Lot 1: A large quantity of silver plated ware, including; serving dishes, Christofle ladle, further soup ladles, muffin dishes, grape shears, flatware, toast rack, spirit kettle, ice pail, decanter labels (qty)
Lot 2: A Jugendstil silver plated and glass biscuit box attributed to WMF (Wurttembergische MetallwarenFabrik) No.268 , green tinted glass, the silver plated mounts cast with sinuous flowers and foliage, unmarked, 24cm high, together with a hardbound edition of Art Nouveau Domestic Metalwork from Wurttembergische MetallwarenFabrik 1906, published for the Antique Collector's Club 1988 (*the biscuit box is illustrated on page 251)
Lot 3: A shaped white metal dish, in the Chinese style, with three scroll form feet, diameter 8.75
Lot 4: A Mappin & Webb cased silver plated fish service for twelve, comprising twelve knives and twelve forks, within fitted oak case
Lot 5: After Antoine Vechte (1799 - 1868) for Elkington & Co. 'The Battle of the Amazons', a large charger or rosewater dish, electrotype, diameter 67cm
Lot 6: A set of six Georgian style silver plated twin branch wall sconces, early 20th century, A/F, historically wired for electricity, height each 27.5cm approximately (6)
Lot 7: A silver plated cut glass eight piece cruet set, a pair of silver plated tureens and covers and a large plated rose bowl with swagged decoration
Lot 8: A continental white metal dish, of shaped hexagonal form with pierced rim, centrally decorated with repousse putti in a landscape, bearing various hallmarks, diameter 22cm
Lot 9: An Edward VII silver mounted mother of pearl basket on loaded base, maker S & Co, Birmingham 1907, 9.5cm high, together with an unmarked metal mounted basket modelled as a tangle of fruiting vines, with glass liner, and a pair of Eastern white metal pepperettes
Lot 10: A pair of Elizabeth II silver goblets of waisted form with part-gilt interior, maker A T Cannon Ltd, Birmingham 1973, 12.5cm high, 6.9oz, in fitted case
Lot 11: A silver and silver-gilt limited edition Chichester Cathedral goblet by Aurum, number 367 of 600, maker Desmond Clen-Murphy, London 1976, 16.5cm high, 10.2oz, in fitted case with pamphlet
Lot 12: A collection of ten silver Fiddle pattern table forks, 19th century, all London, 1817 - 1884, George IV to Victoria, makers including; Emanuel Brothers, WC (possibly William Chawner), CB (Charles Boyton or Cornelius Bland), Richard Britton, George Maudsley Jackson, 22.4oz
Lot 13: A Victorian silver trophy cup by George Angell Co., London, 1864, with beaded knop and foot, engraved with leaf and floral motif, presentation inscription 'Fulham and Putney C.B.S., Novice Border Cup' and various winners dates 1937 - 1958, on turned ebonised wooded stand, cup height 17cm, 7.3oz
Lot 14: An Edwardian silver sovereign case, by Robert Chandler, marked Birmingham, 1906, bearing engraved initials, height 5cm, 0.8oz
Lot 15: A cased set of pair of white metal Hajj pilgrimage souvenir medallions, possibly Saudi Arabian, one obverse with a mosque (likely the Great Mosque of Mecca or the Prophets Mosque), the other obverse depicting the Kaaba, both reverse with arabic inscription, diameter each 4.7cm
Lot 16: A pair of Sterling silver salt and pepper shakers, bases weighted, height 14.5cm, gross total weight 3.2oz
Lot 17: A Sterling silver dish / ashtray , the centre inset with a coin 'Republica Peruana Lima 9 Decimos Fina', dated 1895, tray stamped 'Sterling, 925, Industria Peruana', diameter 11.5cm weight .3ozt
Lot 18: Scottish Silver: A mixed collection of WIlliam IV and Victorian Glasgow silver including; a pair of William IV Fiddle pattern sugar tongs, with shell terminals, by William Russell II, 1831; two pairs of sauce ladles, one by David McDonald, 1835, the other by W.S Jnr., 1832, a mustard ladle, 1857, and a pair of salt spoons, 1870, John Murray or John Muir (8), total gross weight 10.1oz
Lot 19: A silver baluster pepper shaker, (marks rubbed, maker Adie Brothers, Birmingham), 10.5cm high, and five various silver condiment spoons, gross weight 4.3oz, together with a collection of steel cutlery, some with silver handles, and a plated fork
Lot 20: A pair of George V silver spill vases, by Reid & Sons, London, 1912, with shaped pierced rims, facetted form on round pedestal foot, marked to base 'Reid & Sons, Newcastle on Tyne', registration no. 597353, 8.6oz (3)
Lot 21: A George IV silver sauce ladle, London 1823, and four silver tablespoons to include Edinburgh 1795 and London, probably 1776, combined gross weight 10.3oz
Lot 22: A pair of Elizabeth II silver mounted photograph frames, by Keyford Frames Ltd., London, 1982, of shaped form, embossed decoration, each height 16cm, together with two further silver mounted photograph frames, one with heart shaped photograph, London, 1987, the other London, 1989, all easel backed (4)
Lot 23: A set of three Victorian silver Fiddle pattern table forks, by John & Henry Lias, London, 1868, each engraved with a trailing hound, 8oz (3)
Lot 24: A silver sugar castor of baluster form on waisted stem and square foot, marks rubbed, 17.5cm high, 4.5oz
Lot 25: An Edwardian silver coin purse, Birmingham, 1900, makers mark worn, of shaped design, with jade green watered silk effect lining, bearing engraved name inscription, diameter 9cm, gross total weight 3.1oz
Lot 26: An Elkington & Co. silver twin handled bowl, Birmingham, 1891, on pedestal foot, shaped rim with fleur de lys motif, repousse decorated with winged putti and floral swags, half gadrooned, rope form handles terminating in bows, width 28cm, 28.8oz
Lot 27: A pair of George V silver topped glass dress table jars, by W.G. Sothers & Co., Birmingham, 1918, together with an Art Deco silver lid, by Goldsmiths & Silversmiths Co. Ltd, London, 1932 and a white metal mounted scent bottle, gross silver weight 1.6oz (4)
Lot 28: Scottish silver: A set of four George III silver teaspoons, (Edinburgh, lacking town mark), 1807, together with a set of four Victorian silver egg spoons, by John Murray or John Muir, Glasgow, 1840, 3.6oz
Lot 29: A George V silver three piece cruet set with loaded bases on silver framed tray, maker Marson & Jones, Birmingham 1932 and 1933, together with a miniature silver trophy on stand
Lot 30: A set of six late Victorian silver shell form teaspoons by Thomas Bradbury & Sons, London, 1895, together with a silver sifting spoon, Chester, marks worn; a pair of Art Nouveau silver teaspoons, with pierced handles, by Lanson Ltd., Birmingham, 1919; a George IV silver teaspoon A/F, London, 1824, and a pair of silver plated sugar tongs, gross silver weight 3.5oz (11)
Lot 31: A pair of Edward VII silver mounted cut glass bud vases 15cm high, and a silver mounted cut glass inkwell
Lot 32: A cased set of six silver handled table knives , John Biggin (subsequently John Biggin Ltd), Sheffield 1924.
Lot 33: A Victorian pierced silver sugar basket with swing handle and blue glass liner, maker Atkin Brothers, Sheffield 1896, together with a pair of Danish W & S Sorensen sterling silver crown design sugar nips and a pair of silver claw foot sugar nips, gross weight 6.4oz
Lot 34: A George V silver cream jug with Chippendale style rim, on three feet, 7cm high, 1.5oz
Lot 35: A pair of George III Fiddle pattern silver table spoons, by Peter & William Bateman, London, 1807, together with a similar George III silver Fiddle pattern table spoon, possibly George Wintle, London, 1811, all engraved with initials to handles, the pair approximately 22.5cm length, total weight 6.6oz (3)
Lot 36: A set of six William IV Scottish silver Fiddle pattern table spoons, by Robert Gray & Son, Glasgow, 1835, length 22cm, 13.9zo
Lot 37: A Victorian silver mounted cut glass table scent bottle by William Comyns , London, 1899, height 11.5cm, together a small cut glass scent bottle A/F and a pair of Scottish themed glass scent bottle, overlay decorated with thistle motif with silver plated tops, height 11cm (4)
Lot 38: An Edwardian/ George V part set of silver mother of pearl handled dessert knives and forks, including seven forks and eight knives, by Elkington & Co., Birmingham, 1909 and 1911, overall total gross weight 18.5oz
Lot 39: A George V silver two-handled trophy cup, presentation engraved, maker Mappin & Webb, London 1926, 11cm high excluding stand, 4.7oz, and a pair of silver topped clothes brushes, monogram engraved
Lot 40: A collection of six various silver mounted photograph frames, largest 15cm by 11cm
Lot 41: An Edward VII silver toast rack, maker William Hutton & Sons Ltd., Sheffield 1909, 2.8oz
Lot 42: A George V silver porringer , circular shape with three handles, engraved presentation, makers William Hutton & Sons Ltd, Birmingham 1929, 9.4oz, 14cm
Lot 43: A pair of Elizabeth II 925 silver salad servers, maker A Haviland-Nye, 9oz
Lot 44: A set of six William IV silver Fiddle pattern dessert forks, by William Bateman II, London, 1835, each monogrammed, length 17cm, 8.6 oz
Lot 45: A Victorian silver waiter, maker Charles Reily & George Storer, London 1842, of shaped circular form enclosing scrolling foliate design with vacant cartouche on three scroll feet, 21cm, 10.6oz
Lot 46: A collection of silver ware to include a pair of silver mustard pots (marks rubbed) with blue glass liners, a pair of Edward VII silver salts, London 1890, and two small silver heart shaped dishes, combined gross weighable 10.8oz
Lot 47: A Victorian silver salver by Richards & Brown, London, 1872, rococo decorated, bearing 'Norfolk Agricultural Society' presentation inscription, with beaded rim raised on three scroll feet, diameter 25.5cm, 17.8oz
Lot 48: A collection of nine various silver napkin rings 3.4oz
Lot 49: Two Edward VII silver cigarette cases, and a George V silver cigarette case, all presentation engraved, with silver gilt interiors, and a silver cheroot case, combined gross weight 8.1oz, together with a silver Capstan inkwell with glass liner and loaded base, and a silver mounted cheroot holder (a/f)
Lot 50: A Tiffany & Co. Sterling silver oil canister, marked 'Tiffany Sterling' to base, overall height 9.5cm, total weight 1.2oz
Lot 51: A cased set of six Middle Eastern silver napkin rings marked Oman Silver 925, gross weight 3.2oz
Lot 52: A late Victorian silver sugar or cream basket by Thomas Bradbury & Sons, London, 1899, oval shape, swing handle, pedestal with reeded rim and foot, bearing presentation inscription, height 9cm, 3.9oz
Lot 53: A pair of Victorian silver candlesticks, by Horace Woodward & Co. (Edgar Finley & Hugh Taylor), London, 1892, embossed decoration with spiral columns, height 14cm, weighted bases, gross overall weight 20.4oz
Lot 54: A set of six silver teaspoons, London, 1886, within associated box labelled 'Harrods', together with a pair of silver vases, of trumpet form, weighted bases Birmingham, 1915, registration no. 549415, a set of four Apostle tea spoons, with shell bowls, by James Deakin, Sheffield, 1923, a silver backed dressing brush, marked London, 1921, a set of five silver teaspoons, Sheffield, 1910, and an Apostle silver sifting spoon, total gross weight 14.6oz (qty)
Lot 55: A pair of Edward VII silver epergnes, each with central trumpet shaped vase and three smaller held in supports, on loaded circular bases, Birmingham 1908, 18cm high
Lot 56: A pair of Elizabeth II silver ashtrays, maker Turner & Simpson Ltd., Birmingham 1962 and 1967, 8cm, 2.7oz
Lot 57: Two pairs of Victorian silver Fiddle pattern dessert forks, by Elizabeth Eaton, London, 1856 and 1865, 5.8oz
Lot 58: A Victorian silver sugar castor of wrythen baluster form, (marks rubbed) London 1899, 17cm high, and an Edward VII silver cream jug, London 1901, 13cm high, gross weight 7.7oz (a/f)
Lot 59: A George III Irish silver sauce boat, Dublin, 1805, neoclassical style, punch bead rim, scroll shaped handle, on three shell capped hoof feet, height 9.5cm, 4.5oz
Lot 60: A George IV silver salt, maker JA, London 1825, with silver gilt interior and scroll border to rim on three cow-shaped supports, 3.8oz
Lot 61: A Victorian silver waiter, maker William Hutton & Sons Ltd., London 1897, with scroll rim and central engraved monogram on three scroll feet, 21cm diameter, 15.3oz
Lot 62: A pair of George III silver feather edge tablespoons , maker Thomas Wallis II, London 1804, monogram engraved, and a pair of George III silver dessert spoons, combined gross weight 6.5oz
Lot 63: A George V oval silver basket of scroll pierced design with vacant cartouche on four feet 16cm wide, 6.9oz
Lot 64: A set of eight white metal 'Birks Sterling' teaspoons, 20th century, three engraved with initials, length 13cm, 4.8oz
Lot 65: A Victorian silver fish slice, maker WE, London 1842, 32cm long, 5.5oz
Lot 66: An Elizabeth II card tray commemorating the Silver Jubilee , maker Historical Heirlooms Ltd, Birmingham, 1972, circular with raised moulded border with beaded rim, engraved with the Royal Coat of Arms 1947-1972, numbered 1429/3500, 20cm diameter, 9.6oz, in fitted case
Lot 67: An Edwardian silver two handled pedestal bowl by A. & J. Zimmerman Ltd (Arthur & John Zimmerman) , Birmingham, 1902, with scroll handles, stepped circular foot, bearing presentation inscription 'Fishbourne W.I. Given in the memory of Lady Spicer, 1967', height 10.75cm, 7.3oz
Lot 68: A 900 silver dish with leaf and berry design on three feet, 16cm diameter, a 925 silver dish with embossed floral design, 12.5cm, a two handled bowl indistinctly marked 900, and a pair of silver sugar nips combined gross weight 11oz
Lot 69: A set of six white metal bright cut dessert spoons, 19th century, all double marked I.H, together with two bright cut white metal teaspoons, marks worn, majority with engraved initial to handle, set of six length 17.25cm
Lot 70: A matched pair of Victorian silver salts, one by Thomas Ellis Seagars, London, 1845 & 1846, repousse decorated on three hoofed legs, each with blue glass liner, height 4.75cm, total silver weight 6oz (2)
Lot 71: A set of six George IV silver Fiddle pattern toddy ladles by Adam Elder, Edinburgh, 1828, each with initials engraved to handles, length 13cm, 6.5oz (6)
Lot 72: An Elizabeth II silver tankard, Birmingham, 1970, presentation inscription, leaf and scroll handle, height 9.75cm, 7.5oz
Lot 73: A continental silver rectangular dressing table box, repousse decorated with figural scenes of musicians at a feast to lid and tavern scenes to sides, raised on four lions paw feet, marked to base, wood and velvet lined, bearing inscription to lid, width 14.5cm
Lot 74: Three silver vestas cases, including; a continental silver vesta marked 900, one by Horace Woodward & Co. Ltd, Birmingham, 1913, another by Walker & Hall, Sheffield, 1904, total weight 2.6oz (3)
Lot 75: A set of four late Victorian silver salts, each raised on four ball feet, by James Deakin & Sons, Chester, 1895, registration no. 246764, height 3.5cm, gross total weight 4.6oz
Lot 76: A small collection of silver items, including; a pair of decanter labels, Port and Sloe Gin, Sheffield, 2003; a Sherry decanter label, Birmingham, 1968; a cased Christening bracelet, marked Birmingham, 1970, a silver handled shoe horn, and a small bon bon dish, of plain form, London,1931, diameter 11cm; total weight 5.7oz (6)
Lot 77: An early 20th century silver heart shaped dressing table or jewellery box, marks worn, raised on three claw feet, lined with leather effect base, length 12cm, gross total weight 9.4oz
Lot 78: A set of six Victorian Scottish silver Queens pattern teaspoons, marked J M, Glasgow, 1869, each engraved with initials, length 14cm, 3.7oz
Lot 79: A silver horse trophy by Wakely & Wheeler, London, 1966, modelled as a jockey seated upon a horse, mounted on an onyx base, bearing silver presentation plaque inscribed 'The Chichester '12' Club, Presented to J.D.N Brinkman, A Founder Member of the Club on the Occasion of 21st Anniversary Spring Dinner, 22nd March 1967', height 6.5cm
Lot 80: A Sterling silver mounted photograph frame, of shaped rectangular form, numbered GL1915, together with five further photograph frames, two being R.C. Pewter, the other three white metal mounted, the largest height 20.7cm (6)
Lot 81: A Victorian set of six silver commemorative teaspoons, for Queen Victorias Diamond jubilee, 1837 - 1897, by Brewis & Co. (Thomas Kanzow Bowley), London, 1897, each with decorative cartouche portrait of the monarch, length 10.5cm, 1.9oz
Lot 82: A 'Gorham' Sterling silver pedestal compote or bon bon dish, neoclassical style design, weighted base, marked 'Gotham, Sterling, 334, Cement Loaded', height 12.5cm, gross total weight 7.3oz
Lot 83: A George VI silver cigarette case, by William Suckling Ltd., Birmingham, 1946, engine turned with rose coloured metal bands, gilded interior, monogrammed to top right, length 12.3cm, 5.8oz
Lot 84: A silver and silver-gilt limited edition Chichester Cathedral goblet by Aurum, number 366 of 600, maker Desmond Clen-Murphy, London 1976, 16.5cm high, 10.2oz, in fitted case with pamphlet
Lot 85: An Edward VII silver sugar castor of faceted baluster form, maker Martin, Hall & Co, Sheffield 1907, 16.5cm high, 3.6oz
Lot 86: Three modern silver photograph frames, the largest engraved 'E&V', 23cm by 17cm
Lot 87: A 'Gorham' Sterling silver plate, with repeating floral gadrooned border, marked to base, diameter 24cm, 7.8oz
Lot 88: A pair of Elizabeth II small silver goblets, maker B Ld, Birmingham 1972, 10.5cm high, 4.9oz
Lot 89: A pair of Edwardian silver mounted cut glass scent bottles, by Martin, Hall & Co. (Richard Martin & Ebernezer Hall, Birmingham, one 1903 the other date letter worn, height 16cm
Lot 90: A 925 octagonal silver, silver-gilt and blue guilloche enamel compact and lipstick case, London import mark, on unmarked metal chain, compact 5.5cm
Lot 91: A stylish white metal bookmark, marked 'Silver', length 16.5cm
Lot 92: A set of six George IV Scottish silver Fiddle and Thread pattern spoons, by Mitchell & Sons, Glasgow, 1822, each with engraved monogram to handle, length 17cm, 8.7oz
Lot 93: A silver bangle and a silver ID bracelet combined gross weight 2.2oz, a 9th Battalion Regimental brooch and a mourning brooch
Lot 94: A pair of Victorian silver dishes , makers mark 'W.D', Birmingham 1888, each of heart shape with embossed and pierced decoration, 9cm long, approx 1.1ozs.
Lot 95: An Edwardian Art Nouveau silver twin handled pedestal dish , maker Daniel & John Welby, London, 1908, with stylised shaped handles and raised circular foot, A/F, weight 9.4oz, height 8cm, width 19.5cm.
