee cups and saucers

Two Royal Doulton 'The Gemstones Collection' ceramic figures of ladies comprising August Peridot and November Topaz 18cm high, a Nao figure of a lady seated beside a bird 15cm, and a Nadal figure of a young girl wearing a winter coat 18cm (4)

A 20th century German porcelain nine piece porcelain monkey band comprising conductor and eight musicians with pale floral decoration and gilt embellishments, each with mark for PM&M and incised numbers to base (a/f)

A Royal Worcester blush ivory jug, late 19th century, decorated with floral sprays in blue, yellow and gilt, reeded gilt handle, puce mark to base, numbered 1094, Rd. No. 29115, height 13cm, together with a Royal Worcester blush ivory cauldron, late 19th century, decorated with roses, two handled, raised on thee gilt legs, puce mark to base, height 6.5cm (2)

A Royal Doulton figurine 'Pride and Joy' HN4152, height 12cm, together with a Royal Doulton figurine 'Sugar and Spice' HN 4103, height 11.75cm, a Royal Doulton figurine 'Sharon' HN3455, height 15cm and a Kew Pie vintage bisque porcelain doll, jointed (AF) (4)

A pair of continental porcelain vases and covers, possibly German, late 19th/ early 20th century, of baluster form, in the Meissen style, bearing cross swords mark to base, floral encrusted and decorated with floral sprays, height 15cm, together with a continental floral encrusted porcelain vase / candle holder, with impressed X to base, height 13cm (3)

A Mary Gregory style vase, in lime green glass, of shaped form, height 9.7cm, together with continental glass vase, of shaped form, enamel decorated with flowers, height 18.25cm, a pair of glass bell decorations, edged with glitter, height 10.5cm, a green glass vase, of ribbed form, mid century style, height 40cm, an art glass basket and handle, milk glass with green glass handle and applied flower, ground pontil to base, height 16cm and a vaseline green glass vase, two handled with shaped rim, ground pontil to base, height 15.5cm (7)

An Edwardian silver mounted glass spill vase, Birmingham, 1906, of wrythen form, cranberry decorated, height 17cm, together with a cranberry glass vase, trumpet form with crimped rim, height 27.5cm, a cranberry glass jug with shaped rim, height 11.5cm, a green glass 'Innovate - The Art of Glass' Dartington style vase, with unusual shaped rim, height 33cm, and a clear glass epergne, with ground pontil mark to base, height 19.5cm (5)

A cut glass decanter, 20th century, of square form, together with three further cut glass decanters, a modern clear glass ships decanter and a frosted decanter, the tallest 30.5cm (6)

A clear glass liqueur decanter, early 20th century, in the Venetian revival style, possibly 'Poppy Head' designed by Harry Powell (attributed) for James Powell & Sons (Whitefriars), of square form, with wrythen body and dimpled detail, height 20.75cm

A set of six cranberry cut glass wine glasses, with clear glass stems, together with a pair of cranberry wine glasses, and a set of six ruby wine glasses, with twisted clear glass stems the first height 12cm (14)

A Royal Crown Derby demitasse cup and saucer, in imari type pattern (cup AF), together with a Royal Crown Derby tea cup, in imari pattern, an Aynsley silver mounted coffee cup, a Hutschenreuther cabinet cup and saucer, decorated against a dark blue ground with gilt leaf motif, a porcelain jug, in the Coalport style jug, decorated with floral motif (AF), a Coalport demi tasse cup and saucer, height 14.5cm, and five pieces of Crown Staffordshire, including three covered small pots and two boxes, one lacking lid, the first cup height 5.5cm

A continental porcelain desk stand and vase, late 19th / early 20th century, on tray with integral pots with matching tapering vase, decorated with gilded bands against a white ground, with circular floral and swag decoration, sleeve vase with lid and well, after a design by the Imperial Porcelain Factory/ Dresden, unmarked, tray width 23.2cm

A collection of six cut glass dessert glasses, together with a set of five cut glass port glasses, a champagne coupe, a rummer, a set of six cut glass wine glasses, a pair of cut glass liqueur glasses, six cut glass bottles of various designs, the first height 10cm (qty)

A Moorcroft pottery baluster vase in the Cluny pattern, 26cm high

A Moorcroft anemone pattern baluster vase, blue ground, marks to base, 12cm high

A Moorcroft pottery Mackintosh pattern slender jug / ewer, 24cm high

A pair of Venetian glass hand blown candlesticks, the black design with gilt inclusions on white ground, 19cm high, and a Zimbabwe Gastone copper wall plaque with a bronze-effect sable antelope in relief, signed, 32cm by 14cm

A Baccarat 'Harmonie' cylindrical glass vase, with Baccarat label to front and factory mark to base 17.5cm high

A Royal Crown Derby miniature 1128 imari pattern cabaret tea service, c. 1998, comprising tray, jug, teapot, bowl, cup and saucer, L.1and I.11, marked in red, tray width approximately 21cm

A collection of Cauldon blue and white transfer printed wares, in Arcadian Chariot pattern, including hexagonal plate, hexagonal bowl, teapot, sugar basin, cream jug, beaker, dish, graduated pair of jugs, ginger jar, two tea cups, coffee can and four saucers, together with a Cauldon ladle, two Ringtons Maling tea caddys, a Warwick ware stand, a blue and white Calico Burleigh Staffordshire floral pattern cheese dome and cover, with a matching jug, cheese dome height overall 17cm (qty)

A large collection of thirty continental figure groups, in the Conta and Boehme manner, in the form of trinket dishes, spill vase and candlesticks, figures including children, cats, and geese, the tallest 18cm (30)

A large collection of Pratt Ware, F. R. Pratt and similar, comprising two plates, wall hanging plate, vase (AF) and twenty five pot lids, loose frames and many mounted in wooden frames, six with bases, examples including 'The New Blackfriars Bridge', 'Dr. Johnson', 'Victor Emmanuel & Garibaldi', 'St. Pauls Cathedral', 'Low Life' and 'Embarking for the East' (qty)

A set of four Dresden pin dishes, gilt rim, decorated with floral sprays, width 9cm together with Hammersley 'Lady Patricia' pattern square plate and two shaped dishes, a Hammersley 'Dresden Sprays' covered sugar bowl, cup and saucer, two shell shaped dishes one 'Hammersley' and a further jug and plate in a similar pattern (qty)

A collection of twelve Royal Copenhagen porcelain small models of children from the 'mini collection'

Swarovski Collectors Society Annual Edition 1992 'Care for me' - the Whales 10cm high, boxed

A collection of boxed Swarovski crystal ornaments of cats, dogs, mice and a small bird tallest 7cm high

A collection of Swarovski crystal models of birds including owls and swans, some boxed and some with associated boxes tallest 7cm high (a/f)

A Swarovski crystal model of a flamingo 15cm high, with box

A collection of Swarovski crystal ornaments to include coloured hearts, key rings, trinket box and egg, most with boxes, and a Swarovski mirrored stand

A collection of Swarovski crystal ornaments of animals including hedgehogs, foxes, snail and squirrel, boxed (some with associated boxes)

A Portuguese Palissy ware crab plate, 20th century, majolica modelled as a crab in a naturalistic setting, bearing makers stamp 'F. Mendes LDA, Caidas de Reinhe', numbered '490', diameter 30cm

A large Lladro white porcelain 'Christus' figure 49cm high, with certificate, base and box

A Lladro porcelain figure group of an embracing couple 'You're Everything to Me', 36cm high, with box

A Lladro porcelain figure group of a couple 'Declaration of Love' 36cm high, with box

A Lladro porcelain figure of a ballet dancer, in seated pose, variously impressed to base, together with a Lladro porcelain figure of a girl with goose and milk pail, a Royal Doulton figurine 'Solitude' HN 2810, a Leonardo Collection figurine of a young ballerina and Genesis Fine Arts Ireland figure of a rehearsing ballet dancer, in faux bronze resin, the latter height 32cm (5)

A New Wharf pottery 'Melrose' pattern blue and white oval platter 37cm by 26cm, a rectangular ceramic trinket box and cover with all-over floral pattern, and three white ceramic photograph frames with applied floral decoration

A collection of 18th century and later porcelain teawares comprising two 18th century porcelain tea bowls with spiral fluted body and flower sprig decoration (no maker's marks - probably Worcester), together with a Lenart porcelain teacup trio with gilt wheat design, a Crown Staffordshire trio with floral design and a Sunderland ware teacup and saucer

A George Logan (1866-1939) for Keeling & Co Burslem Late Mayers 'Tulip' pattern tureen and cover and oval platter

Two 19th century 'Indus' black and white transferware ceramic plates decorated with birds amongst foliage and flowers 23.5cm

A large Royal Albert 'Lady Hamilton' pattern dinner and tea service to include four tureens and covers, four large oval platters, four smaller oval platters, sauceboat on stand, twelve dinner plates, two pairs of salt and peppers, hot water pot, tea pot, bachelor's teapot, and larger teapot

A set of six Masons Ironstone plates, 19th century, decorated with chinoiserie inspired 'Fence & Rock' pattern, heightened with gilt, each bearing impressed mark to base, together with a vintage French St. Clement mallard duck pitcher, bearing impressed mark to base, height 33.5cm (7)

A pair of Tajima glass vases, Japanese, mid 20th century, in textured blue turquoise finish, height 17.2cm

A collection of seven Royal Doulton figures of ladies to include The Paisley Shawl HN1392, A Victorian Lady HN728 and Delight HN1772 (a/f)

A large Longpark Torquay two-handled vase, bulbous body with straight neck and flared rim, decorated against the treacle coloured ground with trees, incised signature to base, height 44cm

A pair of Royal Doulton stoneware vases, early 20th century, in the Doulton Lambeth style, tube lined, blue, green and brown ground, impressed mark to base and model number 6469, height 33cm (2)

A collection of floral encrusted porcelain comprising a table clock, and pair of vase and cover garniture, a pair of candelabra (one top missing, one top part section present) and a sleigh, all with no maker's marks (a/f - damage)

A white porcelain centrepiece in the manner of Moore Brothers, modelled as a pair of musical cherubs and floral garlands beneath a scalloped edge bowl, heighted with gilt (AF), height 29.5cm

A pair of KPM porcelain figures in 18th century costume, the gentleman holding and plate with a fish at his feet, and the lady holding a tray with cup and jug 27cm high, together with a bisque porcelain figure group of parents and child 37cm (a/f)

An Augustus Rex style porcelain figure group of a couple beside a needlework table 17.5cm high, together with a collection of eight porcelain figures makers including Derby and Sitzendorf (a/f - damage)

Royal Crown Derby 'Imari' patterned porcelain: comprising a set of six coffee cans and saucers, a tea cup and saucer, and a set of eight side plates, numbered 2451, a miniature pot pourri with cover, and a miniature cream jug, (24).

A Stefan Nowacki Derby handpainted coffee can and saucer, decorated against the blue ground with panel of two masted sailing vessel at sea signed, with bands of gilt, marked to base, can height 6.2cm (2)

A 19th century Meissen porcelain figure depicting a female figure with a lamb, 19cm high (af), together with nine further late 19th / early 20th century continental porcelain figures, (af).

Decorative ceramics: to include six pretty 19th century porcelain cups and saucers, a late 19th century Ridgways twin handled pedestal bowl in a Regency design, 14cm high, a 19th century Mason's tureen, cover, and stand, a 19th century ironstone china plate in the imari palette, a lavish late 19th century Cauldon trio of teapot (spout chipped), sucrier and milk jug, and a vintage Olaria Nova (Portugal), ceramic dish, 20cm wide, (13).

A Lladro porcelain figure of a princess 28cm, a Lladro figure of a skier (missing skis), a boxed Lladro Society scroll, and a boxed small Lladro wallet

A large Sevres porcelain gilt ormolu mounted centrepiece dish, French, 19th century, centrally decorated with a painted oval panel of riverside courting couple and attendant, against the turquoise 'Bleu Celeste' ground with floral panels, gilt heightened, bearing red 'Chateau de Compiegne' and blue 'Sevres 1845' marks, width 52cm

A large Sevres porcelain two-handled covered tureen and cover on stand, French, 19th century, the tureen decorated with panels, one with the cypher of Louis Phillipe surrounded by winged putti holding aloft floral garlands, and courting couple and attendant within a garden against the turquoise 'Bleu Celeste' ground, the stand with floral band, gilt heightened, tureen bearing red 'Chateau de Compiegne', blue 'Sevres 1845' marks, and further mark, all AF, stand width 35cm (2)

A Shelley marmalade pot, modelled as an orange, decorated with coloured bands, height 11.5cm

Two Lladro porcelain models of polar bears and cubs tallest 16cm

A graduated set of three Beswick ceramic wall plaques in the form of pheasants, 661/1, 661/2 and 661/3, largest 31cm long

A collection of sixty-three Craven Dunnill & Co Salop 189 ochre glazed tiles with floral design 10.8cm by 10.8cm

A collection of twenty-three W Godwin Hereford and similar fleur de lys pattern tiles in buff and terracotta red 10.7cm by 10.7cm

A collection of sixty-two encaustic border tiles with floral design, some marked T&R Boote Burslem 7.9cm by 15.9cm

Nine Minton & Co tiles with a floral design in brown, black and white 15.2cm by 15.2cm

A collection of twenty-six tiles with Puginesque fleur de lys design in buff, blue, black and terracotta red 15cm by 15cm

Eighteen encaustic Maw & Co tiles and ten corner sections with buff fleur de lys design within a circle on black ground 15.2cm by 15.2cm (a/f)

Approximately forty-seven glazed tiles to include Craven Dunnill & Co., various floral and fleur de lys designs in buff on terracotta red ground

A collection of forty-three W Godwin encaustic tiles decorated with four buff petals and leaves on red brown ground 10.7cm by 10.7cm

A collection of twenty-four Minton & Co border tiles with buff flower within a diamond on black background 15.1cm by 15.1cm

A collection of eight Maw & Co Greek key pattern tiles in buff and terracotta red 15.4cm by 15.4cm

A collection of nineteen assorted tiles to include Minton & Co, with Puginesque and similar designs in buff, black, white and terracotta red

A collection of nine Greek key pattern tiles in buff and terracotta to include five Minton & Co of sandwich construction 15.2cm by 15.2cm

A collection of Puginesque design buff and terracotta tiles to include fourteen Godwin of Lugwardine 10.7cm by 10.7cm (a/f)

A B111 set of four Copeland & Garrett tiles and three spares with foliate design in blue and white 15.4cm by 15.4cm * Copeland & Garrett made very few tiles around 1840 – Minton probably put them off because of their patent

A collection of fifty-eight Minton Hollins & co encaustic border tiles in brown background with black repeating pattern 11.3cm by 11.3cm

A collection of twenty-four tiles believed to be Maw & Co., with buff cross design within a decorative circle on black background, no makers marks 10.8cm by 10.9cm (a/f)

Eleven Craven Dunnill & Co glazed tiles with buff design on pale brown ground 10.6cm by 10.6cm

A collection of eight encaustic tiles with a repeating buff foliate design on black background 11cm by 11cm

A collection of thirty-four Maw & Co tiles with a buff cross design within a decorative circle on terracotta red ground 15.2cm by 15.2cm (a/f)

A collection of ten various tiles to include four Chamberlain & Co Worcester, 15.3cm by 15.3cm (a/f)

A collection of nine Ambergate Brick & Patent Tile Co. Derby glazed tiles with buff design on black ground 15.2cm by 15.2cm

A collection of twenty-three encaustic tiles with buff six petal flower within two circles on red brown background 10.8cm by 10.8cm

A collection of thirty encaustic tiles with buff cross and floral design on black background 7.7cm by 7.7cm

A collection of twenty-four border tiles with repeating blue and white floral design on dark red brown ground 15.4cm by 7.8cm

A collection of seventeen encaustic tiles with red brown cross with flower on a buff background 7.7cm by 7.8cm (a/f)

A collection of thirteen tiles and seven half tiles with unusual white flower design within a circle with a dot to each corner, on blue ground 7.7cm by 7.7cm

A collection of fifty-two encaustic border tiles with buff spot design on terracotta red ground 15.1cm by 3.9cm

An assortment of six decorative tiles makers comprising Minton Hollins & Co, Godwin Lugwardine, and Craven Dunnill & Co (a/f)

A collection of twenty-six Minton & Co glazed encaustic tiles of sandwich construction, with blue, brown and white design 14.5cm by 15.4cm (a/f)

A collection of seventy-four W Whetstone Coalville encaustic tiles, buff flower design with black and buff circles and squares 7.6cm by 7.6cm

A collection of assorted Craven Dunnill & Co encaustic glazed tiles to include six with shield design 11cm by 11cm, and eight with floral design 10.6cm by 10.6cm

A collection of striking Minton & Co encaustic border tiles -twenty five and ten halves, of sandwich construction, in blue, beige, dark brown and red 15.2cm by 15.2cm

A collection of forty edge or border tiles with Puginesque foliate scroll design in buff on black ground 7.5cm by 15.2cm

A collection of thirty-two Malkin & Co Burslem border tiles with repeating foliate pattern in red and black 15.4cm by 15.4cm

A collection of eighteen W Godwin tiles with fleur de lys design in buff and terracotta red 10.7cm by 10.7cm

A collection of twelve Minton & Co encaustic border tiles of sandwich construction with brown cross in buff quatrefoil surrounded by blue with buff flowers in the red brown border 15.1cm by 14.9cm

A collection of seven Royal Worcester and Coalport limited edition ceramic figures to include Royal Worcester Old Country Ways 'A Farmers Wife' no 1,910 of 9,500 21cm high, and Coalport 'The Boy' no 9,370 of 9,500 20cm high, and a Royal Worcester NSPCC Christmas Plate 1987, boxed with certificate

A collection of twenty-two W Godwin Hereford encaustic tiles with brown background and yellow flowers and dot design 10.9cm by 10.9cm (some glazed)

A collection of thirty Maw & Co encaustic tiles with repeating pattern in buff and terracotta red 10.7cm by 10.7cm

A large Spode Italian pattern ceramic teapot 34cm high

A pair of metal mounted milk glass oil lamps believed Quoizel, with fruiting vine decoration between blue borders 56cm high (missing shades)

A collection of discs for a 6.5" polyphon, various makers

An Aerograph Super 63 air brush pen

An early 20th century cut glass and brass mounted ceiling light, fitting marked 'Patent' with brass ceiling attachment together with five ceiling lights, each with tiered lead crystal hanging droplets, the first shade and mount height 21cm (6)

Boxes: comprising a Victorian rosewood combined work box / writing slope, inlaid with abalone and mother of pearl, 30cm wide, a Victorian mahogany games box with fitted interior, 34cm wide, and a Victorian mahogany writing slope, 30cm wide, (3).

Boxes: comprising two Victorian parquetry inlaid walnut writing slopes, 35cm and 30cm wide, and a Victorian parquetry inlaid walnut work box, 28cm wide, (3).

A George III brass bound mahogany writing slope in the Campaign style, fitted with a lockable side compartment and flush handles, 50cm wide.

A mahogany and silver plated two bottle tantalus, containing two lead crystal decanters with silver plated mounts, lockable and with key, 26cm wide by 33cm high.

A brass bound rosewood box inlaid with fruitwoods and bone decoration depicting elephants, lined tray interior, two keys, 20th century, 21cm wide.

A Victorian novelty brass paper clip modelled as a duck head, circa 1870, with glass eyes and finely chiselled detail, 13.5cm long.

A 19th century copper 'slipper' ale warmer, with hinged lid and loop handle, 33cm long.

(The ale or cider went into the warmer and was pushed into the coals of the fire to heat it up, It is called a slipper warmer because of its shape, warm ale was a popular drink, especially during winter, and the warming process could often involve adding spices).

An 18th century German Iserlohn copper and brass tobacco box, of typical oblong form with rounded ends and hinged lid, profusely decorated to both sides with embossed low relief figures and text, 16.5cm long.

A modern Tiffany style table lamp, with leaded green glass shade, simulated bronze Art Nouveau inspired base, together with a modern Christopher Wray Tiffany style table lamp, with leaded multi coloured floral shade, on simulated bronze leaf form base, and a modern Tiffany style table lamp, with purple/ blue leaded shade, on simulated bronze floral form base, the first height 15cm (3)

A pair of Christopher Wray table lamps, in 19th century inspired design, each with shaped brass base, adjustable blue glass shade with crimped edge, marked 'Christopher Wray, London', together with a similar brass table lamp, on round brass base, the first height 29cm (3)

A Christopher Wray adjustable brass table lamp, in the 19th century style, with crimped edged frosted glass shade, shaped rectangular base, bearing manufacturer label to base, height 33cm

A brass oil lamp, with circular base, reeded classical column, white and cranberry frosted glass shade and clear glass chimney, height overall approximately 60cm

A pair of folk art inspired cows, 20th century, horned painted with black and white pattern, length 34cm (horns AF), together with a contemporary wooden bird cage, in turquoise painted finish, height 50cm approximately (3)

A framed vintage Cadbury's advertisement, together with a collection of three reproduction advertising mirrors, two reproduction enamelled signs seven reproduction advertising posters and packaging, framed, (all AF) (13)

An unframed poster of 'Bluebird' signed by Gina Campbell, and a postcard of Bluebird II (a/f)

Beken of Cowes, a framed photograph of the yacht 'Sol Quest', inscribed in Indian ink, 28cm by 22.5cm

A framed colour photo print of a yacht 'Endurance 35 Astilleros Belliure S.L. Calpe (Alicante)', indistinctly signed and dated 77, 59cm by 50cm

An Art Nouveau style mirror after a WMF design, the rectangular shaped frame with sinuous floral design and a maiden with hand cupped to her ear, with easel back, 40cm by 26cm including frame

A large late 19th century copper hot water jug, height 36cm approximately, together with a copper kettle, handle numbered 'V12', a brass preserving pan, 19th century, height 39cm and an Arts and Crafts copper planter, with shaped rim and repeating decoration, height 16cm, (all AF) (4)

A 19th century copper rivetted log bin or planter, geometric decorative detail surrounding rivets, 13cm high x 44.5cm diameter

A contemporary ceramic table lamp, by Coach House with turquoise glazed shaped base and a patterned drum shade, together with a Laura Ashley cobalt blue glazed ceramic table lamp base, with chartreuse coloured drum shade, a geometric glass table lamp base, with floral shade and a large modern floral table lamp base, raised on three paw feet, height overall 59cm (4)

A Victorian milk glass oil lamp, with a clear glass chimney, together with a cast iron base oil lamp with clear wrythen glass reservoir, frosted glass shade, an opalescent pink glass shade and a further oil lamp, with pale amber reservoir, brass base and chimney (3)

A brass two branch table lamp, modern electrical, in the 19th century style, with green glass shades, crimped, on round decorative base, height 53cm

A Forte-Piccolo music box with inlaid exterior, playing four airs, 14.5cm high, 38cm wide, 20cm deep

A Nikon F4 camera with Nikon AF Nikkor 18-35mm ED wide angle lens, Nikon HB-23 lens hood, and a collection of assorted camera film, some in sealed boxes

A Nikon D1x camera with Nikon AF Nikkor 20mm 1:28 lens and Nikon D1 strap

A Nikon AF Micro Nikkor 105mm 1:2.8 lens, a Nikon Macro Speedlight SB-21, and other camera accessories / parts to include a lens case (a/f)

A pair of WIlliam Tonks & Sons brass table lights/ candle holders, 19th century, numbered to base 8727, with sun mark, scroll arm, on weighted cast reeded base, length 24cm (2)

A twin branch candle wall sconce, in the Art Nouveau style, cast metal branches in the form of flowers and stems, diameter overall 42.5cm, together with a Victorian copper footed jardinere, with gadrooned bowl and shaped rim, height 21cm, and a pair of ornate pierced brass candlesticks, 19th century, marked 'Protected' height 22cm (AF) (4)

A French Rococo style cast metal table jardiniere, 19th century, gilt metal/ ormolu, two handled, raised on four feet, with liner, width 44cm

A Mont Blanc fountain pen with 14k gold nib, Meisterstuck No.149, Two-tone nib numbered 4810 and stamped 14C 585, with Mont Blanc Service Guide

A Mont Blanc pencil, Meisterstuck-Pix

A Mont Blanc 32 piston filler fountain pen

A Mont Blanc fountain pen with 14k gold nib, nib stamped 14k/ct 585

A Mont Blanc 22 fountain pen with 14k gold nib, nib stamped 14C 585

A Mont Blanc fountain pen with 14k gold nib, Meisterstuck, Two-tone nib numbered 4810 and stamped 14k 585, with Mont Blanc Service Guide, box and outer sleeve

An empty Mont Blanc Siena Lederetui black leather three pen pouch 14313 Size 3 15.5cm by 4.5cm, with Mont Blanc box and outer sleeve

A Parker Ellipse fountain pen with an 18k gold nib, brown resin body and gold plated trim

A Parker Ellipse fountain pen with 18k gold nib, black resin body with gold plated trim

An early 20th century Parker Duofold Big Red fountain pen, with Duofold yellow metal nib (restored) in Lamy leather case

A 19th century style pierced brass fireguard in the form of a fan, foldout with winged griffin centre 63cm high

A large collection of 1920s and later travel ephemera to include 1920s/30s European and American postcard sets, 1930s Tourist maps and leaflets from Europe, California and Canada, menus and programs from ships including Cunard, baggage labels, tickets, maps etc

A Victorian amboyna box inlaid with white metal, abalone and bone decoration, 41cm wide.

An old Middle Eastern brass dallah, 31cm high.

Middle Eastern metalware: comprising a copper pot and cover inlaid with white metal decoration, 9.5cm high, a vase with engraved decoration, 10cm high, two brass plates with engraved decoration, 23.5cm diameter, and a pair of miniature brass pigs, 3cm high, (6).

An 18th century oak bible box, the hinged lid above carved decoration to three sides, 67cm wide by 43cm deep by 22cm high.

An African Ashanti stool with pierced and carved decoration 64cm wide, 47cm high (a/f)

A bronze bas-relief portrait of Pope John Paul II by Barbara Stride, mounted on an oval wooden plaque, plaque 21cm by 16cm

A large Eastern copper tray, early 20th century, 71cm diameter.

A Polynesian vunikau war club, possibly Tonga or Fiji, root wood, inlaid with crescent and stars motif (some lacking), length 40cm Ivory declaration reference NUTQMLJB

A large copper log bin with twin wrought iron carrying handles, late 19th / early 20th century, 45cm diameter by 30cm high, a Victorian coal scuttle, and a Victorian copper kettle, (3).

A collection of cameras, cine cameras and related equipment: including; a cased Polaroid J66, with paperwork and films; two Sony Handycams with cases and accessories; Olympus AF-1; Kodak Advantix 4100ix; Sony ECM HSI microphone; Tokyo Kogaky lense; Soligor lense; Topcon lense; Ferguson Videostar; Nikon Coolpix; Fujifilm Finepix; Sigma Mirra Ultra Telephoto; Jessop Powerhead Motorised Pan and tilt; Topcon Below Attachment Model 1; Traveler 21400; Topcon Hanimex RE2; Pentax Espoio 140; Traveller DC3000; Olympus ED/35 - 180, together with a dictaphone, portable C.D. player and batteries (qty)

A bronze bell shaped mortar with faint crest, skirted base, 10.5cm high, and an associated pestle

A bell shaped mortar with two handles, 11cm high, an associated pestle, and a small carved model of a roaring lion 9cm high

An Art Nouveau pewter oval fish serving platter, repousse decorated with swimming fish and plants, 69cm by 34cm

A collection of vintage fishing equipment, including cased fly's, reel, etc, (af).

A good quality 19th century leather travelling writing box, with family history relating it to the St. Barbe Sladen family, inscribed 'Pratt & Sons, London', with brass mounts and fitted interior, with key, 43cm wide by 29cm deep by 18cm high.

Mixed Collectables: comprising two antique brass seals with turned wooden handles. three further seals, a pair of early 20th century mother of pearl and gilt-metal opera glasses, two Limoges porcelain pin dishes decorated in gilt with eagle crests, c.1900, 9cm and 8cm wide, a Coronation of King George VI pamphlet dated May 12th 1937, and an early 20th century small eastern carved wooden box, 11cm wide, (10).

Mughal Art: a hand painted panel typically depicting figures in a garden setting, within stylised painted borders and an Islamic micro inlaid frame, the frame 14.5cm by 27cm, together with a small brass box of circular form, with engraved decoration to the outer surface and painted warriors on horse back to the lid, the lid fitted on the underside with a mirror, 6cm diameter, (2).

A vintage 'Universal Avometer Model 7' voltmeter, by the Automatic Coil Winder & Electrical Equipment Co. Ltd, height 21cm

A 19th century marquetry inlaid mahogany deed box, with hinged lid, partial fitted interior, and twin flush brass carrying handles, with key, 52cm wide by 35cm deep by 26cm high.

An Australian boomerang 86cm long (a/f)

Four wooden duck decoy style ornaments with distressed paintwork to include two with Oka labels to base for a Canada Goose 41cm long and a Loon Duck 40cm long

A Middle Eastern brass divit / pen box and inkwell 24cm long, and a brass powder horn on plaited leather straps

A leather and brass telescope by Broadhurst Clarkson and Co of London, with three draws approx 130cm long, and a wooden tripod 161cm high when closed

A Yaesu Museun FRG-7 communications receiver, with instruction manual, boxed

A Japan Radio Co. Ltd (JRC) NRD-535 HF receiver, with instruction manual, boxed

A Mont Blanc Boheme Rouge fountain pen with retractable 14k gold nib and a Mont Blanc Boheme Rouge ballpoint pen, together in a Mont Blanc leather zip case

A Victorian leather bound photograph album (empty), a collection of paper ephemera comprising vintage greetings cards, colour and black and white postcards, and cigarette cards

A Victorian parquetry inlaid walnut work box, with key, 28cm wide, together with a brass mounted hardwood box, 25cm wide, (2).

A framed First World War Hampshire Regiment Cyclist Battalion needlework with crest within a floral wreath above 'India 1916' 28cm by 37cm, 42cm by 51cm including frame

An impressive good quality Victorian oak tantalus with silver plated mounts, fitted with a set of three cut glass decanters with stoppers, a set of four cut glass tapered glasses (14cm high), a set of three cut glass tapered glasses (11cm high), and a set of four cut glass tapered tots (6cm high), the base fitted with two drawers having ornate gilt-metal handles and back plates, flanked on either side by matching carrying handles, 56cm wide by 38cm deep by 41cm high, (one glass missing).

A vintage trunk, early to mid 20th century, with metal mounts, brass locks, and leather carrying handles, 91cm wide by 52cm deep by 32cm high, (useful for storage, props, or with a glass top as coffee tables).

A 19th century oval miniature portrait of a young lady wearing a black silk dress 9cm by 6.5cm, and another of a gentleman 12.5cm by 10cm Ivory declaration reference PMHG1DHC and 79G6JVJW

A 9ct gold chain bracelet with 9ct gold heart shaped padlock clasp 14.7g

Two 22ct gold plain band wedding rings 4.9g (one a/f)

A 22ct gold wedding band 3.2g

A 9ct gold cubic zirconia and blue gem set cluster ring (one stone missing) gross weight 1.8g

A 9ct gold three stone diamond ring gross weight 2.4g

A 22ct gold plain wedding band 2.3g

A Centurion motorcycle helmet in white and metallic blue, with white visor, a blue and white motorcycle helmet (a/f), a pair of vintage motorcycle gloves, and two editions of The Motor Cycle Road Tests

Ivan Berryman (contemporary), 'vintage car race', watercolour, signed, dated (19)87, 42cm by 72cm, framed.

Ivan Berryman (contemporary), 'vintage car race', watercolour, signed, dated (19)87, 41cm by 71cm, framed.

Ivan Berryman (contemporary), 'vintage car race', watercolour, signed, dated (19)87, 42cm by 72cm, framed.

A 'Classic Car Art' automobilia diorama of a Triumph TR3A in a state of restoration in a garage, displayed within a bespoke glass panelled wooden case, with certificate of authenticity to the reverse, case 39cm wide by 24cm high by 14cm deep.

A 'Classic Car Art' automobilia diorama of a Austin Mini Cooper in a state of restoration in a garage setting, displayed within a bespoke glass panelled wooden case, with certificate of authenticity to the reverse, case 39cm wide by 24cm high by 14cm deep.

A collection of vintage car badges, including RAF, etc, (11).

An RAF officers dress sword with scabbard, knot, belt, gloves, and original paperwork from Wilkinson Sword Limited to a Flight Lieutenant D W T Turner, dated 1989.

A Royal Scots basket hilt sword, with nicely engraved 32 inch blade, and leather scabbard.

Two Waltham military issue stopwatches, both Admiralty Pattern no. 6, numbered U9670 and U5743, together with a cased compass and miniature combination compass and magnifying glass

A large wooden model sailing yacht with cream sails and with a custom fitted wooden stand approx 170cm high

A First World War album with gilt lettering 'War Pictures 1914-1919' containing National War Savings Committee stamps, together with an album containing a collection of black and white and sepia prints of famous Victorian figures to include Prince George William Frederick Charles, the 2nd Duke of Cambridge, Lady Randolph Churchill, Sir Charles Santley and Lottie Dod

A pair of leather photograph frames bearing the Queens Regiment crests, early / mid 20th century, 21cm by 15cm, (af).

A First World War medal group of three comprising 1914-15 Star, 1914-18 British War Medal, 1914-19 British Victory Medal, all to 17829 GNR G STAKER Royal Field Artillery, together with a commemorative medal for the Battle of Jutland, a trench art Egyptian coin engraved '29094 T WALTON 3 HRS', three Middlesex Regiment badges and selection of buttons, and Field Marshal Montgomery's 'Ten Chapters 1942-1945' pub Hutchinson & Co

Six hardbound Yachting World annuals for 1956, 1957, 1958, 1960, 1961 and 1962

Maritime interest, a collection of nautical measuring instruments, hand drawn and printed boat plans including for the Cutty Sark, some on acetate, Conservation plans for the Cutty Sark and other nautical collectables and ephemera

A Wheatstone & Co concertina with forty-eight bone keys, in fitted case

A Polyphon table musical box, early 20th century, lid inlaid 'Polyphon', playing 11-inch discs, numbered 52747, with winding handle, image to underside of lid of cherubs, with disc, case width 33.75cm

Five albums (part contents) of Great Britain and International stamps and some loose, to include Stanley Gibbons The King's Own Postage Stamps, The Whirlwind album and Royal Mail Stamp Album for Stamps of the World

Four albums of mostly Great Britain stamps, and some loose to include Stanley Gibbons Victorian Stamp Collection, a large collection of penny reds, partial reconstructed sheets of penny reds, penny blacks, two pence blues, £1 Postal Union Congress 1929, £1 green seahorses (albums part full), and some First Day Covers, *viewing highly recommended

A Steiff Manschli panda bear 064821 with ear tag and card tag 33cm high (seated), and a Steiff baby gorilla 062070 35cm high (2)

A Steiff Knut Master Piece polar bear 036996 with white ear tag 20cm high, with certificate

Three Steiff bears all with ear tags and original card tags comprising 'Cosy Friends' Goldy 31cm high, 'Cosy Friends' Original 35cm, and Lars 36cm

Two Steiff bears with ear tags comprising 'Cosy Friends' Ean 28cm and 2007 Cosy Year Bear 28cm, together with Charlie Bears 'Shreddie' 31cm, and two Welcome Gifts bears

A ZX81 Sinclair Personal Computer, Sinclair software catalogue, Sinclair ZX81 Basic Programming First Edition 1980, four ZX81 games, a Sinclair 16k ram, and a book on The Art of Programming the 16k ZX81 by M James & S M Gee (a/f - as seen and untested)

A Mobo 'Praire King' spring rocking horse, mid 20th century, bearing makers label to front, on stand, length approximately 100cm

Lego Technic 42110 Land Rover Defender, boxed

Lego Icons Modular Buildings Collection 10312 Jazz Club, boxed

Lego Ideas 21322 Pirates of Barracuda Bay, boxed

'Geographia' Ltd jig saw puzzle, 'A Humorous and Instructive Map of London', boxed

A Lego Creator 3 in 1 33109 pirate ship, boxed

Four boxed Corgi Aviation Archive and similar Limited Edition models, 1:72 scale, to include AA34212 Chinook HCIB ZA705/EZ and AA34109 Buccaneer S Mk28

A modern Steiff 'Classic' golden blonde mohair teddy bear 028762, with ear tag, box and Steiff bag 34cm high

A collection of boxed die-cast model buses, makers including Corgi limited edition Original Omnibus Company, Exclusive First Editions and Oxford Omnibus

Lego 71044 Disney Train and Station, boxed

Lego 43179 Disney Mickey Mouse & Minnie Mouse, boxed

Lego Technic 42083 Bugatti Chiron, boxed

Mathurin Moreau (1822 - 1912), 'Grappilleuse' (Gleaner), bronze sculpture, signed, title plaque, 42cm high.

Antonin Mercie (1845 - 1916), 'David Vanqueur', bronze sculpture, c.1890, Barbedienne Foundry stamped to base, signed, numbered to underside '75934', 46cm high.

Claude Michel Clodion (1738 - 1814), 'Bacchante', antique bronze sculpture, signed, 28cm high.