Lot 96: An Edward VII silver christening set of fork and spoon , engraved 'Terence', maker Henry Williamson Ltd, Birmingham 1903, in a fitted case, together with an Edward VII silver fork and spoon christening set, London 1898, combined gross weight 4oz
Lot 97: Two early 20th century continental silver mesh evening bags or purses, one marked 925 the other 800 lined, both with blue clasps, total gross weight 9.6oz
Lot 98: A George V hammered silver bowl, maker G Payne & Son, Birmingham 1916, of tapered form on three feet, 10.5cm diameter, 3oz
Lot 99: A cased set of six Edward VII silver coffee spoons, maker William Devenport, Birmingham 1904, together with a small collection of scrap silver condiment spoons etc weighable silver 5.6oz
Lot 100: A set of four George VI silver teaspoons, by Robert Pringle & Sons., Sheffield, 1939, together with a pair of silver cake forks, with pierced handles, by Lanson Ltd. Birmingham, 1944, two pairs of silver sugar tongs, silver handled knife, three miscellaneous silver teaspoons, two pickle forks, two silver salt spoons and a butter knife, total gross weight 10oz
Lot 101: A collection of eight Fiddle pattern silver dessert forks, 19th century, William IV to Victoria, three by Joseph Rodgers & Sons, Sheffield, 1900, five London, 12.2oz
Lot 102: A George V silver mounted set of four brushes, monogram engraved, Birmingham 1911, a small silver mounted brush, and five various silver handled items including glove stretchers, shoe horn etc
Lot 103: An Elizabeth II silver two-branch candelabra on loaded base, 23cm high, and a cased set of six Garrard and Co plated fruit knives
Lot 104: A pair of Edward VII silver dwarf candlesticks, maker Fordham & Faulkner, Sheffield 1904, 8.5cm high, and a pair of Edward VII silver dwarf candlesticks, maker Walter Latham & Son, Sheffield 1908, 9cm high, all with loaded bases
Lot 105: An Edwardian silver pierced sugar vase or basket, by Joseph Glosner, Birmingham, 1904, repeating floral border, with blue glass liner, height 10.5cm, 4.3oz
Lot 106: A George V silver twin handled tazza by William Hutton & Sons, Sheffield, 1927, of segmented form, with pierced rim, raised on four claw feet, width 30cm, 16.9oz
Lot 107: A set of four George V silver napkin rings, Birmingham 1918, monogram engraved, 3.2oz, a silver decanter label for Sherry, a small silver envelope charm, a silver Albert chain with coin and metal charms, and a Victorian propelling pencil
Lot 108: A set of four George III Scottish silver Fiddle pattern table serving spoons, by Mitchell & Russell, Edinburgh, 1808, engraved monogram to handle, length 22.5cm, 8.3oz
Lot 109: A Burmese Dha, 18.5cm long, two silver thimbles, a silver salt with blue glass liner and an unmarked white metal amulet
Lot 110: A George V round silver mounted photograph frame by T. H. Hazelwood, Birmingham, 1911, reeded form with bow detail, easel back, three rectangular silver mounted photograph frames, 20th century, all easel backed, one marked Britannia 958, the first height 13.8cm (4)
Lot 111: A George IV silver christening mug, London, 1820, leaf handle and partial ribbed body, engraved with monogram, height 7.5cm, 4.8oz
Lot 112: An Edwardian silver shell shaped dish, by Josiah Williams & Co. (George Maudsley Jackson & David Landsborough Fullerton), London, 1904, length 13.5cm, 2.4oz
Lot 113: A pair of George V serving spoons, in the Arts & Crafts style of planished form by Cooper Brothers & Son, Sheffield 1912, initial engraved to cartouche, length 21.5cm, 4.3oz
Lot 114: A Sillems Slim Old Boy 925 sterling silver case gas lighter, the flint mechanism by Japanese maker IM Corona, Sillems Cross logo to the front of the case, 7cm high
Lot 115: A Victorian silver bread fork, Birmingham 1892, 23.5cm long, eight various silver spoons, and three pairs of silver tongs, combined gross weight 6.2oz, together with a pair of silver handled glove stretchers, a plated scoop, a pair of sugar nips marked 'Afghan FW Silver' and a coin spoon
Lot 116: An Indian colonial silver christening mug, by George Gordon & Co., Madras, c. 1840s, with leaf capped scroll handle, demi gadrooned body, silver gilt interior, on pedestal foot, engraved with monogram, height 9.5cm, 5.5oz
Lot 117: A pair of George V silver peppers, maker Atkin Brothers, Sheffield 1950, of baluster form, 10cm high, 4.7oz
Lot 118: A cased set of Dutch silver spoons, late 19th/ early 20th century, with two serving spoons, marked with a Lion, Mineva head, and date letter I, within maple case with mirrored interior, total weighable silver 4.2oz
Lot 119: A Victorian twenty-one piece harlequin set of silver flatware, Fiddle, Thread and Shell pattern, including six table forks and three table serving spoons by Chawner & Co., London, 1862, six dessert forks, six dessert spoons (five by Chawner & Co.) 53.8oz, together with six knives, 20th century, handles unmarked, blades marked 'United Cutlers Sheffield' (27 pieces)
Lot 120: An Edward VII silver plain cigarette case, Birmingham 1908, a silver napkin ring, combined gross weight 3.6oz, an oval silver pill pot and a mother of pearl fruit knife with silver blade (4)
Lot 121: A set of four George V pierced silver dishes, maker Edwin Joseph Houlston, Birmingham 1928, 9.5cm wide, 5.9oz
Lot 122: A pair of Elizabeth II plain silver napkin rings, Birmingham 1975, a silver salt (lacking liner) and two silver trinket boxes gross weight 6.4oz, together with two white metal filigree trinket boxes and a small dish
Lot 123: A Swedish silver pedestal bowl, in the neoclassical style, marked LL&C, engraved with initials, weighted base, with dents, height 17cm, total gross weight 26.2oz
Lot 124: A Victorian silver mounted glass bottle and stopper, with pierced scrolling design and vacant cartouche, Birmingham 1899, 22cm high, a silver Stratton compact of octagonal form with enamel landscape to lid, two silver decanter labels for 'Brandy' and 'Whisky', five various silver topper glass dressing table bottles and three silver mounted brushes, together with three metal topped glass bottles and a loose lid
Lot 125: A Dutch cut glass circular fruit bowl with engraved silver handle, silver hinge mounts and wavy border, 30cm
Lot 126: Eight silver forks to include three George III feather edge silver forks (marks rubbed) gross weight 12.8oz
Lot 127: A George III silver salver by Elizabeth Jones, London, 1790, circular form, with reeded border on three scroll feet, engraved with crest, diameter 26cm, 19.6oz
Lot 128: A George II silver salver, of shaped circular form, shell, scroll and beaded border, with floral scroll work decoration, by John Carter II, London, 1759, on three ball and claw feet, centrally engraved with a dragons head, diameter 34cm, 32.6oz
Lot 129: A George V silver christening mug or tankard, maker William Aitken, Birmingham, 1915, weight 4oz, height 8cm
Lot 130: A George III silver twin-handled cup, marked London, 1764, bearing makers mark I.S (possbily John Scofield or James Stamp), with c-scroll handles, initial etched to base 'W.H', height 12.5cm, 12.5oz
Lot 131: An Edwardian silver mounted photograph frame, by James Deakin & Sons, Chester, 1902, embossed floral decoration with heart shaped photograph, velvet easel back, together with two further silver mounted photograph frames, one by CSR Ltd, London, 1981, with heart shaped photograph, the other heart shaped, by Keyford Frames Ltd., London, 1984, both easel back, the largest height 19.5cm (3)
Lot 132: A Dutch silver table cigarette box, 20th century, repousse decorated to lid with a tavern scene, side panels with repeating floral motif, marked to base, cedar lined, width 9.75cm, together with a silver plated repousse ash tray, Dutch souvenir spoon and a caddy spoon (4)
Lot 133: An Edward VII silver mounted horn cup with shield shaped cartouche engraved 'WR 1891' 11cm high, a George V silver christening spoon engraved 'David', Sheffield 1931, an oval silver snuff box, four various silver napkin rings and a small embossed silver photograph frame, weighable silver 6.4oz
Lot 134: A set of six William IV silver Fiddle pattern dessert forks, by William Bateman II, London, 1831, each monogrammed to handle, length 16.5cm, 7.3 oz
Lot 135: An Elizabeth II silver mounted photograph frame, of rectangular form, with shell and scroll border, by Carrs of Sheffield, Sheffield, 1991, together with four further silver mounted photograph frames, 20th century, three shaped rectangular form, one oval, the largest height 20cm (5)
Lot 136: A pair of continental silver and glass swan salts, each marked 835 AB, with articulating wings, revealing dual condiment compartments, height 7.5cm, gross total weight 6.4oz
Lot 137: A silver sauce boat (marks rubbed, London), with gadrooned rim and flying scroll handle on three hoof feet, 10cm high, 6oz
Lot 138: A George V silver six piece cruet, maker Alexander Clark & Co Ltd., Birmingham 1922, comprising two peppers, two salts and two mustard pots (two blue glass liners missing), together with four silver condiment spoons, maker Alexander Clark & Co Ltd., London 1922, combined gross weight 6.2oz in a fitted case
Lot 139: A silver kiddush cup, Birmingham, 1912, together with an Art Deco style silver salt, registration no. 449698, marks rubbed; a silver souvenir ship spoon, London; a silver compact, marks worn; marks worn; a cased silver teaspoon, by William Suckling Ltd.. Birmingham, 1924; a silver mounted comb, by William Comyns., Birmingham, 1902, a pair of silver mounted dressing table brushes, Birmingham, 1897, and a silver handled shoe horn, by William Comyns, Birmingham, 1904, total gross weight 19.8oz (9)
Lot 140: A set of four George IV silver Fiddle pattern dessert spoons, by James Bebee, London, 1822, length 17.5cm, 4.7oz
Lot 141: A cased set of six George V small silver goblets, maker Mappin & Webb, Birmingham 1911, 6cm high, 6.5oz
Lot 142: A George V silver three piece tea set of Arts & Crafts design, maker Albert Edward Jones, Birmingham 1922, comprising a teapot, milk jug and sugar bowl with hammered finish, combined gross weight 27.8oz
Lot 143: A cased set of six George V silver and mother of pearl handled fruit knives and forks, maker Alexander Clark Co Ld, Sheffield 1927
Lot 144: A George VI silver sugar basket by Barker Brothers Silver Ltd., Birmingham, 1938, with pierced basket in classical style on pedestal base, beaded edged handle, rim and foot, with blue glass liner, foot not sitting flat, height 9.5cm, 3.2oz
Lot 145: A Victorian silver goblet, by Daniel & Charles Houle London, 1862, with ropetwist stem, beaded edge to circular foot, presentation engraved, height 21cm, 9.8oz
Lot 146: An Edwardian pair of cased berry spoons, maker W.D, Sheffield, 1908, with mother of pearl handles, together with a cased pair of teaspoons, maker Sydney &co, Sheffield, 1909 and a cased set of six silver teaspoons, maker S&Co (possibly Sydney & Co.), Birmingham, 1908, gross total weight 4.9oz (3 cases)
Lot 147: A Georgian style silver caster, by Payne & Sons, London, 1963, with round pedestal base, height 15.5cm, 5.4oz
Lot 148: A matched set of George III Scottish silver Fiddle pattern tablespoons, all Edinburgh, two by John Graham, 1810, three marked 'D.M.', 1815 and 1816, each engraved with monogram to handle, length 22cm, 10.1oz
Lot 149: A late Victorian silver three piece tea set, by James Deakin & Son., Sheffield, 1900, demi gadrooned, each engraved with lions head together, teapot presentation engraved with a silver plated tray on ball feet, gross total weight 33.1oz
Lot 150: A silver mounted pepper mill, by Alexander Clark & Co. Ltd, Birmingham, 1952, together with a small silver two handled pedestal bowl or trophy, with lions head terminals to handle, marked London (date letter rubbed) A/F, the latter weight 1.5oz (2)
Lot 151: An Art Nouveau silver backed hair brush, London, 1901, registration no. 347817, bearing inscription 'Monica', length 23cm
Lot 152: A quantity of silver plated wares, including a pair of Christofle absinthe spoons, a coffee pot, possibly by Matthew Boulton; three toast racks; a salver; a card tray; an Art Nouveau dressing table mirror; a pair of salts on with blue liner (A/F); two lidded mustard pots; a pair of nut crackers; a serving fork; three ashtrays; three coasters; a pocket mirror (lacking mirror) and an Indian white metal shaped dish, repousse decorated (qty)
Lot 153: A cased silver cruet set of pierced design, maker William Suckling Ltd, Birmingham 1942 and 1950, comprising salt, pepper and mustard pot, with blue glass liner and two condiment spoons, gross weight 2.4oz
Lot 154: An Elizabeth II silver commemorative Sotheby's 250th Anniversary gavel, maker Solomon Joel Phillips Ltd, London 1994, engraved 'Sotheby's 1744 - 1994', 10cm, 2oz
Lot 155: A collection of eight silver Fiddle pattern dessert spoons, 19th century, 1829 - 1844, all London, three William IV 1837, makers including; two TW (possibly Thomas Whitaker or Thomas Whitehouse), three William Eaton, CB (possibly Charles Boyton), William Chawner and Chawner & Co, together with a silver plated Fiddle pattern spoon, weighable silver 11.1oz (9)
Lot 156: A George V silver two handled sugar bowl, by Walker & Hall, Sheffield, 1902, with shaped rim, scroll handles, raised on three feet, height 9.2cm, 5.7oz
Lot 157: A silver salver (marks rubbed) with a pierced border, engraved to the centre, on four scroll feet, 46cm diameter, 54.3oz
Lot 158: An ebony and silver mounted hat brush, Birmingham, 1896, together with an Edwardian cased set of six silver teaspoons and tongs (one spoon replacement), by Cooper Brothers & Son, Sheffield, 1905; an Edwardian cased set of silver Apostle spoons, by Henry Williamson Ltd., Birmingham, 1901; a Victorian cased silver christening set by Chawner & Company, London, 1859, and a cased silver plated sardine serving set, weighable silver 6.6oz
Lot 159: A George VI silver six piece cruet set, maker Goldsmiths & Silversmiths Company Ltd., London 1937, of hexagonal form, comprising two peppers, two salts and two mustards with blue glass liners, (spoons missing) in a fitted case, together with four George V silver condiment spoons, maker Adie Brothers Ltd., Birmingham 1936, combined gross weight 6.6oz
Lot 160: A George V silver sugar castor, maker's mark rubbed, London 1911, 12.5cm high, 1.7oz
Lot 161: An set of six Edwardian Fiddle pattern silver dessert forks by James Dixon & Sons, Sheffield, 1905 and 1906, each monogrammed 'M', length 18cm, 8.9oz
Lot 162: A set of four George III silver pedestal salt cellars and spoons, salts by John Denzilow, London, 1797, the four salt ladles, two by William Eley & William Fearn, two continental (double headed eagle mark), all engraved with crest, cellar height 6.75cm, gross total weight 12.3oz
Lot 163: A set of four Sterling silver salt and pepper pots, each pierced decoration marked 'Sterling' with heavy blue glass liner, one A/F, together with two further blue glass liners, height 7.5cm, weightable silver 1.1oz (4)
Lot 164: Three sterling silver forks marked Burritt, Brook & Co. , and six sterling silver teaspoons gross weight 8.7oz
Lot 165: A George III oval silver teapot on matching stand, maker Peter & Ann Bateman, London 1795, both with engraved armorial and floral borders, the teapot with part-removed monogram and the stand with presentation engraving dated 1943 to the underside, combined gross weight 20.3oz
Lot 166: A George V silver three piece tea set by Alexander Clark & Co Ltd., Sheffield, 1923, each of octagonal facetted form on raised base, in the Art Deco style, further marked to base 'Makers The Alex.r Clark Co. Ltd, Fenchurch St., London, 7434', and engraved with letter 'h', teapot with ebonised handle and finial, teapot height 17.5cm, 33.26oz
Lot 167: Two William IV Scottish silver Fiddle pattern spoons, by Robert Gray & Son, including a basting spoon and a hash or basting spoon, the larger length 33.5cm, approximately 7.9oz
Lot 168: A mixed collection of silver, William IV and later, including; feeding spoon and food pusher, Birmingham, 1921/1922; two pairs of butter knives, all Glasgow, one pair by Peter Aitken, 1835, the other 1843; a serving fork, Birmingham,1929, ; and a fork and spoon set, by James Dixon & Sons, Sheffield, 1906, sugar sifting spoon, maker JB, London, 1831, a teaspoon, a salt spoon and a further piece A/F total gross weight 11.9oz
Lot 169: An Edwardian cased set of twelve silver teaspoons and sugar tongs, by Atkin Brothers, Sheffield, 1903 and 1904, 5.5 oz
Lot 170: A George V silver salver of shaped circular outline with a moulded border and hammered finish, central vacant cartouche, on four feet, maker Barker Brothers, Birmingham 1923, 30cm diameter, 29oz
Lot 171: A George V silver two handled pedestal cup, makers mark worn, Birmingham, 1923, dents to foot rim, height 12cm, 6.1oz
Lot 172: A set of eight George VI Art Deco style silver handled fruit knives, by the Goldsmiths & Silversmiths Company, London, 1937, registration no. 798068, length 18.5cm, gross total weight 9.6oz
Lot 173: A set of twelve George IV silver Fiddle pattern table forks by Jonathan Hayne, London, 1821, each with monogram engraved to handle, length 20cm, 27.3oz
Lot 174: Two modern silver photograph frames largest 26.5cm by 23cm
Lot 175: An Edward VII silver five piece cruet set, maker Walker & Hall, Sheffield 1903, comprising two peppers, two salts, a mustard pot with blue glass liner, and three Onslow pattern condiment spoons, in fitted case, combined gross weight 5.2oz
Lot 176: A group of silver and silver mounted wares comprising a rectangular photograph frame, two circular mirrors, a rectangular cased clock and seven items of jewellery
Lot 177: A late Victorian silver salt cellar, by Thomas Bradbury & Sons, London, 1900, neoclassical style with pierced design, raised on four cabriole legs, with blue glass liner, height 5.25cm, together with a salt ladle, London, 1842, total gross weight 2.2oz
Lot 178: A Victorian one rupee dish,1876, marked 'Silver', together with a George V one rupee dish 1912, marked 'Silver' within case and an Indian white metal shaped dish, with lotus flower motif to centre, the largest diameter 13.5cm (3)
Lot 179: A set of sixteen WIlliam IV Scottish silver Fiddle pattern spoons, by Robert Gray & Sons, Glasgow, 1835, each engraved with monogram, length 15cm, 12.4oz
Lot 180: Two Elizabeth II silver and wood pepper mills , maker M C Hersey & Son Ltd, London 1985 and 1986, 11cm high
Lot 181: A mixed collection silver spoons, including; a pair of Fiddle pattern spoons, marked WS (possibly A.B. Savory & Sons), London, 1862, a fiddle pattern spoon, London, 1828; a set of four teaspoons, marked MC, Sheffield, 1944; a teaspoon, Sheffield, 1969 and a further Georgian silver teaspoon, possibly Scottish (repaired) (9), total gross weight 6oz
Lot 182: A pair of Edwardian Arts & Crafts silver dishes, raised on three legs, with hammered design, makers mark T.W, Birmingham, 1908, weight 7.3oz, height 9cm, width 11cm (2)
Lot 183: A George V silver sauce boat by Adie Brothers Ltd., Birmingham, 1932, D-shaped handle, raised on three hoofed feet, length 17cm, 3.4oz
Lot 184: An Art Deco silver dressing table box, by Charles S. Green & Co., Birmingham, 1935 (Jubilee mark), engine turned decoration on four cabriole legs, velvet lined together with a Britannia silver Hoare's Bank commemorative dish, 1972; a silver dish commemorating the wedding of Princess Anne to Captain Mark Philips, with certificate; a silver engine turned napkin ring, Birmingham, 1970; a silver and mahogany table coaster, Sheffield, 1977; a silver Whiskey decanter label, Birmingham, 1936; a silver condiment pot, Birmingham, 1915, with green glass liner and four condiment spoons, gross total weight 17.6oz (11)
Lot 185: A 'Poole' Sterling silver bon bon dish, with floral handles, marked to base, diameter 14.5cm, 1.9oz
Lot 186: Four George III silver feather edge dessert spoons, maker RR, London 1770, 4.5oz
Lot 187: Six Fiddle pattern silver table serving spoons, 19th century, George III to Victoria, all London, makers including James Bebee, Mary Chawner, John Harris IV, David Philips, Richard Turner, 12.9oz (6)
Lot 188: An Elizabeth II silver cigarette box , maker Walker & Hall, Sheffield, 1956, of rectangular form with engine turned lid, numbered' 63534 - 50', sandalwood lined, textured leather effect base, bearing presentation engraving 'Presented to C. Marsden by the Express Dairy Company in Appreciation of 21 Years Loyal & Valued Service, 1957' diameter 14.3cm, total gross weight 12.9oz
Lot 189: A George V sovereign 1913 in a 9ct gold pendant mount weight 8.7g
Lot 190: A George V sovereign 1915
Lot 191: Seven coins to include an 1880 Queen Victoria half crown , a 1994 commemorative £2 coin and a bronze Drachm together with a commemorative silvered alloy and enamel medal featuring Sultan Qaboos bin Said of Oman
Lot 192: A 1902 Crown and a 1951 Crown
Lot 193: A 9ct gold medallion commemorating the Royal Wedding of Prince Charles and Lady Diana Spencer 29th July 1981, 4.7g
Lot 194: A George V sovereign 1913
Lot 195: A silver gilt proof £5 crown 2012 commemorating the Queen’s jubilee with certificate and box, a 1977 crown with a pendant mount, a 1943 half crown and post 1947 coinage comprising of four half crown and five florins
Lot 196: Two bronze medallions commemorating the Athens Olympic Games 2004, with certificate and case
Lot 197: A collection of British coinage to include a James II gun money shilling, over twenty 1967 pennies, an NHS Fiftieth Anniversary commemorative 50 pence coin, and twelve 1977 Queen Silver Jubilee crowns
Lot 198: A mid-size Gentlemen's Omega Seamaster Professional Chronometer stainless steel bracelet wristwatch with automatic movement, circular textured white dial, date aperture, with later blackened dot and baton hour markers, centre sweep seconds hand, rotating bezel, in circular stainless steel case on Omega stainless steel bracelet with deployment clasp, case approximately 36mm diameter, with case, box, papers, warranty card and spare bracelet links
Lot 199: A Gucci steel and gilt metal gentleman's bracelet wristwatch the signed matt gilt dial with baton hour markers, centre seconds, and with date aperture, with a spare link, original two year warranty and case
Lot 200: A Timor 9ct gold cased lady’s wristwatch having a signed dial and lever movement, 1951 Chester hallmark, on a later sprung metal bracelet
Lot 201: A Rolex Oyster Royal gentleman's steel bracelet wristwatch the signed black dial with silvered baton hour markers and with centre seconds, the Oyster bracelet with a foldover clasp, with some paperwork
Lot 202: An Avia 9ct gold cased lady's wristwatch, the signed silvered dial with baton hour markers, the bracelet with a foldover clasp, gross weight 10.7g with a case
Lot 203: A Must de Cartier silver gilt rectangular cased Tank wristwatch with a mechanical movement, the signed black dial with silvered Roman numerals, the case back numbered '6 037698', with a black strap and gilt buckle, with a case
Lot 204: A Smiths De Luxe 9ct gold circular cased wristwatch with a gilt jewelled movement detailed 'Made in England', the signed silvered dial with Arabic numerals, subsidiary seconds, and with blued steel hands, the snap-off case back presentation inscribed, London 1960
Lot 205: An Ebel quartz 18ct gold circular cased lady's wristwatch having a signed black dial, the case back detailed '18k 879008', fitted to a leather strap having a gilt metal buckle
Lot 206: A Garrard 9ct gold circular cased gentleman’s wristwatch the signed silver dial with gilt baton hour markers and with subsidiary seconds, case back presentation inscribed, fitted with a leather strap
Lot 207: A Breitling Navitimer Chronograph automatic steel gentlemans bracelet wristwatch the signed blued dial with three subsidiary dials, and centre stop seconds, the case back numbered A13022 15545, with spare links, bakelite case, outer box, booklets and further paperwork
Lot 208: A platinum cased and diamond set rectangular cased lady’s wristwatch with an unsigned dual leaver movement, the case terminals mounted with single cut diamonds, detailed within the case ALL PLATINUM with an associated box
Lot 209: A Harwood 9ct gold circular cased self-winding wristwatch the signed silvered dial with black Arabic numerals, the signed movement detailed 'Patent No 1576120, Swiss', import mark London 1928
Lot 210: A J & T Windmills gold backed circular cased gentleman's wristwatch, the signed gilt jewelled lever movement detailed '1st Edition 2006', detailed within the snap-off case back 12547 WGS 30001/01 PLOW-000004 0.750, the signed white dial with black Roman numerals and with subsidiary seconds, the leather strap with a gilt deployment buckle clasp detailed 'Stainless Steel', with the original loose deployment buckle and strap, box and the original paperwork including international guarantee dated 12/11/2006
Lot 211: An Omega Constellation Megaquartz 32 khz steel gentleman's calendar bracelet watch , the signed silvered dial with baton hour markers, centre seconds, day and date aperture
Lot 212: An Omega gilt metal cushion shape cased gentleman's wristwatch, the signed silvered dial with gilt Arabic numerals, blued steel hands, and with subsidiary seconds, snap off case back detailed within 'Dennison Moon'
Lot 213: A Rolex chrome plated metal fronted and steel backed cushion shaped wristwatch, the signed silvered dial with luminous Arabic and arrow shaped numerals, the case back numbered '051629'
Lot 214: A Tudor Oyster steel cased gentleman's wristwatch, the signed silvered dial with gilt Arabic and arrow shaped numerals with blued steel centre seconds, the milled screw-off case back numbered '7904 128007'
Lot 215: A Rolco chrome plated metal fronted and steel backed wristwatch , the signed silvered dial with Arabic numerals and with centre seconds, the case back numbered '596097 274'
Lot 216: A Rolex Oyster Perpetual Datejust steel gentleman's bracelet wristwatch, the signed silvered dial with baton hour markers, centre seconds and date of month aperture, steel bracelet with foldover clasp, with case, box, paperwork, plastic wallet and calendar card for 1986/1987
Lot 217: A John Hawley Exeter quartz gold gentleman's bracelet wristwatch the case indistinctly hallmarked, the bracelet clasp hallmarked 9ct, gross weight 49.1g
Lot 218: An Omega De Ville 9ct gold lady's bracelet wristwatch, the signed curved square gilt dial with baton hour markers, fitted to a tapered woven link bracelet with an Omega foldover clasp gross weight 33.4g
Lot 219: A Bulova Accutron 18ct gold cased lady's bracelet wristwatch with oval dial, the case hallmarked 18ct, the bracelet clasp indistinctly marked, gross weight 50.2g
Lot 220: An Omega Automatic gilt metal fronted and steel backed gentleman's wristwatch , the signed silvered dial with gilt Arabic and arrow shaped hour markers, fitted to a gilt metal bracelet
Lot 221: A 9ct gold cased keyless wind open face gentleman's pocket watch the gilt jewelled lever movement detailed 'J.W.BENSON LONDON', 9ct gold inner case, the signed enamel dial with Roman numerals, London 1926, gross weight 88.5g, with a key and a case
Lot 222: An Ingersoll Wrist keyless wind base metal cased wristwatch the signed dial with Arabic numerals and subsidiary seconds case diameter 3.8cm excluding the strap lugs
Lot 223: A late Victorian silver 'The Climax Trip Action Patent' pocket watch by H Samuel of Manchester, Chester 1901
Lot 224: A gold cased and enamelled key wind open face lady's fob watch, the gilt cylinder movement detailed 'DF & Co', base metal inner case, the case exterior with floral decoration, detailed within the case back '14k', gross weight 36g with a key
Lot 225: A lady's platinum cased and diamond set dress wristwatch, the Swiss jewelled oval movement detailed 'F. FISCHER', detailed within the case 'ALL PLATINUM', the cased mounted with eight cut diamonds, on a white gold woven mesh link bracelet the clasp detailed '9ct', gross weight 20.6g, with a case
Lot 226: A Bulova Accutron stainless steel gentleman's bracelet wristwatch
Lot 227: A 22ct gold plain wedding ring , Birmingham 1925, ring size J, (note - misshapen), 5.9g
Lot 228: A white gold, sapphire and diamond oval cluster ring detailed '18ct 750' to outside of shank, ring size O, gross weight 7.4g
Lot 229: A gold ring mounted with a cultured pearl detailed '9ct', ring size O, gross weight 3.4g, and a single row necklace of uniform cultured pearls, length 44cm
Lot 230: A gold oval link neck chain detailed 9c with a bolt ring clasp length 43cm, weight 5.8g
Lot 231: A silver cased key wind open faced gentleman's pocket watch, with a gilt fusee lever movement detailed to the backplate 'Boxell 13 Kings Road Brighton A 1875', gilt dust cover, the enamel dial with Roman numerals, subsidiary seconds and blued steel hands, London 1875
Lot 232: A 925 silver oval link neck chain with rectangular purple gem set pendant faintly marked '925', a long oval link neckchain the clasp marked '925', combined gross weight 2.2oz, and a white metal souvenir spoon
Lot 233: A white gold, sapphire and diamond cluster ring in a quatrefoil shaped design, claw set with four circular cut sapphires and otherwise set with circular cut diamonds, detailed indistinctly '18', ring size L 1/2, gross weight 5g
Lot 234: A gold cased key wind hunting cased fob watch with an unsigned jewelled cylinder movement, gilt metal inner case, the case exterior detailed '14k', with a key and associated case
Lot 235: A rose quartz freshwater pearl and faceted pink paste multiple row necklace
Lot 236: An 18ct white gold and blue topaz single stone ring size M and a half, gross weight 5.5g with a case
Lot 237: A collection of eight various brooches, some silver, to include a purple gem set Mackintosh style brooch marked 'Sterling'
Lot 238: A white gold and diamond single stone ring, claw set with a circular cut diamond in a raised design, detailed '18ct 750', ring size M 1/2, gross weight 3.2g
Lot 239: An 18ct gold opal and diamond cluster ring claw set with the oval opal in a surround of circular cut diamonds alternating with smaller circular cut diamonds, ring size Q, 3.7g (a/f)
Lot 240: A 22ct gold decorated wedding ring, ring size K 1/2, 3.1g
Lot 241: A pair of gold and mother of pearl dress studs detailed '18ct 9ct', one gold and mother of pearl detailed '9ct' and five further gold dress studs, combined gross weight 6.9g
Lot 242: An 18ct gold keyless wind half hunting cased pocket watch , the gilt three quarter plate lever movement detailed to the backplate 'J.S.TANNER, CIRENCESTER 6304', London 1871, case back monogram engraved, diameter 4.3cm, gross weight 78.8g, with an associated case
Lot 243: A diamond two stone pendant necklace claw set with the principal rectangular emerald cut diamond to the drop and with a circular cut diamond mounted above, on a white gold neckchain, gross weight 4.7g
Lot 244: A 9ct gold flat link necklace with a sprung hook shaped clasp, a 9ct gold sovereign mount and a pair of gold mounted tigers eye ear clips detailed 9ct, combined gross weight 22g
Lot 245: A gold back and front oval pendant locket with a scroll engraved decoration, unmarked
Lot 246: A pair of Christian Dior faux pearl ear clips, stamped Chr. Dior, height 2cm, together a small collection of costume jewellery including a pair of Trifari ear clips, a Corocraft brooch / watch, of sun form, a bib neckace within 'Coro of Bond Street, London, New York' box and a faux pearl necklace, in the manner of Miriam Haskell (5)
Lot 247: An 18ct gold cased key wind open faced pocket watch the gilt fusee movement detailed 'JOHN MONCAS LIVERPOOL 2128', also detailed 'PATENT', Chester c1830
Lot 248: A 9ct gold and square black onyx signet ring Birmingham 1970 ring size s and a half gross weight 6.6g
Lot 249: A 9ct gold opal and seed pearl bar brooch claw set with the oval opal between two trefoil motifs gross weight 2.6g
Lot 250: A gold ring mounted with a mabe pearl, unmarked, ring size K, gross weight 6g and a gold ring claw set with an oval cut synthetic blue stone, detailed '9ct', ring size L 1/2 gross weight 3.2g (2)
Lot 251: A gold and nephrite single stone ring detailed indistinctly, ring size M 1/2 (note: sizing band) gross weight 3.6g, a blue topaz drop shaped pendant with a gold curb link neckchain gross weight 17.1g and a silver gilt and garnet nine stone cluster ring, ring size N
Lot 252: A platinum plain wedding ring with an inscription within the band ring size N, weight 3.8g
Lot 253: An 18ct gold and diamond single stone ring claw set with a circular cut diamond between engraved shoulders, Birmingham 1967, ring size I, gross weight 2.2g
Lot 254: A gold neckchain detailed '585' with a bolt ring clasp, length 38cm, 2.8g, a gold and colourless gem set pendant detailed '500', and a pair of gold and colourless gem set earrings detailed '500', combined gross weight of '500' gold items 3.2g
Lot 255: A 9ct white gold and diamond bracelet in a three row honeycomb linkage design mounted with circular cut diamonds on a snap clasp, length 18.8cm, gross weight 14.5g, with a case and box
Lot 256: A Victorian 15ct gold mounted cigar cutter, Chester 1900, gross weight 11g
Lot 257: A group of silver jewellery comprising a brooch designed as a bunch of grapes, two further brooches, two pairs of earrings, a rock crystal pendant and scent bottle, combined gross weight 73g
Lot 258: A 9ct white gold, blue and colourless gem set oval cluster pendant with a 9ct white gold neckchain, gross weight 2.7g, together with a silver, red and colourless gem set oval link bracelet, the foldover clasp detailed '925', bracelet length 20cm
Lot 259: A 9ct gold plain wedding ring, ring size L 1/2, 2.8g
Lot 260: A group of items including 9ct gold cross pendant , gilt bangle, five brooches, three pendants, silver bracelet, silver mop fruit knife, whistle
Lot 261: A Sampson, Mordan & Co 9ct gold cased propelling pencil (marks rubbed) gross weight 20g
Lot 262: A gold and diamond five stone ring mounted with a row of circular cut diamonds indistinct foreign gold marks ring size O gross weight 5.2g
Lot 263: An 18ct gold plain wedding ring, ring size N 1/2, 1.9g
Lot 264: An 18ct gold key wind open faced pocket watch , the gilt fusee movement detailed 'M J TOBIAS & CO LIVERPOOL 2411 PATENT', Chester 1815
Lot 265: A gold dress Albertine fitted with a gold T bar, a swivel detailed '9c', three charms representing Faith, Hope and Charity, and a Victoria Jubilee Head sovereign 1887, gross weight 21.3g
Lot 266: A two colour gold and turquoise matrix bead bracelet with a textured finish, on a snap clasp, unmarked, gross weight 69g
Lot 267: Three rings comprising a gold and platinum diamond three stone ring detailed '18ct PLAT', ring size O, a gold ring mounted with four diamonds, (the central diamond lacking), detailed '18ct', ring size O, combined gross weight 3.5g and a 9ct gold ruby and diamond seven stone ring, ring size L 1/2, 1.5g
Lot 268: An 18ct gold curb link watch Albert chain fitted with two 18ct gold swivels and with an 18ct gold T bar, also a 9ct gold Masonic fob medal, London 1922, combined gross weight 25g
Lot 269: A gold cased key wind open face pocket watch with a jewelled movement, gilt metal inner case, detailed within the outer case back '9k', gilt metal suspension bow
Lot 270: A circular brooch mounted with an imitation Greek coin within a Greek key border detailed '800', a Scottish silver brooch designed as a sword and a shield, and another silver brooch, unmarked
Lot 271: A gentleman's silver cased key wind open face pocket watch the gilt fusee movement detailed 'D&W MORICE ROYAL EXCHANGE LONDON NO 7576', signed gilt metal dust cover, the signed enamel dial with Arabic numerals, London 1832, case back engraved '15th April 1847'
Lot 272: A gold two colour and diamond three stone ring claw set with a row of circular cut diamonds detailed 18ct ring size N and a half gross weight 1.4g with a case
Lot 273: A gold mounted Victorian oval agate brooch with engraved decoration, a gold and drop shaped cabochon citrine single stone stick pin, and two silver topped and blue enamelled stick pins detailed '925'
Lot 274: A silver chain bracelet with white metal padlock clasp and quarter dollar charm, a 925 silver and amber foliate spray brooch and a malachite bead necklace
Lot 275: A Victoria Old Head sovereign 1899 , in a 9ct gold pendant mount gross weight 9g
Lot 276: A 9ct gold curb link watch chain fitted with a swivel length 19.5cm, weight 8.3g
Lot 277: A gold, peridot, ruby and seed pearl pendant in a shaped circular openwork design detailed '9ct', with a gold neckchain detailed '9ct' on a cylindrical clasp, gross weight 3.3g
Lot 278: A large mixed collection of mid 20th century costume jewellery, including a Jomaz ring, faux pearl bead necklaces, faux amber necklaces, various bead necklaces and chains, a quantity of pairs of ear clips (some individuals), a quantity of brooches, many being animal theme, compacts and other cosmetic accessories, bracelet with tigers eye, some pieces A/F (qty)
Lot 279: An 18ct white gold bracelet in a three row oval link design on a snap clasp 21.1g
Lot 280: A 9ct gold ropetwist link bracelet on a sprung hook shaped clasp length 22cm, 9.2g
Lot 281: An unmarked yellow metal crescent brooch (a/f), a whistle, a small filigree ring, a gold plated tie pin, rolled gold cocktail stirrer, three gilt metal tassle charms, gilt metal tie chain and pins
Lot 282: A sapphire and diamond ring claw set with oval and square cut sapphires and with small circular cut diamonds in a twist design ring size G and a half, gross weight 8.4g
Lot 283: Two pieces of Victorian mourning jewellery comprising a graduated bead necklace and a pendant cross with floral decoration
Lot 284: A gold oval signet ring with initials to the raised design, ring size G, detailed '750', 8.5g
Lot 285: A single row necklace of cultured pearls on oval clasp detailed 800, a 9ct gold ring mounted with a cultured pearl, Birmingham 1966 ring size O and a half and a 9ct gold mounted oval shell cameo pendant in floral design, London 1976
Lot 286: A 9ct gold gatelink bracelet 5.5g (a/f - missing clasp)
Lot 287: A 9ct gold ropetwist link necklace on a bolt ring clasp 3.8g
Lot 288: A gold sapphire and diamond three stone ring claw set with an oval cut sapphire between two round brilliant cut diamond, detailed 18ct with inscription within the band ring size O and gross weight 3.6g
Lot 289: A gold, colourless gem and malachite / lapis lazuli pendant, unmarked, the suspension with indistinct mark
Lot 290: An unmarked yellow metal oval double photo glazed locket pendant, two cameo brooches and pair of novelty earrings in the form of spiders in webs
Lot 291: A gold and diamond brooch designed as a spray bound by a ribbon, claw set with circular cut diamonds, unmarked, gross weight 16.1g
Lot 292: A group of jewellery including two part lengths of gold chain, a silver collar necklace, a bangle detailed '925', four rings, four pairs of earrings, and four pendants and neckchains
Lot 293: A group of gold jewellery comprising a pair of heart shaped earrings detailed '9k', three further pairs of earrings and two neckchains having bolt ring clasps detailed '9ct', combined weight 6.2g
Lot 294: Ten items of silver and other jewellery to include a 925 silver purple gem set foliate necklace and matching earrings
Lot 295: A gilt metal and enamelled two-piece buckle, a gilt metal two-piece buckle decorated with Ancient Egyptian motifs, a Christian Dior by Mitchel Maer gilt metal and paste costume necklace, a silver and amethyst quartz long chain, a pale blue stone three stone necklace and a Scandinavian style brooch (6)
Lot 296: A Allaine Automatic gilt metal fronted and steel backed gentleman’s wristwatch a Verity gentleman’s wristwatch, a Waltham gilt metal keyless wind hunting cased pocket watch and a Lorus Quartz lady’s gilt metal bracelet watch and a lady's silver and colourless dress wristwatch import mark London 1935 on a base metal bracelet