Alfred Boucher (1850 - 1934), 'Two Bacchic figures', a pair of antique bronze sculptures raised on marble bases, c.1930, both signed, 19cm high (2).

Wilhelm Thomasch (1893 - 1964), 'Boy with wreath and umbrella', bronze sculpture, c.1930, signed, 22cm high.

A Victorian silver Maundy four coin set dated 1877 comprising one pence, two pence, three pence and four pence

An Anne half crown 1703 vigo with evidence of brooch mounting and piercing, the reverse heavily tooled, probably formerly enamelled

Sixteen silver Maundy coins to include five Charles II, two William and Mary, three Queen Anne and two George I

An Ethelred II penny, London mint

A Henry III short cross penny and a jetton

A collection of 1970s and later mostly American coinage to include a quarter dollar 1974, together with a small mahogany coin cabinet with twelve trays

Three sixpences including William III 1696, Anne 1711, George III 1787, an Elizabeth I silver coin

A Charles II shilling 1670, and a Queen Anne shilling 1709 (a/f)

A George III shilling 1817

A collection of British coins and foreign to include three Victorian and later crowns: 1897, 1951, 1953 and a Churchill commemorative 1965 crown, and a Swedish 20 kronor banknote

A Charles II 1670 crown

A William III 1696 crown

A Charles II 1677 half crown

A small collection of British and foreign coinage

A group of cupro-nickel commemorative medallions and foreign coins including a Guernsey six coin proof set 1979, further Channel Island issue, British coins and farthings

A group of Bank of England banknotes comprising one Ten Pounds, ten One Pounds, thirty-two Ten Shilling Notes, also a group of foreign banknotes

A collection of pre-1947 British silver coinage including two 1935 Crowns, 600g gross weight

A George III crown, the reverse enamelled, mounted as a brooch, four further crowns: 1819, 1821, 1822 and 1892, also a base metal medallion commemorating William Shakespeare (6)

A group of British and foreign coins to include four crowns, four half crowns, four florins and a cartwheel tuppence 1797

A collection of British and foreign coins, medallions and banknotes, to include cartwheel pennies, commemorative crowns, Reichsbanknotes etc

A group of British and foreign coins and banknotes to include a South Africa 2 1/2 shillings 1892 and a shilling 1892

A group of foreign coins including San Marino 10 Centesimi 1938 R and a USA 5 cents 1883

A collection of British and foreign coins to include a Victorian crown 1896, three florins: 1898, 1900 and 1906, a George IV sixpence 1826, an Irish five pence bank token 1805 and a cartwheel twopence 1797

A large collection of Ladybird books, over 1000 books - SEE ADDITIONAL IMAGES *list of titles available

Stevenson, Robert Louis; Blampied, Edmund (illus.), Travels with a Donkey, pub. New York, Dodd, Mead and Company, 1931, together with five other books to include Mason, Eugene (transl), Aucassin & Nicolette, pub. London, J M Dent & Sons Ltd and New York, E P Dutton & Co 1925, and Sloane CE, Roscoe & Montz BS in CE, John, Elements of Topographic Drawing, Second Edition, pub. McGraw-Hill Book Company Inc 1943 (6 books)

Simpson (Charles) two volumes on hunting 'The Harboro' Covntry' and 'Leicestershire and Its Hunts' published by John Lane, The Bodley Head Limited, 1st editions, 1926 and 1927, together with 'Neighbours' by Lucy Dawson, published by Collins, printed by J. Howitt & Son Ltd, 1946, 'Spring Songs With Music' and 'Summer Songs With Music' (Flower Fairies) by Cicely Mary Barker and Olive Linnel, published by Blackie & Son Limited, and 'The Book of Nonsense' by Edward Lear, published by Frederick Warne & Co., 1901 (6)

Robert Morden, a hand coloured engraved map of Warwickshire, sold by Abel Swale, Awnsham & John Churchill, framed, 38cm x 44cm, together with a Christopher Saxon handcoloured map of Warwickshire, framed, 31.5cm x 38cm (2)

After Gio Giacomo di Rossi, a hand coloured engraved map of Malta and Gozo, 'Isola di Malta, Gozzo Comino e Cominotto', including plan of Valetta 'Pianta Delle Fortificationi Vecchie e Nvo ve di Malta', framed, 33cm x 44cm

F P Becker (British 19th century), 'Cornwall' and 'Sussex', two unframed engraved maps, 30cm by 37cm

'The Book of the Thousand Nights and a Night' by Richard Francis Burton, together with the 'Supplemental Nights', 16 volumes, First Edition Original Edition, privately printed Benares for the Kamashastra Society for Private Subscribers only, London 1885/88. Together with a limited edition hard bound folio 'one hundred illustrations to Captain Sir Richard Burton's translation of The Arabian Nights' from original paintings by Stanley L Wood, Proofs before Letters, only 250 printed, this being number 2. Also with another hard bound folio 'A series of seventy original illustrations to Captain Sir R. F. Burton's Arabian Nights and a portrait of Captain Sir Richard Francis Burton', specially printed by Albert Letchford, Artist's Proofs.Together with other related printed material. (af).

Wheeler-Cuffe, Charlotte, The Burma Alphabet, (In English & Burmese), From the original sketches by Charlotte Wheeler Cuffe, 'Sold on behalf of the Fund for the Queen Alexandra Children's Hospital, Mandalay', with colour illustrations, together with a carved wood and leather camel whip (a/f)

Tobias Smollett's The Adventures of Roderick Random, The Eighth Edition, London, 1770, volume I

Three artist illustrated books: 'Original Views of London', in two volumes (53cm by 37.7cm), Texts by Charles Ollier (1842) and James Laver (1954), from the de luxe edition printed on hand made paper, bound in quarter red morocco, greycloth board sides, housed in a similarly bound slip case, 1966 re-print, containing 27 facsimilie colour plates representing the original lithographs. 'Picturesque Architecture in Paris, Ghrnt, Antwerp, Rouen, etc', being a re-issue of the E. Beresford Chancellor, Published by the Archicetural press 1928 on membrship subscription only, with bookplate of Cedric Gurney Ripley, with original dust cover. 'River Scenery of France' depicted in sixty one line engravings from the drawings by J M W Turner, Published Henry G Bohn, Covent Garden, London, 1857, heavy board covers in contemporary half-calf with gilt spine. (3).

A Railway Clearing House Official Railway Map of England & Wales, 1947, folding coloured map on linen, cloth boards with gilt lettering

A framed John Ogilby (1600-1676) route map for The Road from London to Weymouth 35cm by 47cm

A caddy top Elliott mantle clock, with hand wind movement, the 3 1/2 inch dial with Roman numeral chapter ring and cherub spandrels, 23cm high including handle

A 19th century mahogany stick barometer by Baker of Shrewsbury, 94cm high. Ivory declaration reference AT1JQJHV

A late 19th / early 20th century Rococo style gilt brass watch holder 17.5cm high, and an early 20th century metal cased pocket watch

A 20th century Rococo style cast brass mantle clock chiming on a bell, in an ornate case with equestrian surmount and scroll feet, 42cm high, together with a pair of four light side candelabra 50cm high

A Garrard and Co mantle clock with Elliott hand wind movement, the Roman numeric chapter ring with raised brass spandrels, 23cm high

A Kundo 400 Day clock the green and black dial with Roman numerals under a glass dome on circular plinth base, dome 24cm high including base, together with a novelty German mantle clock the pendulum in the form of a merry-go-round, battery operated, dome 19cm high including base (a/f)

A George III Isle of Wight oak longcase clock, 12-inch painted break arch dial inscribed 'Nichols & Son, Newport', with twin winding holes, oval panel decorated with a seated female figure holding a bird aloft above Roman hour numerals, subsidiary seconds dial, date indicator, with break arch hood and door, on bracket feet, with two weights, height 192cm (A/F)

A 20th century oak longcase clock, 11-1/3 inch square dial, brass with silvered chapter ring, Roman numerals, decorative spandrels, striking on a bell, flat topped case, hood with barley twist columns, pendulum and weights attached, with key, height 185.5cm

A Victorian slate and malachite inlaid mantle clock with gilt Roman numerals, with pendulum 19.5cm high (bell and key missing)

An ornate gilt-brass mounted oak cased Hamburg American Clock Company striking 14 day mantle clock, c.1900, the movement striking on a gong, with original makers label inside the rear door, complete with pendulum and key, 54cm high

A German anniversary clock under a glass dome 29cm high

A 19th century three train fusee longcase clock movement, striking on a bell and chiming on eight bells, 12 1/2 inch circular dial with Gothic scrolling foliate decoration, the backplate engraved 'Calderwood & Son Makers Belgravia SW'

An Edwardian inlaid mahogany balloon form mantle clock on gilt ball supports 23cm high

An early 20th century oak cased mantle clock the circular white enamel dial with Roman numerals and visible escapement, indistinctly signed ' A Mahon? Paris', striking on a bell, 47cm high, 28cm wide, no key (a/f)

An Art Deco pink marble clock, the diamond shaped dial with Arabic numerals 27cm high, and two empty marble clock cases to include an Art Deco tri-colour marble example surmounted with a bronzed metal figure holding a spear

A Swiss cylinder music box, 19th century, inlaid lid, simulated rosewood and ebonised outer case, glazed cover, playing 8 airs, handwritten tune sheet, inscribed 5 1/2", tunes including 'Auld Lang Syne' and 'Blue Bells of Scotland', cylinder approximately 6 inches, case width 42cm

A French boule mantle clock, early 20th century, brass and gilt ormolu mounted case ebonised sides and back, raised on four scroll feet, retailed by Boodle & Dunthorne, Liverpool, the white enamelled dial with Arabic numerals, movement marked 'Made in France' (case AF), height 25cm

A Schatz anniversary clock under a glass dome 31cm high including dome

An 18th century oak cased striking 30 hour longcase clock by John Pocock of Snallish, the 11 inch square brass dial with engraved decoration, with pendulum and single weight, 198cm (6' 6") high.

A Victorian black slate and rouge marble mantle clock, of architectural form, with gilt coloured chapter ring, pierced central dial, Roman numerals, movement striking on a bell, together with pendulum and key, height 42.5cm

A Secessionist style table or desk clock, early 20th century, silvered metal and brass, inlaid with blue enamel, movement removable, circular dial with Roman numeral, lacking hands (A/F), height 14.5cm

A George III oak longcase clock, 11 1/2-inch painted break arch dial inscribed 'J J Dison, Cambridge', with twin winding holes, decorated with floral and bird design above Roman hour numerals, subsidiary seconds dial, date indicator, with swan neck pediment to hood, on plinth base, with two weights, height 209cm (a/f)

A brass torsion clock, under glass dome, 20th century, raised on two columns, enamelled dial with Arabic numerals, movement number 17119, height overall 30cm, together with a Rotherham England bracket mantle clock, 20th century, mahogany case, dial with Roman numerals, steel spandrels, presentation inscription 'Tempus Fugit, A. Faulkner, 25 Years', with brass carrying handle height overall 26cm (2)

A 19th century slate and rouge marble mantle clock, French, enamelled dial with Roman numerals, movement number 7449, with key, height 25.5cm

Cecil Aldin RBA (British, 1870 - 1935) 'The Young Folks Birthday Book', published by Hills & Co. London, inscribed and dated in an unknown hand 'April 27th 1907', together with 'Two Little Runaways' by James Buckland, illustrated by Cecil Aldin, published by Longmans, Green and Co., printed by Ballantyne, Hanson & Co., 1898, 'An Old Fashioned Christmas Eve' and 'An Old Fashioned Christmas Day' by Washington Irving, illustrated by Cecil Aldin, published by Hodder & Stoughton, London (4)

Cecil Aldin RBA (British, 1870 - 1935) a pair of Royal Staffordshire Pottery, Burslem vases, of baluster form with narrow neck, decorated with Cecil Aldin hunting scenes 'In The Open' and 'The First' (AF), bearing 'Cecil Aldin Sketches Reproduced by Special Permission' mark to base, height 30cm (2)

Cecil Aldin RBA (British, 1870 - 1935) for Royal Doulton 'Dog Series', a hexagonal 'Titanian' vase, decorated against the blue ground with images of hounds within a geometric leaf border, numbered D1525, height 20.75cm

Cecil Aldin RBA (British, 1870 - 1935) a pair of vintage tiles manufactured by Carter Tiles (Poole Pottery), each decorated with a seated Sealyham terrier dog and facsimile signature, impressed 'Carter Tiles, Regd UK, England, 16, 1954', one numbered DG5, 15.1cm x 15.1cm (2)

A collection of seven Royal Doulton 'Dogs of Character' figures, with designs inspired by Cecil Aldin illustrations, modelled as Jack Russell puppies H1/1095, H.N. 110, H.N. 1158 (AF), HN 1101 and three unnumbered, the tallest height 11cm

Cecil Aldin RBA (British, 1870 - 1935) for Royal Doulton 'Aldin's Dogs': A large footed bowl, centrally decorated with a hound smoking a pipe, diameter 22.5cm, together with a jug, a two handled square dish, a two handled rectangular dish, an ashtray, a plate, a round dish and further dish, all numbered D4629, each decorated with scenes of hounds within a stylised leaf border, jug height 13.5cm (8)

Cecil Aldin RBA (British, 1870 - 1935) 'A Gay Dog : The Story of a Foolish Year' by Cecil Aldin, published by William Heinemann, 1905 , together with 'Just Among Friends _ Pages from My Sketch Book' by Cecil Aldin, 2nd edition, published by Eyre and Spottiswoode, 1935, 'The Bunch Book' by James Douglas, illustrated by Cecil Aldin, 1st edition, 1932, 'Lost, Stolen or Strayed' by Marion Ashmore, illustrated by Cecil Aldin, Eyre and Spottiswoode, 1931, and 'A Dog Day or The Angel in The House' by Walter Enamuel pictures by Cecil Aldin, 10th edition, published by William Heinemann, 1912 (5)

Cecil Aldin RBA (British, 1870 - 1935) for Royal Doulton 'Dog Series', a 'Titanian' jug, decorated against the blue ground with portraits of a hound within a geometric leaf border, numbered D4525, height 11.5cm

Cecil Aldin RBA (British, 1870 - 1935) for Royal Doulton 'Dog Series', a rectangular 'Titanian' two handled dish or tray, decorated against the blue ground with a hounds and fox mask, within a geometric leaf border, numbered D1525, diameter 36.5cm, together with two plates, one with hound and twine against a mottled blue ground, the other with hound smoking a pipe against a duck egg blue ground, 26cm and 21.5cm diameter (3)

Cecil Aldin RBA (British, 1870 - 1935) for Royal Doulton 'Dog Series', a plate decorated against the blue green ground with images of a dogs, together with a similar larger plate, decorated to centre with a dog smoking a pipe, the larger diameter 26.75cm (both chipped) (2)

Cecil Aldin RBA (1870 - 1935) 'Hunting Scenes, Forty Sketches of Hunting Scenes and Countries, Selected and Arranged by Cecil Aldin', 1st edition, published Charles Scribner's Sons, New York, 1936, together with 'Roads and Vagabonds', by Kenneth Hare, illustrated by Cecil Aldin,published by Eyre and Spottiswoode (AF) (2)

Cecil Aldin RBA (British, 1870 - 1935) for Royal Staffordshire Pottery, two 'In the Open' hunting scene plates, one matt finish, the other with red rim, each diameter 23cm (2)

A Huntley & Palmers biscuit tin with lid lithographic decorated with a Cecil Aldin RBA (British, 1870 - 1935) hunting scene, width 34.5cm

A collection of eight pieces of Royal Doulton, decorated against a yellow ground with hunting and inn scenes by Cecil Aldin RBA (British, 1870 - 1935), including a planter/ jardiniere, a large bowl, two plates (one labelled 'Cecil Aldin Exhibition 1990' label verso), a side plate, two two -handled rectangular dishes, all numbered D4507 and a similar design mug, numbered E3804, together with a plate (AF) with a Cecil Aldin cricket / Cadbury's scene, and a large Royal Doulton 'Series Ware' footed bowl decorated with cottage scenes, numbered 3647, diameter 30.25cm (10)

A large Burleigh Ware wall hanging charger, relief moulded as Sir Walter Raleigh playing bowls within a seascape, signed G. Labarr, stamped to base 'Modelled from the Original Drawing by Cecil Aldin' and 'Made Exclusively for the Rembrandt Guild', together with a large Burleigh Ware wall hanging charger relief moulded as Dick Turpin on horseback, signed Ridgway, numbered 5331, each diameter 41.5cm (2)

Cecil Aldin RBA (British, 1870 - 1935) 'Old Inns', published by William Heinemann, signed 1st edition, 1921, limited edition no. 88, signature in black ink, together with 'Cathedrals of England' published by Eyre & Spottiswoode Ltd., London, signed limited edition no. 77, 'Old Manor Houses', 1st edition, published by Eyre & Spottiswoode, 1923, 'The Romance of the Road', printed by Charles Scribners, 1928 (4)

Cecil Aldin RBA (British, 1870 - 1935) for Burleigh Ware, a collection of five pieces, 'Merrie England' type range featuring designs after Cecil Aldin, including;a jardiniere/ planter, a teapot and three jugs, jardinere height 20.5cm (5)

Cecil Aldin RBA (British, 1870 - 1935) for Burleigh Ware, a collection of twelve pieces, 'Merrie England range featuring designs after Cecil Aldin, including; two spill vases, a teapot, a cake stand, a jug, a square bowl, an oval bowl, two plates, a small round bow and two dishes, the jug height 13.5cm (12)

After Cecil Aldin RBA (British, 1870 - 1935) a vintage greyhound racing poster, featuring artwork by Cecil Aldin, 'The Greyhound Racing Thrill, South Bridge Wharf, Northampton, Every Thursday & Saturday Evening. Opening Easter Saturday April 7th, printed by J. Weiner Ltd. London, W.C.2.', lithograph (AF, severe damp/ mould to poster and frame), framed, 73cm x 49cm

Cecil Aldin RBA (British, 1870 - 1935), 'Barry' and 'Jemima', a pair of vintage prints depicting terrier puppy's, 29cm by 29cm, matching frames.

Cecil Aldin RBA (British, 1870 - 1935), 'Good Boy' and 'Bad Boy', a pair of vintage prints depicting terriers, 34cm by 24cm, framed.

Cecil Aldin RBA (British, 1870 - 1935), a vintage print depicting three vignettes of terriers, each with a short poem, images 13.5cm by 11cm and 11cm by 13.5cm, framed by The Frog & Mouse Picture Company of Leicester and Nuneaton, frame size 30cm by 60cm.

Cecil Aldin RBA (British, 1870 - 1935), five vintage prints depicting terriers, all framed.

After Cecil Aldin RBA (British, 1870 - 1935), 'Behind Time', colour print, 22cm by 39.5cm

Thomas Shotter Boys NWS (British, 1803-1874), 'French Views', eleven original lithographs, two with early labels for Thomas Agnew & Sons Ltd of 43 Old Bond Street, London, and numbered 42768 and 42457, all with later labels verso title and plate number, all framed, (11).

Robert Morley (British, 1857 - 1941) 'His Gold Mine', oil on board, mouse feeding within a barn, signed lower left, variously labelled verso including partial inscribed artists label and 'Liverpool, Dicksee & Co.' within ornately carved gilt frame, 10.75cm x 11.25cm

Vladislav Rohling (Czech, 1878 - 1949), three pencil signed etchings depicting street scenes, 17cm by 14cm, framed.

Hungarian School, harvesters in a field, oil on canvas, indistinctly signed, paper labels verso, 75cm by 98cm

After Élisabeth Louise Vigée Le Brun (1755-1842), self portrait, oil on panel, unsigned, in ornate giltwood and gesso 'Florentine' style frame, 36cm by 31cm including frame

Victorian school, portrait of a lady wearing a red headscarf, red drop earrings, and a red and white patterned shawl, oil on canvas, indistinctly signed John Colling*? and dated 1878, 51cm by 41cm

Marsha Hammel (American b 1949), Saxophone player, oil on paper, signed, 70cm by 53cm, together with a leather folder containing information on the artist

Keith W Hastings (b 1948), winter landscape with stream, oil on canvas, signed, 18cm by 24cm

Victor L. Prescott (19th/ 20th century) a pair of marine watercolour and gouache paintings, sailing vessel before a lighthouse and two masted sailing vessel on calm waters, signed lower right, each bearing partial inscribed label verso, framed, 25cm x 12cm (2)

After Edward King (British, active 19th/ 20th century), a set of four coloured etchings of London scenes, Horse Guards Parade, Buckingham Palace and the Queen Victoria Memorial, Cleopatra's Needle and the Thames Embankment and The Thames between Richmond and Petersham, each signed in pencil and additionally by the engraver, bearing blindstamp, published 1925 by The Museum Galleries, framed, the first 29cm high x 39cm wide (4)

After Daniel Hernandez (Peruvian 1856-1932), courting scene, 19th century colour print published in 1898 by Jean Boussod, Manzi, Joyant & Co., 32cm by 24cm, and two 19th century colour prints depicting interior scenes after Lucius Rossi (1846-1913), all three prints nicely presented in matching giltwood and gesso frames with garland surmount

After Friedrich Geselschap (German 1835-1898), portrait of a lady holding a basket of flowers, pencil, unsigned, 31cm by 25cm

James Burrell Smith (British 1822-1897), Scottish Highland view with couple beside a loch, ruined castle beyond, signed and dated 1871, 20cm by 48.5cm

A Marrani (Italian, active 19th century), a Dominican monk in the choir stalls of Santa Maria Novella in Florence, watercolour, signed, verso printed paper label 'The Quire at Santa Maria Novella', 43cm by 47cm

Martin Garvey (British 20th century), Stanton, Gloucestershire, lithograph, inscribed and signed in pencil, blindstamped for Warwick Galleries, 26.5cm by 32.5cm, unframed, together with a collection of unframed prints, etchings, engravings etc of scenic views to include Mousehole, Cornwall, Torquay and Goring-on-Thames (ARR)

17th century Genoese School, The Holy family, oil on canvas, unsigned, 53cm by 64cm (some restoration and cleaning)

Attributed to Thomas Christopher Hofland (1777-1843), 'Winter landscape', oil on board, signed 'Hofman' , 14cm circular, framed.

Charles Edward Brittan (1837-1888), fox with mallard, watercolour and gouache, signed, 16cm by 21cm

Graham Isom (b 1945), haycart and figures before a field, oil on canvas, signed, 30.5cm by 41cm (ARR)

Margaret Palmer (b 1922), Victorian Winter, oil on board, signed, verso inscribed, 21cm by 28cm

Margaret Palmer (b 1922), two ballerinas, oil on board, signed, 29.5cm by 24cm

Bernard Banks (20th century), The Park, watercolour, signed, verso inscribed paper label, 35.5cm by 55cm

Manner of David Roberts (1796-1864), church interior, oil on wood, unsigned, verso indistinctly inscribed paper labels, 18cm by 13.5cm, the gilt frame with plaque inscribed 'D Roberts RA'

Moodie (20th century), 'Arabic male figure in an interior scene', oil, signed and dated (19)72, label verso for John Mathieson & Co, 48 Frederick Street, Edinburgh, 35cm by 45cm, framed.

After Joan Miro (Spanish, 1893-1983), 'L Oiseau Solaire, L Oiseanu Lunaire, Etincelles' (The Solar Bird, The Lunar Bird, Sparks), a triptych, unsigned lithograph, Galerie Maeght, Paris, 31cm by 70cm, unframed.

After Joan Miro (Spanish, 1893 - 1983), 'Trois Poches de Couleur' (Three Pockets of Colour), a triptych, unsigned lithograph, Mourlot of Paris, 31cm by 69cm, unframed.

After Joan Miro (Spanish, 1893 - 1983), 'Maîtres Graveurs Contemporains' (contemporary master engravers), an unsigned lithograph in colours, 24cm by 28.5cm, unframed.

Marino Marini (Italian, 1901 - 1980), 'Cavalier', an unsigned lithograph, Mourlet of Paris, 31cm by 24cm, unframed.

After Serge Poliakoff (Russian / French, 1900 - 1969), 'Composition rouge et bleue', an unsigned lithograph, Mourlet of Paris, 31cm by 24cm, unframed.

Colin Orchard (British, b.1935), 'Montpellier Gardens, Harrogate', oil on board, signed with monogram, fully signed and titled verso, 20cm by 20cm, framed.

Colin Orchard is one of Cornwall's most respected painters and has exhibited extensively at more than 50 art venues throughout the UK, his paintings have regularly featured at the Royal Academy Summer Shows, and in 2007 he was appointed a member of the Royal Society of British Artists.

Colin Orchard (British, b.1935), 'Vuillard Exhibition in Sheffield' oil on board, signed with monogram, fully signed and titled verso, 17cm by 17cm, framed.

Colin Orchard is one of Cornwall’s most respected painters and has exhibited extensively at more than 50 art venues throughout the UK, his paintings have regularly featured at the Royal Academy Summer shows, and in 2007 he was appointed a member of the Royal Society of British Artists.

Italian School (19th century), a set of three coloured engravings, scenes of urban life, framed, each overall 24.5cm high x 32cm, (3)

British School (late 19th / early 20th century), 'Rural river landscapes with thatched cottages and country folk', a pair, oils on canvas. 48cm by 73cm, framed.

Marcelle Milo-Gray (b 1954), terrier on a country path with stone bridge, gouache, faintly signed, 13.5cm by 22.5cm (ARR)

Marcelle Milo-Gray (b 1954), terrier jumping at a seagull in a rural landscape, gouache, faintly signed 13cm by 22cm (ARR)

Polish school (19th century), rural scene with cottage, figure and cattle beside a country track, oil on canvas, unsigned, 24cm by 28.5cm

Valerie Serres (20th century), Portrait miniature of a female figure with brown hair, believed to be Molly Stokes, on ivorine, inscribed verso, dated 1971, within tooled leather frame, panel height 7cm (ARR)

Pauline Denyer (contemporary), miniature still life, watercolour on ivorine, dated '95 and initialled lower right, variously inscribed verso, framed, 5cm high x 7.5cm wide (ARR)

Attributed to Alfred de Breanski (1852 - 1928), Cottage on the Banks of a River, landscape, oil on canvas, signed lower right and dated 1910, bearing artists name verso, framed, (a.f.), 24cm high x 33.5cm wide

19th century School, 'Interior scene depicting four 17th century male figures sat round a table', oil on canvas, indistinctly signed, 74cm by 60cm, inset ornate giltwood frame.

English School (late 18th/ early 19th century), manner of Thomas Rowlandson, portrait of a gentleman wearing a blue jacket reading a document, watercolour and ink, framed, 13.5cm high x 10cm wide.

Late 19th / early 20th century French school, 'Return of the Gleaners', oil on panel, unsigned, verso part paper label inscribed 'Retour de Gleaners', panel 16cm by 22cm

Attributed to Mary Fedden RA (1915-2012), still life of flower and fruit, watercolour, gouache and collage on paper, unsigned, 33cm by 48cm (ARR)

Mary Fedden RA (1915-2012), landscape with fruit and vegetables in the foreground, gouache and watercolour on paper, signed, 46cm by 38.5cm (ARR)

Ann E Barlow (20th century), monochrome etching of leaves, possibly with Sydney Opera House motif, signed in pencil and dated 78, 69cm by 50cm

Douglas Ettridge (1927-2009), Second World War American bomber attacking a German plane, oil on canvas, signed and dated 1972, 58cm by 90cm

George Lennard Lewis, (British, 1826 - 1913), 'French street scenes featuring Cathedrals and old timbered buildings', a pair, watercolours, both signed, 37cm by 25cm, modern frames.

Anne Spavin (Contemporary), 'Georgian Country House', watercolour and ink, artists label verso and label for Prince George Galleries of Havant, 20cm by 33cm, framed.

George Richard Deakins (British, 1911 - 1982), 'Rural landscape with horse and cart, and a church in the distance', thick impasto on board, by palette knife, signed, artists label verso, 40cm by 60cm, framed.

Deakins served with the Royal Navy from 1927-1957, he began painting while serving on a British cruiser in the Indian Ocean during the 2nd World War, he enjoyed much commercial success and had numerous one man shows all around the world, on leaving the Navy he set his studio up in Dunster, Somerset.

After Anton Romako (Austrian 1832-1889), The Little Musician, pastel on paper, unsigned, 36cm by 26cm, unframed

Julian Trevelyan (1910-1988), Moghul, 1968 from the Indian Suite, Artist's Proof, etching and aquatint, signed, titled, and inscribed in pencil, 78cm by 56cm, unframed (ARR)

Julian Trevelyan (1910-1988), Novgorod, 1961, etching, numbered 30/50, inscribed and signed in pencil, 41cm by 52cm (ARR)

John Walsh (20th / 21st Century), 'The Victoria, Salford Quay' (Manchester), oil on paper, 2004, signed with initials, dated, artists labels verso, 68cm by 56cm, framed.

LOT WITHDRAWN

Salvador Dali (Spanish, 1904 - 1989), 'I FIORI SURREALISTI', 1981 Edizioni Eldec - Rome, hardbound folio, 41cm by 30cm, together with fifteen stamped limited edition lithographic still life prints, each 30cm by 21cm, unframed.

LOT WITHDRAWN

E Coleman (c.1930's) - a collection of ten pencil sketches of Hollywood stars and other figurative studies, mostly signed, dated, inscribed, all unframed, various sizes, (af).

A framed Indian gouache procession scene in shades of blue, with gilt embellishments, 23cm by 35.5cm

Continental school, tondo oil on board depicting moored boats, cathedral and buildings beyond, unsigned, 19cm diameter (a/f)

James Gilray (British, 1756 - 1815), 'Matrimonial Harmonics' and 'Harmony Before Matrimony', a pair of antique coloured etchings, 26cm by 36cm, inset matching frames from The Wall Gallery (specialist picture framers, Battersea, London), (2).

Piercy Roberts (1774 - 1863), 'Comfort for an old maid', antique coloured etching, 25cm by 30cm, framed by The Wall Game (specialist picture framers, Battersea, London).

Attributed to William Henry Blackburn (1918 - 1995): comprising a highly detailed pencil drawing of a periscope hidden within a statue of Adolph Hitler, with copious hand written notes, dated 1939, sheet 52cm by 22cm, a whimsical pencil and watercolour drawing depicting naked male figures and a bicycle with drinks trolley attached, with notes and poem, sheet ripped in an irregular shape, 22cm high, a pencil drawing of two figures outside a church, irregular shape, 17.5cm high, a woodblock print of huts, signed and dated 1939, sheet approx 20cm by 25cm, a woodblock printed greeting card for Christmas 1938, 14cm by 17.5cm, and a colour printed sheet 'Nancy of Bath', 19cm by 17.5cm, (6), (a.f.).

William Henry Blackburn was an award winning art director, painter, and photographer in both England and India throughout the 1940's to the 1980's, and working for Saatchi and Saatchi up until his death in 1995. His works have largely remained out of the public eye at his sons home since then, with just a few of his paintings in the hands of close family and friends or in a range of Museums across Great Britain and India.

Russell Brockbank (1913-1979), a signed pencil sketch on white card, unframed, 8.5cm by 12cm

Home is', pencil signed limited edition 'doodle' colour print, numbered 1/40, indistinctly signed and dated (20)17, 28cm by 41cm, framed.

After Feliks Topolski (1907 - 1989) 'This England' for School Prints Ltd., 1947, lithograph, printed in England by The Baynard Press, S.P.19, framed, framer label verso H.N. Fong, Hong Kong, 29.5 by 75.9cm

Pascal Magis (French 1955-2011), abstract in blue and orange, acrylic on board, signed, 40cm by 30cm, unframed (ARR)

Dame Laura Knight DBE RA RWS (1877-1970), Lamorna Cove, Cornwall, reproduction printed in colours, blind stamped and signed in pencil, pub 1935 by Frost & Reed Ltd Fine Art Publishers, 43cm by 65cm (ARR)

20th century school, view of San Giorgio Maggiore through gondolas, Venice, watercolour, initialled and dated 'BO II 96', 45cm by 64cm

A 19th century Hunting engraving 'Charles Payne, Huntsman to The Pytchley Hunt with his whips John Woodcock and Edward Kinsbury', painted by John Bullen and printed by C.Moody's of London, 51cm by 66cm, inset a Victorian satin birds eye maplewood frame.

Lance Thackeray (1869-1916) & Lionel Edwards (1878-1966): a series of four original lithographs depicting humorous country and sporting pursuits, early 20th century, 31cm by 50cm, matching Hogarth frames, (4).

Lance Thackeray RBA (British, 1867 - 1916): 'Bridge' a set of four original chromolithographs depicting figures playing cards, Fine Art Society 1904, mages 29cm by 41cm, framed.

Lance Thackeray (1869-1916) & Lionel Edwards (1878-1966): a series of four original lithographs, 'By Order of their Owner' / 'On View' / 'By Private Treaty' / 'For Sale without Reserve', Hills & Co, 1902, 24cm by 38cm, framed, (4).

After Charles Lorraine Smith (British, 1751-1835), a set of eight antique hand-coloured Hunting aquatints, The Pychely Hunt, by Francis Jukes, first published 1790, 21cm by 26cm, matching oak frames, (8).

Lance Thackeray RBA (British, 1867-1916), 'Edwardian bathers on the beach', watercolour, signed, 20cm by 33cm, framed.

Ian P Hudson (1950-2021), abstract in yellow, red and orange, 'Confocal Conic', oil on board, unsigned, paper labels verso, 61cm by 91.5cm

Ian P Hudson was born in Horsham, Sussex in 1950 and died in Headley Down, Hampshire in 2021 from Motor Neurone Disease. Between those dates he had a successful career in computing while indulging his own pleasures of opera design and singing, theatre prop and set design & construction. He also composed a symphony and adapted a Mozart libretto.

He visited various styles of painting over the years but latterly concentrated on abstract designs based mainly on scientific and mathematical formulae, and geometrical shapes.

Two of his paintings were commissioned by and hung in the offices of Radcliffe Chambers barristers, Lincoln’s Inn, London.

Ian P Hudson (1950-2021), 'Multicoloured Cardoid', oil on board, unsigned, paper labels verso, 61cm by 61cm

Ian P Hudson was born in Horsham, Sussex in 1950 and died in Headley Down, Hampshire in 2021 from Motor Neurone Disease. Between those dates he had a successful career in computing while indulging his own pleasures of opera design and singing, theatre prop and set design & construction. He also composed a symphony and adapted a Mozart libretto.

He visited various styles of painting over the years but latterly concentrated on abstract designs based mainly on scientific and mathematical formulae, and geometrical shapes.

Two of his paintings were commissioned by and hung in the offices of Radcliffe Chambers barristers, Lincoln’s Inn, London.

Ian P Hudson (1950-2021), 'The Only Proper Custard Is Made With Custard Powder', oil on board, unsigned, signed paper label verso dated December 2003, 60.6cm by 60.6cm

Ian P Hudson was born in Horsham, Sussex in 1950 and died in Headley Down, Hampshire in 2021 from Motor Neurone Disease. Between those dates he had a successful career in computing while indulging his own pleasures of opera design and singing, theatre prop and set design & construction. He also composed a symphony and adapted a Mozart libretto.

He visited various styles of painting over the years but latterly concentrated on abstract designs based mainly on scientific and mathematical formulae, and geometrical shapes.

Two of his paintings were commissioned by and hung in the offices of Radcliffe Chambers barristers, Lincoln’s Inn, London.

Ian P Hudson (1950-2021), 'RedBlueYellowGreen Nephroid 1' from the 'Nephroids' series, oil on board, unsigned, paper label verso dated September 2004, 60.6cm by 60.6cm

Ian P Hudson was born in Horsham, Sussex in 1950 and died in Headley Down, Hampshire in 2021 from Motor Neurone Disease. Between those dates he had a successful career in computing while indulging his own pleasures of opera design and singing, theatre prop and set design & construction. He also composed a symphony and adapted a Mozart libretto.

He visited various styles of painting over the years but latterly concentrated on abstract designs based mainly on scientific and mathematical formulae, and geometrical shapes.

Two of his paintings were commissioned by and hung in the offices of Radcliffe Chambers barristers, Lincoln’s Inn, London.