Lot 297: A 9ct gold signet ring with bright cut decoration, ring size S, a 9ct gold signet ring mount (stone lacking), ring size P 1/2, and a 9ct gold ring pierced with stars and crescents, combined weight 9.2g
Lot 298: A gold and tanzanite suite comprising a pear shaped single stone ring, unmarked, ring size O, a pear shaped pendant to match detailed '750', and a pair of matching ear studs having post and butterfly fittings detailed 750, combined gross weight 14.4g
Lot 299: A Jan Carlin vari-coloured Bakelite novelty bead brooch designed as a smiling figure, another similar brooch, unmarked, and a novelty vari-coloured composition costume brooch designed as a clown, detailed 'Cilea Paris'
Lot 300: A pair of French gold mounted folding sprung lorgnettes with a loop to the handle and fitted with circular lenses
Lot 301: A lady's gold cased keyless wind open faced fob watch with an unsigned gilt cylinder movement, gilt metal inner case, detailed within the case back '14k'
Lot 302: A 14ct gold emerald and opal cluster ring claw set with a circular emerald at the centre in a surround of eight pear shaped opals within a border of eight circular cut emeralds, detailed '14 k 585', ring size R, gross weight 6.3g, with a Franklin Mint leaflet
Lot 303: A 22ct gold plain wedding ring, Birmingham 1925, ring size P, 6g
Lot 304: A 9ct gold oval sprung bangle engraved 'My Lovely' 18.4g
Lot 305: An 18ct gold emerald and diamond nine stone ring mounted with five circular cut emeralds alternated with four circular cut diamonds ring size O, gross weight 2.7g with a case
Lot 306: A Dunhill gold plated lighter, together with a Donatus Solanger gold plated cigar cutter, a Colibri cigar cutter, a Zippo lighter, a Ronson lighter, a Conway Stewart gold plated pen set boxed, a commemorative Winston Churchill crown, a One Dollar money clip, and a 1950 half penny paperweight (qty)
Lot 307: A Victorian silver cased key wind open face pocket watch, Birmingham 1896, with a key, a silver curb link watch Albert chain fitted with two silver swivels and a silver T bar, also an Eton chrome plated metal fronted and steel backed gentleman's wristwatch
Lot 308: A mid 18th century gold triple cased key wind plunge repeating open face pocket watch detailed to the backplate 'THO KING LONDON 2215', signed dust cover
Lot 309: A pair of gold rectangular cufflinks detailed '9ct' engraved to one side with the badge of the Royal Artillery and with initials to the other side 8.2g
Lot 310: A silver curb link bracelet with a bar form clasp length 20cm and a Links London bangle combined weight 118g
Lot 311: A mid 20th century Grosse, Germany necklace and ear clips set, gold plated and faux turquoise, platted mesh, marked necklace 'Grosse, Germany, 1965', length 43cm, the earrings marked beneath clasps (2)
Lot 312: A 9ct gold circular bangle, a 9ct gold circular pendant locket and a 9ct gold half sovereign mount, combined gross weight 12.5g
Lot 313: A 14ct gold and diamond three stone ring claw set with a central marquise diamond between two circular cut diamonds, ring size K 1/2, gross weight 1.7g
Lot 314: An 18ct gold pair cased open face pocket watch , the gilt fusee movement detailed 'WILLM HOLMES 156 STRAND LONDON 7435', London 1802
Lot 315: A diamond pendant necklace pierced in a geometric design mounted with cushion shaped and circular cut diamonds, the later platinum neck chain with a sprung hook shaped clasp
Lot 316: A 9ct gold faceted curb link bracelet on a snap clasp, length 20cm, weight 26.8g
Lot 317: A white gold ruby and diamond brooch designed as a spray, mounted with square and rectangular cut rubies and with baguette and eight-cut diamonds gross weight 19.3g
Lot 318: Three ladies wristwatches comprising an Enicar Sherpa Star gilt metal and steel backed lady's bracelet watch, a Rotary gilt metal lady's bracelet watch and a Harrods wristwatch having a tigers eye effect dial fitted to a leather strap
Lot 319: A gold oval hinged bangle with ridged decoration, unmarked, fitted with a base metal safety chain, gross weight 10.2g, a silver and marcasite brooch and a silver brooch
Lot 320: A 9ct gold necklace in a semi-circular plain and textured link design on a snap clasp detailed '375', together with a pair of gold ear studs in a similar design with post and butterfly fittings, combined weight 28.3g
Lot 321: A gold curb link neck chain on a bolt ring clasp detailed 9k, two pairs of 9ct gold earrings with post and butterfly fittings combined weight 7.5g and a pair of imitation pearl costume ear studs
Lot 322: A group of mostly costume jewellery comprising a pair of marcasite clips, two pairs of earrings, a ring and fourteen brooches
Lot 323: A gold, ruby and diamond brooch designed as a floral and foliate spray mounted with circular cut diamonds and with variously cut rubies gross weight 24.4g
Lot 324: A gold and synthetic ruby cluster ring in an abstract design, unmarked, ring size J, gross weight 12.9g
Lot 325: A gold multiple link neckchain detailed '750 Italy' on a sprung hook shaped clasp length 65cm, 13.6g
Lot 326: A gold cased keyless wind open faced fob watch with an unsigned gilt lever movement, base metal inner case, detailed within the outer case back '18k'
Lot 327: A collection of pins, dress studs and other items to include two gold studs marked '18ct', 1.7g, seven various gold studs marked '15ct' gross weight of 15ct 5.2g, a gold pin with seed pearl dragonfly terminal and a pair of hardstone inlaid horseshoe shaped cufflinks (a/f)
Lot 328: A gold and garnet single stone ring claw set with a cut cornered rectangular cut garnet detailed 9ct ring size N gross weight 5.4g
Lot 329: A gold and pink tinted cubic zirconia solitaire pendant detailed '14k' with a gold neckchain and a 14ct gold and colourless gem set pendant cross, combined gross weight 5.9g
Lot 330: An 18ct white gold amethyst and diamond pendant, claw set with the large cushion shaped amethyst within a surround of circular cut diamonds, detailed '750', (one diamond missing from the suspension loop), with an 18ct white gold ropetwist link neckchain, gross weight 35g
Lot 331: An 18ct gold and diamond two stone ring claw set with circular cut diamonds, Birmingham 1967, ring size N, and a gold and diamond three stone ring, ring size O, combined gross weight 5g
Lot 332: An 18ct gold and diamond single stone ring claw set with a round brilliant cut diamond, ring size L, gross weight 2g, with a GIA certificate stating the weight to be 0.50ct
Lot 333: A gentleman’s 9ct gold graduated curb link watch Albert chain fitted with a 9ct gold T-bar, 2 9ct gold swivels and with a 9ct gold mounted smoky quartz pendant fob length including swivels 31cm, gross weight 44.9g
Lot 334: A gilt metal keyless wind open faced fob watch
Lot 335: A pair of 9ct gold cufflinks, the oval fronts engine turned and with torpedo shaped backs, Birmingham 1968, 4.3g
Lot 336: A sterling silver gilt and enamel Canadian maple leaf brooch with central shield 'Honi Soit Qui Mal Pense', 7cm long, gross weight 1.2oz
Lot 337: A 22ct gold plain wedding ring , London 1902, ring size O, 7.1g
Lot 338: A diamond ring of stylised signet ring form mounted with eight-cut diamonds, unmarked, ring size O, gross weight 10.1g, with case
Lot 339: A gold cased key wind open faced fob watch the gilt cylinder movement detailed 'MURET GENEVE', gilt metal inner case, detailed within the outer case '18k'
Lot 340: A gold pendant cross detailed '750' with a gold serpentine link neckchain detailed '750' on a bolt ring clasp, chain length 52.5cm, gross weight 5.2g
Lot 341: A gold garnet and seed pearl pendant in a scroll pierced open worked design detailed 9ct with a gilt metal neck chain gross weight of pendant 3g
Lot 342: A cherry coloured bead necklace strung with chunky graduated barrel form beads 71cm long
Lot 343: An 18ct gold and sapphire necklace in a twin strand box link design with two sapphire four stone motifs, with a partly textured finish, import mark London 1965, 33.5g
Lot 344: A Welsh Clogau 9ct two colour gold ring mounted with a cultured pearl between foliate shoulders, detailed 'Clogau', ring size N, gross weight 4.3g
Lot 345: An 800 silver cased chronograph pocket watch with calibrated and Roman face, a cased silver fob watch, a collection of pocket watches, keys and other items to include a gilt metal pocket watch the white enamel dial signed John Forrest London
Lot 346: A gold wedding ring inscribed within the band with date 1947, detailed '18ct', ring size L 1/2, 4.1g
Lot 347: A pair of gold mounted folding lorgnettes with a loop form handle, fitted with circular lenses
Lot 348: An 18ct gold diamond and citrine pendant claw set with a pear shaped citrine to the centre within an abstract surround claw set with seven circular cut diamonds at intervals, London 1977, with a gold neckchain, gross weight 10g
Lot 349: An 18ct gold oval signet ring engraved with a dragon and crown crest, ring size G, 6.7g
Lot 350: A pair of gold mother of pearl and seed pearl dress cufflinks with octagonal backs and fronts detailed '18ct 9ct' and a pair of matching dress studs, combined gross weight 6.6g, with original case
Lot 351: A white gold sapphire and diamond bracelet, claw set with three principal oval cut sapphires and with three pairs of circular cut diamonds, otherwise mounted with circular cut sapphires, details '750' to the snap clasp, length 18.6cm, gross weight 30g
Lot 352: A Longchamp silvered metal and faceted colourless gem pendant necklace with a box and a white gold plated and mauve gem set bracelet, clasp detailed 18k GP
Lot 353: Four wristwatches comprising of a Doxa Sport steel backed and chrome plated base metal fronted gentleman’s wristwatch, a Hirco Sports gentleman’s wristwatch, a square cased Baume steel cased lady’s wristwatch fitted to a steel bracelet and a Tissot Stylist lady’s wristwatch on a sprung metal bracelet
Lot 354: A gold and diamond single stone ring claw set with a cushion shaped diamond, detailed '750', ring size R, gross weight 2.8g
Lot 355: A gold pendant designed as a Maltese cross with a 9ct gold neck chain weight 2.8g, a marcasite ring, a base metal wedding ring, made from a French coin, a colourless paste costume pendant with a neck chain and a case, a silver neck chain a silver filigree flower spray brooch
Lot 356: A gold and sapphire eternity ring mounted with square cut sapphires, unmarked, ring size K, gross weight 2g
Lot 357: A gold and lapis lazuli ring claw set with a cut cornered rectangular step cut lapis lazuli at the centre between lapis lazuli three stone shoulders, detailed '14k', ring size P 1/2, gross weight 6g
Lot 358: Six silver and mostly gem set rings
Lot 359: A gold and glass necklace formed as two rows of graduated pale brown tubular glass batons with ridged oval gold beads at intervals on a later base metal sprung hook shaped clasp, length 61cm
Lot 360: A set of three 18ct gold plain dress studs , Birmingham 1922, 8.7g
Lot 361: A gold ring claw set with an oval cut amethyst, ring size L, gross weight 5.3g
Lot 362: A gold and synthetic pink gem set ring, claw set with a cut cornered rectangular step cut pink gem between pierced shoulders having a textured finish, unmarked, ring size L, gross weight 7.8g
Lot 363: A 9ct gold signet ring Birmingham 1946 ring size S and a half and 9ct gold decorated wedding ring size P combined weight 3.7g
Lot 364: An 18ct gold plain wedding ring , ring size K 1/2, 3.2g
Lot 365: A Second World War military issue brass pocket watch , black dial with Arabic numerals, the back of the case marked 'G.S / T.P 169100' with crow's foot
Lot 366: An 18ct yellow and white gold and diamond single stone ring of twin band design, collet set with a circular cut diamond, ring size N 1/2, gross weight 3.7g
Lot 367: A group of Danish silver jewellery comprising a circular wooden pendant the mount detailed 'Warmind Sterling Denmark 805', with an oval link neckchain on a bolt ring clasp detailed 'Sterling', and a circular silver mounted wooden ring detailed 'Sterling Denmark 701 P.W', import mark London 1972, combined gross weight 57.8g
Lot 368: A 9ct gold curb link identity bracelet inscribed to both sides of the curved panel, Birmingham 1973, 17.1g (a/f)
Lot 369: A 9ct yellow and white gold colourless gem set eternity ring , ring size N, gross weight 3.7g
Lot 370: A gold wedding band ring having a textured finish, detailed '916', ring size P 1/2, 4.2g
Lot 371: A Victorian circular and ropetwist wirework long guard chain fitted with a swivel and with a gold back and front oval pendant locket, combined gross weight 38g
Lot 372: A 9ct gold and tanzanite dress ring, ring size S, and a 9ct gold and colourless gem set eternity ring, ring N, combined gross weight 4.5g
Lot 373: A group of jewellery comprising three colourless paste double clip brooches, four colourless paste brooches, two marcasite brooches, and a two piece buckle
Lot 374: A gold 'love knot' brooch marked '9ct' with steel pin, gross weight 2.8g, and two lady's wristwatches, both with gold case marked '9ct'
Lot 375: A mid Victorian gold, rose diamond and seed pearl ring designed as two hands holding a gem set cluster, ring size M 1/2, gross weight 1.2g, a gold and colourless gem set eternity ring detailed '9ct', ring size P, gross weight 2.2g, and a 9ct gold spinning charm 0.8g
Lot 376: A white gold and diamond ring in a crossover design mounted with the principal baguette diamond at the centre and otherwise set with round brilliant cut diamonds, detailed '750', ring size J, gross weight 4.4g, with a case
Lot 377: A gold topped and seed pearl stick pin in a rope twist design detailed 15ct, gross weight 2g and five other pins
Lot 378: A group of watches, jewellery and further items to include a Rotary bracelet watch, an Ingersoll Triumph pocket watch, a travelling clock (case lacking), a gilt metal spy glass, a lady's powder compact, a scent bottle, two silver oval pill boxes, a silver slide action tooth pick and a quantity of silver and costume jewellery
Lot 379: An 18ct gold cased key wind open faced fob watch the movement detailed 'J. SUTTON, BRISTOL 22899', London 1878
Lot 380: A gold back and front oval pendant locket with engraved decoration detailed 9ct back and front with a gold oval linked neck chain on a bolt ring clasp combined gross weight 9g
Lot 381: Four 9ct gold pendant crosses and a gold and colourless gem set drop shaped pendant detailed '375', combined gross weight 3.7g
Lot 382: A gold, diamond and half pearl set bar brooch in a looped design, gross weight 4.3g
Lot 383: A large collection of costume jewellery to include bracelets, brooches, watches, necklaces etc
Lot 384: A gold and diamond three stone ring claw set with a row of circular cut diamonds indistinct mark ring size K and a half, gross weight 1.9g
Lot 385: A gold five section puzzle ring, unmarked, 8g
Lot 386: A gold and jadeite bar brooch of foliate design marked '14k' and a pair of matching earrings, unmarked, butterflies lacking (glue to backs) gross weight 16.4g
Lot 387: A 9ct gold mounted oval shell cameo brooch carved as three graces dancing, within a ropetwist wirework surround, London 1979, gross weight 6.3g
Lot 388: A Victorian gold mounted circular shell cameo brooch carved as two ladies with a wreath, the mount with engraved decoration and detailed 'Sarah April 1861', diameter 6cm, gross weight 36.2g
Lot 389: A gentleman's silver cased key wind hunting cased pocket watch with a gilt fusee movement detailed to the backplate 'G BARLOW LONDON NO 650', gilt metal dust cover, the enamel dial with Roman numerals, London 1819
Lot 390: A Victoria Old Head sovereign 1896 M in a 9ct gold pendant mount, gross weight 9.9g
Lot 391: An unmounted round brilliant cut diamond with an IGI Antwerp certificate stating the diamond to weigh 0.71ct, to be clarity VVS1, and to be colour grade I
Lot 392: A 9ct gold sapphire and colourless gem set five stone ring , ring size N, a gold and colourless gem set eternity ring detailed '9ct', ring size Q, combined gross weight 5.1g, a silver and gem set ring detailed '925' (a/f) and two colourless gem set dress rings
Lot 393: A group of jewellery comprising a Christian Dior gilt metal and paste costume necklace a moon stone ring detailed 925, a moon stone pendant detailed 925, two pendants with neck chains, a ring unmarked and Gowland lady’s wristwatch
Lot 394: An 18ct gold diamond, ruby and gem set five stone ring, ring size P, gross weight 2.4g
Lot 395: A pair of silver mounted marcasite set folding lorgnettes fitted with cut cornered rectangular lenses, detailed '835 Germany'
Lot 396: Five pairs of vary coloured hardstone and silver earrings including varieties of quartz with wire topped fittings
Lot 397: A gold and platinum ring claw set with a square emerald cut diamond detailed '18ct PLAT', ring size L 1/2, gross weight 2.6g
Lot 398: An unmounted oval opal and ten unmounted oval opal triplets
Lot 399: A group of jewellery including a gold and seed pearl bar brooch detailed '9ct', a cameo brooch, a three row cultured pearl necklace, a treated ruby bead necklace, a treated sapphire bead necklace, a charm bracelet, five further items of jewellery, and a Mexican silver coin
Lot 400: A gold plated hunter cased keyless pocket watch, the 'Moon' case by Dennison, together with a metal guard chain with gold clasp marked '9ct' and an unmarked yellow metal T-bar
Lot 401: A gold bracelet in a ridged and buckle form link design detailed '750' on a sprung hook shaped clasp length 20.5cm, 12.1g
Lot 402: A gold ring claw set with a rectangular cut citrine, unmarked, ring size P, 14.1g
Lot 403: A 22ct gold wedding ring an inscription within the band ring size L, weight 5.8g
Lot 404: A 9ct gold opal and diamond ring claw set with a pear shaped opal within a surround of circular cut diamonds, detailed '.15', ring size T, gross weight 3.4g
Lot 405: A graduated coral bead necklace , gross weight 40.5g, and a branch coral necklace
Lot 406: A two row necklace of graduated cultured pearls on a gold clasp detailed '15ct', mounted with a row of four seed pearls
Lot 407: An 18ct gold and diamond five stone ring claw set with a row of graduated cushion shaped diamonds London 1901 ring size N, gross weight 2.5g with a case
Lot 408: A silver cased key wind open faced gentleman's pocket watch, the fusee lever movement detailed to the backplate 'L SMITH MIDDLESBRO 55722', the silvered dial with gilt Roman numerals, the inner case London 1871, the outer case London 1873, also a silver cased key wind open faced pocket watch, Chester 1878, and a watch key
Lot 409: A group of mostly Asian costume jewellery including bracelets, rings etc
Lot 410: A 9ct gold sapphire and diamond oval cluster ring, ring size N, gross weight 2.6g, a blue topaz and colourless gemset cluster ring and a colourless paste set ring (See three photographs)
Lot 411: A 9ct gold diamond and pink gem set oval cluster ring, ring size N, gross weight 4g, with a case
Lot 412: A gold and blue topaz oval cluster ring detailed '9k', gross weight 2.2g
Lot 413: An 18ct gold wedding band ring with a textured finish, Birmingham 1972, ring size N, 2.9g
Lot 414: An 18ct gold wedding band ring with a textured finish, Birmingham 1972, ring size N, 2.9g
Lot 414: A 22ct gold plain wedding ring, Birmingham 1930, ring size M 1/2, 3.1g
Lot 415: A gold mounted initial P pendant with a 9ct gold neckchain and a gold mounted jade circular pendant detailed '14k 585'
Lot 501: A Lalique opalescent glass model of a fish 5.5cm high , in box
Lot 502: A collection of four various 18th century trumpet bowl wine glasses on airtwist stems tallest 16cm high (a/f)
Lot 503: A collection of Victorian / Edwardian colourful glassware ; to include a cranberry sugar caster with hallmarked silver top, a dimpled cranberry jug, a set of six cranberry wine glasses, a dimpled green decanter with single handle and stopper, a green jug with Mary Gregory decoration, a green beaker with Mary Gregory decoration, etc, (15 items).