James Alphege Brewer (1881-1946), two views of Antwerp comprising 'Antwerp (The old Meat Market)' and 'Antwerp (from the Rue de Bepper)', coloured etchings, inscribed and signed in pencil, 20cm by 13cm, verso paper labels for Garve Hessenberg Picture Conservation and Restoration studios

Ralph William Bardill (British, 1876 - 1935), 'Old Cottages - Glan Conway', watercolour, signed lower left, variously labelled verso including inscribed artists label 'Ralph W. Bardill R.C.A, Pine Grove, Glan Conway, North Wales', 25.5cm x 37cm

Nellie Clough (British, fl. 1910 - 1920) Feeding Chickens before a Farm House, watercolour, signed lower right, framed, bearing Boots framer label verso, 33.5cm x 48.5cm, together with Stanley Herdman (British, fl. 1882 - 1909) Cattle Grazing on the Banks of a River, watercolour and ink, signed lower left, framed, variously labelled verso including 'R. Jacksons & Son, Liverpool', 44.5cm x 61cm (2)

Stanley Pettigrew (Irish 1927-2022), river landscape with sheep and distant mountains, oil on board, signed, 50cm by 76cm

Leon Underwood (Captain George Claude Leon Underwood) (1890-1975), 'The Tulip Girl', etching, signed and dated 1921 in pencil to lower right margin, framed, 19.5cm by 14.5cm

Henry F. Lucas Lucas (1848 - 1943) Polo Match, signed print, blindstamp lower left, 'published 1902 by A. Baird - Caster and H. F. Lucas Lucas, 61 Jermyn St., London. The proprietors of the copyright', printed in Munich, framed, 78cm wide x 37cm high, together with WIlliam & Henry Barraud 'The Pytchley Hunt, The Crick Meet', coloured engraving, 79 Park St. London, 9th March 1852, (AF evidence of damp to lower margin), within maple frame, 53cm x 82cm (2)

James Henry Kibart (British, 1912 - 2001) 'The Old Central Line', watercolour scene of a steam locomotive being hoisted on a crane, unsigned, bearing inscribed label verso, framed, 31.5cm x 43.5cm

After William Heath (pseudonym Paul Pry) (British, 1794 - 1840) 'Poltiical Billiards' satirical cartoon relating to India, Turkey and Greece depicting contemporary monarchs, published 'Sep 30 1820 by T. McLean, 26 Haymarket, Sole Publishers of W Heath Etching', framed, 23.5cm x 34.5cm

Nora Davison (fl. 1881 - 1905) A Football Match at Eton College, watercolour and pencil, signed lower right, framed, 21.5cm x 36.75cm

Brian Shields 'Braaq' FBA (British, 1951-1997), 'I'nt Christmas Brilliant', oil on canvas, signed 'Braaq', Gallery label verso for Collect Art, Lymm, Cheshire, and Gallery 2, Windermere, Cumbria, 60cm by 90cm, framed.

Ken Howard OBE RA (British, 1932-2022), 'Seated female nude', oil on canvas, signed, 30cm by 26cm, framed

William Crosbie RSA RGI (Scottish, 1915 - 1999), 'In the Tea House', oil on board, signed, dated LXXXII, inscribed by hand verso and labels verso, 60cm by 50cm, framed.

François Gall (Hungarian / French, 1912 - 1987), 'Montmartre, Paris', oil on board, signed and titled, label verso for The Crane Gallery, 35 South King Street, Manchester, 45cm by 54cm, framed.

Anthony Robert Klitz (British, 1917 - 2000), 'Tower Bridge, London', oil on canvas; signed, bears presentation plaque 'Presented to Fergus Montgomery by Dudley West Conservative Association', 60cm by 90cm, framed.

Mary Fedden OBE RA RWA (British,1915-2012), 'Table top still life', watercolour, signed, dated '08, Gallery label verso for Collect Art, Lymm, Cheshire, 12cm by 15cm, framed.

Mary Fedden OBE RA RWA (British,1915-2012), 'Still life with Fruit', 2008, pencil signed limited edition artists proof giclee print, number 8/75, with certificate of authenticity verso from Aquarelle Publishing Ltd, 36cm by 30cm, framed.

Sir Kyffin Williams OBE RA (British, 1918-2006), 'Old Farmer', pencil signed artists proof print, signed with initials, labels verso, 55cm by 31.5cm, framed.

School of Palma il Giovanni (Italian, 1548-1628), 'study of three horses heads', black chalk drawing on blue paper, Gallery labels verso for Collect Art, Lymm, Cheshire, with a stated provenance to the estate of Martyn Goff CBE OBE, rare book dealer and Booker Prize administrator, 25cm by 15cm, framed.

John Myatt (British, b.1945 - an artist and art forger, who, with John Drewe, perpetrated what has been described as 'the biggest art fraud of the 20th century') After Joan Miro (Spanish, 1893-1983), 'Constellations'' hand painted mixed media, bears a Washington Green Fine Art label verso, 40cm by 58cm, framed.

Patrick Caulfield (British, 1936-2005), 'Occasional Table', c.1972, pencil signed limited edition screenprint, number 4/500, 58cm by 72cm, framed.

Sandra Blow RA (British, 1925-2006), 'Abstract Collage', signed, approximately 53cm by 54cm, framed.

Sandra Blow RA (British, 1925-2006), 'Abstract' white stripe and applied metal rod on black, mixed media and oil on canvas, 122cm by 137cm, framed.

We are advised from the vendor that it was purchased at Christies Auctioneers.

Robert Oscar Lenkiewicz (British, 1941-2002), 'Study, Romney Cook in striped top', oil on canvas, signed and titled by artist verso, 33cm by 23cm.

Robert Oscar Lenkiewicz (British, 1941-2002), 'Jealousy Theme, I shall always have her heart', oil (cryla) on board, signed, further signed, titled and inscribed by artist verso, also inscribed by artist verso 'figure carries resemblance to Marcel Duchamp', 62cm by 75cm, framed.

Robert Oscar Lenkiewicz (British, 1941-2002), 'Male figure seated in a Windsor chair', watercolour, signed, inscribed verso "PROV; Bonhams Oxford Lot 39 15 May 2013", also with a label verso Barbican, Plymouth', 38cm by 30cm, framed.

Robert Oscar Lenkiewicz (British, 1941-2002), 'Painter with women / Project 18, observations on the theme of the Double, St. Anthony theme (Daemon Series)', oil on canvas, signed twice verso, titled / inscribed by artist verso, labels verso, 87cm by 148cm, framed.

John Haskins (British, contemporary) 'Solo Performance', study of a young ballerina, oil on board, signed lower right, labelled and titled verso, framed, 29.5cm x 19cm ARR

British School (20th century) portrait of a lady wearing a hat, oil on board, indistinctly signed lower right 'M. W****- Smith' dated '75, framed, 52cm x 40cm

Michael MacDonagh Wood (contemporary), canal scene, Venice, 'Fondamenta Verona', limited edition colour print, inscribed, numbered 28 of 250 and signed in pencil, 84cm by 57cm

Michael MacDonagh Wood (contemporary), 'Venetian Scene II', limited edition colour print, inscribed, numbered 434/500 and signed in pencil, 37.5cm by 27.5cm

Jennifer Hogwood, 'Mini Moo's & Me', limited edition canvas on board with applied diamante, numbered 21/195, 50.8cm by 50.8cm, with Certificate of Authenticity

Jennifer Hogwood, 'Wish Upon A Star', limited edition canvas on board with applied diamante, numbered 21/195, 45.7cm by 35.5cm, with Certificate of Authenticity

A Globe Wernicke style oak sectional bookcase, three shelves with glazed doors, on bracket feet 119cm high, 87cm wide, 36cm deep

An Art Deco limed oak ladies or child's desk and matching chair attributed to Ebenezer Gomme ‘Cromwell’ range, of barrel form, with removable inkwell / pen tray, carved with floral motif, single drawer, bearing retailers ‘Bowman Brothers, Camden’ label ivorine label, the chair with low curved back and sleigh feet 68cm high, 74cm wide, 49.5cm deep

A Jacobean style oak side cabinet carved with flower and dragon motifs, two centra drawers flanked by two panel doors enclosing cupboard, on bulbous legs height 91cm, width 136cm, depth 46cm

An Arts & Crafts oak three tier side unit / buffet, c.1900, inlaid with Mackintosh style fruitwood marquetry motifs, 107cm wide by 49cm deep by 114cm high.

A vintage wickerwork and wooden framed stand with five open oval tiers, 127cm high by 38cm wide,

A good quality Victorian carved oak library table in the gothic taste, decorated throughout with lions masks and stylised foliage, fitted with two frieze drawers, raised on solid spiral twist end supports and a corresponding double-stretcher, the scrolled feet terminating on casters, 130cm wide by 68cm deep by 80cm high.

An Asian brass coffee table with chased and pierced decoration, raised on a carved wooden folding base, early 20th century, 76cm diameter by 66cm high.

A late 19th century Colonial style bamboo stick stand / umbrella stand, inset with three Aesthetic design ceramic tiles, 57cm wide by 54cm deep by 97cm high.

An 18th century panelled oak coffer, the hinged lid above profusely carved decoration to three sides, raised on stile feet, 150cm wide by 55cm deep by 67cm high.

A vintage reconstituted stone pedestal bird bath in an 18th century taste, 78cm high.

A vintage industrial oak framed office swivel chair, c.1920, with green leatherette seat, metal mechanism, and stencil marked 'P.A.C' to underside.

An Edwardian inlaid walnut circular two tier jardiniere stand, raised on outsplayed square supports, 30cm diameter by 95cm high.

A set of four Edwardian carved beech dining chairs, c.1900, having carved top rails in the art nouveau style, above padded back panels and stylised openwork splats, upholstered seats, front turned cylindrical supports.

A vintage medium oak bureau / writing desk of small proportions, c.1900 / 1920, having a fall front enclosing a fitted interior, above open shelves, 52cm wide by 25cm deep by 108cm high.

A pair of late 19th century carved walnut framed ladies and gentlemans armchairs, with green dralon upholstered backs and seats, matching decorative carved top rails, raised on turned supports and casters.

Gianfranco Frattini for Luci Italia: An Abele table lamp, Italian, c. 1970s / 1980s, in red painted aluminium and plastic, marked to base, height 38cm

An 18th century and later oak coffer with carved three panel front height 69cm, width 147cm, depth 63cm

A 19th century mahogany 'cottage' drop leaf dining table, the rectangular top with moulded edges and rounded corners, on turned gate leg support terminating on brass casters, 106cm by 45cm opening to 145cm by 106cm (a practical table for a small home).

A vintage Georgian style cross banded mahogany coffee table, mid 20th century, the circular form with Chippendale style pie-crust borders, raised on cabriole legs terminating on claw and ball feet, 74cm diameter by 40cm high.

A small vintage figured walnut drop leaf table side table, mid 20th century, the oval top raised on slender cabriole supports, 62cm by 21cm opening to 75cm by 62cm, 62cm high.

A vintage period style nest of three graduated cross-banded mahogany occasional tables, mid 20th century, raised on cabriole legs with shell moulded knees, largest 60cm wide.

A pair of nicely weathered reconstituted stone garden figures, 20th century, 61cm high.

A Victorian fluted mahogany pedestal pot cupboard, the hinged circular top with inset tapestry panel enclosing a ceramic liner with lid, above the base section incorporating a pull-out step, 42cm diameter by 47cm high.

A set of six Victorian walnut dining chairs, the shaped and carved backs above gold dralon upholstered seats, raised on front turned and fluted tapering cylindrical supports (well made, of good solid construction).

A pair of Victorian ladies and gentlemans carved walnut 'show wood' framed armchairs, re-upholstered in apple green dralon and with buttoned backs, raised on front cabriole legs.

A pair of Edwardian love seats, of beech construction with line inlay, can be used as a pair of circle-back easy chairs or fitted side-by-side facing in opposite directions as a traditional 'love seat'.

An 18th century mahogany dropleaf cottage dining table, raised on padfoot supports, 110cm by 38cm opening to 118cm by 110cm.

An 18th century mahogany dropleaf cottage dining table, raised on claw and ball supports, 108cm by 41cm, opening to 128cm by 108cm.

An Edwardian mahogany open armchair, having a decorative carved and pierced back above the re upholstered seat, raised on front hoof feet united by stretchers.

An Edwardian inlaid mahogany bureau bookcase, having two glass panelled doors enclosing two adjustable shelves, above the hinged fall front with fitted interior, and three graduated long drawers beneath, raised on cabriole legs, 96cm wide by 48cm deep by 211cm high (dismantles into two sections for ease of transport).

A 19th century walnut corner fitting whatnot, having four graduated open shelves and turned uprights, raised on casters, 67cm wide by 137cm high.

A set of six Edwardian carved medium oak dining chairs, c.1900, having foliate and scroll carved top rails above nicely re-upholstered back panels and seats, raised on front baluster turned supports with casters (comfortable and solidly built).

An Edwardian Sheraton revival mahogany inlaid bureau bookcase, with glazed panel door enclosing three shelves, the fall front enclosing fitted interior, above four drawers on bracket feet, height approx 250cm, width 97cm

A Victorian piano stool with rising upholstered box seat, on square tapered legs with castors, 50cm

A 19th century mahogany oval drop leaf gate leg dining / supper table, raised on moulded square tapered supports, 120cm by 57cm opening to 171cm by 120cm.

A pair of contemporary black leatherette recliner swivel armchairs with matching footstools, raised on bentwood outswept bases.

A vintage teak 'Long John' coffee table, the shaped top raised on four screw-in ebonised legs, 122cm by 40cm.

A Georgian style inlaid mahogany coffee table, 20th century, the shaped top raised on four fluted tapered cylindrical legs, 84cm wide by 51cm high.

A set of three Edwardian oak office armchairs, two with matching upholstered seats, one differently upholstered.

A 19th century mahogany Hall chair, with ornate carved back, shaped front seat, turned front supports and sabre rear supports.

A vintage solid oak Jacobean style coffee table, mid 20th century, the oval top raised on baluster turned supports, 73cm by 47cm, 44cm high.

An Edwardian mahogany display cabinet, c.1900, the two glass panelled doors enclosing a lined interior fitted with two shelves, and enclosed storage beneath, raised on Chippendale style legs, 104cm wide by 178cm high by 36cm deep.

An Edwardian rosewood inlaid sofa upholstered in pale yellow floral patterned fabric, with foliate pierced show wood frame, padded back and button scroll arms on square tapered legs and spade feet to castors

A 20th century yew bookcase top section with glazed panel doors enclosing three shelves, the base with two drawers above cupboard doors on bracket feet, 193cm high, 92cm wide, 40cm deep

A late Victorian walnut bookcase, having two glass doors enclosing three adjustable shelves, above one long drawer and two cupboard doors, raised on a plinth base, 104cm wide by 202cm high by 39cm deep (in two sections for ease of transport).

A Victorian mahogany loo table, the hinged circular top raised on a tapered hexagonal column, triform base and bun feet, 106cm diameter by 72cm high.

Loo tables, a type of folding card table, were popular in the 18th and 19th centuries, especially in Victorian England, and were originally designed for playing the card game "Loo" or "Lanterloo"

A Victorian carved mahogany 'show-wood' framed armchair, with buttoned green upholstery.

A Victorian mahogany bookcase, the upper section with two glass panelled doors enclosing adjustable shelves, the base fitted with two drawers above two panelled cupboard doors, on a plinth base, 95cm wide by 198cm high by 47cm deep, (in two sections).

A set of six Victorian walnut dining chairs, of good solid construction, re-upholstered in a striped red fabric.

An Edwardian fruitwood rocking chair, with red fabric upholstered back, seat and arms.

A Georgian revival crossbanded mahogany coffee table, 20th century, the circular top raised on four cabriole legs with claw and ball feet, 84cm diameter by 60cm high.

An Edwardian walnut bookcase, the shaped cornice above two glass panelled doors with carved decoration, enclosing three adjustable shelves, raised on cabriole legs, 136cm wide by 155cm high by 36cm deep.

A fine early 18th century marquetry and parquetry inlaid figured walnut escritoire, having a secret frieze drawer above the fall front enclosing a decorative and well fitted interior, with secret compartments, the base fitted with two short and two long graduated drawers, raised on bracket feet, 100cm wide by 156cm high by 48cm deep, (in two sections).

An early 18th century cross-banded figured walnut bureau, the hinged sloping fall front enclosing a fitted interior with a well, above two short and two long graduated drawers fitted with brass swan neck handles and shaped backplates, raised on bracket feet, 89cm wide.

An Aesthetic Period ebonised low chair, c.1870, re-upholstered.

An Edwardian mahogany inlaid kidney shaped tray with scrolling foliate design to the centre and two brass handles 68cm

A pair of impressive period style brass mounted walnut open display shelves, 20th century, each with five open shelves above one long base drawer fitted with military style brass flush handles, 92cm wide by 215cm high by 46cm deep.

A 19th century mahogany shaped front sideboard, having a central bow front drawer flanked by a concave cellarette and a concave cupboard door, fitted with brass handles and American style 'eagle' backplates, raised on six square tapered supports terminating on spade feet, 122cm wide by 56cm deep by 90cm high.

A mahogany cake stand with three circular tiers 90cm high

An 18th century coffer, the hinged lid above carved and panelled decoration, raised on stile feet, 139cm wide by 58cm deep by 70cm high.

A 19th century marble topped ebonised and parcel gilt console table of small proportions, 77cm wide by 41cm deep by 90cm high, (af).

A 19th century mahogany 'cottage' drop leaf gate leg dining table, the top with moulded edges and rounded corners, raised on nicely turned cylindrical supports, 104cm by 43cm opening to 129cm by 104cm, (af).

A vintage period style glass chandelier (damaged and in need of repair).

An ornate vintage wrought iron chandelier / candle holder (not wired for electricity), 55cm drop.

An antique oak draw leaf extending dining table in a 17th century style, raised on bulbous baluster turned supports united by a 'Y' shaped stretcher, 121cm by 80cm opening to 220cm by 80cm.

A George III mahogany chest, with hinged lid enclosing storage space, above two dummy drawers and two long drawers, fitted with turned knob handles and raised on bracket feet, 97cm wide by 55cm deep by 90cm high.

An elm and beech Captains chair, with nicely turned supports and good patination.

A set of 8 George III style mahogany dining chairs, late 19th / early 20th century, comprising two carvers and six singles, with ribbon and foliate carved lattice backs, and raised on front inner chamfered moulded square legs, (8).

A fine quality French Louis XV revival ormolu mounted cross-banded rosewood small vitrine / side cabinet, late 19th / early 20th century, the serpentine top inset with leather panel, above the glass panelled door enclosing shelves, above a shaped apron, raised on shaped front supports, 70cm wide by 30cm deep by 98cm high.

A fine quality and ornately decorative French Louis XV revival marble topped and ormolu mounted cross-banded kingwood vitrine, early 20th century, embellished with bacchanalian putti, swags and festoons, the bevelled glass panelled door enclosing a lined interior and adjustable glass shelves, raised on tapered supports, 70cm wide by 38cm deep by 153cm high.

A George III mahogany night cupboard, with tray-top incorporating four handles, above two doors inlaid with boxwood stringing, raised on square supports, 48cm wide by 48cm deep by 74cm high.

A vintage oak sidetable in an 18th century style, the single drawer with lozenge carved decoration, raised on bun, block and bulbous turned supports, 76cm wide by 48cm deep by 66cm high.

A solid pine chest, modern, having two short over two long drawers fitted with turned knob handles, raised on a plinth base, 76cm wide by 46cm deep by 75cm high.

A vintage mahogany cheval mirror, 143cm high.

An oak open bookcase in the Arts & Crafts taste, early 20th century, 77cm wide by 18cm deep by 91cmm high.

A carved pine dressing table mirror, with swing oval mirror on a shaped base, 49cm high.

A rustic stripped pine kitchen table, 20th century, the rectangular top with rounded corners, raised on turned supports, 122cm by 92cm.

An old wooden stool (could also be used as a side table), the rectangular top with pierced handle on block supports with uniting stretcher 50cm high, 46cm wide, 37cm deep

An Empire style giltwood and gesso wall mirror with painted panel 'fixed on glass' depicting classical figures flanked by barley twist columns, 54cm by 31cm

A barrel back winged armchair of Georgian design, with brown leather upholstery, on cabriole legs to ball and claw feet

A large alder wood framed rectangular wall mirror with ribbed spindle design and bevelled mirror plate 81cm by 112cm

A Victorian style buttoned red leather office swivel chair, modern, solid beech frame.

An Edwardian Adams revival mahogany demi-lune side cabinet, decorated with carved anthemion, swag, and beaded motifs, with central cupboard door, raised on turned cylindrical supports, 108cm by 45cm by 99cm high.

A Georgian revival mahogany bow front tall corner cabinet, in two sections, early 20th century, the glass panelled doors with ornate brass keys, enclosing fixed shelves, raised on bracket feet, 184cm high by 60cm wide.

A reproduction stripped pine pedestal desk, with gilt tooled green leather top above a configuration of nine drawers, raised on plinth bases, 122cm wide by 58cm deep (in three sections).

A vintage mahogany cheval mirror, 160cm high.

A good quality Georgian revival carved mahogany stool, early 20th century, with drop in seat, ornate carved decoration, raised on claw and ball feet.

A smart Georgian revival parcel gilt and walnut wall mirror, late 19th / early 20th century, with carved and pierced crest, 68cm high by 41cm wide.

A 19th century fruitwood chest of drawers, the moulded top with rounded front corners, above two short and two long drawers fitted with turned knob handles, raised on flat bun feet, 92cm wide by 52cm deep by 91cm high.

A late 19th century painted pine dressing chest, having a swing mirror above shaped shelf and two small trinket drawers, the base section fitted with two short drawers over two long drawers, on bracket feet, 107cm wide by 47cm deep by 163cm high, (af).

A 19th century stripped pine chest, having two short drawers above two long drawers fitted with turned knob handles, raised on turned bun feet, 81cm wide by 46cm deep by 81cm high.

A c.1960's / 70's teak extending circular dining table, 122cm diameter extending to 168cm by 122cm, together a set of four c.1960's / 70's teak dining chairs, (5).

A c.1960's / 70's teak sideboard, fitted with a pull down drinks cabinet, two cupboard doors, and three drawers, 184cm wide by 46cm deep by 78cm high.

Lord of the Rings Interest: a Studio Pottery ceramic liquid dispenser decorated in sgraffito with Elvish script, amidst naturalistic leaves and foliage decoration, incised to underside 'ANSTY KIG 73', with wooden tap, cork bung, and loop handle, 43cm high.

Commissioned by the vendor's parents around the 1970s in the New Forest, Hampshire.

A pair of Bohemian green glass vases with gilded decoration and white enamel panels painted with flowers 29cm high (a/f - chip)

A Jugendstil WMF (Wurttembergische MetallwarenFabrik) No.268 silver plated and glass biscuit box, green tinted glass, the silver plated mounts cast with sinuous flowers and foliage, stamped mark to foot, 24cm high, together with a hardbound edition of Art Nouveau Domestic Metalwork from Wurttembergische MetallwarenFabrik 1906, published for the Antique Collector's Club 1988 (*the biscuit box is illustrated on page 251)

An early 19th century Marseilles porcelain chocolate cup and cover decorated with a vignette of figures in a garden, with gilt embellishments, 15cm high

Seven Rosenthal Studio-line `Aladin und die Wunderlampe` plates 16.5cm diameter

A Lalique 'Deux Fleurs' clear and frosted scent bottle and stopper 9.5cm high

A pair of Volkstedt, Germany porcelain figures if a gentleman seated beside a bird cage, and a lady with hens, 12.5cm high (a/f)

A studio pottery model of a fish in brown and white glaze, inscribed 'P Sarisbury' to base 19cm long

A Minton 'Spring Valley' pattern porcelain part dinner service comprising two oval tureens and covers, sauceboat on stand, six dinner plates, six side plates and six bread plates, and six bowls

A Royal Crown Derby porcelain 'Vine' pattern cake platter and two small plates, a pair of Coalport porcelain plates with floral design, and an Aynsley porcelain part tea service comprising cake platter, six teacups and saucers, milk jug, slops bowl, and six small plates

A Moroccan or Hispano Moresque polychrome decorated ceramic dish, tin glazed, with repeating geometric motif, diameter 32cm.

Of St. Barbe Sladen family interest: comprising a pair of 18th century porcelain pouring vessels painted in coloured enamels with the family crest, 20cm long, a pair of 18th century porcelain plates painted in coloured enamels with the family crest, 23cm diameter, a 19th century engraved silver plated goblet, dated 1887, 23cm high, an a 19th century twin handled metal deed box, painted to the lid 'Mrs St Barbe Sladen', 53cm wide by 38cm deep by 31cm high, (6), (af).

Three Beswick models of cats to include a white Persian cat, standing 12cm high

Six small porcelain imari pattern plates with retailers mark verso for Maple & Co London, 18cm diameter, together with a Chelsea style porcelain plate decorated with exotic birds and insects on a cobalt blue ground, gold anchor mark verso, 18.5cm

A Dartington Crystal daisy cheese platter, boxed, a small Coalport porcelain Revelry knife and plate set, boxed, a hardback edition of A Collector's Guide to Royal Copenhagen porcelain by Nick and Caroline Pope and a vintage Ercol furniture catalogue

A Royal Copenhagen Tenera faience small dish 11cm, a Royal Copenhagen model of two birds 13.5cm, and a small candlestick, together with a Bing & Grondhal model of a boy and a small vase decorated with a seagull (5)

A large Royal Worcester 'Astley' pattern part tea, coffee and dinner service to include teapot, seven tea cups and eight saucers, eleven dinner plates, two shell shape butter dishes, a casserole dish with lid and two oval serving plates (approx 116 pieces) (a/f)

A Dartington crystal 'Rosemary' perfume spray with atomiser, and 'Angelica' cologne flask with dipper, an Aynsley china 'Pembroke' swirl atomiser, A Wedgwood 'Wild Strawberry' trinket dish and an egg shaped box, all with boxes, together with a small Aynsley 'Wild Tudor' pattern vase

A Lorna Bailey 'Pagoda Garden' pattern tall jug 21cm high

A Lorna Bailey Collectors Club 2nd Limited Edition 'Thunderbolt' sugar sifter 14.5cm high

A Lorna Bailey limited edition 'Honey Cone' sugar sifter, numbered 212/250, 14cm high

A Lorna Bailey Collectors Club 5th Limited Edition 'Fire' sugar sifter 14.5cm high

A Lorna Bailey 'Beach' jug 13.5cm high

A Lorna Bailey limited edition 'The Flower Vase' number 25 of 50, 16cm high, with Certificate of Authenticity

A Lorna Bailey Collectors Club miniature wedding cake, 6cm high, and two pairs of Lorna Bailey salt and peppers of baluster form, comprising one set in 'Beach' pattern 10.5cm high, the other decorated with daffodils 11cm (5)

A Lorna Bailey 'Marshland Cottage' jug 13.5cm high

A collection of twenty-six W Godwin fleur de lys pattern tiles in bluff and terracotta red 10.7cm by 10.7cm

Lladro Porcelain: comprising two fairies, a unicorn, a boy with a dog, and a girl with a bird. Together with a Nao model of two puppies, tallest 26cm, (6).

A Carters of Poole style Emaux Ombrants tile depicting Admiral Sir John Jellicoe, (no maker's marks) 15cm by 11cm

A pair of Rene Lalique 'Pouilly' champagne glasses, each with moulded green band of a school of fish, engraved to bases 'R. Lalique', (AF - small chips to glass rims) height 6.5cm

Four Royal Crown Derby Imari porcelain coffee cups and saucers

Two Royal Doulton 'The Gemstones Collection' ceramic figures of ladies comprising August Peridot and November Topaz 18cm high, a Nao figure of a lady seated beside a bird 15cm, and a Nadal figure of a young girl wearing a winter coat 18cm (4)

A 20th century German porcelain nine piece porcelain monkey band comprising conductor and eight musicians with pale floral decoration and gilt embellishments, each with mark for PM&M and incised numbers to base (a/f)

A Royal Worcester blush ivory jug, late 19th century, decorated with floral sprays in blue, yellow and gilt, reeded gilt handle, puce mark to base, numbered 1094, Rd. No. 29115, height 13cm, together with a Royal Worcester blush ivory cauldron, late 19th century, decorated with roses, two handled, raised on thee gilt legs, puce mark to base, height 6.5cm (2)

A Royal Doulton figurine 'Pride and Joy' HN4152, height 12cm, together with a Royal Doulton figurine 'Sugar and Spice' HN 4103, height 11.75cm, a Royal Doulton figurine 'Sharon' HN3455, height 15cm and a Kew Pie vintage bisque porcelain doll, jointed (AF) (4)

A pair of continental porcelain vases and covers, possibly German, late 19th/ early 20th century, of baluster form, in the Meissen style, bearing cross swords mark to base, floral encrusted and decorated with floral sprays, height 15cm, together with a continental floral encrusted porcelain vase / candle holder, with impressed X to base, height 13cm (3)

A Mary Gregory style vase, in lime green glass, of shaped form, height 9.7cm, together with continental glass vase, of shaped form, enamel decorated with flowers, height 18.25cm, a pair of glass bell decorations, edged with glitter, height 10.5cm, a green glass vase, of ribbed form, mid century style, height 40cm, an art glass basket and handle, milk glass with green glass handle and applied flower, ground pontil to base, height 16cm and a vaseline green glass vase, two handled with shaped rim, ground pontil to base, height 15.5cm (7)

An Edwardian silver mounted glass spill vase, Birmingham, 1906, of wrythen form, cranberry decorated, height 17cm, together with a cranberry glass vase, trumpet form with crimped rim, height 27.5cm, a cranberry glass jug with shaped rim, height 11.5cm, a green glass 'Innovate - The Art of Glass' Dartington style vase, with unusual shaped rim, height 33cm, and a clear glass epergne, with ground pontil mark to base, height 19.5cm (5)

A cut glass decanter, 20th century, of square form, together with three further cut glass decanters, a modern clear glass ships decanter and a frosted decanter, the tallest 30.5cm (6)

A clear glass liqueur decanter, early 20th century, in the Venetian revival style, possibly 'Poppy Head' designed by Harry Powell (attributed) for James Powell & Sons (Whitefriars), of square form, with wrythen body and dimpled detail, height 20.75cm

A set of six cranberry cut glass wine glasses, with clear glass stems, together with a pair of cranberry wine glasses, and a set of six ruby wine glasses, with twisted clear glass stems the first height 12cm (14)

A Royal Crown Derby demitasse cup and saucer, in imari type pattern (cup AF), together with a Royal Crown Derby tea cup, in imari pattern, an Aynsley silver mounted coffee cup, a Hutschenreuther cabinet cup and saucer, decorated against a dark blue ground with gilt leaf motif, a porcelain jug, in the Coalport style jug, decorated with floral motif (AF), a Coalport demi tasse cup and saucer, height 14.5cm, and five pieces of Crown Staffordshire, including three covered small pots and two boxes, one lacking lid, the first cup height 5.5cm

A continental porcelain desk stand and vase, late 19th / early 20th century, on tray with integral pots with matching tapering vase, decorated with gilded bands against a white ground, with circular floral and swag decoration, sleeve vase with lid and well, after a design by the Imperial Porcelain Factory/ Dresden, unmarked, tray width 23.2cm

A collection of six cut glass dessert glasses, together with a set of five cut glass port glasses, a champagne coupe, a rummer, a set of six cut glass wine glasses, a pair of cut glass liqueur glasses, six cut glass bottles of various designs, the first height 10cm (qty)

A Moorcroft pottery baluster vase in the Cluny pattern, 26cm high

A Moorcroft anemone pattern baluster vase, blue ground, marks to base, 12cm high

A Moorcroft pottery Mackintosh pattern slender jug / ewer, 24cm high

A pair of Venetian glass hand blown candlesticks, the black design with gilt inclusions on white ground, 19cm high, and a Zimbabwe Gastone copper wall plaque with a bronze-effect sable antelope in relief, signed, 32cm by 14cm

A Baccarat 'Harmonie' cylindrical glass vase, with Baccarat label to front and factory mark to base 17.5cm high

A Royal Crown Derby miniature 1128 imari pattern cabaret tea service, c. 1998, comprising tray, jug, teapot, bowl, cup and saucer, L.1and I.11, marked in red, tray width approximately 21cm

A collection of Cauldon blue and white transfer printed wares, in Arcadian Chariot pattern, including hexagonal plate, hexagonal bowl, teapot, sugar basin, cream jug, beaker, dish, graduated pair of jugs, ginger jar, two tea cups, coffee can and four saucers, together with a Cauldon ladle, two Ringtons Maling tea caddys, a Warwick ware stand, a blue and white Calico Burleigh Staffordshire floral pattern cheese dome and cover, with a matching jug, cheese dome height overall 17cm (qty)

A large collection of thirty continental figure groups, in the Conta and Boehme manner, in the form of trinket dishes, spill vase and candlesticks, figures including children, cats, and geese, the tallest 18cm (30)

A large collection of Pratt Ware, F. R. Pratt and similar, comprising two plates, wall hanging plate, vase (AF) and twenty five pot lids, loose frames and many mounted in wooden frames, six with bases, examples including 'The New Blackfriars Bridge', 'Dr. Johnson', 'Victor Emmanuel & Garibaldi', 'St. Pauls Cathedral', 'Low Life' and 'Embarking for the East' (qty)

A set of four Dresden pin dishes, gilt rim, decorated with floral sprays, width 9cm together with Hammersley 'Lady Patricia' pattern square plate and two shaped dishes, a Hammersley 'Dresden Sprays' covered sugar bowl, cup and saucer, two shell shaped dishes one 'Hammersley' and a further jug and plate in a similar pattern (qty)

A collection of twelve Royal Copenhagen porcelain small models of children from the 'mini collection'

Swarovski Collectors Society Annual Edition 1992 'Care for me' - the Whales 10cm high, boxed

A collection of boxed Swarovski crystal ornaments of cats, dogs, mice and a small bird tallest 7cm high

A collection of Swarovski crystal models of birds including owls and swans, some boxed and some with associated boxes tallest 7cm high (a/f)

A Swarovski crystal model of a flamingo 15cm high, with box

A collection of Swarovski crystal ornaments to include coloured hearts, key rings, trinket box and egg, most with boxes, and a Swarovski mirrored stand

A collection of Swarovski crystal ornaments of animals including hedgehogs, foxes, snail and squirrel, boxed (some with associated boxes)

A Portuguese Palissy ware crab plate, 20th century, majolica modelled as a crab in a naturalistic setting, bearing makers stamp 'F. Mendes LDA, Caidas de Reinhe', numbered '490', diameter 30cm

A large Lladro white porcelain 'Christus' figure 49cm high, with certificate, base and box

A Lladro porcelain figure group of an embracing couple 'You're Everything to Me', 36cm high, with box

A Lladro porcelain figure group of a couple 'Declaration of Love' 36cm high, with box

A Lladro porcelain figure of a ballet dancer, in seated pose, variously impressed to base, together with a Lladro porcelain figure of a girl with goose and milk pail, a Royal Doulton figurine 'Solitude' HN 2810, a Leonardo Collection figurine of a young ballerina and Genesis Fine Arts Ireland figure of a rehearsing ballet dancer, in faux bronze resin, the latter height 32cm (5)

A New Wharf pottery 'Melrose' pattern blue and white oval platter 37cm by 26cm, a rectangular ceramic trinket box and cover with all-over floral pattern, and three white ceramic photograph frames with applied floral decoration

A collection of 18th century and later porcelain teawares comprising two 18th century porcelain tea bowls with spiral fluted body and flower sprig decoration (no maker's marks - probably Worcester), together with a Lenart porcelain teacup trio with gilt wheat design, a Crown Staffordshire trio with floral design and a Sunderland ware teacup and saucer

A George Logan (1866-1939) for Keeling & Co Burslem Late Mayers 'Tulip' pattern tureen and cover and oval platter

Two 19th century 'Indus' black and white transferware ceramic plates decorated with birds amongst foliage and flowers 23.5cm

A large Royal Albert 'Lady Hamilton' pattern dinner and tea service to include four tureens and covers, four large oval platters, four smaller oval platters, sauceboat on stand, twelve dinner plates, two pairs of salt and peppers, hot water pot, tea pot, bachelor's teapot, and larger teapot

A set of six Masons Ironstone plates, 19th century, decorated with chinoiserie inspired 'Fence & Rock' pattern, heightened with gilt, each bearing impressed mark to base, together with a vintage French St. Clement mallard duck pitcher, bearing impressed mark to base, height 33.5cm (7)

A pair of Tajima glass vases, Japanese, mid 20th century, in textured blue turquoise finish, height 17.2cm

A collection of seven Royal Doulton figures of ladies to include The Paisley Shawl HN1392, A Victorian Lady HN728 and Delight HN1772 (a/f)

A large Longpark Torquay two-handled vase, bulbous body with straight neck and flared rim, decorated against the treacle coloured ground with trees, incised signature to base, height 44cm

A pair of Royal Doulton stoneware vases, early 20th century, in the Doulton Lambeth style, tube lined, blue, green and brown ground, impressed mark to base and model number 6469, height 33cm (2)

A collection of floral encrusted porcelain comprising a table clock, and pair of vase and cover garniture, a pair of candelabra (one top missing, one top part section present) and a sleigh, all with no maker's marks (a/f - damage)

A white porcelain centrepiece in the manner of Moore Brothers, modelled as a pair of musical cherubs and floral garlands beneath a scalloped edge bowl, heighted with gilt (AF), height 29.5cm

A pair of KPM porcelain figures in 18th century costume, the gentleman holding and plate with a fish at his feet, and the lady holding a tray with cup and jug 27cm high, together with a bisque porcelain figure group of parents and child 37cm (a/f)

An Augustus Rex style porcelain figure group of a couple beside a needlework table 17.5cm high, together with a collection of eight porcelain figures makers including Derby and Sitzendorf (a/f - damage)

Royal Crown Derby 'Imari' patterned porcelain: comprising a set of six coffee cans and saucers, a tea cup and saucer, and a set of eight side plates, numbered 2451, a miniature pot pourri with cover, and a miniature cream jug, (24).

A Stefan Nowacki Derby handpainted coffee can and saucer, decorated against the blue ground with panel of two masted sailing vessel at sea signed, with bands of gilt, marked to base, can height 6.2cm (2)

A 19th century Meissen porcelain figure depicting a female figure with a lamb, 19cm high (af), together with nine further late 19th / early 20th century continental porcelain figures, (af).

Decorative ceramics: to include six pretty 19th century porcelain cups and saucers, a late 19th century Ridgways twin handled pedestal bowl in a Regency design, 14cm high, a 19th century Mason's tureen, cover, and stand, a 19th century ironstone china plate in the imari palette, a lavish late 19th century Cauldon trio of teapot (spout chipped), sucrier and milk jug, and a vintage Olaria Nova (Portugal), ceramic dish, 20cm wide, (13).

A Lladro porcelain figure of a princess 28cm, a Lladro figure of a skier (missing skis), a boxed Lladro Society scroll, and a boxed small Lladro wallet

A large Sevres porcelain gilt ormolu mounted centrepiece dish, French, 19th century, centrally decorated with a painted oval panel of riverside courting couple and attendant, against the turquoise 'Bleu Celeste' ground with floral panels, gilt heightened, bearing red 'Chateau de Compiegne' and blue 'Sevres 1845' marks, width 52cm

A large Sevres porcelain two-handled covered tureen and cover on stand, French, 19th century, the tureen decorated with panels, one with the cypher of Louis Phillipe surrounded by winged putti holding aloft floral garlands, and courting couple and attendant within a garden against the turquoise 'Bleu Celeste' ground, the stand with floral band, gilt heightened, tureen bearing red 'Chateau de Compiegne', blue 'Sevres 1845' marks, and further mark, all AF, stand width 35cm (2)

A Shelley marmalade pot, modelled as an orange, decorated with coloured bands, height 11.5cm

Two Lladro porcelain models of polar bears and cubs tallest 16cm

A graduated set of three Beswick ceramic wall plaques in the form of pheasants, 661/1, 661/2 and 661/3, largest 31cm long

A collection of sixty-three Craven Dunnill & Co Salop 189 ochre glazed tiles with floral design 10.8cm by 10.8cm

A collection of twenty-three W Godwin Hereford and similar fleur de lys pattern tiles in buff and terracotta red 10.7cm by 10.7cm

A collection of sixty-two encaustic border tiles with floral design, some marked T&R Boote Burslem 7.9cm by 15.9cm

Nine Minton & Co tiles with a floral design in brown, black and white 15.2cm by 15.2cm

A collection of twenty-six tiles with Puginesque fleur de lys design in buff, blue, black and terracotta red 15cm by 15cm

Eighteen encaustic Maw & Co tiles and ten corner sections with buff fleur de lys design within a circle on black ground 15.2cm by 15.2cm (a/f)

Approximately forty-seven glazed tiles to include Craven Dunnill & Co., various floral and fleur de lys designs in buff on terracotta red ground

A collection of forty-three W Godwin encaustic tiles decorated with four buff petals and leaves on red brown ground 10.7cm by 10.7cm

A collection of twenty-four Minton & Co border tiles with buff flower within a diamond on black background 15.1cm by 15.1cm

A collection of eight Maw & Co Greek key pattern tiles in buff and terracotta red 15.4cm by 15.4cm

A collection of nineteen assorted tiles to include Minton & Co, with Puginesque and similar designs in buff, black, white and terracotta red

A collection of nine Greek key pattern tiles in buff and terracotta to include five Minton & Co of sandwich construction 15.2cm by 15.2cm

A collection of Puginesque design buff and terracotta tiles to include fourteen Godwin of Lugwardine 10.7cm by 10.7cm (a/f)

A B111 set of four Copeland & Garrett tiles and three spares with foliate design in blue and white 15.4cm by 15.4cm * Copeland & Garrett made very few tiles around 1840 – Minton probably put them off because of their patent

A collection of fifty-eight Minton Hollins & co encaustic border tiles in brown background with black repeating pattern 11.3cm by 11.3cm

A collection of twenty-four tiles believed to be Maw & Co., with buff cross design within a decorative circle on black background, no makers marks 10.8cm by 10.9cm (a/f)

Eleven Craven Dunnill & Co glazed tiles with buff design on pale brown ground 10.6cm by 10.6cm

A collection of eight encaustic tiles with a repeating buff foliate design on black background 11cm by 11cm

A collection of thirty-four Maw & Co tiles with a buff cross design within a decorative circle on terracotta red ground 15.2cm by 15.2cm (a/f)

A collection of ten various tiles to include four Chamberlain & Co Worcester, 15.3cm by 15.3cm (a/f)

A collection of nine Ambergate Brick & Patent Tile Co. Derby glazed tiles with buff design on black ground 15.2cm by 15.2cm

A collection of twenty-three encaustic tiles with buff six petal flower within two circles on red brown background 10.8cm by 10.8cm

A collection of thirty encaustic tiles with buff cross and floral design on black background 7.7cm by 7.7cm

A collection of twenty-four border tiles with repeating blue and white floral design on dark red brown ground 15.4cm by 7.8cm

A collection of seventeen encaustic tiles with red brown cross with flower on a buff background 7.7cm by 7.8cm (a/f)

A collection of thirteen tiles and seven half tiles with unusual white flower design within a circle with a dot to each corner, on blue ground 7.7cm by 7.7cm

A collection of fifty-two encaustic border tiles with buff spot design on terracotta red ground 15.1cm by 3.9cm

An assortment of six decorative tiles makers comprising Minton Hollins & Co, Godwin Lugwardine, and Craven Dunnill & Co (a/f)

A collection of twenty-six Minton & Co glazed encaustic tiles of sandwich construction, with blue, brown and white design 14.5cm by 15.4cm (a/f)

A collection of seventy-four W Whetstone Coalville encaustic tiles, buff flower design with black and buff circles and squares 7.6cm by 7.6cm

A collection of assorted Craven Dunnill & Co encaustic glazed tiles to include six with shield design 11cm by 11cm, and eight with floral design 10.6cm by 10.6cm

A collection of striking Minton & Co encaustic border tiles -twenty five and ten halves, of sandwich construction, in blue, beige, dark brown and red 15.2cm by 15.2cm

A collection of forty edge or border tiles with Puginesque foliate scroll design in buff on black ground 7.5cm by 15.2cm

A collection of thirty-two Malkin & Co Burslem border tiles with repeating foliate pattern in red and black 15.4cm by 15.4cm

A collection of eighteen W Godwin tiles with fleur de lys design in buff and terracotta red 10.7cm by 10.7cm

A collection of twelve Minton & Co encaustic border tiles of sandwich construction with brown cross in buff quatrefoil surrounded by blue with buff flowers in the red brown border 15.1cm by 14.9cm

A collection of seven Royal Worcester and Coalport limited edition ceramic figures to include Royal Worcester Old Country Ways 'A Farmers Wife' no 1,910 of 9,500 21cm high, and Coalport 'The Boy' no 9,370 of 9,500 20cm high, and a Royal Worcester NSPCC Christmas Plate 1987, boxed with certificate

A collection of twenty-two W Godwin Hereford encaustic tiles with brown background and yellow flowers and dot design 10.9cm by 10.9cm (some glazed)

A collection of thirty Maw & Co encaustic tiles with repeating pattern in buff and terracotta red 10.7cm by 10.7cm

A large Spode Italian pattern ceramic teapot 34cm high

A pair of metal mounted milk glass oil lamps believed Quoizel, with fruiting vine decoration between blue borders 56cm high (missing shades)

A collection of discs for a 6.5" polyphon, various makers

An Aerograph Super 63 air brush pen

An early 20th century cut glass and brass mounted ceiling light, fitting marked 'Patent' with brass ceiling attachment together with five ceiling lights, each with tiered lead crystal hanging droplets, the first shade and mount height 21cm (6)

Boxes: comprising a Victorian rosewood combined work box / writing slope, inlaid with abalone and mother of pearl, 30cm wide, a Victorian mahogany games box with fitted interior, 34cm wide, and a Victorian mahogany writing slope, 30cm wide, (3).

Boxes: comprising two Victorian parquetry inlaid walnut writing slopes, 35cm and 30cm wide, and a Victorian parquetry inlaid walnut work box, 28cm wide, (3).

A George III brass bound mahogany writing slope in the Campaign style, fitted with a lockable side compartment and flush handles, 50cm wide.

A mahogany and silver plated two bottle tantalus, containing two lead crystal decanters with silver plated mounts, lockable and with key, 26cm wide by 33cm high.

A brass bound rosewood box inlaid with fruitwoods and bone decoration depicting elephants, lined tray interior, two keys, 20th century, 21cm wide.

A Victorian novelty brass paper clip modelled as a duck head, circa 1870, with glass eyes and finely chiselled detail, 13.5cm long.

A 19th century copper 'slipper' ale warmer, with hinged lid and loop handle, 33cm long.

(The ale or cider went into the warmer and was pushed into the coals of the fire to heat it up, It is called a slipper warmer because of its shape, warm ale was a popular drink, especially during winter, and the warming process could often involve adding spices).

An 18th century German Iserlohn copper and brass tobacco box, of typical oblong form with rounded ends and hinged lid, profusely decorated to both sides with embossed low relief figures and text, 16.5cm long.

A modern Tiffany style table lamp, with leaded green glass shade, simulated bronze Art Nouveau inspired base, together with a modern Christopher Wray Tiffany style table lamp, with leaded multi coloured floral shade, on simulated bronze leaf form base, and a modern Tiffany style table lamp, with purple/ blue leaded shade, on simulated bronze floral form base, the first height 15cm (3)

A pair of Christopher Wray table lamps, in 19th century inspired design, each with shaped brass base, adjustable blue glass shade with crimped edge, marked 'Christopher Wray, London', together with a similar brass table lamp, on round brass base, the first height 29cm (3)

A Christopher Wray adjustable brass table lamp, in the 19th century style, with crimped edged frosted glass shade, shaped rectangular base, bearing manufacturer label to base, height 33cm

A brass oil lamp, with circular base, reeded classical column, white and cranberry frosted glass shade and clear glass chimney, height overall approximately 60cm

A pair of folk art inspired cows, 20th century, horned painted with black and white pattern, length 34cm (horns AF), together with a contemporary wooden bird cage, in turquoise painted finish, height 50cm approximately (3)

A framed vintage Cadbury's advertisement, together with a collection of three reproduction advertising mirrors, two reproduction enamelled signs seven reproduction advertising posters and packaging, framed, (all AF) (13)

An unframed poster of 'Bluebird' signed by Gina Campbell, and a postcard of Bluebird II (a/f)

Beken of Cowes, a framed photograph of the yacht 'Sol Quest', inscribed in Indian ink, 28cm by 22.5cm

A framed colour photo print of a yacht 'Endurance 35 Astilleros Belliure S.L. Calpe (Alicante)', indistinctly signed and dated 77, 59cm by 50cm

An Art Nouveau style mirror after a WMF design, the rectangular shaped frame with sinuous floral design and a maiden with hand cupped to her ear, with easel back, 40cm by 26cm including frame

A large late 19th century copper hot water jug, height 36cm approximately, together with a copper kettle, handle numbered 'V12', a brass preserving pan, 19th century, height 39cm and an Arts and Crafts copper planter, with shaped rim and repeating decoration, height 16cm, (all AF) (4)

A 19th century copper rivetted log bin or planter, geometric decorative detail surrounding rivets, 13cm high x 44.5cm diameter

A contemporary ceramic table lamp, by Coach House with turquoise glazed shaped base and a patterned drum shade, together with a Laura Ashley cobalt blue glazed ceramic table lamp base, with chartreuse coloured drum shade, a geometric glass table lamp base, with floral shade and a large modern floral table lamp base, raised on three paw feet, height overall 59cm (4)

A Victorian milk glass oil lamp, with a clear glass chimney, together with a cast iron base oil lamp with clear wrythen glass reservoir, frosted glass shade, an opalescent pink glass shade and a further oil lamp, with pale amber reservoir, brass base and chimney (3)

A brass two branch table lamp, modern electrical, in the 19th century style, with green glass shades, crimped, on round decorative base, height 53cm

A Forte-Piccolo music box with inlaid exterior, playing four airs, 14.5cm high, 38cm wide, 20cm deep

A Nikon F4 camera with Nikon AF Nikkor 18-35mm ED wide angle lens, Nikon HB-23 lens hood, and a collection of assorted camera film, some in sealed boxes

A Nikon D1x camera with Nikon AF Nikkor 20mm 1:28 lens and Nikon D1 strap

A Nikon AF Micro Nikkor 105mm 1:2.8 lens, a Nikon Macro Speedlight SB-21, and other camera accessories / parts to include a lens case (a/f)

A pair of WIlliam Tonks & Sons brass table lights/ candle holders, 19th century, numbered to base 8727, with sun mark, scroll arm, on weighted cast reeded base, length 24cm (2)

A twin branch candle wall sconce, in the Art Nouveau style, cast metal branches in the form of flowers and stems, diameter overall 42.5cm, together with a Victorian copper footed jardinere, with gadrooned bowl and shaped rim, height 21cm, and a pair of ornate pierced brass candlesticks, 19th century, marked 'Protected' height 22cm (AF) (4)

A French Rococo style cast metal table jardiniere, 19th century, gilt metal/ ormolu, two handled, raised on four feet, with liner, width 44cm

A Mont Blanc fountain pen with 14k gold nib, Meisterstuck No.149, Two-tone nib numbered 4810 and stamped 14C 585, with Mont Blanc Service Guide

A Mont Blanc pencil, Meisterstuck-Pix

A Mont Blanc 32 piston filler fountain pen

A Mont Blanc fountain pen with 14k gold nib, nib stamped 14k/ct 585

A Mont Blanc 22 fountain pen with 14k gold nib, nib stamped 14C 585

A Mont Blanc fountain pen with 14k gold nib, Meisterstuck, Two-tone nib numbered 4810 and stamped 14k 585, with Mont Blanc Service Guide, box and outer sleeve

An empty Mont Blanc Siena Lederetui black leather three pen pouch 14313 Size 3 15.5cm by 4.5cm, with Mont Blanc box and outer sleeve

A Parker Ellipse fountain pen with an 18k gold nib, brown resin body and gold plated trim

A Parker Ellipse fountain pen with 18k gold nib, black resin body with gold plated trim

An early 20th century Parker Duofold Big Red fountain pen, with Duofold yellow metal nib (restored) in Lamy leather case

A 19th century style pierced brass fireguard in the form of a fan, foldout with winged griffin centre 63cm high

A large collection of 1920s and later travel ephemera to include 1920s/30s European and American postcard sets, 1930s Tourist maps and leaflets from Europe, California and Canada, menus and programs from ships including Cunard, baggage labels, tickets, maps etc

A Victorian amboyna box inlaid with white metal, abalone and bone decoration, 41cm wide.

An old Middle Eastern brass dallah, 31cm high.

Middle Eastern metalware: comprising a copper pot and cover inlaid with white metal decoration, 9.5cm high, a vase with engraved decoration, 10cm high, two brass plates with engraved decoration, 23.5cm diameter, and a pair of miniature brass pigs, 3cm high, (6).

An 18th century oak bible box, the hinged lid above carved decoration to three sides, 67cm wide by 43cm deep by 22cm high.

An African Ashanti stool with pierced and carved decoration 64cm wide, 47cm high (a/f)

A bronze bas-relief portrait of Pope John Paul II by Barbara Stride, mounted on an oval wooden plaque, plaque 21cm by 16cm

A large Eastern copper tray, early 20th century, 71cm diameter.

A Polynesian vunikau war club, possibly Tonga or Fiji, root wood, inlaid with crescent and stars motif (some lacking), length 40cm Ivory declaration reference NUTQMLJB

A large copper log bin with twin wrought iron carrying handles, late 19th / early 20th century, 45cm diameter by 30cm high, a Victorian coal scuttle, and a Victorian copper kettle, (3).

A collection of cameras, cine cameras and related equipment: including; a cased Polaroid J66, with paperwork and films; two Sony Handycams with cases and accessories; Olympus AF-1; Kodak Advantix 4100ix; Sony ECM HSI microphone; Tokyo Kogaky lense; Soligor lense; Topcon lense; Ferguson Videostar; Nikon Coolpix; Fujifilm Finepix; Sigma Mirra Ultra Telephoto; Jessop Powerhead Motorised Pan and tilt; Topcon Below Attachment Model 1; Traveler 21400; Topcon Hanimex RE2; Pentax Espoio 140; Traveller DC3000; Olympus ED/35 - 180, together with a dictaphone, portable C.D. player and batteries (qty)

A bronze bell shaped mortar with faint crest, skirted base, 10.5cm high, and an associated pestle

A bell shaped mortar with two handles, 11cm high, an associated pestle, and a small carved model of a roaring lion 9cm high

An Art Nouveau pewter oval fish serving platter, repousse decorated with swimming fish and plants, 69cm by 34cm

A collection of vintage fishing equipment, including cased fly's, reel, etc, (af).

A good quality 19th century leather travelling writing box, with family history relating it to the St. Barbe Sladen family, inscribed 'Pratt & Sons, London', with brass mounts and fitted interior, with key, 43cm wide by 29cm deep by 18cm high.

Mixed Collectables: comprising two antique brass seals with turned wooden handles. three further seals, a pair of early 20th century mother of pearl and gilt-metal opera glasses, two Limoges porcelain pin dishes decorated in gilt with eagle crests, c.1900, 9cm and 8cm wide, a Coronation of King George VI pamphlet dated May 12th 1937, and an early 20th century small eastern carved wooden box, 11cm wide, (10).

Mughal Art: a hand painted panel typically depicting figures in a garden setting, within stylised painted borders and an Islamic micro inlaid frame, the frame 14.5cm by 27cm, together with a small brass box of circular form, with engraved decoration to the outer surface and painted warriors on horse back to the lid, the lid fitted on the underside with a mirror, 6cm diameter, (2).

A vintage 'Universal Avometer Model 7' voltmeter, by the Automatic Coil Winder & Electrical Equipment Co. Ltd, height 21cm

A 19th century marquetry inlaid mahogany deed box, with hinged lid, partial fitted interior, and twin flush brass carrying handles, with key, 52cm wide by 35cm deep by 26cm high.

An Australian boomerang 86cm long (a/f)

Four wooden duck decoy style ornaments with distressed paintwork to include two with Oka labels to base for a Canada Goose 41cm long and a Loon Duck 40cm long

A Middle Eastern brass divit / pen box and inkwell 24cm long, and a brass powder horn on plaited leather straps

A leather and brass telescope by Broadhurst Clarkson and Co of London, with three draws approx 130cm long, and a wooden tripod 161cm high when closed

A Yaesu Museun FRG-7 communications receiver, with instruction manual, boxed

A Japan Radio Co. Ltd (JRC) NRD-535 HF receiver, with instruction manual, boxed

A Mont Blanc Boheme Rouge fountain pen with retractable 14k gold nib and a Mont Blanc Boheme Rouge ballpoint pen, together in a Mont Blanc leather zip case

A Victorian leather bound photograph album (empty), a collection of paper ephemera comprising vintage greetings cards, colour and black and white postcards, and cigarette cards

A Victorian parquetry inlaid walnut work box, with key, 28cm wide, together with a brass mounted hardwood box, 25cm wide, (2).

A framed First World War Hampshire Regiment Cyclist Battalion needlework with crest within a floral wreath above 'India 1916' 28cm by 37cm, 42cm by 51cm including frame

An impressive good quality Victorian oak tantalus with silver plated mounts, fitted with a set of three cut glass decanters with stoppers, a set of four cut glass tapered glasses (14cm high), a set of three cut glass tapered glasses (11cm high), and a set of four cut glass tapered tots (6cm high), the base fitted with two drawers having ornate gilt-metal handles and back plates, flanked on either side by matching carrying handles, 56cm wide by 38cm deep by 41cm high, (one glass missing).

A vintage trunk, early to mid 20th century, with metal mounts, brass locks, and leather carrying handles, 91cm wide by 52cm deep by 32cm high, (useful for storage, props, or with a glass top as coffee tables).

A 19th century oval miniature portrait of a young lady wearing a black silk dress 9cm by 6.5cm, and another of a gentleman 12.5cm by 10cm Ivory declaration reference PMHG1DHC and 79G6JVJW

A 9ct gold chain bracelet with 9ct gold heart shaped padlock clasp 14.7g

Two 22ct gold plain band wedding rings 4.9g (one a/f)

A 22ct gold wedding band 3.2g

A 9ct gold cubic zirconia and blue gem set cluster ring (one stone missing) gross weight 1.8g

A 9ct gold three stone diamond ring gross weight 2.4g

A 22ct gold plain wedding band 2.3g

A Centurion motorcycle helmet in white and metallic blue, with white visor, a blue and white motorcycle helmet (a/f), a pair of vintage motorcycle gloves, and two editions of The Motor Cycle Road Tests

Ivan Berryman (contemporary), 'vintage car race', watercolour, signed, dated (19)87, 42cm by 72cm, framed.

Ivan Berryman (contemporary), 'vintage car race', watercolour, signed, dated (19)87, 41cm by 71cm, framed.

Ivan Berryman (contemporary), 'vintage car race', watercolour, signed, dated (19)87, 42cm by 72cm, framed.

A 'Classic Car Art' automobilia diorama of a Triumph TR3A in a state of restoration in a garage, displayed within a bespoke glass panelled wooden case, with certificate of authenticity to the reverse, case 39cm wide by 24cm high by 14cm deep.

A 'Classic Car Art' automobilia diorama of a Austin Mini Cooper in a state of restoration in a garage setting, displayed within a bespoke glass panelled wooden case, with certificate of authenticity to the reverse, case 39cm wide by 24cm high by 14cm deep.

A collection of vintage car badges, including RAF, etc, (11).

An RAF officers dress sword with scabbard, knot, belt, gloves, and original paperwork from Wilkinson Sword Limited to a Flight Lieutenant D W T Turner, dated 1989.

A Royal Scots basket hilt sword, with nicely engraved 32 inch blade, and leather scabbard.

Two Waltham military issue stopwatches, both Admiralty Pattern no. 6, numbered U9670 and U5743, together with a cased compass and miniature combination compass and magnifying glass

A large wooden model sailing yacht with cream sails and with a custom fitted wooden stand approx 170cm high

A First World War album with gilt lettering 'War Pictures 1914-1919' containing National War Savings Committee stamps, together with an album containing a collection of black and white and sepia prints of famous Victorian figures to include Prince George William Frederick Charles, the 2nd Duke of Cambridge, Lady Randolph Churchill, Sir Charles Santley and Lottie Dod

A pair of leather photograph frames bearing the Queens Regiment crests, early / mid 20th century, 21cm by 15cm, (af).

A First World War medal group of three comprising 1914-15 Star, 1914-18 British War Medal, 1914-19 British Victory Medal, all to 17829 GNR G STAKER Royal Field Artillery, together with a commemorative medal for the Battle of Jutland, a trench art Egyptian coin engraved '29094 T WALTON 3 HRS', three Middlesex Regiment badges and selection of buttons, and Field Marshal Montgomery's 'Ten Chapters 1942-1945' pub Hutchinson & Co

Six hardbound Yachting World annuals for 1956, 1957, 1958, 1960, 1961 and 1962

Maritime interest, a collection of nautical measuring instruments, hand drawn and printed boat plans including for the Cutty Sark, some on acetate, Conservation plans for the Cutty Sark and other nautical collectables and ephemera

A Wheatstone & Co concertina with forty-eight bone keys, in fitted case

A Polyphon table musical box, early 20th century, lid inlaid 'Polyphon', playing 11-inch discs, numbered 52747, with winding handle, image to underside of lid of cherubs, with disc, case width 33.75cm

Five albums (part contents) of Great Britain and International stamps and some loose, to include Stanley Gibbons The King's Own Postage Stamps, The Whirlwind album and Royal Mail Stamp Album for Stamps of the World

Four albums of mostly Great Britain stamps, and some loose to include Stanley Gibbons Victorian Stamp Collection, a large collection of penny reds, partial reconstructed sheets of penny reds, penny blacks, two pence blues, £1 Postal Union Congress 1929, £1 green seahorses (albums part full), and some First Day Covers, *viewing highly recommended

A Steiff Manschli panda bear 064821 with ear tag and card tag 33cm high (seated), and a Steiff baby gorilla 062070 35cm high (2)

A Steiff Knut Master Piece polar bear 036996 with white ear tag 20cm high, with certificate

Three Steiff bears all with ear tags and original card tags comprising 'Cosy Friends' Goldy 31cm high, 'Cosy Friends' Original 35cm, and Lars 36cm

Two Steiff bears with ear tags comprising 'Cosy Friends' Ean 28cm and 2007 Cosy Year Bear 28cm, together with Charlie Bears 'Shreddie' 31cm, and two Welcome Gifts bears

A ZX81 Sinclair Personal Computer, Sinclair software catalogue, Sinclair ZX81 Basic Programming First Edition 1980, four ZX81 games, a Sinclair 16k ram, and a book on The Art of Programming the 16k ZX81 by M James & S M Gee (a/f - as seen and untested)

A Mobo 'Praire King' spring rocking horse, mid 20th century, bearing makers label to front, on stand, length approximately 100cm

Lego Technic 42110 Land Rover Defender, boxed

Lego Icons Modular Buildings Collection 10312 Jazz Club, boxed

Lego Ideas 21322 Pirates of Barracuda Bay, boxed

'Geographia' Ltd jig saw puzzle, 'A Humorous and Instructive Map of London', boxed

A Lego Creator 3 in 1 33109 pirate ship, boxed

Four boxed Corgi Aviation Archive and similar Limited Edition models, 1:72 scale, to include AA34212 Chinook HCIB ZA705/EZ and AA34109 Buccaneer S Mk28

A modern Steiff 'Classic' golden blonde mohair teddy bear 028762, with ear tag, box and Steiff bag 34cm high

A collection of boxed die-cast model buses, makers including Corgi limited edition Original Omnibus Company, Exclusive First Editions and Oxford Omnibus

Lego 71044 Disney Train and Station, boxed

Lego 43179 Disney Mickey Mouse & Minnie Mouse, boxed

Lego Technic 42083 Bugatti Chiron, boxed

Mathurin Moreau (1822 - 1912), 'Grappilleuse' (Gleaner), bronze sculpture, signed, title plaque, 42cm high.

Antonin Mercie (1845 - 1916), 'David Vanqueur', bronze sculpture, c.1890, Barbedienne Foundry stamped to base, signed, numbered to underside '75934', 46cm high.

Claude Michel Clodion (1738 - 1814), 'Bacchante', antique bronze sculpture, signed, 28cm high.

Alfred Boucher (1850 - 1934), 'Two Bacchic figures', a pair of antique bronze sculptures raised on marble bases, c.1930, both signed, 19cm high (2).

Wilhelm Thomasch (1893 - 1964), 'Boy with wreath and umbrella', bronze sculpture, c.1930, signed, 22cm high.

A Victorian silver Maundy four coin set dated 1877 comprising one pence, two pence, three pence and four pence

An Anne half crown 1703 vigo with evidence of brooch mounting and piercing, the reverse heavily tooled, probably formerly enamelled

Sixteen silver Maundy coins to include five Charles II, two William and Mary, three Queen Anne and two George I

An Ethelred II penny, London mint

A Henry III short cross penny and a jetton

A collection of 1970s and later mostly American coinage to include a quarter dollar 1974, together with a small mahogany coin cabinet with twelve trays

Three sixpences including William III 1696, Anne 1711, George III 1787, an Elizabeth I silver coin

A Charles II shilling 1670, and a Queen Anne shilling 1709 (a/f)

A George III shilling 1817

A collection of British coins and foreign to include three Victorian and later crowns: 1897, 1951, 1953 and a Churchill commemorative 1965 crown, and a Swedish 20 kronor banknote

A Charles II 1670 crown

A William III 1696 crown

A Charles II 1677 half crown

A small collection of British and foreign coinage

A group of cupro-nickel commemorative medallions and foreign coins including a Guernsey six coin proof set 1979, further Channel Island issue, British coins and farthings

A group of Bank of England banknotes comprising one Ten Pounds, ten One Pounds, thirty-two Ten Shilling Notes, also a group of foreign banknotes

A collection of pre-1947 British silver coinage including two 1935 Crowns, 600g gross weight

A George III crown, the reverse enamelled, mounted as a brooch, four further crowns: 1819, 1821, 1822 and 1892, also a base metal medallion commemorating William Shakespeare (6)

A group of British and foreign coins to include four crowns, four half crowns, four florins and a cartwheel tuppence 1797

A collection of British and foreign coins, medallions and banknotes, to include cartwheel pennies, commemorative crowns, Reichsbanknotes etc

A group of British and foreign coins and banknotes to include a South Africa 2 1/2 shillings 1892 and a shilling 1892

A group of foreign coins including San Marino 10 Centesimi 1938 R and a USA 5 cents 1883

A collection of British and foreign coins to include a Victorian crown 1896, three florins: 1898, 1900 and 1906, a George IV sixpence 1826, an Irish five pence bank token 1805 and a cartwheel twopence 1797

A large collection of Ladybird books, over 1000 books - SEE ADDITIONAL IMAGES *list of titles available

Stevenson, Robert Louis; Blampied, Edmund (illus.), Travels with a Donkey, pub. New York, Dodd, Mead and Company, 1931, together with five other books to include Mason, Eugene (transl), Aucassin & Nicolette, pub. London, J M Dent & Sons Ltd and New York, E P Dutton & Co 1925, and Sloane CE, Roscoe & Montz BS in CE, John, Elements of Topographic Drawing, Second Edition, pub. McGraw-Hill Book Company Inc 1943 (6 books)

Simpson (Charles) two volumes on hunting 'The Harboro' Covntry' and 'Leicestershire and Its Hunts' published by John Lane, The Bodley Head Limited, 1st editions, 1926 and 1927, together with 'Neighbours' by Lucy Dawson, published by Collins, printed by J. Howitt & Son Ltd, 1946, 'Spring Songs With Music' and 'Summer Songs With Music' (Flower Fairies) by Cicely Mary Barker and Olive Linnel, published by Blackie & Son Limited, and 'The Book of Nonsense' by Edward Lear, published by Frederick Warne & Co., 1901 (6)

Robert Morden, a hand coloured engraved map of Warwickshire, sold by Abel Swale, Awnsham & John Churchill, framed, 38cm x 44cm, together with a Christopher Saxon handcoloured map of Warwickshire, framed, 31.5cm x 38cm (2)

After Gio Giacomo di Rossi, a hand coloured engraved map of Malta and Gozo, 'Isola di Malta, Gozzo Comino e Cominotto', including plan of Valetta 'Pianta Delle Fortificationi Vecchie e Nvo ve di Malta', framed, 33cm x 44cm

F P Becker (British 19th century), 'Cornwall' and 'Sussex', two unframed engraved maps, 30cm by 37cm

'The Book of the Thousand Nights and a Night' by Richard Francis Burton, together with the 'Supplemental Nights', 16 volumes, First Edition Original Edition, privately printed Benares for the Kamashastra Society for Private Subscribers only, London 1885/88. Together with a limited edition hard bound folio 'one hundred illustrations to Captain Sir Richard Burton's translation of The Arabian Nights' from original paintings by Stanley L Wood, Proofs before Letters, only 250 printed, this being number 2. Also with another hard bound folio 'A series of seventy original illustrations to Captain Sir R. F. Burton's Arabian Nights and a portrait of Captain Sir Richard Francis Burton', specially printed by Albert Letchford, Artist's Proofs.Together with other related printed material. (af).

Wheeler-Cuffe, Charlotte, The Burma Alphabet, (In English & Burmese), From the original sketches by Charlotte Wheeler Cuffe, 'Sold on behalf of the Fund for the Queen Alexandra Children's Hospital, Mandalay', with colour illustrations, together with a carved wood and leather camel whip (a/f)

Tobias Smollett's The Adventures of Roderick Random, The Eighth Edition, London, 1770, volume I

Three artist illustrated books: 'Original Views of London', in two volumes (53cm by 37.7cm), Texts by Charles Ollier (1842) and James Laver (1954), from the de luxe edition printed on hand made paper, bound in quarter red morocco, greycloth board sides, housed in a similarly bound slip case, 1966 re-print, containing 27 facsimilie colour plates representing the original lithographs. 'Picturesque Architecture in Paris, Ghrnt, Antwerp, Rouen, etc', being a re-issue of the E. Beresford Chancellor, Published by the Archicetural press 1928 on membrship subscription only, with bookplate of Cedric Gurney Ripley, with original dust cover. 'River Scenery of France' depicted in sixty one line engravings from the drawings by J M W Turner, Published Henry G Bohn, Covent Garden, London, 1857, heavy board covers in contemporary half-calf with gilt spine. (3).

A Railway Clearing House Official Railway Map of England & Wales, 1947, folding coloured map on linen, cloth boards with gilt lettering

A framed John Ogilby (1600-1676) route map for The Road from London to Weymouth 35cm by 47cm

A caddy top Elliott mantle clock, with hand wind movement, the 3 1/2 inch dial with Roman numeral chapter ring and cherub spandrels, 23cm high including handle

A 19th century mahogany stick barometer by Baker of Shrewsbury, 94cm high. Ivory declaration reference AT1JQJHV

A late 19th / early 20th century Rococo style gilt brass watch holder 17.5cm high, and an early 20th century metal cased pocket watch

A 20th century Rococo style cast brass mantle clock chiming on a bell, in an ornate case with equestrian surmount and scroll feet, 42cm high, together with a pair of four light side candelabra 50cm high

A Garrard and Co mantle clock with Elliott hand wind movement, the Roman numeric chapter ring with raised brass spandrels, 23cm high

A Kundo 400 Day clock the green and black dial with Roman numerals under a glass dome on circular plinth base, dome 24cm high including base, together with a novelty German mantle clock the pendulum in the form of a merry-go-round, battery operated, dome 19cm high including base (a/f)

A George III Isle of Wight oak longcase clock, 12-inch painted break arch dial inscribed 'Nichols & Son, Newport', with twin winding holes, oval panel decorated with a seated female figure holding a bird aloft above Roman hour numerals, subsidiary seconds dial, date indicator, with break arch hood and door, on bracket feet, with two weights, height 192cm (A/F)

A 20th century oak longcase clock, 11-1/3 inch square dial, brass with silvered chapter ring, Roman numerals, decorative spandrels, striking on a bell, flat topped case, hood with barley twist columns, pendulum and weights attached, with key, height 185.5cm

A Victorian slate and malachite inlaid mantle clock with gilt Roman numerals, with pendulum 19.5cm high (bell and key missing)

An ornate gilt-brass mounted oak cased Hamburg American Clock Company striking 14 day mantle clock, c.1900, the movement striking on a gong, with original makers label inside the rear door, complete with pendulum and key, 54cm high

A German anniversary clock under a glass dome 29cm high

A 19th century three train fusee longcase clock movement, striking on a bell and chiming on eight bells, 12 1/2 inch circular dial with Gothic scrolling foliate decoration, the backplate engraved 'Calderwood & Son Makers Belgravia SW'

An Edwardian inlaid mahogany balloon form mantle clock on gilt ball supports 23cm high

An early 20th century oak cased mantle clock the circular white enamel dial with Roman numerals and visible escapement, indistinctly signed ' A Mahon? Paris', striking on a bell, 47cm high, 28cm wide, no key (a/f)

An Art Deco pink marble clock, the diamond shaped dial with Arabic numerals 27cm high, and two empty marble clock cases to include an Art Deco tri-colour marble example surmounted with a bronzed metal figure holding a spear

A Swiss cylinder music box, 19th century, inlaid lid, simulated rosewood and ebonised outer case, glazed cover, playing 8 airs, handwritten tune sheet, inscribed 5 1/2", tunes including 'Auld Lang Syne' and 'Blue Bells of Scotland', cylinder approximately 6 inches, case width 42cm

A French boule mantle clock, early 20th century, brass and gilt ormolu mounted case ebonised sides and back, raised on four scroll feet, retailed by Boodle & Dunthorne, Liverpool, the white enamelled dial with Arabic numerals, movement marked 'Made in France' (case AF), height 25cm

A Schatz anniversary clock under a glass dome 31cm high including dome

An 18th century oak cased striking 30 hour longcase clock by John Pocock of Snallish, the 11 inch square brass dial with engraved decoration, with pendulum and single weight, 198cm (6' 6") high.