Lot 504: A cased set of Paragon fine bone china cups and saucers, 1923 - 1933, insetr silver cup holders, by Charles S Green & Co Ltd, Birmingham 1931, displayed within a fitted case (case af).
Lot 505: A set of eleven Thomas Webb cordial glasses 13.5cm high, a pair of metal mounted glass communion flagons, memorial engraved, 21cm high, a glass capstan wine rummer, five custard cups and two shot glasses (a/f)
Lot 506: A Royal Doulton 'Yorktown' twenty one piece tea set , comprising six cups, six saucers, six side plates, a bread and butter plate, a milk jug and a sugar bowl.
Lot 507: A Portuguese Palissy style lobster plate 34cm diameter (a/f)
Lot 508: A pair of 19th century French porcelain portrait dishes, each of dished circular form decorated with various portraits within gilt borders on blue grounds, 29.5cm diameter, (one with old damage and rivet repair).
Lot 509: Lord of the Rings Interest : a Studio Pottery ceramic liquid dispenser decorated in sgraffito with Elvish script, amidst naturalistic leaves and foliage decoration, incised to underside 'ANSTY KIG 73', with wooden tap, cork bung, and loop handle, 43cm high.
Commissioned by the vendors parents in the c.1970's in the New Forest, Hampshire.
Lot 510: A Iznik ceramic charger , probably late 19th / early 20th century or earlier, the angled flat rim and dished centre painted with stylised Persian flowers in shades of blue, red and green, painted marks to underside possibly artists monogram, 40cm diameter, (some frits and paint loss to edges).
Lot 511: Two Royal Doulton figurines, 'The Coachman' HN2282, and 'The Balloon Man' HN1954.
Lot 512: A Michael Kennedy Ceramics Ireland stoneware figure of man, of bulbous form decorated in with blue and iron oxide glaze, bearing signature to base and maker paper label, height 18cm
Lot 513: A pair of Doulton Lambeth glazed stoneware owl bookends 16cm high
Lot 514: Five porcelain half dolls to include one example marked 'Germany' with attached blonde wig, 9cm high (a/f)
Lot 515: Two framed and mounted Wedgwood Jasperware oval plaques , each depicting a classical female figure, one holding a garland and the other with a tambourine, 24cm by 19.5cm including frame
Lot 516: A collection of Royal Albert Old Country Roses comprising miniature teapot, milk jug and two cups and saucers, small clock, shoe ornament, vase, trinket dish and dressing table pot and cover
Lot 517: A Moorcroft pottery 'Victoriana' vase designed by Emma Bossons 21cm high
Lot 518: A pair of Bohemian green glass vases with gilded decoration and white enamel panels painted with flowers 29cm high
Lot 519: Jill Moger SWA SWLA VPRMS (Contemporary), a studio pottery ceramic octopus, signed and numbered 5/96, 33cm high.
Lot 520: Two Royal Copenhagen porcelain figures of two cygnets 5cm high, and a puppy 8cm
Lot 521: Three Lladro porcelain figures , two other similar figures, and a Belleek Irish porcelain 'Angel' bell, tallest 24cm high, (6).
Lot 522: A collection of five Winstanley ceramic models cats , all signed, largest 34cm high.
Lot 523: A collection of 19th century and later glassware comprising four thistle shaped glasses, four various liqueur glasses, a green tulip shaped wine glass, two amber wine glasses and a Bohemian green cut glass decanter
Lot 524: A collection of fourteen glass paperweights , including Murano 'millefiori', Holmfirth, Caithness 'mooncryst' and 'pixie', etc.
Lot 525: An early 20th century Sevres porcelain plate painted with flower sprays within blue feuilles-de-choux borders, central crowned monogram, 25cm diam
Lot 526: A Wedgwood 'Florentine' pattern thirty piece part dinner service , (turquoise W2714).
Lot 527: A mid century West German pottery 'lava' table lamp, in brown and buff glaze, 99cm high including shade
Lot 528: A Sevres porcelain chocolate cup, cover and trembleuse saucer decorated with scenes of a courting couple and two scenic views 15cm high
Lot 529: A Midwinter Pottery 'Gay Gobbler' large serving platter designed by Jessie Tait, decorated with a turkey 27cm diameter
Lot 530: Four Lladro porcelain figures to include a polar bear 9cm high, and a puppy 11cm
Lot 531: Alan Wallwork (1931 - 2019), a stoneware studio pottery split pebble vase, of flattened ovoid form, textured terracotta with reticulated panel, incised monogram to base, 32cm high.
Lot 532: An 18th century Caughley 'Gillyflower' pattern blue and white porcelain tea bowl, c.1775/1780, of fluted tapered circular form terminating on a foot, marks to underside, 8cm diameter by 5cm high.
Lot 533: A Copeland Spode 'Chinese Rose' pattern dinner service , early 20th century, 60 pieces.
Lot 534: A Coalport limited edition figure of Prince Charming , no 249 of 2000, 25cm high, with box
Lot 535: A collection of Royal Albert Old Country Roses tea and table wares comprising teapot, 18cm high, milk jug, sugar bowl, six tea cups and seven saucers, oval dish, platter, an oval stand, two tier cake stand, salt and pepper, six side plates and six cake plates
Lot 536: A Shelley porcelain 'Rock Garden' part tea service, comprising sugar bowl, tea cup, five saucers, six small plates and a cake platter
Lot 537: A collection of seventeen Beswick Beatrix Potter figures , including gold backstamp 'Pickles' and 'Peter Rabbit', together with a Beswick 'Mystic Bunnykins DB 197' figure, and a Beswick tree trunk form figures stand, (19).
Lot 538: An 18th century plain stem wine glass with flared trumpet bowl and plain stem on circular folded foot 19.5cm high, and an 18th century wine glass with trumpet bowl and teardrop stem 21cm high
Lot 539: A collection of ten various Hummel ceramic figures to include 'Volunteers' 12.5cm high and 'Bird Duet' 10.5cm, together with a small Hummel style figure group (a/f) (11)
Lot 540: Two framed and mounted Wedgwood Jasperware plaques , comprising one of rectangular form depicting a frieze of classical figures 'Dancing Hours', 18cm by 33cm including frame, the other an oval plaque with a bust of Shakespeare, 20cm by 16.5cm including frame
Lot 541: A Bretby majolica green glazed jardiniere, the leaf form bowl with three herons around the base, impressed mark and number '1593', 39.5cm high (a/f)
Lot 542: Two Unterweissbach Dresden porcelain figures of a lady seated beside a lamb 17cm high, and a couple eating grapes 17cm
Lot 543: A collection of Lladro, Nao and similar figures to include a Lladro model of a turtle dove 29cm high, and a large ceramic figure of a young shepherd with his sheep 27cm (a/f)
Lot 544: A Clarice Cliff Fantasque 'Orange Lily' part dessert service, including; six plates and two tazzas, stamped to base 'Hand Painted Fantasque by Clarice Cliff Newport Pottery England' and 'Lawleys Norfolk Pottery, Stoke', plate diameter 21.75cm (8)
Lot 545: An early 19th century Marseilles porcelain chocolate cup and cover decorated with a vignette of figures in a garden, with gilt embellishments, 15cm high
Lot 546: A collection of porcelain , to include a pair of Royal Copenhagen gilt trimmed cups and saucers, a Royal Copenhagen floral decorated cup and saucer, Herend teapot, Herend covered cup, Herend pedestal bowl with ladle, Herend strand vase, etc, (quantity).
Lot 547: A Galle style cameo glass vase, yellow ground decorated with trees and mountains, height 30.5cm
Lot 548: A Moorcroft pottery 'Waving Corn' pattern biscuit barrel and plated cover 12cm high
Lot 549: A glass rummer the bowl engraved with hops and barley, and applied annular band, rough pontil mark to base, 12cm high, a pair of Stuart crystal rummers engraved with fruiting vines, a large goblet decorated with the English Rose, Scottish Thistle, Irish Clover and Welsh Leek, two Royal Commemorative goblets and six various modern airtwist stem drinking glasses (a/f)
Lot 550: A large Lladro porcelain figure group 'Puppy Parade' of a girl with dogs and puppies, 25cm high, with original box and paperwork
Lot 551: Katrin Moye (British, contemporary), Two studio pottery vases, handpainted glazed terracotta, both pedestal footed, one tri-handled, signed to bases, the larger height 35.5cm
Lot 552: Two items of Herend porcelain comprising a leaf shaped pickle dish decorated with flowers, fruit and vegetables 11cm long, and a small urn shaped claw foot vase 10.5cm diameter, together with five various cups and saucers to include Flight, Barr & Barr and Crown Derby (four cups and saucers matching), and a Royal Crown Derby paperweight in the form of a puffin (repaired)
Lot 553: A Murano glass Ballarin vase with multicoloured chequered decoration, signature to base, with Ballarin label, 10cm high
Lot 554: Three glass rummers with ball knop stem on circular foot, rough pontil mark to base, 15cm high, and a set of six plain glass rummers, 15cm high (9)
Lot 555: A French Art Deco opalescent glass bowl moulded with finches, signed 'Ezan Paris', 25cm diameter
Lot 556: An 18th century facet stem wine glass 14cm high, and an 18th century sweetmeat glass, the ogee bowl on facet stem and domed foot 15cm high (a/f)
Lot 557: A pair of Art Deco pottery vases, possibly Ditmar Urbach, decorated with oval black patterned panels on orange and white glazed ground, 27cm high
Lot 558: A Dresden porcelain milk jug decorated with panels of flowers and figures in 18th century costume, with gilt embellishments, blue crossed swords mark to base 11.5cm high
Lot 559: A pair of Royal Crown Derby porcelain dishes, painted with a Fox Terrier and a Basset Hound, within raised gilt borders, factory marks and dogs breeds to underside, 9cm by 7.5cm.
Lot 560: A Mappin & Webb silver mounted cut glass decanter and stopper 25.5cm high, and a crystal decanter decorated with a hunting scene, probably Orrefors Zagio glass, 27.5cm (a/f)
Lot 561: An R Lalique 'Nippon' glass lunch plate 23.5cm diameter
Lot 562: A pair of triple ring neck cut glass mallet shaped decanters with associated stoppers 27cm high, and another decanter, together with a collection of various glass decanter stoppers
Lot 563: A Beswick Ayrshire cow, 'CH. Whitehill Mandate', 13cm high by 20cm long.
Lot 564: A pair of Japanese satsuma pottery koros , c.1920's / 30's, each having a gilt Temple Dog finial to the domed covers, the globular bodies decorated with warriors in combat, between twin Shi Shi handles, raised on mask feet, 30cm high.
Lot 565: A Chinese landscape porcelain plaque, 20th century, enamel decorated in famille rose colours with mountain scene, figures and boats, bearing inscription to upper left 'Nine mountains....' and red signature mark, within a wooden frame, bearing label verso 'Good Friends Pottery Art', 30cm high x 14.5cm wide within frame
Lot 566: A Chinese cast iron teapot , with swing loop handle, the upper section decorated with raised designs, also with a seal mark to the upper section, 23cm to top of handle.
Lot 567: A Japanese Satsuma ware vase with figural panel decoration and gilt embellishments, indistinctly marked to base 45cm high
Lot 568: A 19th century Chinese silkwork panel , decorated with a central panel of butterflies and stylised foliage, amidst multi borders of stylised and heart shaped motifs, 31cm by 42cm, later framed.
Lot 569: A Chinese porcelain baluster vase and cover decorated with all-over scrolling floral and foliate design on orange ground, 32.5cm high, and a ceramic ginger jar and cover on wooden stand, converted to a table lamp 32cm high including fittings (a/f - vase cover repaired)
Lot 570: A good pair of 19th century Chinese silkwork panels, decorated in fine detail with exotic birds, butterflies, urns, blossoming branches, and Greek Key motifs, 57cm by 18cm , the later frames with labels verso for Rowley Frames of 140 Church Street, Kensington, London.
Lot 571: A good 19th century Chinese silkwork panel, the central panel decorated with phoenix, butterflies and exotic birds amidst flowers and foliage, between a shaped border of birds and stylised foliage, approx 78cm by 78cm , later framed.
Lot 572: An Asian gold filigree, turquoise matrix and blue gem set adornment of triple section multiple wirework form, mounted with gold filigree Islamic motifs at intervals with a hook and loop form clasp length 45cm, fitted with a base metal two row long chain terminating with a peacock motif (a/f - faults)
Lot 573: A good pair of 19th century Chinese silkwork panels, decorated in fine detail with female figures, buildings, butterflies, and blossoming branches, between borders of exotic birds and foliage, 51cm by 21cm . the later frames with labels verso for Rowley Frames, 140 Church Street, Kensington, London.
Lot 574: A group of five Chinese blue and white bird feeders, largest approx 4cm high
Lot 576: A 'J' Class scratch built model yacht with mast and sails, on wooden stand, hull 26cm long
Lot 577: An RAF silk escape and evasion map, A.D.I. (MAPS) Air Ministry, No. 7330, 37cm by 46cm.
These were made for service members , and intended to be used when caught behind enemy lines to assist in performing escape and evasion, and secreted to prisoners of war to aid in escape attempts.
Lot 578: First World War medals and related ephemera comprising the 1914/15 Star to M. 1737, H.H.ROGERS, E.A.3, R.N., the 1914/18 British War medal to M. 1737 H.H.ROGERS. E.A.3 R.N., with ribbons, note: the Victory medal lacking, the bronze memorial plaque detailed 'Herbert Howard Rogers' with folding case and forwarding slip, the named memorial scroll detailed 'HMS Tipperary', a white metal medallion comemmorating the Battle of Jutland May 31st 1916 where Herbert Rogers was killed, and related further paperwork including two mourning cards
Lot 579: A Victorian Police truncheon, ebonised turned wood, with multicoloured rope strap, length 36.5cm (A/F)
Lot 580: A boxed Lehmann's tinplate clockwork Crawling Beetle with fixed key mechanism, christened 'Alexander' by the previous owner
Lot 581: A toy clockwork monkey playing the cymbals and wearing a red cap, approx 20cm high.
Lot 582: A vintage Hornby OO Gauge train set , including R.329 William Shakespeare and R.165 GWR loco's, carriages, trucks, etc, (af).
Lot 583: A German bisque head doll, in the manner of Heubach Koppelsdorf, socket head with closing blue eyes, blonde wig, partially open mouth, trembling tongue with composition body, impressed number 342.0, in white lace dress, height 38cm
Lot 584: A large and impressive dolls house, 20th century, modelled as a grand Georgian four storey mansion house, raised on a cupboard base with wheels, having a well fitted opulent interior complete with a vast collection of furniture, furnishings and fittings, floor to top of chimney162cm , by 92cm wide by 50cm deep.
Lot 585: Armand marseille bisque head doll , early 20th century, with blue glass sleeping eyes, open mouth, upper teeth, and jointed limbs, stamped '518/3.K.', 37cm high.
Lot 586: Antiquities : a Medieval Pilgrim's lead ampulla, 5cm, another Medieval Pilgrim's ampulla / amulet, 3cm , a Celtic? bronze clasp of circular form, 5.5cm diameter, a Medieval seal, 2.5cm , a Celtic? bronze bracelet of swan neck form, c.1st century AD, 6cm wide, and three early hair pieces, (af), (8).
Lot 587: An Ernest Bohne Sohne style miniature porcelain vase in the form of a figure sat on an antler, 4cm high, a cold painted bronze figure of a dog wearing a sandwich board reading 'A Merry Christmas' and 'A Happy New Year', 3.7cm, a treen table seal carved as a dog's head, a metal seal, and a miniature porcelain doll's tea set on tray
Lot 588: Antiquities : a Medieval cast metal vessel spout in the form of a dogs head, c.15th century, 8cm long.
Lot 589: A large album of early 20th century and later postcards, colour and black and white, mostly scenic British views to include Bristol, Abingdon, Mount Snowdon and Stonehenge
Lot 590: A composite stone garden bird bath in the form of two doves 43cm long, 15cm high
Lot 591: Two Asian carved wooden medical figures, probably Chinese, each depicting a naked female, one laying on her side, 12cm long, the other depicting a naked female in a crouched seated position, 6cm high.
In Asia attitudes of feminine modesty made it improper for a woman to gesture or describe parts of her own body, because of this, when seeing a physician, a woman would indicate medical issues by referring instead to the respective anatomy of the doll.
Lot 592: A Black Forest vase carved as a deer beside a tree stump 22cm high including engraved glass vase (a/f)
Lot 593: A vintage Coleman's mustard tin , early 20th century, the tapered circular form decorated in a chintz style design, the lid with Coleman's advertising to the underside, with swing handle, 20cm high.
Lot 594: An African tribal carved wooden mortar attributed to Zaire, Democratic Republic of the Congo, the upper bowl section flanked by two carved figurative handles, raised on a facet cut carved flared base, 17cm high.