A Victorian black slate and rouge marble mantle clock, of architectural form, with gilt coloured chapter ring, pierced central dial, Roman numerals, movement striking on a bell, together with pendulum and key, height 42.5cm

A Secessionist style table or desk clock, early 20th century, silvered metal and brass, inlaid with blue enamel, movement removable, circular dial with Roman numeral, lacking hands (A/F), height 14.5cm

A George III oak longcase clock, 11 1/2-inch painted break arch dial inscribed 'J J Dison, Cambridge', with twin winding holes, decorated with floral and bird design above Roman hour numerals, subsidiary seconds dial, date indicator, with swan neck pediment to hood, on plinth base, with two weights, height 209cm (a/f)

A brass torsion clock, under glass dome, 20th century, raised on two columns, enamelled dial with Arabic numerals, movement number 17119, height overall 30cm, together with a Rotherham England bracket mantle clock, 20th century, mahogany case, dial with Roman numerals, steel spandrels, presentation inscription 'Tempus Fugit, A. Faulkner, 25 Years', with brass carrying handle height overall 26cm (2)

A 19th century slate and rouge marble mantle clock, French, enamelled dial with Roman numerals, movement number 7449, with key, height 25.5cm

Cecil Aldin RBA (British, 1870 - 1935) 'The Young Folks Birthday Book', published by Hills & Co. London, inscribed and dated in an unknown hand 'April 27th 1907', together with 'Two Little Runaways' by James Buckland, illustrated by Cecil Aldin, published by Longmans, Green and Co., printed by Ballantyne, Hanson & Co., 1898, 'An Old Fashioned Christmas Eve' and 'An Old Fashioned Christmas Day' by Washington Irving, illustrated by Cecil Aldin, published by Hodder & Stoughton, London (4)

Cecil Aldin RBA (British, 1870 - 1935) a pair of Royal Staffordshire Pottery, Burslem vases, of baluster form with narrow neck, decorated with Cecil Aldin hunting scenes 'In The Open' and 'The First' (AF), bearing 'Cecil Aldin Sketches Reproduced by Special Permission' mark to base, height 30cm (2)

Cecil Aldin RBA (British, 1870 - 1935) for Royal Doulton 'Dog Series', a hexagonal 'Titanian' vase, decorated against the blue ground with images of hounds within a geometric leaf border, numbered D1525, height 20.75cm

Cecil Aldin RBA (British, 1870 - 1935) a pair of vintage tiles manufactured by Carter Tiles (Poole Pottery), each decorated with a seated Sealyham terrier dog and facsimile signature, impressed 'Carter Tiles, Regd UK, England, 16, 1954', one numbered DG5, 15.1cm x 15.1cm (2)

A collection of seven Royal Doulton 'Dogs of Character' figures, with designs inspired by Cecil Aldin illustrations, modelled as Jack Russell puppies H1/1095, H.N. 110, H.N. 1158 (AF), HN 1101 and three unnumbered, the tallest height 11cm

Cecil Aldin RBA (British, 1870 - 1935) for Royal Doulton 'Aldin's Dogs': A large footed bowl, centrally decorated with a hound smoking a pipe, diameter 22.5cm, together with a jug, a two handled square dish, a two handled rectangular dish, an ashtray, a plate, a round dish and further dish, all numbered D4629, each decorated with scenes of hounds within a stylised leaf border, jug height 13.5cm (8)

Cecil Aldin RBA (British, 1870 - 1935) 'A Gay Dog : The Story of a Foolish Year' by Cecil Aldin, published by William Heinemann, 1905 , together with 'Just Among Friends _ Pages from My Sketch Book' by Cecil Aldin, 2nd edition, published by Eyre and Spottiswoode, 1935, 'The Bunch Book' by James Douglas, illustrated by Cecil Aldin, 1st edition, 1932, 'Lost, Stolen or Strayed' by Marion Ashmore, illustrated by Cecil Aldin, Eyre and Spottiswoode, 1931, and 'A Dog Day or The Angel in The House' by Walter Enamuel pictures by Cecil Aldin, 10th edition, published by William Heinemann, 1912 (5)

Cecil Aldin RBA (British, 1870 - 1935) for Royal Doulton 'Dog Series', a 'Titanian' jug, decorated against the blue ground with portraits of a hound within a geometric leaf border, numbered D4525, height 11.5cm

Cecil Aldin RBA (British, 1870 - 1935) for Royal Doulton 'Dog Series', a rectangular 'Titanian' two handled dish or tray, decorated against the blue ground with a hounds and fox mask, within a geometric leaf border, numbered D1525, diameter 36.5cm, together with two plates, one with hound and twine against a mottled blue ground, the other with hound smoking a pipe against a duck egg blue ground, 26cm and 21.5cm diameter (3)

Cecil Aldin RBA (British, 1870 - 1935) for Royal Doulton 'Dog Series', a plate decorated against the blue green ground with images of a dogs, together with a similar larger plate, decorated to centre with a dog smoking a pipe, the larger diameter 26.75cm (both chipped) (2)

Cecil Aldin RBA (1870 - 1935) 'Hunting Scenes, Forty Sketches of Hunting Scenes and Countries, Selected and Arranged by Cecil Aldin', 1st edition, published Charles Scribner's Sons, New York, 1936, together with 'Roads and Vagabonds', by Kenneth Hare, illustrated by Cecil Aldin,published by Eyre and Spottiswoode (AF) (2)

Cecil Aldin RBA (British, 1870 - 1935) for Royal Staffordshire Pottery, two 'In the Open' hunting scene plates, one matt finish, the other with red rim, each diameter 23cm (2)

A Huntley & Palmers biscuit tin with lid lithographic decorated with a Cecil Aldin RBA (British, 1870 - 1935) hunting scene, width 34.5cm

A collection of eight pieces of Royal Doulton, decorated against a yellow ground with hunting and inn scenes by Cecil Aldin RBA (British, 1870 - 1935), including a planter/ jardiniere, a large bowl, two plates (one labelled 'Cecil Aldin Exhibition 1990' label verso), a side plate, two two -handled rectangular dishes, all numbered D4507 and a similar design mug, numbered E3804, together with a plate (AF) with a Cecil Aldin cricket / Cadbury's scene, and a large Royal Doulton 'Series Ware' footed bowl decorated with cottage scenes, numbered 3647, diameter 30.25cm (10)

A large Burleigh Ware wall hanging charger, relief moulded as Sir Walter Raleigh playing bowls within a seascape, signed G. Labarr, stamped to base 'Modelled from the Original Drawing by Cecil Aldin' and 'Made Exclusively for the Rembrandt Guild', together with a large Burleigh Ware wall hanging charger relief moulded as Dick Turpin on horseback, signed Ridgway, numbered 5331, each diameter 41.5cm (2)

Cecil Aldin RBA (British, 1870 - 1935) 'Old Inns', published by William Heinemann, signed 1st edition, 1921, limited edition no. 88, signature in black ink, together with 'Cathedrals of England' published by Eyre & Spottiswoode Ltd., London, signed limited edition no. 77, 'Old Manor Houses', 1st edition, published by Eyre & Spottiswoode, 1923, 'The Romance of the Road', printed by Charles Scribners, 1928 (4)

Cecil Aldin RBA (British, 1870 - 1935) for Burleigh Ware, a collection of five pieces, 'Merrie England' type range featuring designs after Cecil Aldin, including;a jardiniere/ planter, a teapot and three jugs, jardinere height 20.5cm (5)

Cecil Aldin RBA (British, 1870 - 1935) for Burleigh Ware, a collection of twelve pieces, 'Merrie England range featuring designs after Cecil Aldin, including; two spill vases, a teapot, a cake stand, a jug, a square bowl, an oval bowl, two plates, a small round bow and two dishes, the jug height 13.5cm (12)

After Cecil Aldin RBA (British, 1870 - 1935) a vintage greyhound racing poster, featuring artwork by Cecil Aldin, 'The Greyhound Racing Thrill, South Bridge Wharf, Northampton, Every Thursday & Saturday Evening. Opening Easter Saturday April 7th, printed by J. Weiner Ltd. London, W.C.2.', lithograph (AF, severe damp/ mould to poster and frame), framed, 73cm x 49cm

Cecil Aldin RBA (British, 1870 - 1935), 'Barry' and 'Jemima', a pair of vintage prints depicting terrier puppy's, 29cm by 29cm, matching frames.

Cecil Aldin RBA (British, 1870 - 1935), 'Good Boy' and 'Bad Boy', a pair of vintage prints depicting terriers, 34cm by 24cm, framed.

Cecil Aldin RBA (British, 1870 - 1935), a vintage print depicting three vignettes of terriers, each with a short poem, images 13.5cm by 11cm and 11cm by 13.5cm, framed by The Frog & Mouse Picture Company of Leicester and Nuneaton, frame size 30cm by 60cm.

Cecil Aldin RBA (British, 1870 - 1935), five vintage prints depicting terriers, all framed.

After Cecil Aldin RBA (British, 1870 - 1935), 'Behind Time', colour print, 22cm by 39.5cm

Thomas Shotter Boys NWS (British, 1803-1874), 'French Views', eleven original lithographs, two with early labels for Thomas Agnew & Sons Ltd of 43 Old Bond Street, London, and numbered 42768 and 42457, all with later labels verso title and plate number, all framed, (11).

Robert Morley (British, 1857 - 1941) 'His Gold Mine', oil on board, mouse feeding within a barn, signed lower left, variously labelled verso including partial inscribed artists label and 'Liverpool, Dicksee & Co.' within ornately carved gilt frame, 10.75cm x 11.25cm

Vladislav Rohling (Czech, 1878 - 1949), three pencil signed etchings depicting street scenes, 17cm by 14cm, framed.

Hungarian School, harvesters in a field, oil on canvas, indistinctly signed, paper labels verso, 75cm by 98cm

After Élisabeth Louise Vigée Le Brun (1755-1842), self portrait, oil on panel, unsigned, in ornate giltwood and gesso 'Florentine' style frame, 36cm by 31cm including frame

Victorian school, portrait of a lady wearing a red headscarf, red drop earrings, and a red and white patterned shawl, oil on canvas, indistinctly signed John Colling*? and dated 1878, 51cm by 41cm

Marsha Hammel (American b 1949), Saxophone player, oil on paper, signed, 70cm by 53cm, together with a leather folder containing information on the artist

Keith W Hastings (b 1948), winter landscape with stream, oil on canvas, signed, 18cm by 24cm

Victor L. Prescott (19th/ 20th century) a pair of marine watercolour and gouache paintings, sailing vessel before a lighthouse and two masted sailing vessel on calm waters, signed lower right, each bearing partial inscribed label verso, framed, 25cm x 12cm (2)

After Edward King (British, active 19th/ 20th century), a set of four coloured etchings of London scenes, Horse Guards Parade, Buckingham Palace and the Queen Victoria Memorial, Cleopatra's Needle and the Thames Embankment and The Thames between Richmond and Petersham, each signed in pencil and additionally by the engraver, bearing blindstamp, published 1925 by The Museum Galleries, framed, the first 29cm high x 39cm wide (4)

After Daniel Hernandez (Peruvian 1856-1932), courting scene, 19th century colour print published in 1898 by Jean Boussod, Manzi, Joyant & Co., 32cm by 24cm, and two 19th century colour prints depicting interior scenes after Lucius Rossi (1846-1913), all three prints nicely presented in matching giltwood and gesso frames with garland surmount

After Friedrich Geselschap (German 1835-1898), portrait of a lady holding a basket of flowers, pencil, unsigned, 31cm by 25cm

James Burrell Smith (British 1822-1897), Scottish Highland view with couple beside a loch, ruined castle beyond, signed and dated 1871, 20cm by 48.5cm

A Marrani (Italian, active 19th century), a Dominican monk in the choir stalls of Santa Maria Novella in Florence, watercolour, signed, verso printed paper label 'The Quire at Santa Maria Novella', 43cm by 47cm

Martin Garvey (British 20th century), Stanton, Gloucestershire, lithograph, inscribed and signed in pencil, blindstamped for Warwick Galleries, 26.5cm by 32.5cm, unframed, together with a collection of unframed prints, etchings, engravings etc of scenic views to include Mousehole, Cornwall, Torquay and Goring-on-Thames (ARR)

17th century Genoese School, The Holy family, oil on canvas, unsigned, 53cm by 64cm (some restoration and cleaning)

Attributed to Thomas Christopher Hofland (1777-1843), 'Winter landscape', oil on board, signed 'Hofman' , 14cm circular, framed.

Charles Edward Brittan (1837-1888), fox with mallard, watercolour and gouache, signed, 16cm by 21cm

Graham Isom (b 1945), haycart and figures before a field, oil on canvas, signed, 30.5cm by 41cm (ARR)

Margaret Palmer (b 1922), Victorian Winter, oil on board, signed, verso inscribed, 21cm by 28cm

Margaret Palmer (b 1922), two ballerinas, oil on board, signed, 29.5cm by 24cm

Bernard Banks (20th century), The Park, watercolour, signed, verso inscribed paper label, 35.5cm by 55cm

Manner of David Roberts (1796-1864), church interior, oil on wood, unsigned, verso indistinctly inscribed paper labels, 18cm by 13.5cm, the gilt frame with plaque inscribed 'D Roberts RA'

Moodie (20th century), 'Arabic male figure in an interior scene', oil, signed and dated (19)72, label verso for John Mathieson & Co, 48 Frederick Street, Edinburgh, 35cm by 45cm, framed.

After Joan Miro (Spanish, 1893-1983), 'L Oiseau Solaire, L Oiseanu Lunaire, Etincelles' (The Solar Bird, The Lunar Bird, Sparks), a triptych, unsigned lithograph, Galerie Maeght, Paris, 31cm by 70cm, unframed.

After Joan Miro (Spanish, 1893 - 1983), 'Trois Poches de Couleur' (Three Pockets of Colour), a triptych, unsigned lithograph, Mourlot of Paris, 31cm by 69cm, unframed.

After Joan Miro (Spanish, 1893 - 1983), 'Maîtres Graveurs Contemporains' (contemporary master engravers), an unsigned lithograph in colours, 24cm by 28.5cm, unframed.

Marino Marini (Italian, 1901 - 1980), 'Cavalier', an unsigned lithograph, Mourlet of Paris, 31cm by 24cm, unframed.

After Serge Poliakoff (Russian / French, 1900 - 1969), 'Composition rouge et bleue', an unsigned lithograph, Mourlet of Paris, 31cm by 24cm, unframed.

Colin Orchard (British, b.1935), 'Montpellier Gardens, Harrogate', oil on board, signed with monogram, fully signed and titled verso, 20cm by 20cm, framed.

Colin Orchard is one of Cornwall's most respected painters and has exhibited extensively at more than 50 art venues throughout the UK, his paintings have regularly featured at the Royal Academy Summer Shows, and in 2007 he was appointed a member of the Royal Society of British Artists.

Colin Orchard (British, b.1935), 'Vuillard Exhibition in Sheffield' oil on board, signed with monogram, fully signed and titled verso, 17cm by 17cm, framed.

Colin Orchard is one of Cornwall’s most respected painters and has exhibited extensively at more than 50 art venues throughout the UK, his paintings have regularly featured at the Royal Academy Summer shows, and in 2007 he was appointed a member of the Royal Society of British Artists.

Italian School (19th century), a set of three coloured engravings, scenes of urban life, framed, each overall 24.5cm high x 32cm, (3)

British School (late 19th / early 20th century), 'Rural river landscapes with thatched cottages and country folk', a pair, oils on canvas. 48cm by 73cm, framed.

Marcelle Milo-Gray (b 1954), terrier on a country path with stone bridge, gouache, faintly signed, 13.5cm by 22.5cm (ARR)

Marcelle Milo-Gray (b 1954), terrier jumping at a seagull in a rural landscape, gouache, faintly signed 13cm by 22cm (ARR)

Polish school (19th century), rural scene with cottage, figure and cattle beside a country track, oil on canvas, unsigned, 24cm by 28.5cm

Valerie Serres (20th century), Portrait miniature of a female figure with brown hair, believed to be Molly Stokes, on ivorine, inscribed verso, dated 1971, within tooled leather frame, panel height 7cm (ARR)

Pauline Denyer (contemporary), miniature still life, watercolour on ivorine, dated '95 and initialled lower right, variously inscribed verso, framed, 5cm high x 7.5cm wide (ARR)

Attributed to Alfred de Breanski (1852 - 1928), Cottage on the Banks of a River, landscape, oil on canvas, signed lower right and dated 1910, bearing artists name verso, framed, (a.f.), 24cm high x 33.5cm wide

19th century School, 'Interior scene depicting four 17th century male figures sat round a table', oil on canvas, indistinctly signed, 74cm by 60cm, inset ornate giltwood frame.

English School (late 18th/ early 19th century), manner of Thomas Rowlandson, portrait of a gentleman wearing a blue jacket reading a document, watercolour and ink, framed, 13.5cm high x 10cm wide.

Late 19th / early 20th century French school, 'Return of the Gleaners', oil on panel, unsigned, verso part paper label inscribed 'Retour de Gleaners', panel 16cm by 22cm

Attributed to Mary Fedden RA (1915-2012), still life of flower and fruit, watercolour, gouache and collage on paper, unsigned, 33cm by 48cm (ARR)

Mary Fedden RA (1915-2012), landscape with fruit and vegetables in the foreground, gouache and watercolour on paper, signed, 46cm by 38.5cm (ARR)

Ann E Barlow (20th century), monochrome etching of leaves, possibly with Sydney Opera House motif, signed in pencil and dated 78, 69cm by 50cm

Douglas Ettridge (1927-2009), Second World War American bomber attacking a German plane, oil on canvas, signed and dated 1972, 58cm by 90cm

George Lennard Lewis, (British, 1826 - 1913), 'French street scenes featuring Cathedrals and old timbered buildings', a pair, watercolours, both signed, 37cm by 25cm, modern frames.

Anne Spavin (Contemporary), 'Georgian Country House', watercolour and ink, artists label verso and label for Prince George Galleries of Havant, 20cm by 33cm, framed.

George Richard Deakins (British, 1911 - 1982), 'Rural landscape with horse and cart, and a church in the distance', thick impasto on board, by palette knife, signed, artists label verso, 40cm by 60cm, framed.

Deakins served with the Royal Navy from 1927-1957, he began painting while serving on a British cruiser in the Indian Ocean during the 2nd World War, he enjoyed much commercial success and had numerous one man shows all around the world, on leaving the Navy he set his studio up in Dunster, Somerset.

After Anton Romako (Austrian 1832-1889), The Little Musician, pastel on paper, unsigned, 36cm by 26cm, unframed

Julian Trevelyan (1910-1988), Moghul, 1968 from the Indian Suite, Artist's Proof, etching and aquatint, signed, titled, and inscribed in pencil, 78cm by 56cm, unframed (ARR)

Julian Trevelyan (1910-1988), Novgorod, 1961, etching, numbered 30/50, inscribed and signed in pencil, 41cm by 52cm (ARR)

John Walsh (20th / 21st Century), 'The Victoria, Salford Quay' (Manchester), oil on paper, 2004, signed with initials, dated, artists labels verso, 68cm by 56cm, framed.

LOT WITHDRAWN

Salvador Dali (Spanish, 1904 - 1989), 'I FIORI SURREALISTI', 1981 Edizioni Eldec - Rome, hardbound folio, 41cm by 30cm, together with fifteen stamped limited edition lithographic still life prints, each 30cm by 21cm, unframed.

LOT WITHDRAWN

E Coleman (c.1930's) - a collection of ten pencil sketches of Hollywood stars and other figurative studies, mostly signed, dated, inscribed, all unframed, various sizes, (af).

A framed Indian gouache procession scene in shades of blue, with gilt embellishments, 23cm by 35.5cm

Continental school, tondo oil on board depicting moored boats, cathedral and buildings beyond, unsigned, 19cm diameter (a/f)

James Gilray (British, 1756 - 1815), 'Matrimonial Harmonics' and 'Harmony Before Matrimony', a pair of antique coloured etchings, 26cm by 36cm, inset matching frames from The Wall Gallery (specialist picture framers, Battersea, London), (2).

Piercy Roberts (1774 - 1863), 'Comfort for an old maid', antique coloured etching, 25cm by 30cm, framed by The Wall Game (specialist picture framers, Battersea, London).

Attributed to William Henry Blackburn (1918 - 1995): comprising a highly detailed pencil drawing of a periscope hidden within a statue of Adolph Hitler, with copious hand written notes, dated 1939, sheet 52cm by 22cm, a whimsical pencil and watercolour drawing depicting naked male figures and a bicycle with drinks trolley attached, with notes and poem, sheet ripped in an irregular shape, 22cm high, a pencil drawing of two figures outside a church, irregular shape, 17.5cm high, a woodblock print of huts, signed and dated 1939, sheet approx 20cm by 25cm, a woodblock printed greeting card for Christmas 1938, 14cm by 17.5cm, and a colour printed sheet 'Nancy of Bath', 19cm by 17.5cm, (6), (a.f.).

William Henry Blackburn was an award winning art director, painter, and photographer in both England and India throughout the 1940's to the 1980's, and working for Saatchi and Saatchi up until his death in 1995. His works have largely remained out of the public eye at his sons home since then, with just a few of his paintings in the hands of close family and friends or in a range of Museums across Great Britain and India.

Russell Brockbank (1913-1979), a signed pencil sketch on white card, unframed, 8.5cm by 12cm

Home is', pencil signed limited edition 'doodle' colour print, numbered 1/40, indistinctly signed and dated (20)17, 28cm by 41cm, framed.

After Feliks Topolski (1907 - 1989) 'This England' for School Prints Ltd., 1947, lithograph, printed in England by The Baynard Press, S.P.19, framed, framer label verso H.N. Fong, Hong Kong, 29.5 by 75.9cm

Pascal Magis (French 1955-2011), abstract in blue and orange, acrylic on board, signed, 40cm by 30cm, unframed (ARR)

Dame Laura Knight DBE RA RWS (1877-1970), Lamorna Cove, Cornwall, reproduction printed in colours, blind stamped and signed in pencil, pub 1935 by Frost & Reed Ltd Fine Art Publishers, 43cm by 65cm (ARR)

20th century school, view of San Giorgio Maggiore through gondolas, Venice, watercolour, initialled and dated 'BO II 96', 45cm by 64cm

A 19th century Hunting engraving 'Charles Payne, Huntsman to The Pytchley Hunt with his whips John Woodcock and Edward Kinsbury', painted by John Bullen and printed by C.Moody's of London, 51cm by 66cm, inset a Victorian satin birds eye maplewood frame.

Lance Thackeray (1869-1916) & Lionel Edwards (1878-1966): a series of four original lithographs depicting humorous country and sporting pursuits, early 20th century, 31cm by 50cm, matching Hogarth frames, (4).

Lance Thackeray RBA (British, 1867 - 1916): 'Bridge' a set of four original chromolithographs depicting figures playing cards, Fine Art Society 1904, mages 29cm by 41cm, framed.

Lance Thackeray (1869-1916) & Lionel Edwards (1878-1966): a series of four original lithographs, 'By Order of their Owner' / 'On View' / 'By Private Treaty' / 'For Sale without Reserve', Hills & Co, 1902, 24cm by 38cm, framed, (4).

After Charles Lorraine Smith (British, 1751-1835), a set of eight antique hand-coloured Hunting aquatints, The Pychely Hunt, by Francis Jukes, first published 1790, 21cm by 26cm, matching oak frames, (8).

Lance Thackeray RBA (British, 1867-1916), 'Edwardian bathers on the beach', watercolour, signed, 20cm by 33cm, framed.

Ian P Hudson (1950-2021), abstract in yellow, red and orange, 'Confocal Conic', oil on board, unsigned, paper labels verso, 61cm by 91.5cm

Ian P Hudson was born in Horsham, Sussex in 1950 and died in Headley Down, Hampshire in 2021 from Motor Neurone Disease. Between those dates he had a successful career in computing while indulging his own pleasures of opera design and singing, theatre prop and set design & construction. He also composed a symphony and adapted a Mozart libretto.

He visited various styles of painting over the years but latterly concentrated on abstract designs based mainly on scientific and mathematical formulae, and geometrical shapes.

Two of his paintings were commissioned by and hung in the offices of Radcliffe Chambers barristers, Lincoln’s Inn, London.

Ian P Hudson (1950-2021), 'Multicoloured Cardoid', oil on board, unsigned, paper labels verso, 61cm by 61cm

Ian P Hudson was born in Horsham, Sussex in 1950 and died in Headley Down, Hampshire in 2021 from Motor Neurone Disease. Between those dates he had a successful career in computing while indulging his own pleasures of opera design and singing, theatre prop and set design & construction. He also composed a symphony and adapted a Mozart libretto.

He visited various styles of painting over the years but latterly concentrated on abstract designs based mainly on scientific and mathematical formulae, and geometrical shapes.

Two of his paintings were commissioned by and hung in the offices of Radcliffe Chambers barristers, Lincoln’s Inn, London.

Ian P Hudson (1950-2021), 'The Only Proper Custard Is Made With Custard Powder', oil on board, unsigned, signed paper label verso dated December 2003, 60.6cm by 60.6cm

Ian P Hudson was born in Horsham, Sussex in 1950 and died in Headley Down, Hampshire in 2021 from Motor Neurone Disease. Between those dates he had a successful career in computing while indulging his own pleasures of opera design and singing, theatre prop and set design & construction. He also composed a symphony and adapted a Mozart libretto.

He visited various styles of painting over the years but latterly concentrated on abstract designs based mainly on scientific and mathematical formulae, and geometrical shapes.

Two of his paintings were commissioned by and hung in the offices of Radcliffe Chambers barristers, Lincoln’s Inn, London.

Ian P Hudson (1950-2021), 'RedBlueYellowGreen Nephroid 1' from the 'Nephroids' series, oil on board, unsigned, paper label verso dated September 2004, 60.6cm by 60.6cm

Ian P Hudson was born in Horsham, Sussex in 1950 and died in Headley Down, Hampshire in 2021 from Motor Neurone Disease. Between those dates he had a successful career in computing while indulging his own pleasures of opera design and singing, theatre prop and set design & construction. He also composed a symphony and adapted a Mozart libretto.

He visited various styles of painting over the years but latterly concentrated on abstract designs based mainly on scientific and mathematical formulae, and geometrical shapes.

Two of his paintings were commissioned by and hung in the offices of Radcliffe Chambers barristers, Lincoln’s Inn, London.

James Alphege Brewer (1881-1946), two views of Antwerp comprising 'Antwerp (The old Meat Market)' and 'Antwerp (from the Rue de Bepper)', coloured etchings, inscribed and signed in pencil, 20cm by 13cm, verso paper labels for Garve Hessenberg Picture Conservation and Restoration studios

Ralph William Bardill (British, 1876 - 1935), 'Old Cottages - Glan Conway', watercolour, signed lower left, variously labelled verso including inscribed artists label 'Ralph W. Bardill R.C.A, Pine Grove, Glan Conway, North Wales', 25.5cm x 37cm

Nellie Clough (British, fl. 1910 - 1920) Feeding Chickens before a Farm House, watercolour, signed lower right, framed, bearing Boots framer label verso, 33.5cm x 48.5cm, together with Stanley Herdman (British, fl. 1882 - 1909) Cattle Grazing on the Banks of a River, watercolour and ink, signed lower left, framed, variously labelled verso including 'R. Jacksons & Son, Liverpool', 44.5cm x 61cm (2)

Stanley Pettigrew (Irish 1927-2022), river landscape with sheep and distant mountains, oil on board, signed, 50cm by 76cm

Leon Underwood (Captain George Claude Leon Underwood) (1890-1975), 'The Tulip Girl', etching, signed and dated 1921 in pencil to lower right margin, framed, 19.5cm by 14.5cm

Henry F. Lucas Lucas (1848 - 1943) Polo Match, signed print, blindstamp lower left, 'published 1902 by A. Baird - Caster and H. F. Lucas Lucas, 61 Jermyn St., London. The proprietors of the copyright', printed in Munich, framed, 78cm wide x 37cm high, together with WIlliam & Henry Barraud 'The Pytchley Hunt, The Crick Meet', coloured engraving, 79 Park St. London, 9th March 1852, (AF evidence of damp to lower margin), within maple frame, 53cm x 82cm (2)

James Henry Kibart (British, 1912 - 2001) 'The Old Central Line', watercolour scene of a steam locomotive being hoisted on a crane, unsigned, bearing inscribed label verso, framed, 31.5cm x 43.5cm

After William Heath (pseudonym Paul Pry) (British, 1794 - 1840) 'Poltiical Billiards' satirical cartoon relating to India, Turkey and Greece depicting contemporary monarchs, published 'Sep 30 1820 by T. McLean, 26 Haymarket, Sole Publishers of W Heath Etching', framed, 23.5cm x 34.5cm

Nora Davison (fl. 1881 - 1905) A Football Match at Eton College, watercolour and pencil, signed lower right, framed, 21.5cm x 36.75cm

Brian Shields 'Braaq' FBA (British, 1951-1997), 'I'nt Christmas Brilliant', oil on canvas, signed 'Braaq', Gallery label verso for Collect Art, Lymm, Cheshire, and Gallery 2, Windermere, Cumbria, 60cm by 90cm, framed.

Ken Howard OBE RA (British, 1932-2022), 'Seated female nude', oil on canvas, signed, 30cm by 26cm, framed

William Crosbie RSA RGI (Scottish, 1915 - 1999), 'In the Tea House', oil on board, signed, dated LXXXII, inscribed by hand verso and labels verso, 60cm by 50cm, framed.

François Gall (Hungarian / French, 1912 - 1987), 'Montmartre, Paris', oil on board, signed and titled, label verso for The Crane Gallery, 35 South King Street, Manchester, 45cm by 54cm, framed.

Anthony Robert Klitz (British, 1917 - 2000), 'Tower Bridge, London', oil on canvas; signed, bears presentation plaque 'Presented to Fergus Montgomery by Dudley West Conservative Association', 60cm by 90cm, framed.

Mary Fedden OBE RA RWA (British,1915-2012), 'Table top still life', watercolour, signed, dated '08, Gallery label verso for Collect Art, Lymm, Cheshire, 12cm by 15cm, framed.

Mary Fedden OBE RA RWA (British,1915-2012), 'Still life with Fruit', 2008, pencil signed limited edition artists proof giclee print, number 8/75, with certificate of authenticity verso from Aquarelle Publishing Ltd, 36cm by 30cm, framed.

Sir Kyffin Williams OBE RA (British, 1918-2006), 'Old Farmer', pencil signed artists proof print, signed with initials, labels verso, 55cm by 31.5cm, framed.

School of Palma il Giovanni (Italian, 1548-1628), 'study of three horses heads', black chalk drawing on blue paper, Gallery labels verso for Collect Art, Lymm, Cheshire, with a stated provenance to the estate of Martyn Goff CBE OBE, rare book dealer and Booker Prize administrator, 25cm by 15cm, framed.

John Myatt (British, b.1945 - an artist and art forger, who, with John Drewe, perpetrated what has been described as 'the biggest art fraud of the 20th century') After Joan Miro (Spanish, 1893-1983), 'Constellations'' hand painted mixed media, bears a Washington Green Fine Art label verso, 40cm by 58cm, framed.

Patrick Caulfield (British, 1936-2005), 'Occasional Table', c.1972, pencil signed limited edition screenprint, number 4/500, 58cm by 72cm, framed.

Sandra Blow RA (British, 1925-2006), 'Abstract Collage', signed, approximately 53cm by 54cm, framed.

Sandra Blow RA (British, 1925-2006), 'Abstract' white stripe and applied metal rod on black, mixed media and oil on canvas, 122cm by 137cm, framed.

We are advised from the vendor that it was purchased at Christies Auctioneers.

Robert Oscar Lenkiewicz (British, 1941-2002), 'Study, Romney Cook in striped top', oil on canvas, signed and titled by artist verso, 33cm by 23cm.

Robert Oscar Lenkiewicz (British, 1941-2002), 'Jealousy Theme, I shall always have her heart', oil (cryla) on board, signed, further signed, titled and inscribed by artist verso, also inscribed by artist verso 'figure carries resemblance to Marcel Duchamp', 62cm by 75cm, framed.

Robert Oscar Lenkiewicz (British, 1941-2002), 'Male figure seated in a Windsor chair', watercolour, signed, inscribed verso "PROV; Bonhams Oxford Lot 39 15 May 2013", also with a label verso Barbican, Plymouth', 38cm by 30cm, framed.

Robert Oscar Lenkiewicz (British, 1941-2002), 'Painter with women / Project 18, observations on the theme of the Double, St. Anthony theme (Daemon Series)', oil on canvas, signed twice verso, titled / inscribed by artist verso, labels verso, 87cm by 148cm, framed.

John Haskins (British, contemporary) 'Solo Performance', study of a young ballerina, oil on board, signed lower right, labelled and titled verso, framed, 29.5cm x 19cm ARR

British School (20th century) portrait of a lady wearing a hat, oil on board, indistinctly signed lower right 'M. W****- Smith' dated '75, framed, 52cm x 40cm

Michael MacDonagh Wood (contemporary), canal scene, Venice, 'Fondamenta Verona', limited edition colour print, inscribed, numbered 28 of 250 and signed in pencil, 84cm by 57cm

Michael MacDonagh Wood (contemporary), 'Venetian Scene II', limited edition colour print, inscribed, numbered 434/500 and signed in pencil, 37.5cm by 27.5cm

Jennifer Hogwood, 'Mini Moo's & Me', limited edition canvas on board with applied diamante, numbered 21/195, 50.8cm by 50.8cm, with Certificate of Authenticity

Jennifer Hogwood, 'Wish Upon A Star', limited edition canvas on board with applied diamante, numbered 21/195, 45.7cm by 35.5cm, with Certificate of Authenticity

A Globe Wernicke style oak sectional bookcase, three shelves with glazed doors, on bracket feet 119cm high, 87cm wide, 36cm deep

An Art Deco limed oak ladies or child's desk and matching chair attributed to Ebenezer Gomme ‘Cromwell’ range, of barrel form, with removable inkwell / pen tray, carved with floral motif, single drawer, bearing retailers ‘Bowman Brothers, Camden’ label ivorine label, the chair with low curved back and sleigh feet 68cm high, 74cm wide, 49.5cm deep

A Jacobean style oak side cabinet carved with flower and dragon motifs, two centra drawers flanked by two panel doors enclosing cupboard, on bulbous legs height 91cm, width 136cm, depth 46cm

An Arts & Crafts oak three tier side unit / buffet, c.1900, inlaid with Mackintosh style fruitwood marquetry motifs, 107cm wide by 49cm deep by 114cm high.

A vintage wickerwork and wooden framed stand with five open oval tiers, 127cm high by 38cm wide,

A good quality Victorian carved oak library table in the gothic taste, decorated throughout with lions masks and stylised foliage, fitted with two frieze drawers, raised on solid spiral twist end supports and a corresponding double-stretcher, the scrolled feet terminating on casters, 130cm wide by 68cm deep by 80cm high.

An Asian brass coffee table with chased and pierced decoration, raised on a carved wooden folding base, early 20th century, 76cm diameter by 66cm high.

A late 19th century Colonial style bamboo stick stand / umbrella stand, inset with three Aesthetic design ceramic tiles, 57cm wide by 54cm deep by 97cm high.

An 18th century panelled oak coffer, the hinged lid above profusely carved decoration to three sides, raised on stile feet, 150cm wide by 55cm deep by 67cm high.

A vintage reconstituted stone pedestal bird bath in an 18th century taste, 78cm high.

A vintage industrial oak framed office swivel chair, c.1920, with green leatherette seat, metal mechanism, and stencil marked 'P.A.C' to underside.

An Edwardian inlaid walnut circular two tier jardiniere stand, raised on outsplayed square supports, 30cm diameter by 95cm high.

A set of four Edwardian carved beech dining chairs, c.1900, having carved top rails in the art nouveau style, above padded back panels and stylised openwork splats, upholstered seats, front turned cylindrical supports.

A vintage medium oak bureau / writing desk of small proportions, c.1900 / 1920, having a fall front enclosing a fitted interior, above open shelves, 52cm wide by 25cm deep by 108cm high.

A pair of late 19th century carved walnut framed ladies and gentlemans armchairs, with green dralon upholstered backs and seats, matching decorative carved top rails, raised on turned supports and casters.

Gianfranco Frattini for Luci Italia: An Abele table lamp, Italian, c. 1970s / 1980s, in red painted aluminium and plastic, marked to base, height 38cm

An 18th century and later oak coffer with carved three panel front height 69cm, width 147cm, depth 63cm

A 19th century mahogany 'cottage' drop leaf dining table, the rectangular top with moulded edges and rounded corners, on turned gate leg support terminating on brass casters, 106cm by 45cm opening to 145cm by 106cm (a practical table for a small home).

A vintage Georgian style cross banded mahogany coffee table, mid 20th century, the circular form with Chippendale style pie-crust borders, raised on cabriole legs terminating on claw and ball feet, 74cm diameter by 40cm high.

A small vintage figured walnut drop leaf table side table, mid 20th century, the oval top raised on slender cabriole supports, 62cm by 21cm opening to 75cm by 62cm, 62cm high.

A vintage period style nest of three graduated cross-banded mahogany occasional tables, mid 20th century, raised on cabriole legs with shell moulded knees, largest 60cm wide.

A pair of nicely weathered reconstituted stone garden figures, 20th century, 61cm high.

A Victorian fluted mahogany pedestal pot cupboard, the hinged circular top with inset tapestry panel enclosing a ceramic liner with lid, above the base section incorporating a pull-out step, 42cm diameter by 47cm high.

A set of six Victorian walnut dining chairs, the shaped and carved backs above gold dralon upholstered seats, raised on front turned and fluted tapering cylindrical supports (well made, of good solid construction).

A pair of Victorian ladies and gentlemans carved walnut 'show wood' framed armchairs, re-upholstered in apple green dralon and with buttoned backs, raised on front cabriole legs.