Lot 595: The Red Letter Testament with mother of pearl and leather bound cover inscribed 'Bethlehem'
Lot 596: Antiquities: to include a white pottery deep mug with loop handle, with a written note suggesting a date of 2nd millenium BC, 10cm high, an Egyptian alabaster vase with written note suggesting a date of c.1950BC, 15cm high, another similar vase, 9cm high, and an Egyptian cast metal Duamtuf figure, 11cm high, (4).
Lot 597: A European carved alabaster plaque, 'The Adoration of the Magi' , probably Flemish, c.17th century, finely carved in bold relief with a detailed group, inset ornate antique carved giltwood frame decorated in bold relief with stylised fruiting foliage, held in place with a heavy oak back screwed into the frame, plaque 30cm by 24cm, frame 45cm by 38cm , (af - old repairs to plaque).
Lot 598: After Jacques François Joseph Saly (known as Jacques Saly) (French 1717-1776), marble bust of a young girl with braided hair, 'La Boudeuse', unsigned, on marble socle, approx 50cm high Many versions were made of this portrait of a girl, including one in the Victoria & Albert Museum see https://collections.vam.ac.uk/item/O349952/a-young-girl-bust-saly-jacques-francois/a-young-girl-bust-saly-jacques-fran%C3%A7ois/#object-details
Lot 599: An African carved wood Bambara maternity figure , Mali, probably late 19th / early 20th century, the wooden plinth base with two labels applied verso, one inscribed 'Salander O'Reilly Galleries, Camden Drive, Beverly Hills, California, July 8th to August 21st 1993', figure bears exhibition number '#13614', height of figure 62cm , height with base 67cm.
Lot 600: A vintage mandolin in case together with a small four string banjo in case (a/f)
Lot 601: A carved hardwood paddle, probably Polynesian, 121cm long
Lot 602: A set of three Alchemists style pots , labelled for 'ZOLFO', 'SOLFATO', and 'ARSENICO', the domed lids decorated with snakes, toads, and a scorpion, each 23cm high , (3)
Lot 603: A set of three graduated brass models of skulls , 12cm, 9cm, and 8cm high , (3)
Lot 604: Four Heredities bronzed resin models to include 'Anglers' by Roland Chadwick and 'Taking a Break' by David Hermes, tallest 25cm, together with a Heredities catalogue
Lot 605: A George III inlaid feathered mahogany knife box , the hinged lid enclosing a later fitted interior, 38.5cm high, (af).
Lot 606: Pierre-Jules Mêne (French, 1810-1879), a bronze model of a pointer, inscribed signature to base, 10cm long
Lot 607: A vintage leather bull blinder.
These were placed over the head of a bull to prevent him from seeing anything, as Bulls are well known for their unpredictable and sometime aggressive temperament, and moving these one ton, often dangerous animals from place to place always has to be done with caution, and when potential mates or competing bulls are in view, the challenge increases!
Lot 608: An Imari ceramic metal mounted jardiniere, originally a lamp base, 32cm high
Lot 609: A set of three graduated alchemist's style jars , bronzed metal, contemporary, each of circular form with cover, decorated with a scorpion, a spider, and a crab, 12cm high, 7cm high, and 5cm high.
Lot 610: A large earthenware bowl, in the Indonesian Sasak style, moulded with shell motif to rim, diameter 47cm
Lot 611: A Middle Eastern brass divit / pen box and inkwell 24cm long, and a brass powder horn on plaited leather straps
Lot 612: A pair of bronze urns cast as models of the Warwick vases, with mask-head decoration in high relief and entwined handles, on a waisted circular fluted base, 17cm high
Lot 613: A Victorian parquetry inlaid walnut work box , with key, 28cm wide, together with a brass mounted hardwood box, 25cm wide, (2).
Lot 614: A Tiffany style table lamp , second half 20th century, having a coloured glass and leaded light shade raised on a bronzed column, 48cm high.
Lot 615: A carved hardwood paddle, probably Polynesian, 109cm long
Lot 616: A carved alabaster bust depicting a young girl in a bonnet crying and holding a pot with broken handle, late 19th / early 20th century, possibly French, on marble socle base, 48cm high.
Lot 617: Antiquities : a Pilgrim Badge, c.14th/16th century, cast in an ecclesiastical architectural form with a Saint within, 3.5cm by 3cm.
Provenance: decorations worn by some of those who undertake a Christian pilgrimage to a place considered holy by the Church, they became very popular among Catholics in the later Medieval Period, typically made of lead alloy, they were sold as souvenirs at sites of Christian Pilgrimage and bear imagery relating to the saint venerated there, the production of pilgrim badges flourished in the Middle Ages in Europe, particularly in the 14th and 15th centuries, but declined after the Protestant Reformation of the mid 16th century.
Lot 618: An African tribal carved wooden head , featuring twin handles and inset with metal nails, the wear and patination appear early 20th century or earlier, 30cm high.
Lot 619: A painted wooden model yacht on stand 70cm high including base
Lot 620: A large carved wooden figure of a Bacchanalian satyr with wine jug and fruiting vines 101cm high
Lot 621: A vintage 20th century wooden cased metronome 'Made in German Democratic Republic' 23.5cm high (untested)
Lot 622: A Mont Blanc '75 Years of Passion and Soul Meisterstuck' Special Anniversary Edition ballpoint pen in presentation box containing a CD of Placido Domingo's Operalia '98 and a Service Guide
Lot 623: A collection of antique and vintage domestic copper and brassware, including measuring jugs, a trivet, cooking pans, etc, (12).
Lot 624: A Victorian copper pan, circular bowl with riveted repair and long cast iron handle 100cm long, and a copper and brass coal bucket on brass lion paw feet 31cm high
Lot 625: An Art Nouveau brass 'Pullman' lamp, c. 1900 / 1910, in the manner of W. A. S. Benson, 29cm high.
Lot 626: Marie-Paule Deville-Chabrolle (French, b.1952) , 'Lotus de Cristal', limited edition patinated bronze sculpture, number 1/8, with certificate of authenticity, 49cm high by 60cm wide.
Provenance: Bought by vendors at Galeries Bartoux.
Lot 627: A set of 19th century oak and brass Postal scales , with associated graduated weights, 38cm wide, (af).
Lot 628: Antiquities : a Medieval cast metal childs toy in the form of a pouring vessel with low relief decoration, 3.5cm long by 1.5cm high, (af), a Medieval cast metal child toy plate with low relief decoration, 2.6cm diameter, and a Medieval Gothic cast metal childs toy model of a throne, 5.5cm high, (af), (3).
Lot 629: A copper and brass ship's lantern 39cm high a miner's lamp 26cm, and two carved stone figures (a/f)
Lot 630: An onyx desk set , c. 1940s, including; pen stand, cigarette box, ashtray, pen pot, paperweight and paper holder, cigarette box diameter 14.5cm (6)
Lot 631: An African fertility god figure , of cast metal, together with an African miniature hardwood carved mask, and a male figure, the first height 12.5cm (3)
Lot 632: A 19th century stoneware table top / travelling font , of octagonal form with gothic decoration, raised on four paw feet, 19cm wide by 10cm high.
Lot 633: Susie MacMurray (b 1951), 'Shell', limited edition sculpture number 55 of 250 commissioned by Pallant House Gallery Chichester, 2006, boxed, with information booklet
In 2006, Susie MacMurray was commissioned to produce a site-specific work of art in response to Pallant House, Chichester. MacMurray’s commission, After Shell, comprised 20,000 mussel shells, each filled with a small piece of velvet
MacMurray's work includes drawing, sculpture and architectural installations. A former classical musician, she retrained as an artist, graduating with an MA in Fine Art in 2001. She lives in Manchester and has an international exhibition profile, showing regularly in the USA and Europe as well as the UK
Lot 634: An impressive good quality Victorian oak tantalus with silver plated mounts , fitted with a set of three cut glass decanters with stoppers, a set of four cut glass tapered glasses (14cm high), a set of three cut glass tapered glasses (11cm high), and a set of four cut glass tapered tots (6cm high), the base fitted with two drawers having ornate gilt-metal handles and back plates, flanked on either side by matching carrying handles, 56cm wide by 38cm deep by 41cm high, (one glass missing).
Lot 635: Modern Art: Two large abstract metal sculptures, using industrial forms, by Michael Scott (20th/ 21st century), one red painted, the largest height 76cm (2)
Lot 636: A Franklin Mint Collectors Edition Monopoly board and accessories, with removeable glass table cover, mounted on display table, 83cm high including table with paperwork
Lot 637: A white marble bust of a classical male head, possibly Marcus Claudius Marcellus, 47cm high including socle base (a/f)
Lot 638: Antiquities : an ancient Greek bronze arrow, 16cm long, an early Celtic bronze zoomorphic hook, 10cm long, a Medieval cast and chased iron two piece hinge (chest hasp or book clasp), 17cm long combined, an antique Tibetan bronze ritual candle holder censer bell, 13cm high, a Georgian cast metal 'dogs head' wine stopper, 3cm high, and an ancient ornate carved stone shard, 6.5cm, (af), (6).
Lot 639: A Cartier gold plated lighter with ribbed design, numbered C59885 to the base, in Cartier case with booklet
Lot 640: A Yashica-Mat Copal-MXV camera, with Yashinon f/3.2 80mm lens, a Nikon Coolpix P6000 camera and a Nikon Coolpix 5200 camera in Nikon case, together with a Nikon MH-61 charger and Kodak Gold film (a/f - untested)
Lot 641: A black leather clutch bag by S Launer & Co Ltd By Appointment to HM the Queen Manufacturers of Handbags , with Asprey stamp, 23cm wide by 17.5cm high, in an Asprey box
Lot 642: A mahogany jewellery box with re-lined interior 16cm high, 33cm wide, 27cm deep (a/f)
Lot 643: An antique bronzed plaque in the neo classical taste , the dished circular form decorated in relief with classical figures of antiquity, putti, demon masks, and classical motifs throughout, 37cm diamete r (af).
Lot 644: A collection of seventeen porcelain miniature boxes , complete with wooden hanging display shelf, 75cm by 43cm, (18).
Lot 645: A framed black and white photograph of Princess Anne, signed and dated 1971, photograph 9.5cm by 7.5cm, and a framed photograph of King Charles III as Prince of Wales, bearing signature and dated February 1971, photograph 12cm by 9.5cm (a/f - some foxing and fading)
Lot 646: An S T Dupont 'Laque de Chine' pocket lighter , in original case with instruction booklet and guarantee card
Lot 647: An African carved wood metal mounted walking stick 106.5cm long
Lot 648: After Gerrit Dou (1613-1675), The Prayer of the Spinner, oval miniature on mother of pearl in unmarked yellow metal frame frame excluding suspension loop 10cm by 7.7cm
Lot 649: A Stella Jean seersucker skirt with a gathered waist, side pockets and an allover zebra print, size 44
Lot 650: A vintage trunk, early to mid 20th century, with metal mounts, brass locks, and leather carrying handles, 91cm wide by 52cm deep by 32cm high, (useful for storage, props, or with a glass top as coffee tables).
Lot 651: A Franklin Mint Collectors Edition Scrabble board and accessories, with removeable glass table cover, mounted on display table, 83cm high including table with paperwork (hardbound copy of Official Scrabble Words and Rules of Play booklet missing)
Lot 652: A collection of eight Victorian toothpaste pot lids and two lidded toothpaste jars, manufactures including W. Woods, S. Maw & Son, Loxtons (Properitor P.J. Peterson, Cape Town, Johannesburg...etc), John Gosnell & Co., Jewsbury & Brown, Calvert's and John Pepper & Co, (several A/F), Loxtons diameter 8.3cm (10)
Lot 653: A trio of decorative alchemists style bronzed pots / ornaments , each piece sat on a separate quatreform base, 24cm, 20cm, and 11cm high , (3)
Lot 654: A decorative Victorian copper and brass kettle , with fixed loop handle, lid, and applied decoration to the faceted side panels, 31cm high.
Lot 655: A Victorian mother of pearl inlaid vanity case , the hinged lid enclosing fitted interior, with lift-out tray, silver plated and glass dressing table boxes, with side drawer, with key (a/f)
Lot 656: A First World War brass compass, maker Anglo-Swiss Association, stamped and dated 1915, with arrow mark
Lot 657: A bronzed metal figure of a bowler 33cm high
Lot 658: A Victorian coromandel travelling dressing table box with fitted interior of plate mounted glass jars and bottles with stoppers, and four piece manicure set with mother of pearl handles 17cm high, 30cm wide, 22.5cm deep (a/f)
Lot 659: A collection of four copper jelly moulds , comprising a lobster, two fish, and a dome form with open centre, larger fish 31cm wide.
Lot 660: Three miniature folding knives comprising two with tortoiseshell handles and one with a mother of pearl handle
Lot 661: A vintage stained glass and leaded light kaleidoscope , indistinctly signed, 24cm long.
Lot 662: A small apothecary chest with plaque for 'Stone Chemist & Druggist, 235 Oxford Street, London', containing various bottles and boxes height 18cm, width 18.5cm, depth 12cm (a/f)
Lot 663: A Bourn brass sovereign and half sovereign scale
Lot 664: A framed First World War Hampshire Regiment Cyclist Battalion needlework with crest within a floral wreath above 'India 1916' 28cm by 37cm, 42cm by 51cm including frame
Lot 665: A heavy quality and well made vintage model of an 18th century cannon , the bronze barrel (38cm long) raised on a cast iron base in the form of two dragons, on working wheels, 23cm high.
Lot 666: An antique Indian Hindu silver plaque amulet , Rajasthan / Gujarat, traditionally worn for protection and to attract good fortune, decorated in repousse with the deity Hanuman, 5cm wide.
Lot 667: A pair of bronze figures of a soldier and a lady on horseback, each mounted on black rectangular plinth base, 22cm high including base
Lot 668: A Mont Blanc Boheme Rouge fountain pen with retractable 14k gold nib and a Mont Blanc Boheme Rouge ballpoint pen, together in a Mont Blanc leather zip case
Lot 669: 'The Book of the Thousand Nights and a Night' by Richard Francis Burton , together with the 'Supplemental Nights', 16 volumes, First Edition Original Edition, privately printed Benares for the Kamashastra Society for Private Subscribers only, London 1885/88. Together with a limited edition hard bound folio 'one hundred illustrations to Captain Sir Richard Burton's translation of The Arabian Nights' from original paintings by Stanley L Wood, Proofs before Letters, only 250 printed, this being number 2. Also with another hard bound folio 'A series of seventy original illustrations to Captain Sir R. F. Burton's Arabian Nights and a portrait of Captain Sir Richard Francis Burton', specially printed by Albert Letchford, Artist's Proofs.Together with other related printed materia l. (af).
Lot 670: A French faience style blue and white pottery mantle clock the circular dial with Roman numerals in urn shaped case with figural handles 39cm high
Lot 671: A 20th century Rococo style cast brass mantle clock chiming on a bell, in an ornate case with equestrian surmount and scroll feet, 42cm high, together with a pair of four light side candelabra 50cm high
Lot 672: A good quality Elliott red lacquered chinoiserie decorated chiming bracket clock, 20th century, retailed by Garrard & Co Ltd of Regent Street, London, having an 8 day lever movement with both Westminster and Whittington chimes, makers label inside rear door, complete with key, 38cm high.
Lot 673: A late 19th century marquetry walnut veneered wall clock, the movement striking on a bell, the case with carved surmount over twin turned supports flanking a painted dial with Roman numerals, signed 'Kay Worcester', 93cm high by 40cm wide, no key (a/f)
Lot 674: A brass and bevelled glass cased carriage clock the white enamel dial with Roman numerals, 15cm high, with key
Lot 675: A Garrard and Co mantle clock with Elliott hand wind movement, the Roman numeric chapter ring with raised brass spandrels, 23cm high
Lot 676: A gilt metal and bevelled glass cased carriage clock, the dial with Roman numerals and inscribed 'E W Payne Made in England', 16cm high, with key
Lot 677: A George III Isle of Wight oak longcase clock, 12-inch painted break arch dial inscribed 'Nichols & Son, Newport', with twin winding holes, oval panel decorated with a seated female figure holding a bird aloft above Roman hour numerals, subsidiary seconds dial, date indicator, with break arch hood and door, on bracket feet, with two weights, height 192cm (A/F)
Lot 678: A Louis XVI style gilt metal mounted Sevres style mantle clock , striking on a bell, 34cm high, no key, on giltwood stand (a/f)
Lot 679: Samuel Marti, Paris, a Victorian shaped tortoiseshell and gilt mounted mantle clock, the round white enamel dial with black Roman numerals, striking on a gong, 30cm high (a/f)
Lot 680: A Smiths chiming mantle clock the oval metal dial with Arabic numerals in rosewood effect domed case 19cm high
Lot 681: An oak cased Admiral Fitzroys barometer , 20th century, 100cm high.
Lot 682: An early Victorian wheel barometer by Alling of London , with mother of pearl inlaid rosewood case, 102cm high.
Lot 683: A Victorian alabaster cased mantle clock with visible escapement 24cm high
Lot 684: Three 20th century torsion pendulum mantle clocks by Kundo, Prescott and Kern, largest 19.5cm high
Lot 685: A brass and bevelled glass cased carriage clock, the white enamel dial with Arabic numerals, 15cm high, no key
Lot 686: A 19th century T W Watson of 4 Pall Mall, London, hallmarked silver cased pocket barometer, 5cm diameter, together with a T W Watson unmarked white metal cased pocket compass, 5cm diameter, both presented side by side in a fitted case with hinged lid.