A pair of Edwardian love seats, of beech construction with line inlay, can be used as a pair of circle-back easy chairs or fitted side-by-side facing in opposite directions as a traditional 'love seat'.

An 18th century mahogany dropleaf cottage dining table, raised on padfoot supports, 110cm by 38cm opening to 118cm by 110cm.

An 18th century mahogany dropleaf cottage dining table, raised on claw and ball supports, 108cm by 41cm, opening to 128cm by 108cm.

An Edwardian mahogany open armchair, having a decorative carved and pierced back above the re upholstered seat, raised on front hoof feet united by stretchers.

An Edwardian inlaid mahogany bureau bookcase, having two glass panelled doors enclosing two adjustable shelves, above the hinged fall front with fitted interior, and three graduated long drawers beneath, raised on cabriole legs, 96cm wide by 48cm deep by 211cm high (dismantles into two sections for ease of transport).

A 19th century walnut corner fitting whatnot, having four graduated open shelves and turned uprights, raised on casters, 67cm wide by 137cm high.

A set of six Edwardian carved medium oak dining chairs, c.1900, having foliate and scroll carved top rails above nicely re-upholstered back panels and seats, raised on front baluster turned supports with casters (comfortable and solidly built).

An Edwardian Sheraton revival mahogany inlaid bureau bookcase, with glazed panel door enclosing three shelves, the fall front enclosing fitted interior, above four drawers on bracket feet, height approx 250cm, width 97cm

A Victorian piano stool with rising upholstered box seat, on square tapered legs with castors, 50cm

A 19th century mahogany oval drop leaf gate leg dining / supper table, raised on moulded square tapered supports, 120cm by 57cm opening to 171cm by 120cm.

A pair of contemporary black leatherette recliner swivel armchairs with matching footstools, raised on bentwood outswept bases.

A vintage teak 'Long John' coffee table, the shaped top raised on four screw-in ebonised legs, 122cm by 40cm.

A Georgian style inlaid mahogany coffee table, 20th century, the shaped top raised on four fluted tapered cylindrical legs, 84cm wide by 51cm high.

A set of three Edwardian oak office armchairs, two with matching upholstered seats, one differently upholstered.

A 19th century mahogany Hall chair, with ornate carved back, shaped front seat, turned front supports and sabre rear supports.

A vintage solid oak Jacobean style coffee table, mid 20th century, the oval top raised on baluster turned supports, 73cm by 47cm, 44cm high.

An Edwardian mahogany display cabinet, c.1900, the two glass panelled doors enclosing a lined interior fitted with two shelves, and enclosed storage beneath, raised on Chippendale style legs, 104cm wide by 178cm high by 36cm deep.

An Edwardian rosewood inlaid sofa upholstered in pale yellow floral patterned fabric, with foliate pierced show wood frame, padded back and button scroll arms on square tapered legs and spade feet to castors

A 20th century yew bookcase top section with glazed panel doors enclosing three shelves, the base with two drawers above cupboard doors on bracket feet, 193cm high, 92cm wide, 40cm deep

A late Victorian walnut bookcase, having two glass doors enclosing three adjustable shelves, above one long drawer and two cupboard doors, raised on a plinth base, 104cm wide by 202cm high by 39cm deep (in two sections for ease of transport).

A Victorian mahogany loo table, the hinged circular top raised on a tapered hexagonal column, triform base and bun feet, 106cm diameter by 72cm high.

Loo tables, a type of folding card table, were popular in the 18th and 19th centuries, especially in Victorian England, and were originally designed for playing the card game "Loo" or "Lanterloo"

A Victorian carved mahogany 'show-wood' framed armchair, with buttoned green upholstery.

A Victorian mahogany bookcase, the upper section with two glass panelled doors enclosing adjustable shelves, the base fitted with two drawers above two panelled cupboard doors, on a plinth base, 95cm wide by 198cm high by 47cm deep, (in two sections).

A set of six Victorian walnut dining chairs, of good solid construction, re-upholstered in a striped red fabric.

An Edwardian fruitwood rocking chair, with red fabric upholstered back, seat and arms.

A Georgian revival crossbanded mahogany coffee table, 20th century, the circular top raised on four cabriole legs with claw and ball feet, 84cm diameter by 60cm high.

An Edwardian walnut bookcase, the shaped cornice above two glass panelled doors with carved decoration, enclosing three adjustable shelves, raised on cabriole legs, 136cm wide by 155cm high by 36cm deep.

A fine early 18th century marquetry and parquetry inlaid figured walnut escritoire, having a secret frieze drawer above the fall front enclosing a decorative and well fitted interior, with secret compartments, the base fitted with two short and two long graduated drawers, raised on bracket feet, 100cm wide by 156cm high by 48cm deep, (in two sections).

An early 18th century cross-banded figured walnut bureau, the hinged sloping fall front enclosing a fitted interior with a well, above two short and two long graduated drawers fitted with brass swan neck handles and shaped backplates, raised on bracket feet, 89cm wide.

An Aesthetic Period ebonised low chair, c.1870, re-upholstered.

An Edwardian mahogany inlaid kidney shaped tray with scrolling foliate design to the centre and two brass handles 68cm

A pair of impressive period style brass mounted walnut open display shelves, 20th century, each with five open shelves above one long base drawer fitted with military style brass flush handles, 92cm wide by 215cm high by 46cm deep.

A 19th century mahogany shaped front sideboard, having a central bow front drawer flanked by a concave cellarette and a concave cupboard door, fitted with brass handles and American style 'eagle' backplates, raised on six square tapered supports terminating on spade feet, 122cm wide by 56cm deep by 90cm high.

A mahogany cake stand with three circular tiers 90cm high

An 18th century coffer, the hinged lid above carved and panelled decoration, raised on stile feet, 139cm wide by 58cm deep by 70cm high.

A 19th century marble topped ebonised and parcel gilt console table of small proportions, 77cm wide by 41cm deep by 90cm high, (af).

A 19th century mahogany 'cottage' drop leaf gate leg dining table, the top with moulded edges and rounded corners, raised on nicely turned cylindrical supports, 104cm by 43cm opening to 129cm by 104cm, (af).

A vintage period style glass chandelier (damaged and in need of repair).

An ornate vintage wrought iron chandelier / candle holder (not wired for electricity), 55cm drop.

An antique oak draw leaf extending dining table in a 17th century style, raised on bulbous baluster turned supports united by a 'Y' shaped stretcher, 121cm by 80cm opening to 220cm by 80cm.

A George III mahogany chest, with hinged lid enclosing storage space, above two dummy drawers and two long drawers, fitted with turned knob handles and raised on bracket feet, 97cm wide by 55cm deep by 90cm high.

An elm and beech Captains chair, with nicely turned supports and good patination.

A set of 8 George III style mahogany dining chairs, late 19th / early 20th century, comprising two carvers and six singles, with ribbon and foliate carved lattice backs, and raised on front inner chamfered moulded square legs, (8).

A fine quality French Louis XV revival ormolu mounted cross-banded rosewood small vitrine / side cabinet, late 19th / early 20th century, the serpentine top inset with leather panel, above the glass panelled door enclosing shelves, above a shaped apron, raised on shaped front supports, 70cm wide by 30cm deep by 98cm high.

A fine quality and ornately decorative French Louis XV revival marble topped and ormolu mounted cross-banded kingwood vitrine, early 20th century, embellished with bacchanalian putti, swags and festoons, the bevelled glass panelled door enclosing a lined interior and adjustable glass shelves, raised on tapered supports, 70cm wide by 38cm deep by 153cm high.

A George III mahogany night cupboard, with tray-top incorporating four handles, above two doors inlaid with boxwood stringing, raised on square supports, 48cm wide by 48cm deep by 74cm high.

A vintage oak sidetable in an 18th century style, the single drawer with lozenge carved decoration, raised on bun, block and bulbous turned supports, 76cm wide by 48cm deep by 66cm high.

A solid pine chest, modern, having two short over two long drawers fitted with turned knob handles, raised on a plinth base, 76cm wide by 46cm deep by 75cm high.

A vintage mahogany cheval mirror, 143cm high.

An oak open bookcase in the Arts & Crafts taste, early 20th century, 77cm wide by 18cm deep by 91cmm high.

A carved pine dressing table mirror, with swing oval mirror on a shaped base, 49cm high.

A rustic stripped pine kitchen table, 20th century, the rectangular top with rounded corners, raised on turned supports, 122cm by 92cm.

An old wooden stool (could also be used as a side table), the rectangular top with pierced handle on block supports with uniting stretcher 50cm high, 46cm wide, 37cm deep

An Empire style giltwood and gesso wall mirror with painted panel 'fixed on glass' depicting classical figures flanked by barley twist columns, 54cm by 31cm

A barrel back winged armchair of Georgian design, with brown leather upholstery, on cabriole legs to ball and claw feet

A large alder wood framed rectangular wall mirror with ribbed spindle design and bevelled mirror plate 81cm by 112cm

A Victorian style buttoned red leather office swivel chair, modern, solid beech frame.

An Edwardian Adams revival mahogany demi-lune side cabinet, decorated with carved anthemion, swag, and beaded motifs, with central cupboard door, raised on turned cylindrical supports, 108cm by 45cm by 99cm high.

A Georgian revival mahogany bow front tall corner cabinet, in two sections, early 20th century, the glass panelled doors with ornate brass keys, enclosing fixed shelves, raised on bracket feet, 184cm high by 60cm wide.

A reproduction stripped pine pedestal desk, with gilt tooled green leather top above a configuration of nine drawers, raised on plinth bases, 122cm wide by 58cm deep (in three sections).

A vintage mahogany cheval mirror, 160cm high.

A good quality Georgian revival carved mahogany stool, early 20th century, with drop in seat, ornate carved decoration, raised on claw and ball feet.

A smart Georgian revival parcel gilt and walnut wall mirror, late 19th / early 20th century, with carved and pierced crest, 68cm high by 41cm wide.

A 19th century fruitwood chest of drawers, the moulded top with rounded front corners, above two short and two long drawers fitted with turned knob handles, raised on flat bun feet, 92cm wide by 52cm deep by 91cm high.

A late 19th century painted pine dressing chest, having a swing mirror above shaped shelf and two small trinket drawers, the base section fitted with two short drawers over two long drawers, on bracket feet, 107cm wide by 47cm deep by 163cm high, (af).

A 19th century stripped pine chest, having two short drawers above two long drawers fitted with turned knob handles, raised on turned bun feet, 81cm wide by 46cm deep by 81cm high.

A c.1960's / 70's teak extending circular dining table, 122cm diameter extending to 168cm by 122cm, together a set of four c.1960's / 70's teak dining chairs, (5).

A c.1960's / 70's teak sideboard, fitted with a pull down drinks cabinet, two cupboard doors, and three drawers, 184cm wide by 46cm deep by 78cm high.

Lord of the Rings Interest: a Studio Pottery ceramic liquid dispenser decorated in sgraffito with Elvish script, amidst naturalistic leaves and foliage decoration, incised to underside 'ANSTY KIG 73', with wooden tap, cork bung, and loop handle, 43cm high.

Commissioned by the vendor's parents around the 1970s in the New Forest, Hampshire.

A pair of Bohemian green glass vases with gilded decoration and white enamel panels painted with flowers 29cm high (a/f - chip)

A Jugendstil WMF (Wurttembergische MetallwarenFabrik) No.268 silver plated and glass biscuit box, green tinted glass, the silver plated mounts cast with sinuous flowers and foliage, stamped mark to foot, 24cm high, together with a hardbound edition of Art Nouveau Domestic Metalwork from Wurttembergische MetallwarenFabrik 1906, published for the Antique Collector's Club 1988 (*the biscuit box is illustrated on page 251)

An early 19th century Marseilles porcelain chocolate cup and cover decorated with a vignette of figures in a garden, with gilt embellishments, 15cm high

Seven Rosenthal Studio-line `Aladin und die Wunderlampe` plates 16.5cm diameter

A Lalique 'Deux Fleurs' clear and frosted scent bottle and stopper 9.5cm high

A pair of Volkstedt, Germany porcelain figures if a gentleman seated beside a bird cage, and a lady with hens, 12.5cm high (a/f)

A studio pottery model of a fish in brown and white glaze, inscribed 'P Sarisbury' to base 19cm long

A Minton 'Spring Valley' pattern porcelain part dinner service comprising two oval tureens and covers, sauceboat on stand, six dinner plates, six side plates and six bread plates, and six bowls

A Royal Crown Derby porcelain 'Vine' pattern cake platter and two small plates, a pair of Coalport porcelain plates with floral design, and an Aynsley porcelain part tea service comprising cake platter, six teacups and saucers, milk jug, slops bowl, and six small plates

A Moroccan or Hispano Moresque polychrome decorated ceramic dish, tin glazed, with repeating geometric motif, diameter 32cm.

Of St. Barbe Sladen family interest: comprising a pair of 18th century porcelain pouring vessels painted in coloured enamels with the family crest, 20cm long, a pair of 18th century porcelain plates painted in coloured enamels with the family crest, 23cm diameter, a 19th century engraved silver plated goblet, dated 1887, 23cm high, an a 19th century twin handled metal deed box, painted to the lid 'Mrs St Barbe Sladen', 53cm wide by 38cm deep by 31cm high, (6), (af).

Three Beswick models of cats to include a white Persian cat, standing 12cm high

Six small porcelain imari pattern plates with retailers mark verso for Maple & Co London, 18cm diameter, together with a Chelsea style porcelain plate decorated with exotic birds and insects on a cobalt blue ground, gold anchor mark verso, 18.5cm

A Dartington Crystal daisy cheese platter, boxed, a small Coalport porcelain Revelry knife and plate set, boxed, a hardback edition of A Collector's Guide to Royal Copenhagen porcelain by Nick and Caroline Pope and a vintage Ercol furniture catalogue

A Royal Copenhagen Tenera faience small dish 11cm, a Royal Copenhagen model of two birds 13.5cm, and a small candlestick, together with a Bing & Grondhal model of a boy and a small vase decorated with a seagull (5)

A large Royal Worcester 'Astley' pattern part tea, coffee and dinner service to include teapot, seven tea cups and eight saucers, eleven dinner plates, two shell shape butter dishes, a casserole dish with lid and two oval serving plates (approx 116 pieces) (a/f)

A Dartington crystal 'Rosemary' perfume spray with atomiser, and 'Angelica' cologne flask with dipper, an Aynsley china 'Pembroke' swirl atomiser, A Wedgwood 'Wild Strawberry' trinket dish and an egg shaped box, all with boxes, together with a small Aynsley 'Wild Tudor' pattern vase

A Lorna Bailey 'Pagoda Garden' pattern tall jug 21cm high

A Lorna Bailey Collectors Club 2nd Limited Edition 'Thunderbolt' sugar sifter 14.5cm high

A Lorna Bailey limited edition 'Honey Cone' sugar sifter, numbered 212/250, 14cm high

A Lorna Bailey Collectors Club 5th Limited Edition 'Fire' sugar sifter 14.5cm high

A Lorna Bailey 'Beach' jug 13.5cm high

A Lorna Bailey limited edition 'The Flower Vase' number 25 of 50, 16cm high, with Certificate of Authenticity

A Lorna Bailey Collectors Club miniature wedding cake, 6cm high, and two pairs of Lorna Bailey salt and peppers of baluster form, comprising one set in 'Beach' pattern 10.5cm high, the other decorated with daffodils 11cm (5)

A Lorna Bailey 'Marshland Cottage' jug 13.5cm high

A collection of twenty-six W Godwin fleur de lys pattern tiles in bluff and terracotta red 10.7cm by 10.7cm

Lladro Porcelain: comprising two fairies, a unicorn, a boy with a dog, and a girl with a bird. Together with a Nao model of two puppies, tallest 26cm, (6).

A Carters of Poole style Emaux Ombrants tile depicting Admiral Sir John Jellicoe, (no maker's marks) 15cm by 11cm

A pair of Rene Lalique 'Pouilly' champagne glasses, each with moulded green band of a school of fish, engraved to bases 'R. Lalique', (AF - small chips to glass rims) height 6.5cm

Four Royal Crown Derby Imari porcelain coffee cups and saucers

Two Royal Doulton 'The Gemstones Collection' ceramic figures of ladies comprising August Peridot and November Topaz 18cm high, a Nao figure of a lady seated beside a bird 15cm, and a Nadal figure of a young girl wearing a winter coat 18cm (4)

A 20th century German porcelain nine piece porcelain monkey band comprising conductor and eight musicians with pale floral decoration and gilt embellishments, each with mark for PM&M and incised numbers to base (a/f)

A Royal Worcester blush ivory jug, late 19th century, decorated with floral sprays in blue, yellow and gilt, reeded gilt handle, puce mark to base, numbered 1094, Rd. No. 29115, height 13cm, together with a Royal Worcester blush ivory cauldron, late 19th century, decorated with roses, two handled, raised on thee gilt legs, puce mark to base, height 6.5cm (2)

A Royal Doulton figurine 'Pride and Joy' HN4152, height 12cm, together with a Royal Doulton figurine 'Sugar and Spice' HN 4103, height 11.75cm, a Royal Doulton figurine 'Sharon' HN3455, height 15cm and a Kew Pie vintage bisque porcelain doll, jointed (AF) (4)

A pair of continental porcelain vases and covers, possibly German, late 19th/ early 20th century, of baluster form, in the Meissen style, bearing cross swords mark to base, floral encrusted and decorated with floral sprays, height 15cm, together with a continental floral encrusted porcelain vase / candle holder, with impressed X to base, height 13cm (3)

A Mary Gregory style vase, in lime green glass, of shaped form, height 9.7cm, together with continental glass vase, of shaped form, enamel decorated with flowers, height 18.25cm, a pair of glass bell decorations, edged with glitter, height 10.5cm, a green glass vase, of ribbed form, mid century style, height 40cm, an art glass basket and handle, milk glass with green glass handle and applied flower, ground pontil to base, height 16cm and a vaseline green glass vase, two handled with shaped rim, ground pontil to base, height 15.5cm (7)

An Edwardian silver mounted glass spill vase, Birmingham, 1906, of wrythen form, cranberry decorated, height 17cm, together with a cranberry glass vase, trumpet form with crimped rim, height 27.5cm, a cranberry glass jug with shaped rim, height 11.5cm, a green glass 'Innovate - The Art of Glass' Dartington style vase, with unusual shaped rim, height 33cm, and a clear glass epergne, with ground pontil mark to base, height 19.5cm (5)

A cut glass decanter, 20th century, of square form, together with three further cut glass decanters, a modern clear glass ships decanter and a frosted decanter, the tallest 30.5cm (6)

A clear glass liqueur decanter, early 20th century, in the Venetian revival style, possibly 'Poppy Head' designed by Harry Powell (attributed) for James Powell & Sons (Whitefriars), of square form, with wrythen body and dimpled detail, height 20.75cm

A set of six cranberry cut glass wine glasses, with clear glass stems, together with a pair of cranberry wine glasses, and a set of six ruby wine glasses, with twisted clear glass stems the first height 12cm (14)

A Royal Crown Derby demitasse cup and saucer, in imari type pattern (cup AF), together with a Royal Crown Derby tea cup, in imari pattern, an Aynsley silver mounted coffee cup, a Hutschenreuther cabinet cup and saucer, decorated against a dark blue ground with gilt leaf motif, a porcelain jug, in the Coalport style jug, decorated with floral motif (AF), a Coalport demi tasse cup and saucer, height 14.5cm, and five pieces of Crown Staffordshire, including three covered small pots and two boxes, one lacking lid, the first cup height 5.5cm

A continental porcelain desk stand and vase, late 19th / early 20th century, on tray with integral pots with matching tapering vase, decorated with gilded bands against a white ground, with circular floral and swag decoration, sleeve vase with lid and well, after a design by the Imperial Porcelain Factory/ Dresden, unmarked, tray width 23.2cm

A collection of six cut glass dessert glasses, together with a set of five cut glass port glasses, a champagne coupe, a rummer, a set of six cut glass wine glasses, a pair of cut glass liqueur glasses, six cut glass bottles of various designs, the first height 10cm (qty)

A Moorcroft pottery baluster vase in the Cluny pattern, 26cm high

A Moorcroft anemone pattern baluster vase, blue ground, marks to base, 12cm high

A Moorcroft pottery Mackintosh pattern slender jug / ewer, 24cm high

A pair of Venetian glass hand blown candlesticks, the black design with gilt inclusions on white ground, 19cm high, and a Zimbabwe Gastone copper wall plaque with a bronze-effect sable antelope in relief, signed, 32cm by 14cm

A Baccarat 'Harmonie' cylindrical glass vase, with Baccarat label to front and factory mark to base 17.5cm high

A Royal Crown Derby miniature 1128 imari pattern cabaret tea service, c. 1998, comprising tray, jug, teapot, bowl, cup and saucer, L.1and I.11, marked in red, tray width approximately 21cm

A collection of Cauldon blue and white transfer printed wares, in Arcadian Chariot pattern, including hexagonal plate, hexagonal bowl, teapot, sugar basin, cream jug, beaker, dish, graduated pair of jugs, ginger jar, two tea cups, coffee can and four saucers, together with a Cauldon ladle, two Ringtons Maling tea caddys, a Warwick ware stand, a blue and white Calico Burleigh Staffordshire floral pattern cheese dome and cover, with a matching jug, cheese dome height overall 17cm (qty)

A large collection of thirty continental figure groups, in the Conta and Boehme manner, in the form of trinket dishes, spill vase and candlesticks, figures including children, cats, and geese, the tallest 18cm (30)

A large collection of Pratt Ware, F. R. Pratt and similar, comprising two plates, wall hanging plate, vase (AF) and twenty five pot lids, loose frames and many mounted in wooden frames, six with bases, examples including 'The New Blackfriars Bridge', 'Dr. Johnson', 'Victor Emmanuel & Garibaldi', 'St. Pauls Cathedral', 'Low Life' and 'Embarking for the East' (qty)

A set of four Dresden pin dishes, gilt rim, decorated with floral sprays, width 9cm together with Hammersley 'Lady Patricia' pattern square plate and two shaped dishes, a Hammersley 'Dresden Sprays' covered sugar bowl, cup and saucer, two shell shaped dishes one 'Hammersley' and a further jug and plate in a similar pattern (qty)

A collection of twelve Royal Copenhagen porcelain small models of children from the 'mini collection'

Swarovski Collectors Society Annual Edition 1992 'Care for me' - the Whales 10cm high, boxed

A collection of boxed Swarovski crystal ornaments of cats, dogs, mice and a small bird tallest 7cm high

A collection of Swarovski crystal models of birds including owls and swans, some boxed and some with associated boxes tallest 7cm high (a/f)

A Swarovski crystal model of a flamingo 15cm high, with box

A collection of Swarovski crystal ornaments to include coloured hearts, key rings, trinket box and egg, most with boxes, and a Swarovski mirrored stand

A collection of Swarovski crystal ornaments of animals including hedgehogs, foxes, snail and squirrel, boxed (some with associated boxes)

A Portuguese Palissy ware crab plate, 20th century, majolica modelled as a crab in a naturalistic setting, bearing makers stamp 'F. Mendes LDA, Caidas de Reinhe', numbered '490', diameter 30cm

A large Lladro white porcelain 'Christus' figure 49cm high, with certificate, base and box

A Lladro porcelain figure group of an embracing couple 'You're Everything to Me', 36cm high, with box

A Lladro porcelain figure group of a couple 'Declaration of Love' 36cm high, with box

A Lladro porcelain figure of a ballet dancer, in seated pose, variously impressed to base, together with a Lladro porcelain figure of a girl with goose and milk pail, a Royal Doulton figurine 'Solitude' HN 2810, a Leonardo Collection figurine of a young ballerina and Genesis Fine Arts Ireland figure of a rehearsing ballet dancer, in faux bronze resin, the latter height 32cm (5)

A New Wharf pottery 'Melrose' pattern blue and white oval platter 37cm by 26cm, a rectangular ceramic trinket box and cover with all-over floral pattern, and three white ceramic photograph frames with applied floral decoration

A collection of 18th century and later porcelain teawares comprising two 18th century porcelain tea bowls with spiral fluted body and flower sprig decoration (no maker's marks - probably Worcester), together with a Lenart porcelain teacup trio with gilt wheat design, a Crown Staffordshire trio with floral design and a Sunderland ware teacup and saucer

A George Logan (1866-1939) for Keeling & Co Burslem Late Mayers 'Tulip' pattern tureen and cover and oval platter

Two 19th century 'Indus' black and white transferware ceramic plates decorated with birds amongst foliage and flowers 23.5cm

A large Royal Albert 'Lady Hamilton' pattern dinner and tea service to include four tureens and covers, four large oval platters, four smaller oval platters, sauceboat on stand, twelve dinner plates, two pairs of salt and peppers, hot water pot, tea pot, bachelor's teapot, and larger teapot

A set of six Masons Ironstone plates, 19th century, decorated with chinoiserie inspired 'Fence & Rock' pattern, heightened with gilt, each bearing impressed mark to base, together with a vintage French St. Clement mallard duck pitcher, bearing impressed mark to base, height 33.5cm (7)

A pair of Tajima glass vases, Japanese, mid 20th century, in textured blue turquoise finish, height 17.2cm

A collection of seven Royal Doulton figures of ladies to include The Paisley Shawl HN1392, A Victorian Lady HN728 and Delight HN1772 (a/f)

A large Longpark Torquay two-handled vase, bulbous body with straight neck and flared rim, decorated against the treacle coloured ground with trees, incised signature to base, height 44cm

A pair of Royal Doulton stoneware vases, early 20th century, in the Doulton Lambeth style, tube lined, blue, green and brown ground, impressed mark to base and model number 6469, height 33cm (2)

A collection of floral encrusted porcelain comprising a table clock, and pair of vase and cover garniture, a pair of candelabra (one top missing, one top part section present) and a sleigh, all with no maker's marks (a/f - damage)

A white porcelain centrepiece in the manner of Moore Brothers, modelled as a pair of musical cherubs and floral garlands beneath a scalloped edge bowl, heighted with gilt (AF), height 29.5cm

A pair of KPM porcelain figures in 18th century costume, the gentleman holding and plate with a fish at his feet, and the lady holding a tray with cup and jug 27cm high, together with a bisque porcelain figure group of parents and child 37cm (a/f)

An Augustus Rex style porcelain figure group of a couple beside a needlework table 17.5cm high, together with a collection of eight porcelain figures makers including Derby and Sitzendorf (a/f - damage)

Royal Crown Derby 'Imari' patterned porcelain: comprising a set of six coffee cans and saucers, a tea cup and saucer, and a set of eight side plates, numbered 2451, a miniature pot pourri with cover, and a miniature cream jug, (24).

A Stefan Nowacki Derby handpainted coffee can and saucer, decorated against the blue ground with panel of two masted sailing vessel at sea signed, with bands of gilt, marked to base, can height 6.2cm (2)

A 19th century Meissen porcelain figure depicting a female figure with a lamb, 19cm high (af), together with nine further late 19th / early 20th century continental porcelain figures, (af).

Decorative ceramics: to include six pretty 19th century porcelain cups and saucers, a late 19th century Ridgways twin handled pedestal bowl in a Regency design, 14cm high, a 19th century Mason's tureen, cover, and stand, a 19th century ironstone china plate in the imari palette, a lavish late 19th century Cauldon trio of teapot (spout chipped), sucrier and milk jug, and a vintage Olaria Nova (Portugal), ceramic dish, 20cm wide, (13).

A Lladro porcelain figure of a princess 28cm, a Lladro figure of a skier (missing skis), a boxed Lladro Society scroll, and a boxed small Lladro wallet

A large Sevres porcelain gilt ormolu mounted centrepiece dish, French, 19th century, centrally decorated with a painted oval panel of riverside courting couple and attendant, against the turquoise 'Bleu Celeste' ground with floral panels, gilt heightened, bearing red 'Chateau de Compiegne' and blue 'Sevres 1845' marks, width 52cm

A large Sevres porcelain two-handled covered tureen and cover on stand, French, 19th century, the tureen decorated with panels, one with the cypher of Louis Phillipe surrounded by winged putti holding aloft floral garlands, and courting couple and attendant within a garden against the turquoise 'Bleu Celeste' ground, the stand with floral band, gilt heightened, tureen bearing red 'Chateau de Compiegne', blue 'Sevres 1845' marks, and further mark, all AF, stand width 35cm (2)

A Shelley marmalade pot, modelled as an orange, decorated with coloured bands, height 11.5cm

Two Lladro porcelain models of polar bears and cubs tallest 16cm

A graduated set of three Beswick ceramic wall plaques in the form of pheasants, 661/1, 661/2 and 661/3, largest 31cm long

A collection of sixty-three Craven Dunnill & Co Salop 189 ochre glazed tiles with floral design 10.8cm by 10.8cm

A collection of twenty-three W Godwin Hereford and similar fleur de lys pattern tiles in buff and terracotta red 10.7cm by 10.7cm

A collection of sixty-two encaustic border tiles with floral design, some marked T&R Boote Burslem 7.9cm by 15.9cm

Nine Minton & Co tiles with a floral design in brown, black and white 15.2cm by 15.2cm

A collection of twenty-six tiles with Puginesque fleur de lys design in buff, blue, black and terracotta red 15cm by 15cm

Eighteen encaustic Maw & Co tiles and ten corner sections with buff fleur de lys design within a circle on black ground 15.2cm by 15.2cm (a/f)

Approximately forty-seven glazed tiles to include Craven Dunnill & Co., various floral and fleur de lys designs in buff on terracotta red ground

A collection of forty-three W Godwin encaustic tiles decorated with four buff petals and leaves on red brown ground 10.7cm by 10.7cm

A collection of twenty-four Minton & Co border tiles with buff flower within a diamond on black background 15.1cm by 15.1cm

A collection of eight Maw & Co Greek key pattern tiles in buff and terracotta red 15.4cm by 15.4cm

A collection of nineteen assorted tiles to include Minton & Co, with Puginesque and similar designs in buff, black, white and terracotta red

A collection of nine Greek key pattern tiles in buff and terracotta to include five Minton & Co of sandwich construction 15.2cm by 15.2cm

A collection of Puginesque design buff and terracotta tiles to include fourteen Godwin of Lugwardine 10.7cm by 10.7cm (a/f)

A B111 set of four Copeland & Garrett tiles and three spares with foliate design in blue and white 15.4cm by 15.4cm * Copeland & Garrett made very few tiles around 1840 – Minton probably put them off because of their patent

A collection of fifty-eight Minton Hollins & co encaustic border tiles in brown background with black repeating pattern 11.3cm by 11.3cm

A collection of twenty-four tiles believed to be Maw & Co., with buff cross design within a decorative circle on black background, no makers marks 10.8cm by 10.9cm (a/f)

Eleven Craven Dunnill & Co glazed tiles with buff design on pale brown ground 10.6cm by 10.6cm

A collection of eight encaustic tiles with a repeating buff foliate design on black background 11cm by 11cm

A collection of thirty-four Maw & Co tiles with a buff cross design within a decorative circle on terracotta red ground 15.2cm by 15.2cm (a/f)

A collection of ten various tiles to include four Chamberlain & Co Worcester, 15.3cm by 15.3cm (a/f)

A collection of nine Ambergate Brick & Patent Tile Co. Derby glazed tiles with buff design on black ground 15.2cm by 15.2cm

A collection of twenty-three encaustic tiles with buff six petal flower within two circles on red brown background 10.8cm by 10.8cm

A collection of thirty encaustic tiles with buff cross and floral design on black background 7.7cm by 7.7cm

A collection of twenty-four border tiles with repeating blue and white floral design on dark red brown ground 15.4cm by 7.8cm

A collection of seventeen encaustic tiles with red brown cross with flower on a buff background 7.7cm by 7.8cm (a/f)

A collection of thirteen tiles and seven half tiles with unusual white flower design within a circle with a dot to each corner, on blue ground 7.7cm by 7.7cm

A collection of fifty-two encaustic border tiles with buff spot design on terracotta red ground 15.1cm by 3.9cm

An assortment of six decorative tiles makers comprising Minton Hollins & Co, Godwin Lugwardine, and Craven Dunnill & Co (a/f)

A collection of twenty-six Minton & Co glazed encaustic tiles of sandwich construction, with blue, brown and white design 14.5cm by 15.4cm (a/f)

A collection of seventy-four W Whetstone Coalville encaustic tiles, buff flower design with black and buff circles and squares 7.6cm by 7.6cm

A collection of assorted Craven Dunnill & Co encaustic glazed tiles to include six with shield design 11cm by 11cm, and eight with floral design 10.6cm by 10.6cm

A collection of striking Minton & Co encaustic border tiles -twenty five and ten halves, of sandwich construction, in blue, beige, dark brown and red 15.2cm by 15.2cm

A collection of forty edge or border tiles with Puginesque foliate scroll design in buff on black ground 7.5cm by 15.2cm

A collection of thirty-two Malkin & Co Burslem border tiles with repeating foliate pattern in red and black 15.4cm by 15.4cm

A collection of eighteen W Godwin tiles with fleur de lys design in buff and terracotta red 10.7cm by 10.7cm

A collection of twelve Minton & Co encaustic border tiles of sandwich construction with brown cross in buff quatrefoil surrounded by blue with buff flowers in the red brown border 15.1cm by 14.9cm

A collection of seven Royal Worcester and Coalport limited edition ceramic figures to include Royal Worcester Old Country Ways 'A Farmers Wife' no 1,910 of 9,500 21cm high, and Coalport 'The Boy' no 9,370 of 9,500 20cm high, and a Royal Worcester NSPCC Christmas Plate 1987, boxed with certificate

A collection of twenty-two W Godwin Hereford encaustic tiles with brown background and yellow flowers and dot design 10.9cm by 10.9cm (some glazed)

A collection of thirty Maw & Co encaustic tiles with repeating pattern in buff and terracotta red 10.7cm by 10.7cm

A large Spode Italian pattern ceramic teapot 34cm high

A pair of metal mounted milk glass oil lamps believed Quoizel, with fruiting vine decoration between blue borders 56cm high (missing shades)

A collection of discs for a 6.5" polyphon, various makers

An Aerograph Super 63 air brush pen

An early 20th century cut glass and brass mounted ceiling light, fitting marked 'Patent' with brass ceiling attachment together with five ceiling lights, each with tiered lead crystal hanging droplets, the first shade and mount height 21cm (6)

Boxes: comprising a Victorian rosewood combined work box / writing slope, inlaid with abalone and mother of pearl, 30cm wide, a Victorian mahogany games box with fitted interior, 34cm wide, and a Victorian mahogany writing slope, 30cm wide, (3).

Boxes: comprising two Victorian parquetry inlaid walnut writing slopes, 35cm and 30cm wide, and a Victorian parquetry inlaid walnut work box, 28cm wide, (3).

A George III brass bound mahogany writing slope in the Campaign style, fitted with a lockable side compartment and flush handles, 50cm wide.

A mahogany and silver plated two bottle tantalus, containing two lead crystal decanters with silver plated mounts, lockable and with key, 26cm wide by 33cm high.

A brass bound rosewood box inlaid with fruitwoods and bone decoration depicting elephants, lined tray interior, two keys, 20th century, 21cm wide.

A Victorian novelty brass paper clip modelled as a duck head, circa 1870, with glass eyes and finely chiselled detail, 13.5cm long.

A 19th century copper 'slipper' ale warmer, with hinged lid and loop handle, 33cm long.

(The ale or cider went into the warmer and was pushed into the coals of the fire to heat it up, It is called a slipper warmer because of its shape, warm ale was a popular drink, especially during winter, and the warming process could often involve adding spices).

An 18th century German Iserlohn copper and brass tobacco box, of typical oblong form with rounded ends and hinged lid, profusely decorated to both sides with embossed low relief figures and text, 16.5cm long.

A modern Tiffany style table lamp, with leaded green glass shade, simulated bronze Art Nouveau inspired base, together with a modern Christopher Wray Tiffany style table lamp, with leaded multi coloured floral shade, on simulated bronze leaf form base, and a modern Tiffany style table lamp, with purple/ blue leaded shade, on simulated bronze floral form base, the first height 15cm (3)

A pair of Christopher Wray table lamps, in 19th century inspired design, each with shaped brass base, adjustable blue glass shade with crimped edge, marked 'Christopher Wray, London', together with a similar brass table lamp, on round brass base, the first height 29cm (3)

A Christopher Wray adjustable brass table lamp, in the 19th century style, with crimped edged frosted glass shade, shaped rectangular base, bearing manufacturer label to base, height 33cm

A brass oil lamp, with circular base, reeded classical column, white and cranberry frosted glass shade and clear glass chimney, height overall approximately 60cm

A pair of folk art inspired cows, 20th century, horned painted with black and white pattern, length 34cm (horns AF), together with a contemporary wooden bird cage, in turquoise painted finish, height 50cm approximately (3)

A framed vintage Cadbury's advertisement, together with a collection of three reproduction advertising mirrors, two reproduction enamelled signs seven reproduction advertising posters and packaging, framed, (all AF) (13)

An unframed poster of 'Bluebird' signed by Gina Campbell, and a postcard of Bluebird II (a/f)

Beken of Cowes, a framed photograph of the yacht 'Sol Quest', inscribed in Indian ink, 28cm by 22.5cm

A framed colour photo print of a yacht 'Endurance 35 Astilleros Belliure S.L. Calpe (Alicante)', indistinctly signed and dated 77, 59cm by 50cm

An Art Nouveau style mirror after a WMF design, the rectangular shaped frame with sinuous floral design and a maiden with hand cupped to her ear, with easel back, 40cm by 26cm including frame

A large late 19th century copper hot water jug, height 36cm approximately, together with a copper kettle, handle numbered 'V12', a brass preserving pan, 19th century, height 39cm and an Arts and Crafts copper planter, with shaped rim and repeating decoration, height 16cm, (all AF) (4)

A 19th century copper rivetted log bin or planter, geometric decorative detail surrounding rivets, 13cm high x 44.5cm diameter

A contemporary ceramic table lamp, by Coach House with turquoise glazed shaped base and a patterned drum shade, together with a Laura Ashley cobalt blue glazed ceramic table lamp base, with chartreuse coloured drum shade, a geometric glass table lamp base, with floral shade and a large modern floral table lamp base, raised on three paw feet, height overall 59cm (4)

A Victorian milk glass oil lamp, with a clear glass chimney, together with a cast iron base oil lamp with clear wrythen glass reservoir, frosted glass shade, an opalescent pink glass shade and a further oil lamp, with pale amber reservoir, brass base and chimney (3)

A brass two branch table lamp, modern electrical, in the 19th century style, with green glass shades, crimped, on round decorative base, height 53cm

A Forte-Piccolo music box with inlaid exterior, playing four airs, 14.5cm high, 38cm wide, 20cm deep

A Nikon F4 camera with Nikon AF Nikkor 18-35mm ED wide angle lens, Nikon HB-23 lens hood, and a collection of assorted camera film, some in sealed boxes

A Nikon D1x camera with Nikon AF Nikkor 20mm 1:28 lens and Nikon D1 strap

A Nikon AF Micro Nikkor 105mm 1:2.8 lens, a Nikon Macro Speedlight SB-21, and other camera accessories / parts to include a lens case (a/f)

A pair of WIlliam Tonks & Sons brass table lights/ candle holders, 19th century, numbered to base 8727, with sun mark, scroll arm, on weighted cast reeded base, length 24cm (2)

A twin branch candle wall sconce, in the Art Nouveau style, cast metal branches in the form of flowers and stems, diameter overall 42.5cm, together with a Victorian copper footed jardinere, with gadrooned bowl and shaped rim, height 21cm, and a pair of ornate pierced brass candlesticks, 19th century, marked 'Protected' height 22cm (AF) (4)

A French Rococo style cast metal table jardiniere, 19th century, gilt metal/ ormolu, two handled, raised on four feet, with liner, width 44cm

A Mont Blanc fountain pen with 14k gold nib, Meisterstuck No.149, Two-tone nib numbered 4810 and stamped 14C 585, with Mont Blanc Service Guide

A Mont Blanc pencil, Meisterstuck-Pix

A Mont Blanc 32 piston filler fountain pen

A Mont Blanc fountain pen with 14k gold nib, nib stamped 14k/ct 585

A Mont Blanc 22 fountain pen with 14k gold nib, nib stamped 14C 585

A Mont Blanc fountain pen with 14k gold nib, Meisterstuck, Two-tone nib numbered 4810 and stamped 14k 585, with Mont Blanc Service Guide, box and outer sleeve

An empty Mont Blanc Siena Lederetui black leather three pen pouch 14313 Size 3 15.5cm by 4.5cm, with Mont Blanc box and outer sleeve

A Parker Ellipse fountain pen with an 18k gold nib, brown resin body and gold plated trim

A Parker Ellipse fountain pen with 18k gold nib, black resin body with gold plated trim

An early 20th century Parker Duofold Big Red fountain pen, with Duofold yellow metal nib (restored) in Lamy leather case

A 19th century style pierced brass fireguard in the form of a fan, foldout with winged griffin centre 63cm high

A large collection of 1920s and later travel ephemera to include 1920s/30s European and American postcard sets, 1930s Tourist maps and leaflets from Europe, California and Canada, menus and programs from ships including Cunard, baggage labels, tickets, maps etc

A Victorian amboyna box inlaid with white metal, abalone and bone decoration, 41cm wide.

An old Middle Eastern brass dallah, 31cm high.

Middle Eastern metalware: comprising a copper pot and cover inlaid with white metal decoration, 9.5cm high, a vase with engraved decoration, 10cm high, two brass plates with engraved decoration, 23.5cm diameter, and a pair of miniature brass pigs, 3cm high, (6).

An 18th century oak bible box, the hinged lid above carved decoration to three sides, 67cm wide by 43cm deep by 22cm high.

An African Ashanti stool with pierced and carved decoration 64cm wide, 47cm high (a/f)

A bronze bas-relief portrait of Pope John Paul II by Barbara Stride, mounted on an oval wooden plaque, plaque 21cm by 16cm

A large Eastern copper tray, early 20th century, 71cm diameter.

A Polynesian vunikau war club, possibly Tonga or Fiji, root wood, inlaid with crescent and stars motif (some lacking), length 40cm Ivory declaration reference NUTQMLJB

A large copper log bin with twin wrought iron carrying handles, late 19th / early 20th century, 45cm diameter by 30cm high, a Victorian coal scuttle, and a Victorian copper kettle, (3).

A collection of cameras, cine cameras and related equipment: including; a cased Polaroid J66, with paperwork and films; two Sony Handycams with cases and accessories; Olympus AF-1; Kodak Advantix 4100ix; Sony ECM HSI microphone; Tokyo Kogaky lense; Soligor lense; Topcon lense; Ferguson Videostar; Nikon Coolpix; Fujifilm Finepix; Sigma Mirra Ultra Telephoto; Jessop Powerhead Motorised Pan and tilt; Topcon Below Attachment Model 1; Traveler 21400; Topcon Hanimex RE2; Pentax Espoio 140; Traveller DC3000; Olympus ED/35 - 180, together with a dictaphone, portable C.D. player and batteries (qty)

A bronze bell shaped mortar with faint crest, skirted base, 10.5cm high, and an associated pestle

A bell shaped mortar with two handles, 11cm high, an associated pestle, and a small carved model of a roaring lion 9cm high

An Art Nouveau pewter oval fish serving platter, repousse decorated with swimming fish and plants, 69cm by 34cm

A collection of vintage fishing equipment, including cased fly's, reel, etc, (af).

A good quality 19th century leather travelling writing box, with family history relating it to the St. Barbe Sladen family, inscribed 'Pratt & Sons, London', with brass mounts and fitted interior, with key, 43cm wide by 29cm deep by 18cm high.

Mixed Collectables: comprising two antique brass seals with turned wooden handles. three further seals, a pair of early 20th century mother of pearl and gilt-metal opera glasses, two Limoges porcelain pin dishes decorated in gilt with eagle crests, c.1900, 9cm and 8cm wide, a Coronation of King George VI pamphlet dated May 12th 1937, and an early 20th century small eastern carved wooden box, 11cm wide, (10).

Mughal Art: a hand painted panel typically depicting figures in a garden setting, within stylised painted borders and an Islamic micro inlaid frame, the frame 14.5cm by 27cm, together with a small brass box of circular form, with engraved decoration to the outer surface and painted warriors on horse back to the lid, the lid fitted on the underside with a mirror, 6cm diameter, (2).

A vintage 'Universal Avometer Model 7' voltmeter, by the Automatic Coil Winder & Electrical Equipment Co. Ltd, height 21cm

A 19th century marquetry inlaid mahogany deed box, with hinged lid, partial fitted interior, and twin flush brass carrying handles, with key, 52cm wide by 35cm deep by 26cm high.

An Australian boomerang 86cm long (a/f)

Four wooden duck decoy style ornaments with distressed paintwork to include two with Oka labels to base for a Canada Goose 41cm long and a Loon Duck 40cm long

A Middle Eastern brass divit / pen box and inkwell 24cm long, and a brass powder horn on plaited leather straps

A leather and brass telescope by Broadhurst Clarkson and Co of London, with three draws approx 130cm long, and a wooden tripod 161cm high when closed

A Yaesu Museun FRG-7 communications receiver, with instruction manual, boxed

A Japan Radio Co. Ltd (JRC) NRD-535 HF receiver, with instruction manual, boxed

A Mont Blanc Boheme Rouge fountain pen with retractable 14k gold nib and a Mont Blanc Boheme Rouge ballpoint pen, together in a Mont Blanc leather zip case

A Victorian leather bound photograph album (empty), a collection of paper ephemera comprising vintage greetings cards, colour and black and white postcards, and cigarette cards

A Victorian parquetry inlaid walnut work box, with key, 28cm wide, together with a brass mounted hardwood box, 25cm wide, (2).

A framed First World War Hampshire Regiment Cyclist Battalion needlework with crest within a floral wreath above 'India 1916' 28cm by 37cm, 42cm by 51cm including frame

An impressive good quality Victorian oak tantalus with silver plated mounts, fitted with a set of three cut glass decanters with stoppers, a set of four cut glass tapered glasses (14cm high), a set of three cut glass tapered glasses (11cm high), and a set of four cut glass tapered tots (6cm high), the base fitted with two drawers having ornate gilt-metal handles and back plates, flanked on either side by matching carrying handles, 56cm wide by 38cm deep by 41cm high, (one glass missing).

A vintage trunk, early to mid 20th century, with metal mounts, brass locks, and leather carrying handles, 91cm wide by 52cm deep by 32cm high, (useful for storage, props, or with a glass top as coffee tables).

A 19th century oval miniature portrait of a young lady wearing a black silk dress 9cm by 6.5cm, and another of a gentleman 12.5cm by 10cm Ivory declaration reference PMHG1DHC and 79G6JVJW

A 9ct gold chain bracelet with 9ct gold heart shaped padlock clasp 14.7g

Two 22ct gold plain band wedding rings 4.9g (one a/f)

A 22ct gold wedding band 3.2g

A 9ct gold cubic zirconia and blue gem set cluster ring (one stone missing) gross weight 1.8g

A 9ct gold three stone diamond ring gross weight 2.4g

A 22ct gold plain wedding band 2.3g

A Centurion motorcycle helmet in white and metallic blue, with white visor, a blue and white motorcycle helmet (a/f), a pair of vintage motorcycle gloves, and two editions of The Motor Cycle Road Tests

Ivan Berryman (contemporary), 'vintage car race', watercolour, signed, dated (19)87, 42cm by 72cm, framed.

Ivan Berryman (contemporary), 'vintage car race', watercolour, signed, dated (19)87, 41cm by 71cm, framed.

Ivan Berryman (contemporary), 'vintage car race', watercolour, signed, dated (19)87, 42cm by 72cm, framed.

A 'Classic Car Art' automobilia diorama of a Triumph TR3A in a state of restoration in a garage, displayed within a bespoke glass panelled wooden case, with certificate of authenticity to the reverse, case 39cm wide by 24cm high by 14cm deep.

A 'Classic Car Art' automobilia diorama of a Austin Mini Cooper in a state of restoration in a garage setting, displayed within a bespoke glass panelled wooden case, with certificate of authenticity to the reverse, case 39cm wide by 24cm high by 14cm deep.

A collection of vintage car badges, including RAF, etc, (11).

An RAF officers dress sword with scabbard, knot, belt, gloves, and original paperwork from Wilkinson Sword Limited to a Flight Lieutenant D W T Turner, dated 1989.

A Royal Scots basket hilt sword, with nicely engraved 32 inch blade, and leather scabbard.

Two Waltham military issue stopwatches, both Admiralty Pattern no. 6, numbered U9670 and U5743, together with a cased compass and miniature combination compass and magnifying glass

A large wooden model sailing yacht with cream sails and with a custom fitted wooden stand approx 170cm high

A First World War album with gilt lettering 'War Pictures 1914-1919' containing National War Savings Committee stamps, together with an album containing a collection of black and white and sepia prints of famous Victorian figures to include Prince George William Frederick Charles, the 2nd Duke of Cambridge, Lady Randolph Churchill, Sir Charles Santley and Lottie Dod

A pair of leather photograph frames bearing the Queens Regiment crests, early / mid 20th century, 21cm by 15cm, (af).

A First World War medal group of three comprising 1914-15 Star, 1914-18 British War Medal, 1914-19 British Victory Medal, all to 17829 GNR G STAKER Royal Field Artillery, together with a commemorative medal for the Battle of Jutland, a trench art Egyptian coin engraved '29094 T WALTON 3 HRS', three Middlesex Regiment badges and selection of buttons, and Field Marshal Montgomery's 'Ten Chapters 1942-1945' pub Hutchinson & Co

Six hardbound Yachting World annuals for 1956, 1957, 1958, 1960, 1961 and 1962

Maritime interest, a collection of nautical measuring instruments, hand drawn and printed boat plans including for the Cutty Sark, some on acetate, Conservation plans for the Cutty Sark and other nautical collectables and ephemera

A Wheatstone & Co concertina with forty-eight bone keys, in fitted case

A Polyphon table musical box, early 20th century, lid inlaid 'Polyphon', playing 11-inch discs, numbered 52747, with winding handle, image to underside of lid of cherubs, with disc, case width 33.75cm

Five albums (part contents) of Great Britain and International stamps and some loose, to include Stanley Gibbons The King's Own Postage Stamps, The Whirlwind album and Royal Mail Stamp Album for Stamps of the World

Four albums of mostly Great Britain stamps, and some loose to include Stanley Gibbons Victorian Stamp Collection, a large collection of penny reds, partial reconstructed sheets of penny reds, penny blacks, two pence blues, £1 Postal Union Congress 1929, £1 green seahorses (albums part full), and some First Day Covers, *viewing highly recommended

A Steiff Manschli panda bear 064821 with ear tag and card tag 33cm high (seated), and a Steiff baby gorilla 062070 35cm high (2)

A Steiff Knut Master Piece polar bear 036996 with white ear tag 20cm high, with certificate

Three Steiff bears all with ear tags and original card tags comprising 'Cosy Friends' Goldy 31cm high, 'Cosy Friends' Original 35cm, and Lars 36cm

Two Steiff bears with ear tags comprising 'Cosy Friends' Ean 28cm and 2007 Cosy Year Bear 28cm, together with Charlie Bears 'Shreddie' 31cm, and two Welcome Gifts bears

A ZX81 Sinclair Personal Computer, Sinclair software catalogue, Sinclair ZX81 Basic Programming First Edition 1980, four ZX81 games, a Sinclair 16k ram, and a book on The Art of Programming the 16k ZX81 by M James & S M Gee (a/f - as seen and untested)

A Mobo 'Praire King' spring rocking horse, mid 20th century, bearing makers label to front, on stand, length approximately 100cm

Lego Technic 42110 Land Rover Defender, boxed

Lego Icons Modular Buildings Collection 10312 Jazz Club, boxed

Lego Ideas 21322 Pirates of Barracuda Bay, boxed

'Geographia' Ltd jig saw puzzle, 'A Humorous and Instructive Map of London', boxed

A Lego Creator 3 in 1 33109 pirate ship, boxed

Four boxed Corgi Aviation Archive and similar Limited Edition models, 1:72 scale, to include AA34212 Chinook HCIB ZA705/EZ and AA34109 Buccaneer S Mk28

A modern Steiff 'Classic' golden blonde mohair teddy bear 028762, with ear tag, box and Steiff bag 34cm high

A collection of boxed die-cast model buses, makers including Corgi limited edition Original Omnibus Company, Exclusive First Editions and Oxford Omnibus

Lego 71044 Disney Train and Station, boxed

Lego 43179 Disney Mickey Mouse & Minnie Mouse, boxed

Lego Technic 42083 Bugatti Chiron, boxed

Mathurin Moreau (1822 - 1912), 'Grappilleuse' (Gleaner), bronze sculpture, signed, title plaque, 42cm high.

Antonin Mercie (1845 - 1916), 'David Vanqueur', bronze sculpture, c.1890, Barbedienne Foundry stamped to base, signed, numbered to underside '75934', 46cm high.

Claude Michel Clodion (1738 - 1814), 'Bacchante', antique bronze sculpture, signed, 28cm high.

Alfred Boucher (1850 - 1934), 'Two Bacchic figures', a pair of antique bronze sculptures raised on marble bases, c.1930, both signed, 19cm high (2).

Wilhelm Thomasch (1893 - 1964), 'Boy with wreath and umbrella', bronze sculpture, c.1930, signed, 22cm high.

A Victorian silver Maundy four coin set dated 1877 comprising one pence, two pence, three pence and four pence

An Anne half crown 1703 vigo with evidence of brooch mounting and piercing, the reverse heavily tooled, probably formerly enamelled

Sixteen silver Maundy coins to include five Charles II, two William and Mary, three Queen Anne and two George I

An Ethelred II penny, London mint

A Henry III short cross penny and a jetton

A collection of 1970s and later mostly American coinage to include a quarter dollar 1974, together with a small mahogany coin cabinet with twelve trays

Three sixpences including William III 1696, Anne 1711, George III 1787, an Elizabeth I silver coin

A Charles II shilling 1670, and a Queen Anne shilling 1709 (a/f)

A George III shilling 1817

A collection of British coins and foreign to include three Victorian and later crowns: 1897, 1951, 1953 and a Churchill commemorative 1965 crown, and a Swedish 20 kronor banknote

A Charles II 1670 crown

A William III 1696 crown

A Charles II 1677 half crown

A small collection of British and foreign coinage

A group of cupro-nickel commemorative medallions and foreign coins including a Guernsey six coin proof set 1979, further Channel Island issue, British coins and farthings

A group of Bank of England banknotes comprising one Ten Pounds, ten One Pounds, thirty-two Ten Shilling Notes, also a group of foreign banknotes

A collection of pre-1947 British silver coinage including two 1935 Crowns, 600g gross weight

A George III crown, the reverse enamelled, mounted as a brooch, four further crowns: 1819, 1821, 1822 and 1892, also a base metal medallion commemorating William Shakespeare (6)

A group of British and foreign coins to include four crowns, four half crowns, four florins and a cartwheel tuppence 1797

A collection of British and foreign coins, medallions and banknotes, to include cartwheel pennies, commemorative crowns, Reichsbanknotes etc

A group of British and foreign coins and banknotes to include a South Africa 2 1/2 shillings 1892 and a shilling 1892

A group of foreign coins including San Marino 10 Centesimi 1938 R and a USA 5 cents 1883

A collection of British and foreign coins to include a Victorian crown 1896, three florins: 1898, 1900 and 1906, a George IV sixpence 1826, an Irish five pence bank token 1805 and a cartwheel twopence 1797

A large collection of Ladybird books, over 1000 books - SEE ADDITIONAL IMAGES *list of titles available

Stevenson, Robert Louis; Blampied, Edmund (illus.), Travels with a Donkey, pub. New York, Dodd, Mead and Company, 1931, together with five other books to include Mason, Eugene (transl), Aucassin & Nicolette, pub. London, J M Dent & Sons Ltd and New York, E P Dutton & Co 1925, and Sloane CE, Roscoe & Montz BS in CE, John, Elements of Topographic Drawing, Second Edition, pub. McGraw-Hill Book Company Inc 1943 (6 books)

Simpson (Charles) two volumes on hunting 'The Harboro' Covntry' and 'Leicestershire and Its Hunts' published by John Lane, The Bodley Head Limited, 1st editions, 1926 and 1927, together with 'Neighbours' by Lucy Dawson, published by Collins, printed by J. Howitt & Son Ltd, 1946, 'Spring Songs With Music' and 'Summer Songs With Music' (Flower Fairies) by Cicely Mary Barker and Olive Linnel, published by Blackie & Son Limited, and 'The Book of Nonsense' by Edward Lear, published by Frederick Warne & Co., 1901 (6)

Robert Morden, a hand coloured engraved map of Warwickshire, sold by Abel Swale, Awnsham & John Churchill, framed, 38cm x 44cm, together with a Christopher Saxon handcoloured map of Warwickshire, framed, 31.5cm x 38cm (2)

After Gio Giacomo di Rossi, a hand coloured engraved map of Malta and Gozo, 'Isola di Malta, Gozzo Comino e Cominotto', including plan of Valetta 'Pianta Delle Fortificationi Vecchie e Nvo ve di Malta', framed, 33cm x 44cm

F P Becker (British 19th century), 'Cornwall' and 'Sussex', two unframed engraved maps, 30cm by 37cm

'The Book of the Thousand Nights and a Night' by Richard Francis Burton, together with the 'Supplemental Nights', 16 volumes, First Edition Original Edition, privately printed Benares for the Kamashastra Society for Private Subscribers only, London 1885/88. Together with a limited edition hard bound folio 'one hundred illustrations to Captain Sir Richard Burton's translation of The Arabian Nights' from original paintings by Stanley L Wood, Proofs before Letters, only 250 printed, this being number 2. Also with another hard bound folio 'A series of seventy original illustrations to Captain Sir R. F. Burton's Arabian Nights and a portrait of Captain Sir Richard Francis Burton', specially printed by Albert Letchford, Artist's Proofs.Together with other related printed material. (af).

Wheeler-Cuffe, Charlotte, The Burma Alphabet, (In English & Burmese), From the original sketches by Charlotte Wheeler Cuffe, 'Sold on behalf of the Fund for the Queen Alexandra Children's Hospital, Mandalay', with colour illustrations, together with a carved wood and leather camel whip (a/f)

Tobias Smollett's The Adventures of Roderick Random, The Eighth Edition, London, 1770, volume I

Three artist illustrated books: 'Original Views of London', in two volumes (53cm by 37.7cm), Texts by Charles Ollier (1842) and James Laver (1954), from the de luxe edition printed on hand made paper, bound in quarter red morocco, greycloth board sides, housed in a similarly bound slip case, 1966 re-print, containing 27 facsimilie colour plates representing the original lithographs. 'Picturesque Architecture in Paris, Ghrnt, Antwerp, Rouen, etc', being a re-issue of the E. Beresford Chancellor, Published by the Archicetural press 1928 on membrship subscription only, with bookplate of Cedric Gurney Ripley, with original dust cover. 'River Scenery of France' depicted in sixty one line engravings from the drawings by J M W Turner, Published Henry G Bohn, Covent Garden, London, 1857, heavy board covers in contemporary half-calf with gilt spine. (3).

A Railway Clearing House Official Railway Map of England & Wales, 1947, folding coloured map on linen, cloth boards with gilt lettering

A framed John Ogilby (1600-1676) route map for The Road from London to Weymouth 35cm by 47cm

A caddy top Elliott mantle clock, with hand wind movement, the 3 1/2 inch dial with Roman numeral chapter ring and cherub spandrels, 23cm high including handle

A 19th century mahogany stick barometer by Baker of Shrewsbury, 94cm high. Ivory declaration reference AT1JQJHV

A late 19th / early 20th century Rococo style gilt brass watch holder 17.5cm high, and an early 20th century metal cased pocket watch

A 20th century Rococo style cast brass mantle clock chiming on a bell, in an ornate case with equestrian surmount and scroll feet, 42cm high, together with a pair of four light side candelabra 50cm high

A Garrard and Co mantle clock with Elliott hand wind movement, the Roman numeric chapter ring with raised brass spandrels, 23cm high

A Kundo 400 Day clock the green and black dial with Roman numerals under a glass dome on circular plinth base, dome 24cm high including base, together with a novelty German mantle clock the pendulum in the form of a merry-go-round, battery operated, dome 19cm high including base (a/f)

A George III Isle of Wight oak longcase clock, 12-inch painted break arch dial inscribed 'Nichols & Son, Newport', with twin winding holes, oval panel decorated with a seated female figure holding a bird aloft above Roman hour numerals, subsidiary seconds dial, date indicator, with break arch hood and door, on bracket feet, with two weights, height 192cm (A/F)

A 20th century oak longcase clock, 11-1/3 inch square dial, brass with silvered chapter ring, Roman numerals, decorative spandrels, striking on a bell, flat topped case, hood with barley twist columns, pendulum and weights attached, with key, height 185.5cm

A Victorian slate and malachite inlaid mantle clock with gilt Roman numerals, with pendulum 19.5cm high (bell and key missing)

An ornate gilt-brass mounted oak cased Hamburg American Clock Company striking 14 day mantle clock, c.1900, the movement striking on a gong, with original makers label inside the rear door, complete with pendulum and key, 54cm high

A German anniversary clock under a glass dome 29cm high

A 19th century three train fusee longcase clock movement, striking on a bell and chiming on eight bells, 12 1/2 inch circular dial with Gothic scrolling foliate decoration, the backplate engraved 'Calderwood & Son Makers Belgravia SW'

An Edwardian inlaid mahogany balloon form mantle clock on gilt ball supports 23cm high

An early 20th century oak cased mantle clock the circular white enamel dial with Roman numerals and visible escapement, indistinctly signed ' A Mahon? Paris', striking on a bell, 47cm high, 28cm wide, no key (a/f)

An Art Deco pink marble clock, the diamond shaped dial with Arabic numerals 27cm high, and two empty marble clock cases to include an Art Deco tri-colour marble example surmounted with a bronzed metal figure holding a spear

A Swiss cylinder music box, 19th century, inlaid lid, simulated rosewood and ebonised outer case, glazed cover, playing 8 airs, handwritten tune sheet, inscribed 5 1/2", tunes including 'Auld Lang Syne' and 'Blue Bells of Scotland', cylinder approximately 6 inches, case width 42cm

A French boule mantle clock, early 20th century, brass and gilt ormolu mounted case ebonised sides and back, raised on four scroll feet, retailed by Boodle & Dunthorne, Liverpool, the white enamelled dial with Arabic numerals, movement marked 'Made in France' (case AF), height 25cm

A Schatz anniversary clock under a glass dome 31cm high including dome

An 18th century oak cased striking 30 hour longcase clock by John Pocock of Snallish, the 11 inch square brass dial with engraved decoration, with pendulum and single weight, 198cm (6' 6") high.

A Victorian black slate and rouge marble mantle clock, of architectural form, with gilt coloured chapter ring, pierced central dial, Roman numerals, movement striking on a bell, together with pendulum and key, height 42.5cm

A Secessionist style table or desk clock, early 20th century, silvered metal and brass, inlaid with blue enamel, movement removable, circular dial with Roman numeral, lacking hands (A/F), height 14.5cm

A George III oak longcase clock, 11 1/2-inch painted break arch dial inscribed 'J J Dison, Cambridge', with twin winding holes, decorated with floral and bird design above Roman hour numerals, subsidiary seconds dial, date indicator, with swan neck pediment to hood, on plinth base, with two weights, height 209cm (a/f)

A brass torsion clock, under glass dome, 20th century, raised on two columns, enamelled dial with Arabic numerals, movement number 17119, height overall 30cm, together with a Rotherham England bracket mantle clock, 20th century, mahogany case, dial with Roman numerals, steel spandrels, presentation inscription 'Tempus Fugit, A. Faulkner, 25 Years', with brass carrying handle height overall 26cm (2)

A 19th century slate and rouge marble mantle clock, French, enamelled dial with Roman numerals, movement number 7449, with key, height 25.5cm

Cecil Aldin RBA (British, 1870 - 1935) 'The Young Folks Birthday Book', published by Hills & Co. London, inscribed and dated in an unknown hand 'April 27th 1907', together with 'Two Little Runaways' by James Buckland, illustrated by Cecil Aldin, published by Longmans, Green and Co., printed by Ballantyne, Hanson & Co., 1898, 'An Old Fashioned Christmas Eve' and 'An Old Fashioned Christmas Day' by Washington Irving, illustrated by Cecil Aldin, published by Hodder & Stoughton, London (4)

Cecil Aldin RBA (British, 1870 - 1935) a pair of Royal Staffordshire Pottery, Burslem vases, of baluster form with narrow neck, decorated with Cecil Aldin hunting scenes 'In The Open' and 'The First' (AF), bearing 'Cecil Aldin Sketches Reproduced by Special Permission' mark to base, height 30cm (2)

Cecil Aldin RBA (British, 1870 - 1935) for Royal Doulton 'Dog Series', a hexagonal 'Titanian' vase, decorated against the blue ground with images of hounds within a geometric leaf border, numbered D1525, height 20.75cm

Cecil Aldin RBA (British, 1870 - 1935) a pair of vintage tiles manufactured by Carter Tiles (Poole Pottery), each decorated with a seated Sealyham terrier dog and facsimile signature, impressed 'Carter Tiles, Regd UK, England, 16, 1954', one numbered DG5, 15.1cm x 15.1cm (2)

A collection of seven Royal Doulton 'Dogs of Character' figures, with designs inspired by Cecil Aldin illustrations, modelled as Jack Russell puppies H1/1095, H.N. 110, H.N. 1158 (AF), HN 1101 and three unnumbered, the tallest height 11cm

Cecil Aldin RBA (British, 1870 - 1935) for Royal Doulton 'Aldin's Dogs': A large footed bowl, centrally decorated with a hound smoking a pipe, diameter 22.5cm, together with a jug, a two handled square dish, a two handled rectangular dish, an ashtray, a plate, a round dish and further dish, all numbered D4629, each decorated with scenes of hounds within a stylised leaf border, jug height 13.5cm (8)

Cecil Aldin RBA (British, 1870 - 1935) 'A Gay Dog : The Story of a Foolish Year' by Cecil Aldin, published by William Heinemann, 1905 , together with 'Just Among Friends _ Pages from My Sketch Book' by Cecil Aldin, 2nd edition, published by Eyre and Spottiswoode, 1935, 'The Bunch Book' by James Douglas, illustrated by Cecil Aldin, 1st edition, 1932, 'Lost, Stolen or Strayed' by Marion Ashmore, illustrated by Cecil Aldin, Eyre and Spottiswoode, 1931, and 'A Dog Day or The Angel in The House' by Walter Enamuel pictures by Cecil Aldin, 10th edition, published by William Heinemann, 1912 (5)

Cecil Aldin RBA (British, 1870 - 1935) for Royal Doulton 'Dog Series', a 'Titanian' jug, decorated against the blue ground with portraits of a hound within a geometric leaf border, numbered D4525, height 11.5cm

Cecil Aldin RBA (British, 1870 - 1935) for Royal Doulton 'Dog Series', a rectangular 'Titanian' two handled dish or tray, decorated against the blue ground with a hounds and fox mask, within a geometric leaf border, numbered D1525, diameter 36.5cm, together with two plates, one with hound and twine against a mottled blue ground, the other with hound smoking a pipe against a duck egg blue ground, 26cm and 21.5cm diameter (3)

Cecil Aldin RBA (British, 1870 - 1935) for Royal Doulton 'Dog Series', a plate decorated against the blue green ground with images of a dogs, together with a similar larger plate, decorated to centre with a dog smoking a pipe, the larger diameter 26.75cm (both chipped) (2)

Cecil Aldin RBA (1870 - 1935) 'Hunting Scenes, Forty Sketches of Hunting Scenes and Countries, Selected and Arranged by Cecil Aldin', 1st edition, published Charles Scribner's Sons, New York, 1936, together with 'Roads and Vagabonds', by Kenneth Hare, illustrated by Cecil Aldin,published by Eyre and Spottiswoode (AF) (2)

Cecil Aldin RBA (British, 1870 - 1935) for Royal Staffordshire Pottery, two 'In the Open' hunting scene plates, one matt finish, the other with red rim, each diameter 23cm (2)

A Huntley & Palmers biscuit tin with lid lithographic decorated with a Cecil Aldin RBA (British, 1870 - 1935) hunting scene, width 34.5cm

A collection of eight pieces of Royal Doulton, decorated against a yellow ground with hunting and inn scenes by Cecil Aldin RBA (British, 1870 - 1935), including a planter/ jardiniere, a large bowl, two plates (one labelled 'Cecil Aldin Exhibition 1990' label verso), a side plate, two two -handled rectangular dishes, all numbered D4507 and a similar design mug, numbered E3804, together with a plate (AF) with a Cecil Aldin cricket / Cadbury's scene, and a large Royal Doulton 'Series Ware' footed bowl decorated with cottage scenes, numbered 3647, diameter 30.25cm (10)

A large Burleigh Ware wall hanging charger, relief moulded as Sir Walter Raleigh playing bowls within a seascape, signed G. Labarr, stamped to base 'Modelled from the Original Drawing by Cecil Aldin' and 'Made Exclusively for the Rembrandt Guild', together with a large Burleigh Ware wall hanging charger relief moulded as Dick Turpin on horseback, signed Ridgway, numbered 5331, each diameter 41.5cm (2)

Cecil Aldin RBA (British, 1870 - 1935) 'Old Inns', published by William Heinemann, signed 1st edition, 1921, limited edition no. 88, signature in black ink, together with 'Cathedrals of England' published by Eyre & Spottiswoode Ltd., London, signed limited edition no. 77, 'Old Manor Houses', 1st edition, published by Eyre & Spottiswoode, 1923, 'The Romance of the Road', printed by Charles Scribners, 1928 (4)

Cecil Aldin RBA (British, 1870 - 1935) for Burleigh Ware, a collection of five pieces, 'Merrie England' type range featuring designs after Cecil Aldin, including;a jardiniere/ planter, a teapot and three jugs, jardinere height 20.5cm (5)

Cecil Aldin RBA (British, 1870 - 1935) for Burleigh Ware, a collection of twelve pieces, 'Merrie England range featuring designs after Cecil Aldin, including; two spill vases, a teapot, a cake stand, a jug, a square bowl, an oval bowl, two plates, a small round bow and two dishes, the jug height 13.5cm (12)

After Cecil Aldin RBA (British, 1870 - 1935) a vintage greyhound racing poster, featuring artwork by Cecil Aldin, 'The Greyhound Racing Thrill, South Bridge Wharf, Northampton, Every Thursday & Saturday Evening. Opening Easter Saturday April 7th, printed by J. Weiner Ltd. London, W.C.2.', lithograph (AF, severe damp/ mould to poster and frame), framed, 73cm x 49cm

Cecil Aldin RBA (British, 1870 - 1935), 'Barry' and 'Jemima', a pair of vintage prints depicting terrier puppy's, 29cm by 29cm, matching frames.

Cecil Aldin RBA (British, 1870 - 1935), 'Good Boy' and 'Bad Boy', a pair of vintage prints depicting terriers, 34cm by 24cm, framed.

Cecil Aldin RBA (British, 1870 - 1935), a vintage print depicting three vignettes of terriers, each with a short poem, images 13.5cm by 11cm and 11cm by 13.5cm, framed by The Frog & Mouse Picture Company of Leicester and Nuneaton, frame size 30cm by 60cm.

Cecil Aldin RBA (British, 1870 - 1935), five vintage prints depicting terriers, all framed.

After Cecil Aldin RBA (British, 1870 - 1935), 'Behind Time', colour print, 22cm by 39.5cm

Thomas Shotter Boys NWS (British, 1803-1874), 'French Views', eleven original lithographs, two with early labels for Thomas Agnew & Sons Ltd of 43 Old Bond Street, London, and numbered 42768 and 42457, all with later labels verso title and plate number, all framed, (11).

Robert Morley (British, 1857 - 1941) 'His Gold Mine', oil on board, mouse feeding within a barn, signed lower left, variously labelled verso including partial inscribed artists label and 'Liverpool, Dicksee & Co.' within ornately carved gilt frame, 10.75cm x 11.25cm

Vladislav Rohling (Czech, 1878 - 1949), three pencil signed etchings depicting street scenes, 17cm by 14cm, framed.

Hungarian School, harvesters in a field, oil on canvas, indistinctly signed, paper labels verso, 75cm by 98cm

After Élisabeth Louise Vigée Le Brun (1755-1842), self portrait, oil on panel, unsigned, in ornate giltwood and gesso 'Florentine' style frame, 36cm by 31cm including frame

Victorian school, portrait of a lady wearing a red headscarf, red drop earrings, and a red and white patterned shawl, oil on canvas, indistinctly signed John Colling*? and dated 1878, 51cm by 41cm

Marsha Hammel (American b 1949), Saxophone player, oil on paper, signed, 70cm by 53cm, together with a leather folder containing information on the artist

Keith W Hastings (b 1948), winter landscape with stream, oil on canvas, signed, 18cm by 24cm

Victor L. Prescott (19th/ 20th century) a pair of marine watercolour and gouache paintings, sailing vessel before a lighthouse and two masted sailing vessel on calm waters, signed lower right, each bearing partial inscribed label verso, framed, 25cm x 12cm (2)

After Edward King (British, active 19th/ 20th century), a set of four coloured etchings of London scenes, Horse Guards Parade, Buckingham Palace and the Queen Victoria Memorial, Cleopatra's Needle and the Thames Embankment and The Thames between Richmond and Petersham, each signed in pencil and additionally by the engraver, bearing blindstamp, published 1925 by The Museum Galleries, framed, the first 29cm high x 39cm wide (4)

After Daniel Hernandez (Peruvian 1856-1932), courting scene, 19th century colour print published in 1898 by Jean Boussod, Manzi, Joyant & Co., 32cm by 24cm, and two 19th century colour prints depicting interior scenes after Lucius Rossi (1846-1913), all three prints nicely presented in matching giltwood and gesso frames with garland surmount

After Friedrich Geselschap (German 1835-1898), portrait of a lady holding a basket of flowers, pencil, unsigned, 31cm by 25cm

James Burrell Smith (British 1822-1897), Scottish Highland view with couple beside a loch, ruined castle beyond, signed and dated 1871, 20cm by 48.5cm

A Marrani (Italian, active 19th century), a Dominican monk in the choir stalls of Santa Maria Novella in Florence, watercolour, signed, verso printed paper label 'The Quire at Santa Maria Novella', 43cm by 47cm

Martin Garvey (British 20th century), Stanton, Gloucestershire, lithograph, inscribed and signed in pencil, blindstamped for Warwick Galleries, 26.5cm by 32.5cm, unframed, together with a collection of unframed prints, etchings, engravings etc of scenic views to include Mousehole, Cornwall, Torquay and Goring-on-Thames (ARR)

17th century Genoese School, The Holy family, oil on canvas, unsigned, 53cm by 64cm (some restoration and cleaning)

Attributed to Thomas Christopher Hofland (1777-1843), 'Winter landscape', oil on board, signed 'Hofman' , 14cm circular, framed.