Lot 687: A microscope no. 4431 and case made by Charles Perry, 41 Northholme Road London N5, case 34.5cm high, 19cm wide, 22cm deep
Lot 688: A Kundo 400 Day clock the green and black dial with Roman numerals under a glass dome on circular plinth base, dome 24cm high including base, together with a novelty German mantle clock the pendulum in the form of a merry-go-round, battery operated, dome 19cm high including base (a/f)
Lot 689: A brass and bevelled glass cased carriage clock the white enamel dial with Roman numerals, 15cm high, with key
Lot 690: A Victorian lacquered drop dial fusee wall clock , the dial inscribed S Child Birmingham, the case with mother of pearl and painted foliate decoration with gilt embellishments, 72cm high, with pendulum and key
Lot 691: A George III mahogany bracket clock, the silvered dial inscribed Geo. Donisthorpe Birmingham with Roman numeral chapter ring, Strike/Silent dial to arch, date aperture, twin winding holes, the twin fusee movement striking on a bell, regulated by short bob pendulum, backplate engraved with scrolling floral design, 48cm high, with winding key (a/f)
Lot 692: A 19th century oak longcase clock, with square 11-inch silvered dial, spandrels engraved with tulip motif, Roman and Arabic numerals, signed James Wrapson, Chichester, striking on a bell, with single weight, height 214cm (case A/F)
Lot 693: A 19th century slate and marble cased mantle clock, the white enamel dial with Roman numerals, striking on a bell, 25cm high
Lot 694: An Imhof white painted metal square mantle clock with gilt dial 13cm high, 12cm wide, and a Swiza brass alarm clock in the form of a chamberstick with flame (missing handle) 14cm high
Lot 695: A Georgian mahogany and oak longcase clock, the 12-inch break arch painted enamelled dial inscribed 'R. Summerhays, Taunton' with twin winding holes, decorated with flowers, above Roman hour numerals, subsidiary seconds dial, date indicator, swan neck pediment hood with eagle ball finials, door inlaid with figure of Britannia, with two weights and key, height 226cm
Lot 696: A small Vienna style wall clock 48cm high (a/f)
Lot 697: A 19th century French rosewood inlaid clock by Laine of Paris, the signed engine turned silvered dial with Roman numerals, the movement striking on a bell 21cm high (a/f)
Lot 698: A chrome mantle clock and garniture set, decorated with classical scenes of palm trees, temples, buildings and figures, clock 37cm high
Lot 699: A circular mahogany cased fusee wall clock the white enamel dial with Roman numerals and inscribed C C Allen & Son Chichester, striking on a bell 38cm diameter, with pendulum and key
Lot 700: A 19th century French gilt metal mantle clock the white enamel dial with Roman numerals and Marti bell striking movement, the case decorated with a young lady visiting a shrine to the Madonna, signed P H Mourey to the back, 34cm high, with associated key
Lot 701: An ornate gilt-brass mounted oak cased Hamburg American Clock Company striking 14 day mantle clock , c.1900, the movement striking on a gong, with original makers label inside the rear door, complete with pendulum and key, 54cm high
Lot 702: A large 19th century cast metal figural clock case with fisherman holding a net, on slate base 65cm high (a/f)
Lot 703: An inlaid mahogany cased striking eight day longcase clock by Alex Mitchell, Gorbals, Glasgow, 19th century, having an arched pediment and blind fret frieze above the 13 inch arched brass dial, with subsidiary seconds dial. date aperture, twin winding holes, nicely engraved decoration, applied cast decoration and dolphins to the arch, above the marquetry inlaid door flanked by inlaid corner pilasters, above an inlaid base panel and bracket feet, complete with twin weights, pendulum, and winder, 223cm (7'4") high.
Lot 704: A French brass and bevelled glass cased mantle clock with movement by AD Mougin, striking on a gong, visible escapement, the white enamel dial with Roman numerals, the pendulum with mercury bob, 26cm high
Lot 705: A French bronze, gilt bronze and brass mantle clock , the circular signed white enamel dial with Roman numerals, the movement signed Raingo Frères Paris, striking on a bell, the case with figural surmount of two children, foliate scroll decoration on scroll feet, 43cm high
Lot 706: A large brass and bevelled glass cased carriage clock signed Matthew Norman London, the white enamel dial with Roman numerals, striking on a gong, 17.5cm high, with key
Lot 707: A French brass and bevelled glass oval cased carriage clock , the white enamel dial with Roman numerals and worn inscription, 16cm high, no key
Lot 708: A Victorian slate mantle clock striking on a gong, in an architectural case, 36cm high, with key (a/f)
Lot 709: A Mappin & Webb brass and bevelled glass case carriage clock, 15cm high, with key (a/f)
Lot 710: An early 20th century oak cased mantle clock the circular white enamel dial with Roman numerals and visible escapement, indistinctly signed ' A Mahon? Paris', striking on a bell, 47cm high, 28cm wide, no key (a/f)
Lot 711: A 19th century oak and mahogany 8 day longcase clock by Fryer, York the painted dial with scene of ruined church, striking on bell, approx 228cm high, with pendulum, two weights, winder, case key (a/f - past repairs to rear legs, seller reports in working order)
Lot 712: An Elliott of London bracket clock in burr walnut fronted case, retailed by The Alexander Clark Co Ltd, the movement replaced with a wind-up mechanism 29cm high (a/f)
Lot 713: A 19th century rosewood and mother of pearl inlaid fusee drop dial wall clock 75cm high, with key and pendulum
Lot 714: A 20th century oak longcase clock, 11-1/3 inch square dial, brass with silvered chapter ring, Roman numerals, decorative spandrels, striking on a bell, flat topped case, hood with barley twist columns, pendulum and weights attached, with key, height 185.5cm
Lot 715: Cecil Aldin RBA (British, 1870 - 1935), 'A playful hound', pencil signed mixed media on paper, 55cm by 55cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 716: Cecil Aldin RBA (British, 1870 - 1935), 'Begging', pen and ink drawing on paper, signed, label verso for the Chris Beetles Gallery, 5 Ryder Street, St. James, London, 20cm by 16cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 717: Attributed to Cecil Aldin RBA (British, 1870 - 1935) , 'A resting hound', oil on board, seemingly unsigned, 35cm by 45cm, inset relief moulded gilt frame.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 718: Cecil Aldin RBA (British, 1870 - 1935) , 'Head of a Tiger', pastel, signed and dated 1918, 85cm by 58cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 719: Cecil Aldin RBA (British, 1870 - 1935) , 'The School Yard, with master and pupils', pastel, signed, 47cm by 62cm framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 720: Cecil Aldin RBA (British, 1870 - 1935) , 'Good Morning Mrs Flanagan' and 'Good Morning Squire Brown', a pair of original chromolithographs, 21cm by 38cm, inset original bespoke frames.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 721: Cecil Aldin RBA (British, 1870 - 1935) , 'Mated' depicts a games of chess, original chromolithograph, 37cm by 60cm, inset original bespoke frame.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 722: Cecil Aldin RBA (British, 1870 - 1935), 'In The Open' and 'A Likely Spot', a pair of original chromolithographs, 30cm by 60cm, inset original bespoke frames.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 723: Cecil Aldin RBA (British, 1870 - 1935) , 'We Don't Want To Fight, But...', original chromolithograph, c.1899, relates to The Second Boer War, 35cm by 41cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 724: Cecil Aldin RBA (British, 1870 - 1935) , 'A Figure of Fun' depicting three puppy Jack Russell terriers, vintage print, 27cm by 44cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 725: Cecil Aldin RBA (British, 1870 - 1935) , 'Susan the Pekingese', Pencil signed limited edition etching, number 87/100, 21cm by 30cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 726: Cecil Aldin RBA (British, 1870 - 1935) , 'London Bridge', pastel, signed, 31cm by 45cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 727: Cecil Aldin RBA (British, 1870 - 1935) , 'A horse drawn coach out The George Inn', pastel, signed, 47cm by 75cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 728: Cecil Aldin RBA (British, 1870 - 1935) , 'London Bridge', pastel, signed, 34cm by 38cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 729: Cecil Aldin RBA (British, 1870 - 1935) , 'Thames Scene', pastel, 31cm by 45cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 730: Cecil Aldin RBA (British, 1870 - 1935) , 'Maypole Inn, Chigwell', pastel, signed, label verso for The Fine Art Society, 20th May 1935, entry number 36, 36cm by 51cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 731: Cecil Aldin RBA (British, 1870 - 1935) , 'The Yarn Market at Dunster', pastel, signed, labels verso, 42cm by 42cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 732: Cecil Aldin RBA (British, 1870 - 1935) , 'The New Inn', depicting a Dickensian type timbered inn's courtyard with coach and male figure, pastel, signed, 50cm by 43cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 733: Cecil Aldin RBA (British, 1870 - 1935) , 'Purley, Reading', pastel, signed, 52cm by 44cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 734: Cecil Aldin RBA (British, 1870 - 1935) , 'The Bell Inn, Waltham St. Lawrence', Pencil signed limited edition etching, number 57/75, label verso for Eyre & Spottiswoode (Publishers) Ltd of London, 25cm by 35cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 735: Cecil Aldin RBA (British, 1870 - 1935) , 'The Hunt', black ink and pastel drawing, signed, 43cm by 69cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 736: Cecil Aldin RBA (British, 1870 - 1935) , 'The Hunt', black ink and pastel drawing heightened with white, signed, 27cm by 44cm , framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 737: Cecil Aldin RBA (British, 1870 - 1935) , 'The Rabbit Hunt', black ink drawing, signed and dated (18)96, 19cm by 32cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 738: Cecil Aldin RBA (British, 1870 - 1935) , 'Cheating The Toll' (Epsom Races), original chromolithograph, Published by Louis Meyer, The Black & White Gallery, 37 Old Bond Street, London, July 1900, image 37cm by 69cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 739: Cecil Aldin RBA (British, 1870 - 1935) , 'Golf Scene', colour print, 34cm by 48cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 740: Cecil Aldin RBA (British, 1870 - 1935) , 'The New Inn, Gloucester', Pencil signed limited edition etching, number 45/75, label verso, 25cm by 35cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 741: Cecil Aldin RBA (British, 1870 - 1935) , 'Cruise Ship in calm waters, cityscape in the background', Pencil signed etching, 15cm by 41cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 742: Cecil Aldin RBA (British, 1870 - 1935) , 'Pack of Foxhounds', pen and ink drawing on ivorine panel, signed,12cm by 17cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 743: Cecil Aldin RBA (British, 1870 - 1935) , 'I Never Ate Your Chicken Food', original chromolithograph, label verso for Bryan Trevorrow Antiquarian Map and Print Dealer, Dartmouth, 24cm by 19cm, framed. Together with one other original chromolithograph depicting chickens, 21cm by 17cm, framed, (2).
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 744: Cecil Aldin RBA (British, 1870 - 1935) , 'Medieval Timbered Building with a woman and a dog in the Courtyard', believed to be Penshurst, Kent, Pencil signed limited edition etching, number 20/100, 30cm by 21cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 745: Attributed to Cecil Aldin RBA (British, 1870 - 1935) , 'A Bull Fight', pastel heightened with white, bears indistinct script lower left, 21cm by 34cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 746: Cecil Aldin RBA (British, 1870 - 1935) , 'Ploughing', Pencil signed limited edition etching, number 76/100, label verso for Wishart Brown of Glasgow, 25cm by 35cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 747: Cecil Aldin RBA (British, 1870 - 1935) , 'Fashionable Gentleman and Female Companions', watercolour and pastel, most likely an original illustration, 25cm by 36cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 748: Cecil Aldin RBA (British, 1870 - 1935) , 'Two Dutch Figures', watercolour. signed, 32cm by 27cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 749: Cecil Aldin RBA (British, 1870 - 1935) , 'Driving the coach up the snowy lane', chalks on buff coloured paper, signed, 54cm by 44cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 750: Cecil Aldin RBA (British, 1870 - 1935) , 'I'm not allowed on this sofa', Pencil signed limited edition etching, number 45/100, 20cm by 31cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 751: Cecil Aldin RBA (British, 1870 - 1935) , 'A Playful Puppy', original lithograph, 23cm by 20cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 752: Cecil Aldin RBA (British, 1870 - 1935) , 'A scolded terrier puppy, a black cat, and a broken pot', pastel, coloured chalks, and pencil drawing, signed, 28cm by 22cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 753: Cecil Aldin RBA (British, 1870 - 1935) , 'Scottish Terrier', Pencil signed etching, 15cm by 11cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 754: Cecil Aldin RBA (British, 1870 - 1935) , 'The Glasgow and London Royal Mail Coach, an original chromolithograph, inset an original Arts & Crafts oak frame applied with coat hooks (one hook missing), image 37cm by 100cm, frame 77cm by 134cm.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 755: Cecil Aldin RBA (British, 1870 - 1935) , 'Hunting Scenes', a pair of original chromolithographs, 26cm by 70cm, framed, (2).
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 756: Cecil Aldin RBA (British, 1870 - 1935) , 'A Broken Melody' and 'A Good Story', two original chromolithographs, each 37cm by 58cm, matching original oak frames, (2).
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 757: Cecil Aldin RBA (British, 1870 - 1935) , 'Girl on Horseback', pen and ink on ivorine panel. signed, 12.5cm by 17cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 758: Cecil Aldin RBA (British, 1870 - 1935) , 'Huntsman on Horseback drinking from a Tankard', watercolour, signed, 15cm by 20cm, inset an original Arts & Crafts planished copper frame embossed with a Demon mask.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 759: Cecil Aldin RBA (British, 1870 - 1935) , 'A Resting Terrier', Pencil signed limited edition etching, number 91/150, 12cm by 21cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 760: Cecil Aldin RBA (British, 1870 - 1935) , 'A Dalmatian Puppy', Pencil signed limited edition etching, number 120/160, 15cm by 11cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 761: Cecil Aldin RBA (British, 1870 - 1935) , 'A Bunch of Mischief', Pencil Signed limited edition etching, number 137/150, period label verso for Deighton's Strand Gallery, Charing Cross, London, 17.5cm by 12cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 762: Cecil Aldin RBA (British, 1870 - 1935) , 'A Pekinese dog pulling on the gown of a Chinese lady whilst upturning a tray and contents', pen and ink drawing on ivorine panel. signed, panel 25cm by 28cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 763: Cecil Aldin RBA (British, 1870 - 1935) , 'The Whip' and 'The Huntsman', a pair of original chromolithographs, Richard Wyman & Co Ltd, London, 27cm by 71cm, matching Hogarth frames, (2).
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 764: Cecil Aldin RBA (British, 1870 - 1935) , 'The York Coach outside the Bell Inn', Pencil signed original chromolithograph, bears blindstamp Proof Number 21 for Lawrence & Bullen Ltd, c.1903, 34cm by 60cm, limed oak frame.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 765: Cecil Aldin RBA (British, 1870 - 1935) , 'Glasgow and London Royal Mail Coach', and 'Liverpool to London Coach', a pair of original chromolithographs, Lawrence & Jellicoe Ltd of London, 27cm by 70cm, matching oak frames, (2).
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 766: Cecil Aldin RBA (British, 1870 - 1935) , 'The Romance of the Road, Bath Road', black ink and yellow wash, an original drawing, likely an illustration for Aldin's book 'The Romance of the Road', signed, c.1930, 40cm by 36cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 767: Cecil Aldin RBA (British, 1870 - 1935) , 'River Scene with riverside buildings', pastel, signed, label verso for 'J P Ballard, Reading Fine Art Gallery', 33cm by 54cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 768: Cecil Aldin RBA (British, 1870 - 1935) , 'Majorca', Pencil signed etching, c.1920, 35.5cm b7 27.5cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 769: Cecil Aldin RBA (British, 1870 - 1935) , 'A Stagecoach on it's journey', Pencil signed etching, 21cm by 30cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 770: Cecil Aldin RBA (British, 1870 - 1935) , 'The Grand National', a set of three limited edition Pencil signed colour prints published by Richard Wyman & Co Ltd of London, number 212 of 350, labels verso, each image 16cm by 30cm, matching frames.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 771: Attributed to Cecil Aldin RBA (British, 1870 - 1935) , 'At The Zoo', black pastel and pencil drawing, 14.5cm by 23cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 772: Cecil Aldin RBA (British, 1870 - 1935) , 'Tiger', black and grey watercolour, signed, dated (18)87, label verso for The British Sporting Art Trust Cecil Aldin Exhibition 1990, catalogue number 72, 20cm by 35cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 773: Cecil Aldin RBA (British, 1870 - 1935) , 'Contraltos' and 'Basses', a pair of original chromolithographs, Lawrence & Jellicoe Ltd, c.1908, 28cm by 36cm, matching oak frames, (2).
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 774: Cecil Aldin RBA (British, 1870 - 1935) , 'Poodles and Pekinese Dogs', two original pastel drawings, most likely illustrations, some text, both signed, 24cm by 28cm and 27cm by 22cm, matching frames, (2).
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 775: Cecil Aldin RBA (British, 1870 - 1935) , 'One hot summer's day the Irish looney lost such litle reason as he had!', black ink and coloured pastels on paper, signed, label verso, 35cm by 28cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 776: Cecil Aldin RBA (British, 1870 - 1935) , 'Colman's Blue', an original advertising chromolithograph, Bemrose & Sons Ltd of Derby and London, 15cm by 13cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 777: Cecil Aldin RBA (British, 1870 - 1935) , 'Rough and Tumble', lithograph design for a book cover, c.1910, 28cm by 23cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 778: Cecil Aldin RBA (British, 1870 - 1935) , 'Hunting Scene', Pencil signed limited edition etching, number 4/100, 17cm by 18cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 779: Cecil Aldin RBA (British, 1870 - 1935) , 'Huic Holloa-Huic Holloa!' an original advertising chromolithograph for Dunville's Whiskies, published by Richard Wyman & Co Ltd of London, 34cm by 60cm, original Dunville branded oak frame.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 780: Cecil Aldin RBA (British, 1870 - 1935) , 'Cadbury's Cocoa', original advertising lithograph, c.1899, 30cm by 21cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 781: Cecil Aldin RBA (British, 1870 - 1935) , 'Land and Water', an original advertising chromolithograph, Bemrose & Sons Ltd of Derby and London, 20cm by 12cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 782: Cecil Aldin RBA (British, 1870 - 1935) , 'Cadbury's Cocoa', an original advertising chromolithograph, c.1899, 18cm by 14cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 783: Cecil Aldin RBA (British, 1870 - 1935) , 'Study of an ancient timbered building', pastel, artists name inscibed to mount, 26cm by 21cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 784: Cecil Aldin RBA (British, 1870 - 1935) , 'A stagecoach hurtling along past an old timbered building and a mother and son', an original Pencil signed chromolithograph, with a Fine Art blind stamp, published by Eyre & Spottiswoode Ltd of London, 44cm by 76cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 785: Cecil Aldin RBA (British, 1870 - 1935) , 'Who Said Kruger', charcoal drawing, signed with monogram, reputed to have been executed at the London Sketch Club in the late 1890s and of Boer War connection, 55cm by 37cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 786: Cecil Aldin RBA (British, 1870 - 1935) , 'The Master of the Pytchley at Kilworth Sticks', Pencil signed limited edition lithograph limited to forty copies, Lawrence & Jellicoe of London and Ernest Brown & Phillips of London, label verso, 45cm by 57cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 787: Cecil Aldin RBA (British, 1870 - 1935) , 'Moreton Old Hall', original drawing, label verso for The Fine Art Society Ltd, New Bond Street, London, number 115, dated 10th June 1935, 27cm by 26cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 788: Cecil Aldin RBA (British, 1870 - 1935) , 'The Romance of the Road, Bath Road', original ink drawing, c.1930, signed, further inscribed to mount, 29cm by 23cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 789: Cecil Aldin RBA (British, 1870 - 1935) , ' Study of a Horse', pencil drawing, signed and dated 1883', 15cm by 25cm, framed, (it is worth noting that Aldin was just 13 years old when he drew this).
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 790: Cecil Aldin RBA (British, 1870 - 1935) , 'Pickwickians and Jingle at the Bull, Rochester', original chromolithograph, with ivorine title plaque, 23cm by 91cm, swept light oak frame,
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 791: Cecil Aldin RBA (British, 1870 - 1935) , 'Six Children and Two Dogs Swimming', original chromolithograph, 30cm by 72cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 792: Cecil Aldin RBA (British, 1870 - 1935) , 'The Pytchley Country, a Fox away from Berrydale', Pencil signed limited edition lithograph, number 16 of 40, Lawrence & Jellicoe of London and Ernest Brown & Phillips of London, label verso, 34cm by 64cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 793: Cecil Aldin RBA (British, 1870 - 1935) , 'Hunt Scene', Pencil signed lithograph, 33cm by 63cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 794: Cecil Aldin RBA (British, 1870 - 1935) , 'Figures and a horse outside an old timbered building' an original drawing, signed, 48cm by 44cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 795: Cecil Aldin RBA (British, 1870 - 1935) , 'Horse Racing Scenes', a pair of pencil signed colour prints with 'Remarque Proof number 22' blind stamps, published by Richard Wyman & Co Ltd of London, 34cm by 51cm, framed, (2).