Charles Edward Brittan (1837-1888), fox with mallard, watercolour and gouache, signed, 16cm by 21cm

Graham Isom (b 1945), haycart and figures before a field, oil on canvas, signed, 30.5cm by 41cm (ARR)

Margaret Palmer (b 1922), Victorian Winter, oil on board, signed, verso inscribed, 21cm by 28cm

Margaret Palmer (b 1922), two ballerinas, oil on board, signed, 29.5cm by 24cm

Bernard Banks (20th century), The Park, watercolour, signed, verso inscribed paper label, 35.5cm by 55cm

Manner of David Roberts (1796-1864), church interior, oil on wood, unsigned, verso indistinctly inscribed paper labels, 18cm by 13.5cm, the gilt frame with plaque inscribed 'D Roberts RA'

Moodie (20th century), 'Arabic male figure in an interior scene', oil, signed and dated (19)72, label verso for John Mathieson & Co, 48 Frederick Street, Edinburgh, 35cm by 45cm, framed.

After Joan Miro (Spanish, 1893-1983), 'L Oiseau Solaire, L Oiseanu Lunaire, Etincelles' (The Solar Bird, The Lunar Bird, Sparks), a triptych, unsigned lithograph, Galerie Maeght, Paris, 31cm by 70cm, unframed.

After Joan Miro (Spanish, 1893 - 1983), 'Trois Poches de Couleur' (Three Pockets of Colour), a triptych, unsigned lithograph, Mourlot of Paris, 31cm by 69cm, unframed.

After Joan Miro (Spanish, 1893 - 1983), 'Maîtres Graveurs Contemporains' (contemporary master engravers), an unsigned lithograph in colours, 24cm by 28.5cm, unframed.

Marino Marini (Italian, 1901 - 1980), 'Cavalier', an unsigned lithograph, Mourlet of Paris, 31cm by 24cm, unframed.

After Serge Poliakoff (Russian / French, 1900 - 1969), 'Composition rouge et bleue', an unsigned lithograph, Mourlet of Paris, 31cm by 24cm, unframed.

Colin Orchard (British, b.1935), 'Montpellier Gardens, Harrogate', oil on board, signed with monogram, fully signed and titled verso, 20cm by 20cm, framed.

Colin Orchard is one of Cornwall's most respected painters and has exhibited extensively at more than 50 art venues throughout the UK, his paintings have regularly featured at the Royal Academy Summer Shows, and in 2007 he was appointed a member of the Royal Society of British Artists.

Colin Orchard (British, b.1935), 'Vuillard Exhibition in Sheffield' oil on board, signed with monogram, fully signed and titled verso, 17cm by 17cm, framed.

Colin Orchard is one of Cornwall’s most respected painters and has exhibited extensively at more than 50 art venues throughout the UK, his paintings have regularly featured at the Royal Academy Summer shows, and in 2007 he was appointed a member of the Royal Society of British Artists.

Italian School (19th century), a set of three coloured engravings, scenes of urban life, framed, each overall 24.5cm high x 32cm, (3)

British School (late 19th / early 20th century), 'Rural river landscapes with thatched cottages and country folk', a pair, oils on canvas. 48cm by 73cm, framed.

Marcelle Milo-Gray (b 1954), terrier on a country path with stone bridge, gouache, faintly signed, 13.5cm by 22.5cm (ARR)

Marcelle Milo-Gray (b 1954), terrier jumping at a seagull in a rural landscape, gouache, faintly signed 13cm by 22cm (ARR)

Polish school (19th century), rural scene with cottage, figure and cattle beside a country track, oil on canvas, unsigned, 24cm by 28.5cm

Valerie Serres (20th century), Portrait miniature of a female figure with brown hair, believed to be Molly Stokes, on ivorine, inscribed verso, dated 1971, within tooled leather frame, panel height 7cm (ARR)

Pauline Denyer (contemporary), miniature still life, watercolour on ivorine, dated '95 and initialled lower right, variously inscribed verso, framed, 5cm high x 7.5cm wide (ARR)

Attributed to Alfred de Breanski (1852 - 1928), Cottage on the Banks of a River, landscape, oil on canvas, signed lower right and dated 1910, bearing artists name verso, framed, (a.f.), 24cm high x 33.5cm wide

19th century School, 'Interior scene depicting four 17th century male figures sat round a table', oil on canvas, indistinctly signed, 74cm by 60cm, inset ornate giltwood frame.

English School (late 18th/ early 19th century), manner of Thomas Rowlandson, portrait of a gentleman wearing a blue jacket reading a document, watercolour and ink, framed, 13.5cm high x 10cm wide.

Late 19th / early 20th century French school, 'Return of the Gleaners', oil on panel, unsigned, verso part paper label inscribed 'Retour de Gleaners', panel 16cm by 22cm

Attributed to Mary Fedden RA (1915-2012), still life of flower and fruit, watercolour, gouache and collage on paper, unsigned, 33cm by 48cm (ARR)

Mary Fedden RA (1915-2012), landscape with fruit and vegetables in the foreground, gouache and watercolour on paper, signed, 46cm by 38.5cm (ARR)

Ann E Barlow (20th century), monochrome etching of leaves, possibly with Sydney Opera House motif, signed in pencil and dated 78, 69cm by 50cm

Douglas Ettridge (1927-2009), Second World War American bomber attacking a German plane, oil on canvas, signed and dated 1972, 58cm by 90cm

George Lennard Lewis, (British, 1826 - 1913), 'French street scenes featuring Cathedrals and old timbered buildings', a pair, watercolours, both signed, 37cm by 25cm, modern frames.

Anne Spavin (Contemporary), 'Georgian Country House', watercolour and ink, artists label verso and label for Prince George Galleries of Havant, 20cm by 33cm, framed.

George Richard Deakins (British, 1911 - 1982), 'Rural landscape with horse and cart, and a church in the distance', thick impasto on board, by palette knife, signed, artists label verso, 40cm by 60cm, framed.

Deakins served with the Royal Navy from 1927-1957, he began painting while serving on a British cruiser in the Indian Ocean during the 2nd World War, he enjoyed much commercial success and had numerous one man shows all around the world, on leaving the Navy he set his studio up in Dunster, Somerset.

After Anton Romako (Austrian 1832-1889), The Little Musician, pastel on paper, unsigned, 36cm by 26cm, unframed

Julian Trevelyan (1910-1988), Moghul, 1968 from the Indian Suite, Artist's Proof, etching and aquatint, signed, titled, and inscribed in pencil, 78cm by 56cm, unframed (ARR)

Julian Trevelyan (1910-1988), Novgorod, 1961, etching, numbered 30/50, inscribed and signed in pencil, 41cm by 52cm (ARR)

John Walsh (20th / 21st Century), 'The Victoria, Salford Quay' (Manchester), oil on paper, 2004, signed with initials, dated, artists labels verso, 68cm by 56cm, framed.

LOT WITHDRAWN

Salvador Dali (Spanish, 1904 - 1989), 'I FIORI SURREALISTI', 1981 Edizioni Eldec - Rome, hardbound folio, 41cm by 30cm, together with fifteen stamped limited edition lithographic still life prints, each 30cm by 21cm, unframed.

LOT WITHDRAWN

E Coleman (c.1930's) - a collection of ten pencil sketches of Hollywood stars and other figurative studies, mostly signed, dated, inscribed, all unframed, various sizes, (af).

A framed Indian gouache procession scene in shades of blue, with gilt embellishments, 23cm by 35.5cm

Continental school, tondo oil on board depicting moored boats, cathedral and buildings beyond, unsigned, 19cm diameter (a/f)

James Gilray (British, 1756 - 1815), 'Matrimonial Harmonics' and 'Harmony Before Matrimony', a pair of antique coloured etchings, 26cm by 36cm, inset matching frames from The Wall Gallery (specialist picture framers, Battersea, London), (2).

Piercy Roberts (1774 - 1863), 'Comfort for an old maid', antique coloured etching, 25cm by 30cm, framed by The Wall Game (specialist picture framers, Battersea, London).

Attributed to William Henry Blackburn (1918 - 1995): comprising a highly detailed pencil drawing of a periscope hidden within a statue of Adolph Hitler, with copious hand written notes, dated 1939, sheet 52cm by 22cm, a whimsical pencil and watercolour drawing depicting naked male figures and a bicycle with drinks trolley attached, with notes and poem, sheet ripped in an irregular shape, 22cm high, a pencil drawing of two figures outside a church, irregular shape, 17.5cm high, a woodblock print of huts, signed and dated 1939, sheet approx 20cm by 25cm, a woodblock printed greeting card for Christmas 1938, 14cm by 17.5cm, and a colour printed sheet 'Nancy of Bath', 19cm by 17.5cm, (6), (a.f.).

William Henry Blackburn was an award winning art director, painter, and photographer in both England and India throughout the 1940's to the 1980's, and working for Saatchi and Saatchi up until his death in 1995. His works have largely remained out of the public eye at his sons home since then, with just a few of his paintings in the hands of close family and friends or in a range of Museums across Great Britain and India.

Russell Brockbank (1913-1979), a signed pencil sketch on white card, unframed, 8.5cm by 12cm

Home is', pencil signed limited edition 'doodle' colour print, numbered 1/40, indistinctly signed and dated (20)17, 28cm by 41cm, framed.

After Feliks Topolski (1907 - 1989) 'This England' for School Prints Ltd., 1947, lithograph, printed in England by The Baynard Press, S.P.19, framed, framer label verso H.N. Fong, Hong Kong, 29.5 by 75.9cm

Pascal Magis (French 1955-2011), abstract in blue and orange, acrylic on board, signed, 40cm by 30cm, unframed (ARR)

Dame Laura Knight DBE RA RWS (1877-1970), Lamorna Cove, Cornwall, reproduction printed in colours, blind stamped and signed in pencil, pub 1935 by Frost & Reed Ltd Fine Art Publishers, 43cm by 65cm (ARR)

20th century school, view of San Giorgio Maggiore through gondolas, Venice, watercolour, initialled and dated 'BO II 96', 45cm by 64cm

A 19th century Hunting engraving 'Charles Payne, Huntsman to The Pytchley Hunt with his whips John Woodcock and Edward Kinsbury', painted by John Bullen and printed by C.Moody's of London, 51cm by 66cm, inset a Victorian satin birds eye maplewood frame.

Lance Thackeray (1869-1916) & Lionel Edwards (1878-1966): a series of four original lithographs depicting humorous country and sporting pursuits, early 20th century, 31cm by 50cm, matching Hogarth frames, (4).

Lance Thackeray RBA (British, 1867 - 1916): 'Bridge' a set of four original chromolithographs depicting figures playing cards, Fine Art Society 1904, mages 29cm by 41cm, framed.

Lance Thackeray (1869-1916) & Lionel Edwards (1878-1966): a series of four original lithographs, 'By Order of their Owner' / 'On View' / 'By Private Treaty' / 'For Sale without Reserve', Hills & Co, 1902, 24cm by 38cm, framed, (4).

After Charles Lorraine Smith (British, 1751-1835), a set of eight antique hand-coloured Hunting aquatints, The Pychely Hunt, by Francis Jukes, first published 1790, 21cm by 26cm, matching oak frames, (8).

Lance Thackeray RBA (British, 1867-1916), 'Edwardian bathers on the beach', watercolour, signed, 20cm by 33cm, framed.

Ian P Hudson (1950-2021), abstract in yellow, red and orange, 'Confocal Conic', oil on board, unsigned, paper labels verso, 61cm by 91.5cm

Ian P Hudson was born in Horsham, Sussex in 1950 and died in Headley Down, Hampshire in 2021 from Motor Neurone Disease. Between those dates he had a successful career in computing while indulging his own pleasures of opera design and singing, theatre prop and set design & construction. He also composed a symphony and adapted a Mozart libretto.

He visited various styles of painting over the years but latterly concentrated on abstract designs based mainly on scientific and mathematical formulae, and geometrical shapes.

Two of his paintings were commissioned by and hung in the offices of Radcliffe Chambers barristers, Lincoln’s Inn, London.

Ian P Hudson (1950-2021), 'Multicoloured Cardoid', oil on board, unsigned, paper labels verso, 61cm by 61cm

Ian P Hudson was born in Horsham, Sussex in 1950 and died in Headley Down, Hampshire in 2021 from Motor Neurone Disease. Between those dates he had a successful career in computing while indulging his own pleasures of opera design and singing, theatre prop and set design & construction. He also composed a symphony and adapted a Mozart libretto.

He visited various styles of painting over the years but latterly concentrated on abstract designs based mainly on scientific and mathematical formulae, and geometrical shapes.

Two of his paintings were commissioned by and hung in the offices of Radcliffe Chambers barristers, Lincoln’s Inn, London.

Ian P Hudson (1950-2021), 'The Only Proper Custard Is Made With Custard Powder', oil on board, unsigned, signed paper label verso dated December 2003, 60.6cm by 60.6cm

Ian P Hudson was born in Horsham, Sussex in 1950 and died in Headley Down, Hampshire in 2021 from Motor Neurone Disease. Between those dates he had a successful career in computing while indulging his own pleasures of opera design and singing, theatre prop and set design & construction. He also composed a symphony and adapted a Mozart libretto.

He visited various styles of painting over the years but latterly concentrated on abstract designs based mainly on scientific and mathematical formulae, and geometrical shapes.

Two of his paintings were commissioned by and hung in the offices of Radcliffe Chambers barristers, Lincoln’s Inn, London.

Ian P Hudson (1950-2021), 'RedBlueYellowGreen Nephroid 1' from the 'Nephroids' series, oil on board, unsigned, paper label verso dated September 2004, 60.6cm by 60.6cm

Ian P Hudson was born in Horsham, Sussex in 1950 and died in Headley Down, Hampshire in 2021 from Motor Neurone Disease. Between those dates he had a successful career in computing while indulging his own pleasures of opera design and singing, theatre prop and set design & construction. He also composed a symphony and adapted a Mozart libretto.

He visited various styles of painting over the years but latterly concentrated on abstract designs based mainly on scientific and mathematical formulae, and geometrical shapes.

Two of his paintings were commissioned by and hung in the offices of Radcliffe Chambers barristers, Lincoln’s Inn, London.

James Alphege Brewer (1881-1946), two views of Antwerp comprising 'Antwerp (The old Meat Market)' and 'Antwerp (from the Rue de Bepper)', coloured etchings, inscribed and signed in pencil, 20cm by 13cm, verso paper labels for Garve Hessenberg Picture Conservation and Restoration studios

Ralph William Bardill (British, 1876 - 1935), 'Old Cottages - Glan Conway', watercolour, signed lower left, variously labelled verso including inscribed artists label 'Ralph W. Bardill R.C.A, Pine Grove, Glan Conway, North Wales', 25.5cm x 37cm

Nellie Clough (British, fl. 1910 - 1920) Feeding Chickens before a Farm House, watercolour, signed lower right, framed, bearing Boots framer label verso, 33.5cm x 48.5cm, together with Stanley Herdman (British, fl. 1882 - 1909) Cattle Grazing on the Banks of a River, watercolour and ink, signed lower left, framed, variously labelled verso including 'R. Jacksons & Son, Liverpool', 44.5cm x 61cm (2)

Stanley Pettigrew (Irish 1927-2022), river landscape with sheep and distant mountains, oil on board, signed, 50cm by 76cm

Leon Underwood (Captain George Claude Leon Underwood) (1890-1975), 'The Tulip Girl', etching, signed and dated 1921 in pencil to lower right margin, framed, 19.5cm by 14.5cm

Henry F. Lucas Lucas (1848 - 1943) Polo Match, signed print, blindstamp lower left, 'published 1902 by A. Baird - Caster and H. F. Lucas Lucas, 61 Jermyn St., London. The proprietors of the copyright', printed in Munich, framed, 78cm wide x 37cm high, together with WIlliam & Henry Barraud 'The Pytchley Hunt, The Crick Meet', coloured engraving, 79 Park St. London, 9th March 1852, (AF evidence of damp to lower margin), within maple frame, 53cm x 82cm (2)

James Henry Kibart (British, 1912 - 2001) 'The Old Central Line', watercolour scene of a steam locomotive being hoisted on a crane, unsigned, bearing inscribed label verso, framed, 31.5cm x 43.5cm

After William Heath (pseudonym Paul Pry) (British, 1794 - 1840) 'Poltiical Billiards' satirical cartoon relating to India, Turkey and Greece depicting contemporary monarchs, published 'Sep 30 1820 by T. McLean, 26 Haymarket, Sole Publishers of W Heath Etching', framed, 23.5cm x 34.5cm

Nora Davison (fl. 1881 - 1905) A Football Match at Eton College, watercolour and pencil, signed lower right, framed, 21.5cm x 36.75cm

Brian Shields 'Braaq' FBA (British, 1951-1997), 'I'nt Christmas Brilliant', oil on canvas, signed 'Braaq', Gallery label verso for Collect Art, Lymm, Cheshire, and Gallery 2, Windermere, Cumbria, 60cm by 90cm, framed.

Ken Howard OBE RA (British, 1932-2022), 'Seated female nude', oil on canvas, signed, 30cm by 26cm, framed

William Crosbie RSA RGI (Scottish, 1915 - 1999), 'In the Tea House', oil on board, signed, dated LXXXII, inscribed by hand verso and labels verso, 60cm by 50cm, framed.

François Gall (Hungarian / French, 1912 - 1987), 'Montmartre, Paris', oil on board, signed and titled, label verso for The Crane Gallery, 35 South King Street, Manchester, 45cm by 54cm, framed.

Anthony Robert Klitz (British, 1917 - 2000), 'Tower Bridge, London', oil on canvas; signed, bears presentation plaque 'Presented to Fergus Montgomery by Dudley West Conservative Association', 60cm by 90cm, framed.

Mary Fedden OBE RA RWA (British,1915-2012), 'Table top still life', watercolour, signed, dated '08, Gallery label verso for Collect Art, Lymm, Cheshire, 12cm by 15cm, framed.

Mary Fedden OBE RA RWA (British,1915-2012), 'Still life with Fruit', 2008, pencil signed limited edition artists proof giclee print, number 8/75, with certificate of authenticity verso from Aquarelle Publishing Ltd, 36cm by 30cm, framed.

Sir Kyffin Williams OBE RA (British, 1918-2006), 'Old Farmer', pencil signed artists proof print, signed with initials, labels verso, 55cm by 31.5cm, framed.

School of Palma il Giovanni (Italian, 1548-1628), 'study of three horses heads', black chalk drawing on blue paper, Gallery labels verso for Collect Art, Lymm, Cheshire, with a stated provenance to the estate of Martyn Goff CBE OBE, rare book dealer and Booker Prize administrator, 25cm by 15cm, framed.

John Myatt (British, b.1945 - an artist and art forger, who, with John Drewe, perpetrated what has been described as 'the biggest art fraud of the 20th century') After Joan Miro (Spanish, 1893-1983), 'Constellations'' hand painted mixed media, bears a Washington Green Fine Art label verso, 40cm by 58cm, framed.

Patrick Caulfield (British, 1936-2005), 'Occasional Table', c.1972, pencil signed limited edition screenprint, number 4/500, 58cm by 72cm, framed.

Sandra Blow RA (British, 1925-2006), 'Abstract Collage', signed, approximately 53cm by 54cm, framed.

Sandra Blow RA (British, 1925-2006), 'Abstract' white stripe and applied metal rod on black, mixed media and oil on canvas, 122cm by 137cm, framed.

We are advised from the vendor that it was purchased at Christies Auctioneers.

Robert Oscar Lenkiewicz (British, 1941-2002), 'Study, Romney Cook in striped top', oil on canvas, signed and titled by artist verso, 33cm by 23cm.

Robert Oscar Lenkiewicz (British, 1941-2002), 'Jealousy Theme, I shall always have her heart', oil (cryla) on board, signed, further signed, titled and inscribed by artist verso, also inscribed by artist verso 'figure carries resemblance to Marcel Duchamp', 62cm by 75cm, framed.

Robert Oscar Lenkiewicz (British, 1941-2002), 'Male figure seated in a Windsor chair', watercolour, signed, inscribed verso "PROV; Bonhams Oxford Lot 39 15 May 2013", also with a label verso Barbican, Plymouth', 38cm by 30cm, framed.

Robert Oscar Lenkiewicz (British, 1941-2002), 'Painter with women / Project 18, observations on the theme of the Double, St. Anthony theme (Daemon Series)', oil on canvas, signed twice verso, titled / inscribed by artist verso, labels verso, 87cm by 148cm, framed.

John Haskins (British, contemporary) 'Solo Performance', study of a young ballerina, oil on board, signed lower right, labelled and titled verso, framed, 29.5cm x 19cm ARR

British School (20th century) portrait of a lady wearing a hat, oil on board, indistinctly signed lower right 'M. W****- Smith' dated '75, framed, 52cm x 40cm

Michael MacDonagh Wood (contemporary), canal scene, Venice, 'Fondamenta Verona', limited edition colour print, inscribed, numbered 28 of 250 and signed in pencil, 84cm by 57cm

Michael MacDonagh Wood (contemporary), 'Venetian Scene II', limited edition colour print, inscribed, numbered 434/500 and signed in pencil, 37.5cm by 27.5cm

Jennifer Hogwood, 'Mini Moo's & Me', limited edition canvas on board with applied diamante, numbered 21/195, 50.8cm by 50.8cm, with Certificate of Authenticity

Jennifer Hogwood, 'Wish Upon A Star', limited edition canvas on board with applied diamante, numbered 21/195, 45.7cm by 35.5cm, with Certificate of Authenticity

A Globe Wernicke style oak sectional bookcase, three shelves with glazed doors, on bracket feet 119cm high, 87cm wide, 36cm deep

An Art Deco limed oak ladies or child's desk and matching chair attributed to Ebenezer Gomme ‘Cromwell’ range, of barrel form, with removable inkwell / pen tray, carved with floral motif, single drawer, bearing retailers ‘Bowman Brothers, Camden’ label ivorine label, the chair with low curved back and sleigh feet 68cm high, 74cm wide, 49.5cm deep

A Jacobean style oak side cabinet carved with flower and dragon motifs, two centra drawers flanked by two panel doors enclosing cupboard, on bulbous legs height 91cm, width 136cm, depth 46cm

An Arts & Crafts oak three tier side unit / buffet, c.1900, inlaid with Mackintosh style fruitwood marquetry motifs, 107cm wide by 49cm deep by 114cm high.

A vintage wickerwork and wooden framed stand with five open oval tiers, 127cm high by 38cm wide,

A good quality Victorian carved oak library table in the gothic taste, decorated throughout with lions masks and stylised foliage, fitted with two frieze drawers, raised on solid spiral twist end supports and a corresponding double-stretcher, the scrolled feet terminating on casters, 130cm wide by 68cm deep by 80cm high.

An Asian brass coffee table with chased and pierced decoration, raised on a carved wooden folding base, early 20th century, 76cm diameter by 66cm high.

A late 19th century Colonial style bamboo stick stand / umbrella stand, inset with three Aesthetic design ceramic tiles, 57cm wide by 54cm deep by 97cm high.

An 18th century panelled oak coffer, the hinged lid above profusely carved decoration to three sides, raised on stile feet, 150cm wide by 55cm deep by 67cm high.

A vintage reconstituted stone pedestal bird bath in an 18th century taste, 78cm high.

A vintage industrial oak framed office swivel chair, c.1920, with green leatherette seat, metal mechanism, and stencil marked 'P.A.C' to underside.

An Edwardian inlaid walnut circular two tier jardiniere stand, raised on outsplayed square supports, 30cm diameter by 95cm high.

A set of four Edwardian carved beech dining chairs, c.1900, having carved top rails in the art nouveau style, above padded back panels and stylised openwork splats, upholstered seats, front turned cylindrical supports.

A vintage medium oak bureau / writing desk of small proportions, c.1900 / 1920, having a fall front enclosing a fitted interior, above open shelves, 52cm wide by 25cm deep by 108cm high.

A pair of late 19th century carved walnut framed ladies and gentlemans armchairs, with green dralon upholstered backs and seats, matching decorative carved top rails, raised on turned supports and casters.

Gianfranco Frattini for Luci Italia: An Abele table lamp, Italian, c. 1970s / 1980s, in red painted aluminium and plastic, marked to base, height 38cm

An 18th century and later oak coffer with carved three panel front height 69cm, width 147cm, depth 63cm

A 19th century mahogany 'cottage' drop leaf dining table, the rectangular top with moulded edges and rounded corners, on turned gate leg support terminating on brass casters, 106cm by 45cm opening to 145cm by 106cm (a practical table for a small home).

A vintage Georgian style cross banded mahogany coffee table, mid 20th century, the circular form with Chippendale style pie-crust borders, raised on cabriole legs terminating on claw and ball feet, 74cm diameter by 40cm high.

A small vintage figured walnut drop leaf table side table, mid 20th century, the oval top raised on slender cabriole supports, 62cm by 21cm opening to 75cm by 62cm, 62cm high.

A vintage period style nest of three graduated cross-banded mahogany occasional tables, mid 20th century, raised on cabriole legs with shell moulded knees, largest 60cm wide.

A pair of nicely weathered reconstituted stone garden figures, 20th century, 61cm high.

A Victorian fluted mahogany pedestal pot cupboard, the hinged circular top with inset tapestry panel enclosing a ceramic liner with lid, above the base section incorporating a pull-out step, 42cm diameter by 47cm high.

A set of six Victorian walnut dining chairs, the shaped and carved backs above gold dralon upholstered seats, raised on front turned and fluted tapering cylindrical supports (well made, of good solid construction).

A pair of Victorian ladies and gentlemans carved walnut 'show wood' framed armchairs, re-upholstered in apple green dralon and with buttoned backs, raised on front cabriole legs.

A pair of Edwardian love seats, of beech construction with line inlay, can be used as a pair of circle-back easy chairs or fitted side-by-side facing in opposite directions as a traditional 'love seat'.

An 18th century mahogany dropleaf cottage dining table, raised on padfoot supports, 110cm by 38cm opening to 118cm by 110cm.

An 18th century mahogany dropleaf cottage dining table, raised on claw and ball supports, 108cm by 41cm, opening to 128cm by 108cm.

An Edwardian mahogany open armchair, having a decorative carved and pierced back above the re upholstered seat, raised on front hoof feet united by stretchers.

An Edwardian inlaid mahogany bureau bookcase, having two glass panelled doors enclosing two adjustable shelves, above the hinged fall front with fitted interior, and three graduated long drawers beneath, raised on cabriole legs, 96cm wide by 48cm deep by 211cm high (dismantles into two sections for ease of transport).

A 19th century walnut corner fitting whatnot, having four graduated open shelves and turned uprights, raised on casters, 67cm wide by 137cm high.

A set of six Edwardian carved medium oak dining chairs, c.1900, having foliate and scroll carved top rails above nicely re-upholstered back panels and seats, raised on front baluster turned supports with casters (comfortable and solidly built).

An Edwardian Sheraton revival mahogany inlaid bureau bookcase, with glazed panel door enclosing three shelves, the fall front enclosing fitted interior, above four drawers on bracket feet, height approx 250cm, width 97cm

A Victorian piano stool with rising upholstered box seat, on square tapered legs with castors, 50cm

A 19th century mahogany oval drop leaf gate leg dining / supper table, raised on moulded square tapered supports, 120cm by 57cm opening to 171cm by 120cm.

A pair of contemporary black leatherette recliner swivel armchairs with matching footstools, raised on bentwood outswept bases.

A vintage teak 'Long John' coffee table, the shaped top raised on four screw-in ebonised legs, 122cm by 40cm.

A Georgian style inlaid mahogany coffee table, 20th century, the shaped top raised on four fluted tapered cylindrical legs, 84cm wide by 51cm high.

A set of three Edwardian oak office armchairs, two with matching upholstered seats, one differently upholstered.

A 19th century mahogany Hall chair, with ornate carved back, shaped front seat, turned front supports and sabre rear supports.

A vintage solid oak Jacobean style coffee table, mid 20th century, the oval top raised on baluster turned supports, 73cm by 47cm, 44cm high.

An Edwardian mahogany display cabinet, c.1900, the two glass panelled doors enclosing a lined interior fitted with two shelves, and enclosed storage beneath, raised on Chippendale style legs, 104cm wide by 178cm high by 36cm deep.

An Edwardian rosewood inlaid sofa upholstered in pale yellow floral patterned fabric, with foliate pierced show wood frame, padded back and button scroll arms on square tapered legs and spade feet to castors

A 20th century yew bookcase top section with glazed panel doors enclosing three shelves, the base with two drawers above cupboard doors on bracket feet, 193cm high, 92cm wide, 40cm deep

A late Victorian walnut bookcase, having two glass doors enclosing three adjustable shelves, above one long drawer and two cupboard doors, raised on a plinth base, 104cm wide by 202cm high by 39cm deep (in two sections for ease of transport).

A Victorian mahogany loo table, the hinged circular top raised on a tapered hexagonal column, triform base and bun feet, 106cm diameter by 72cm high.

Loo tables, a type of folding card table, were popular in the 18th and 19th centuries, especially in Victorian England, and were originally designed for playing the card game "Loo" or "Lanterloo"

A Victorian carved mahogany 'show-wood' framed armchair, with buttoned green upholstery.

A Victorian mahogany bookcase, the upper section with two glass panelled doors enclosing adjustable shelves, the base fitted with two drawers above two panelled cupboard doors, on a plinth base, 95cm wide by 198cm high by 47cm deep, (in two sections).

A set of six Victorian walnut dining chairs, of good solid construction, re-upholstered in a striped red fabric.

An Edwardian fruitwood rocking chair, with red fabric upholstered back, seat and arms.

A Georgian revival crossbanded mahogany coffee table, 20th century, the circular top raised on four cabriole legs with claw and ball feet, 84cm diameter by 60cm high.

An Edwardian walnut bookcase, the shaped cornice above two glass panelled doors with carved decoration, enclosing three adjustable shelves, raised on cabriole legs, 136cm wide by 155cm high by 36cm deep.

A fine early 18th century marquetry and parquetry inlaid figured walnut escritoire, having a secret frieze drawer above the fall front enclosing a decorative and well fitted interior, with secret compartments, the base fitted with two short and two long graduated drawers, raised on bracket feet, 100cm wide by 156cm high by 48cm deep, (in two sections).

An early 18th century cross-banded figured walnut bureau, the hinged sloping fall front enclosing a fitted interior with a well, above two short and two long graduated drawers fitted with brass swan neck handles and shaped backplates, raised on bracket feet, 89cm wide.

An Aesthetic Period ebonised low chair, c.1870, re-upholstered.

An Edwardian mahogany inlaid kidney shaped tray with scrolling foliate design to the centre and two brass handles 68cm

A pair of impressive period style brass mounted walnut open display shelves, 20th century, each with five open shelves above one long base drawer fitted with military style brass flush handles, 92cm wide by 215cm high by 46cm deep.

A 19th century mahogany shaped front sideboard, having a central bow front drawer flanked by a concave cellarette and a concave cupboard door, fitted with brass handles and American style 'eagle' backplates, raised on six square tapered supports terminating on spade feet, 122cm wide by 56cm deep by 90cm high.

A mahogany cake stand with three circular tiers 90cm high

An 18th century coffer, the hinged lid above carved and panelled decoration, raised on stile feet, 139cm wide by 58cm deep by 70cm high.

A 19th century marble topped ebonised and parcel gilt console table of small proportions, 77cm wide by 41cm deep by 90cm high, (af).

A 19th century mahogany 'cottage' drop leaf gate leg dining table, the top with moulded edges and rounded corners, raised on nicely turned cylindrical supports, 104cm by 43cm opening to 129cm by 104cm, (af).

A vintage period style glass chandelier (damaged and in need of repair).

An ornate vintage wrought iron chandelier / candle holder (not wired for electricity), 55cm drop.

An antique oak draw leaf extending dining table in a 17th century style, raised on bulbous baluster turned supports united by a 'Y' shaped stretcher, 121cm by 80cm opening to 220cm by 80cm.

A George III mahogany chest, with hinged lid enclosing storage space, above two dummy drawers and two long drawers, fitted with turned knob handles and raised on bracket feet, 97cm wide by 55cm deep by 90cm high.

An elm and beech Captains chair, with nicely turned supports and good patination.

A set of 8 George III style mahogany dining chairs, late 19th / early 20th century, comprising two carvers and six singles, with ribbon and foliate carved lattice backs, and raised on front inner chamfered moulded square legs, (8).

A fine quality French Louis XV revival ormolu mounted cross-banded rosewood small vitrine / side cabinet, late 19th / early 20th century, the serpentine top inset with leather panel, above the glass panelled door enclosing shelves, above a shaped apron, raised on shaped front supports, 70cm wide by 30cm deep by 98cm high.

A fine quality and ornately decorative French Louis XV revival marble topped and ormolu mounted cross-banded kingwood vitrine, early 20th century, embellished with bacchanalian putti, swags and festoons, the bevelled glass panelled door enclosing a lined interior and adjustable glass shelves, raised on tapered supports, 70cm wide by 38cm deep by 153cm high.

A George III mahogany night cupboard, with tray-top incorporating four handles, above two doors inlaid with boxwood stringing, raised on square supports, 48cm wide by 48cm deep by 74cm high.

A vintage oak sidetable in an 18th century style, the single drawer with lozenge carved decoration, raised on bun, block and bulbous turned supports, 76cm wide by 48cm deep by 66cm high.

A solid pine chest, modern, having two short over two long drawers fitted with turned knob handles, raised on a plinth base, 76cm wide by 46cm deep by 75cm high.

A vintage mahogany cheval mirror, 143cm high.

An oak open bookcase in the Arts & Crafts taste, early 20th century, 77cm wide by 18cm deep by 91cmm high.

A carved pine dressing table mirror, with swing oval mirror on a shaped base, 49cm high.

A rustic stripped pine kitchen table, 20th century, the rectangular top with rounded corners, raised on turned supports, 122cm by 92cm.

An old wooden stool (could also be used as a side table), the rectangular top with pierced handle on block supports with uniting stretcher 50cm high, 46cm wide, 37cm deep

An Empire style giltwood and gesso wall mirror with painted panel 'fixed on glass' depicting classical figures flanked by barley twist columns, 54cm by 31cm

A barrel back winged armchair of Georgian design, with brown leather upholstery, on cabriole legs to ball and claw feet

A large alder wood framed rectangular wall mirror with ribbed spindle design and bevelled mirror plate 81cm by 112cm

A Victorian style buttoned red leather office swivel chair, modern, solid beech frame.

An Edwardian Adams revival mahogany demi-lune side cabinet, decorated with carved anthemion, swag, and beaded motifs, with central cupboard door, raised on turned cylindrical supports, 108cm by 45cm by 99cm high.

A Georgian revival mahogany bow front tall corner cabinet, in two sections, early 20th century, the glass panelled doors with ornate brass keys, enclosing fixed shelves, raised on bracket feet, 184cm high by 60cm wide.

A reproduction stripped pine pedestal desk, with gilt tooled green leather top above a configuration of nine drawers, raised on plinth bases, 122cm wide by 58cm deep (in three sections).

A vintage mahogany cheval mirror, 160cm high.

A good quality Georgian revival carved mahogany stool, early 20th century, with drop in seat, ornate carved decoration, raised on claw and ball feet.

A smart Georgian revival parcel gilt and walnut wall mirror, late 19th / early 20th century, with carved and pierced crest, 68cm high by 41cm wide.

A 19th century fruitwood chest of drawers, the moulded top with rounded front corners, above two short and two long drawers fitted with turned knob handles, raised on flat bun feet, 92cm wide by 52cm deep by 91cm high.

A late 19th century painted pine dressing chest, having a swing mirror above shaped shelf and two small trinket drawers, the base section fitted with two short drawers over two long drawers, on bracket feet, 107cm wide by 47cm deep by 163cm high, (af).

A 19th century stripped pine chest, having two short drawers above two long drawers fitted with turned knob handles, raised on turned bun feet, 81cm wide by 46cm deep by 81cm high.

A c.1960's / 70's teak extending circular dining table, 122cm diameter extending to 168cm by 122cm, together a set of four c.1960's / 70's teak dining chairs, (5).

A c.1960's / 70's teak sideboard, fitted with a pull down drinks cabinet, two cupboard doors, and three drawers, 184cm wide by 46cm deep by 78cm high.