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 796: Cecil Aldin RBA (British, 1870 - 1935) , 'An elderly gentleman and his dog outside The Middle House Inn, Mayfield, East Sussex', pastel, 53cm by 45cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 797: Cecil Aldin RBA (British, 1870 - 1935) , 'A Check' and 'Gone Away', a pair of original early motoring chromolithographs, c.1920, approx 46cm by 60cm, framed, (2).
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 798: Cecil Aldin RBA (British, 1870 - 1935) , 'Hunting Scenes', a matched set of four original pencil signed chromolithographs, each approx 38cm by 60cm, inset matched vintage honey oak frames, (4).
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 799: Cecil Aldin RBA (British, 1870 - 1935) , 'Old Up 'Oss', (Jorrocks), watercolour, signed, label verso, 43cm by 29cm, framed.
Mr Jorrocks is one of the great comic characters of English literature, a cockney who is as blunt as John Bull, a grocer from the city, with a sharp cockney accent, who enjoys the sporting life.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 800: Cecil Aldin RBA (British, 1870 - 1935) , 'A woman and a black cat on a path besides old timbered buildings', pastel, signed, 58cm by 46cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 801: Cecil Aldin RBA (British, 1870 - 1935) , 'Emily Moore', original drawing, signed, titled, 40cm by 30cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 802: Cecil Aldin RBA (British, 1870 - 1935) , 'The George Inn, Dorchester, Oxon', Pencil signed remarque proof print, labels verso, Fine Art Trade Guild blind stamp, printed and published by Eyre & Spottiswoode Ltd of London, 33cm by 39cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 803: Cecil Aldin RBA (British, 1870 - 1935) , 'The Castle Inn, Chiddingstone' (from the Old English Inns series), pencil signed chromolithograph with Fine Art Trade Guild blind stamp, Harrods and another labels verso, 36cm by 40cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 804: Cecil Aldin RBA (British, 1870 - 1935) , 'Old London timbered building', pencil signed lithograph with Fine Art Trade Guild blind stamp, Alfred Bell & Co Ltd of London, c.1925, 51cm by 26cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 805: Cecil Aldin RBA (British, 1870 - 1935) , 'The George Inn', pencil signed lithograph with Fine Art Trade Guild blind stamp, label verso, 32cm by 38cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 806: Cecil Aldin RBA (British, 1870 - 1935) , 'The George Inn, Dorchester, Oxon', pencil signed lithograph with Fine Art Trade Guild blind stamp, label verso, 34cm by 40cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 807: Cecil Aldin RBA (British, 1870 - 1935) , 'High Street', original pencil signed lithograph with Fine Art Trade Guild blind stamp, Alfred Bell & Co Ltd of London, c.1925, 50cm by 25cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 808: Cecil Aldin RBA (British, 1870 - 1935) , 'Cathedral Scene', original pencil signed lithograph, printed and published by Eyre & Spottiswoode Ltd of London, 40cm by 32cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 809: Cecil Aldin RBA (British, 1870 - 1935) , 'Riverside Cathedral', original pencil signed lithograph with Fine Art Trade Guild blind stamp, Eyre & Spottiswoode Ltd of London, 39cm by 30cn, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 810: Cecil Aldin RBA (British, 1870 - 1935) , 'Cathedral Scene', original pencil signed lithograph with Fine Art Trade Guild blind stamp, printed and published by Eyre & Spottiswoode Ltd of London, 38cm by 32cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 811: Cecil Aldin RBA (British, 1870 - 1935) , 'Cathedral Scene', original pencil signed lithograph with Fine Art Trade Guild blind stamp, printed and published by Eyre & Spottiswoode Ltd of London, 40cm by 30cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 812: Cecil Aldin RBA (British, 1870 - 1935) , 'Cathedral Scene', original pencil signed lithograph with Fine Art Trade Guild blind stamp, printed and published by Eyre & Spottiswoode Ltd of London, 40cm by 34cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 813: Cecil Aldin RBA (British, 1870 - 1935) , 'Cathedral Scene', original pencil signed lithograph with Fine Art Trade Guild blind stamp, printed and published by Eyre & Spottiswoode Ltd of London, 38cm by 32cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 814: Cecil Aldin RBA (British, 1870 - 1935) , 'Cathedral Scene', original pencil signed lithograph with Fine Art Trade Guild blind stamp, printed and published by Eyre & Spottiswoode Ltd of London, 40cm by 30cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 815: Cecil Aldin RBA (British, 1870 - 1935) , 'Cathedral Scene', original pencil signed lithograph, printed and published by Eyre & Spottiswoode Ltd of London, 40cm by 32cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 816: Cecil Aldin RBA (British, 1870 - 1935) , 'Cathedral Scene', original pencil signed lithograph with Fine Art Trade Guild blind stamp, printed and published by Eyre & Spottiswoode Ltd of London, 40cm by 30cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 817: Cecil Aldin RBA (British, 1870 - 1935) , 'Cathedral Scene', original pencil signed lithograph with Fine Art Trade Guild blind stamp, printed and published by Eyre & Spottiswoode Ltd of London, 40cm by 30cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 818: Cecil Aldin RBA (British, 1870 - 1935) , 'Cathedral Scene', original pencil signed lithograph with Fine Art Trade Guild blind stamp, printed and published by Eyre & Spottiswoode Ltd of London, 40cm by 30cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 819: Cecil Aldin RBA (British, 1870 - 1935) , 'Cathedral Scene', original pencil signed lithograph with Fine Art Trade Guild blind stamp, printed and published by Eyre & Spottiswoode Ltd of London, 40cm by 32cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 820: Cecil Aldin RBA (British, 1870 - 1935) , 'Cathedral Scene', original pencil signed lithograph with Fine Art Trade Guild blind stamp, printed and published by Eyre & Spottiswoode Ltd of London, 40cm by 32cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 821: Cecil Aldin RBA (British, 1870 - 1935) , 'Boy with Horses', watercolour, signed, 45cm by 55cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 822: Cecil Aldin RBA (British, 1870 - 1935) , 'Sing a Song of Sixpence', an original chromolithograph, c.1901, labels verso, 36cm by 22cm high, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 823: Cecil Aldin RBA (British, 1870 - 1935) , 'Cycles and Motor Cars use only Brampton Chains', an original advertising chromolithograph, label verso, 24cm by 40cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 824: Cecil Aldin RBA (British, 1870 - 1935) , 'A Race That Staggers Humanity', original lithograph, relates to The Boer War, 28cm by 44cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 825: Cecil Aldin RBA (British, 1870 - 1935) , 'Barbara', depicts a cow tethered beside a tree and a milk pail, original drawing, signed with monogram and dated (18)88, it is worth noting Aldin was just 18 years old when he drew this, 23cm by 30cm, framed.
Purchased at David Lay Auctions, Penzance, Cornwall, 15th February 2007, where it was listed as 'Miss Emily Moore's Prize Winning Champion Jersey Cow'.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 826: Cecil Aldin RBA (British, 1870 - 1935) , 'Coaching Scene at the George Inn', original pencil signed lithograph with Fine Art Trade Guild blind stamp, printed and published by Eyre & Spottiswoode Ltd of London, 40cm by 30cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 827: Cecil Aldin RBA (British, 1870 - 1935) , 'In Memory of Amelia' depicting two girls sat writing in a graveyard, pencil signed lithograph with Fine Art Trade Guild blind stamp, printed and published by Eyre & Spottiswoode Ltd of London, 41cm by 34cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 828: Cecil Aldin RBA (British, 1870 - 1935) , 'Huntsman riding across a field', original ink drawing on ivorine panel, signed, 13cm by 18cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 829: Cecil Aldin RBA (British, 1870 - 1935) , 'A Village Post Office', Pencil signed limited edition etching, number 7/100, labels verso, 25cm by 21cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 830: Cecil Aldin RBA (British, 1870 - 1935) , 'Hunting Scenes', a set of four original chromolithographs, 18cm by 24cm, matching frames, (4).
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 831: Cecil Aldin RBA (British, 1870 - 1935) , 'No, I'm not your father!', limited edition lithograph, c.1928, label verso, 15cm by 20cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 832: Cecil Aldin RBA (British, 1870 - 1935) , 'The Glad Eye', watercolour and mixed media, 26.5cm by 21cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 833: Cecil Aldin RBA (British, 1870 - 1935) , 'Pytchley Full Cry from Loathland Wood', pencil signed colour print, 15cm by 30cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 834: Cecil Aldin RBA (British, 1870 - 1935) , 'The First Fence', lithograph printed and published by Eyre & Spottiswoode Ltd of London, 43cm by 75cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 835: Cecil Aldin RBA (British, 1870 - 1935) , 'Ightham Mote House (the entrance porch)' and 'The Catherine Wheel (Southwark)', two pencil signed limited edition prints with Fine Art Trade Guild blind stamps, published by Alfred Bell & Co Ltd of London, labels verso, 25cm by 20cm, matching frames, (2).
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 836: Cecil Aldin RBA (British, 1870 - 1935) , 'The Bull Inn', pencil signed chromolithograph, partial labal verso, published by Lawrence & Bullen Ltd of London, c.1903, 'Proof Number 51' stamp, 36cm by 60cm, medium oak frame.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 837: Cecil Aldin RBA (British, 1870 - 1935) , 'The South Berks (away from Pearman's covert)', pencil signed lithograph with Fine Art Trade Guild blind stamp, published by Alfred Bell & Co of London, c.1925, 33cm by 60cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 838: Cecil Aldin RBA (British, 1870 - 1935) , 'Hunting Scene', Pencil signed colour print, 33cm by 68cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 839: Cecil Aldin RBA (British, 1870 - 1935) , 'Coaching scene depicting the goings on at an Inn courtyard', pencil signed colour print with 'Lawrence & Bullen Ltd Proof Number 8' stamp, c.1903, 35cm by 61cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 840: Cecil Aldin RBA (British, 1870 - 1935) , 'Full Cry From Loatland Wood', from 'The Pytchley Country' series, Pencil signed limited edition number 21/40, labels verso, 34cm by 64cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 841: Cecil Aldin RBA (British, 1870 - 1935) , 'Coaching Scene', Pencil signed lithograph, published by Henry Graves & Co Ltd of London, c.1906, also pencil signed 'W A Cox', 44cm by 69cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 842: Cecil Aldin RBA (British, 1870 - 1935) , 'Hunting Scene', Pencil signed colour print, 33cm by 68cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 843: Cecil Aldin RBA (British, 1870 - 1935) , 'Hunting Scene', Pencil signed chromolithograph, 37cm by 60cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 844: Cecil Aldin RBA (British, 1870 - 1935) , 'Horse Racing Scene', Pencil signed chromolithograph, Lawrence & Bullen Ltd, c.1902, 38cm by 60cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 845: Cecil Aldin RBA (British, 1870 - 1935) , 'Moonlit Windmill Scene', Pencil signed lithograph with Fine Art Trade Guild Blind Stamp, published by Alfred Bell & Co Ltd of London, c.1924, 22cm by 22cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 846: Cecil Aldin RBA (British, 1870 - 1935) , 'The Cheshire (away from Peckforton wood)', Pencil signed print published by Eyre & Spottiswoode of London, four labels verso, 35cm by 66cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 847: Cecil Aldin RBA (British, 1870 - 1935) , 'An English Bulldog protecting his bone from three other snarling dogs' (a representation relating to The Boer War), original chromolithograph, 41cm by 60cm, birds eye maplewood frame.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 848: Cecil Aldin RBA (British, 1870 - 1935) , 'Pictures from Pickwick', a series of seven original chromolithographs, printed by J L Goffart of Brussels and published by Lawrence & Jellicoe Ltd and Chapman & Hall Ltd, each with individual titles, 28cm by 38cm, matching frames, (7).
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 849: Cecil Aldin RBA (British, 1870 - 1935) , 'The Devon & Somerset Stag Hounds', Pencil signed lithograph, c.1911, label verso, 32cm by 66cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 850: Cecil Aldin RBA (British, 1870 - 1935) , 'Coaching scene at the George Inn', pencil signed lithograph with Fine Art Trade Guild blind stamp, printed and published by Eyre & Spottiswoode of London, 39cm by 35cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 851: Cecil Aldin RBA (British, 1870 - 1935) , 'An elderly Gentleman and his Terrier passing through an Archway', Pencil signed lithograph with Fine Art Trade Guild blind stamp, printed and published by Eyre & Spottiswoode of London, 38cm by 28cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 852: Cecil Aldin RBA (British, 1870 - 1935) , 'The Prince of Wales with the Pytchley Hunt', Pencil signed limited edition lithograph, number 34/350, printed and published by Eyre & Spottiswoode of London, partial label verso, 47cm by 40cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 853: Cecil Aldin RBA (British, 1870 - 1935) , 'Huntsman wooing a Maid', original chromolithograph, 41cm by 29cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 854: Cecil Aldin RBA (British, 1870 - 1935) , 'Hunting Scene', Pencil signed lithograph, c.1911, 42cm by 60cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 855: Cecil Aldin RBA (British, 1870 - 1935) , 'Interior scene at an Inn with guests, staff, and dogs', original pencil signed lithograph, c.1903, published by Lawrence & Bullen of London, with 'Proof Number 61' stamp, 35cm by 62cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 856: Cecil Aldin RBA (British, 1870 - 1935) , 'The Pytchley, Frank Freeman at Crick', Pencil signede print, c.1912, title plaque to frame, old labels verso, 37cm by 62cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 857: Cecil Aldin RBA (British, 1870 - 1935) , 'Hunting Scene', Pencil signed print, 32cm by 71cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 858: Cecil Aldin RBA (British, 1870 - 1935) , 'Panoramic hunting scene and hills', Pencil signed lithograph with Fine Art Trade Guild blind stamp, published and printed by Alfred Bell & Co Ltd of London, 32cm by 60cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 859: Cecil Aldin RBA (British, 1870 - 1935) , 'Dutch man and horses ploughing a field', original chromolithograph, 65cm by 84cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 860: Cecil Aldin RBA (British, 1870 - 1935) , 'The Atherstone away from Sutton Ambion (Market Bosworth)', pencil signed print, 34cm by 66cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 861: Cecil Aldin RBA (British, 1870 - 1935) , 'Hunting Scene', Pencil signed print published by Dennis Aldridge of Hinckley, Leicestershire, label verso, 28cm by 40cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 862: Cecil Aldin RBA (British, 1870 - 1935) , 'The Cheshire, away from Bath Wood', Pencil signed limited edition print from an edition of 150, c.1913, Lawson & Jellicoe Ltd and Ernest Brown & Phillips of London, label verso, 40cm by 67cm, framed.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 863: Cecil Aldin RBA (British, 1870 - 1935) , '‘Coach and four horses leaving The George Inn’, oil on canvas, signed by the artist and inscribed ‘To Granny from Cecil Aldin’, remnants of old label verso, 54cm x 75cm, inset ornate antique relief decorated giltwood frame.
Purchased at Tennants Auctioneers, Leyburn, North Yorkshire, 24th November 2005, lot 1.
Provenance: from the private collection of Christopher Pacey-Day, amassed over the past 60 years, a businessman, councillor, and passionate art collector from Rugby, Warwickshire, whose late wife was the ballerina Sylvia Lorden.
Lot 864: A pair of Charles Rennie Mackintosh design high back chairs by Bruce Hamilton of Glasgow, 20th century, in the Ingram pattern, 150cm high.
The original Mackintosh chairs were made for The White Dining Room in Miss Cranstons Tearooms in Ingram Street, Glasgow, c. 1900.
Lot 865: An Arts & Crafts mellow walnut drop leaf occasional table , with shaped undertier and outswept chamfered supports, 77cm by 31cm opening to 92cm by 77cm .
Lot 866: A George III mahogany bureau / writing desk, the hinged fall front enclosing a nicely fitted interior with hidden secret document drawers, above two short and three long graduated drawers fitted with brass swan neck handles, raised on bracket feet, 96cm wide by 50cm deep (makes for a useful home office).
Lot 867: A large Victorian style gilt framed overmantle mirror, 20th century, 125cm wide by 118cm high.
Lot 868: A beech wash stand in the 19th century French taste, having an adjustable circular mirror above a fitted ceramic basin, soap dish, and water jug, flanked by a bras towel rail, 132cm high.
Lot 869: An Edwardian mahogany inlaid tray with central decorative flower panel and wavy gallery edge 57cm wide
Lot 870: A vintage George II style mahogany cheval mirror, the shaped frame on tapered square uprights with turned finials, raised on cabriole supports with fluted decoration, 131cm high.
Lot 871: A good quality vintage Georgian style figured walnut dressing table and stool by Beresford & Hicks of London (By appointment to Her Majesty Queen Elizabeth II), having a shaped and bevelled triple mirror above the shaped top and a configuration of five drawers, raised on eight cabriole supports, 137cm wide by 55cm deep by 166cm to top of mirror.
Lot 872: A good decorative 19th century gilt gesso oval wall mirror, with relief moulded and pierced decoration, 96cm high by 51cm wide.
Lot 873: A vintage Regency style gilt framed convex wall mirror , 20th century, the circular form with ball decoration and fluted ebonised band, 42cm diameter.
Lot 874: A Bevan Funnell 'Reprodux' light oak Charles Rennie Mackintosh design dining table 233cm by 112cm, and six matching chairs with upholstered seats
Lot 875: An Edwardian satinwood banded mahogany Purdonium (a cabinet for containing coal), having a hinged fall front enclosing a metal liner interior, raised on bracket feet, 38cm wide by 56cm high.
Lot 876: A French Empire style marble topped carved hardwood side table , 20th century, having birds head and fluted scroll supports on a triform base, 51cm diameter by 70cm high.
Lot 877: A good 19th century brass fender, of neo classical form, serpentine fronted, pierced decoration and urn finials, 128cm wide.
Lot 878: A pair of tall chimney pots with crown tops and base vents,118cm high.
Lot 879: An Italian carved wooden torchere, c.1900, the column carved in the form of a dragon, 75cm high, (af).
Lot 880: A 19th century mahogany occasional table having two drop flaps with moulded edge, on barley twist legs height 64cm, width 89cm
Lot 881: A Victorian mahogany oval loo table , the hinged top with moulded edges raised on a solid baluster turned column and four scrolled outsplayed supports terminating on casters, 120cm by 90cm.
Lot 882: A 19th century small mahogany Pembroke style side table, rectangular top with two drop flaps, two end draws, on turned legs, opens to 70cm
Lot 883: Six Louis Poulsen Artichoke pendant lights, originally designed by Poul Henningsen (Danish 1894-1967), copper and aluminium, with manufacturer's label to fittings, purchased in 2007, approx 63cm high (a/f) *PLEASE NOTE THE IMAGE ONLY SHOWS FOUR - THERE ARE SIX IN THE LOT
Lot 884: An English mahogany Pembroke table, c.1830, the rectangular top with rounded drop leaves, single frieze drawer and opposing dummy drawer, raised on ring turned cylindrical supports ,terminating on brass casters, 84cm by 50cm opening to 97cm by 84cm.
Lot 885: A pair of good quality vintage Georgian style figured walnut bedside cabinets by Beresford & Hicks of London (By appointment to Her Majesty Queen Elizabeth II), each with single door and raised on long cabriole supports, 40cm wide by 38 cm deep by 74cm high.
Lot 886: An Edwardian inlaid mahogany display cabinet , the glass panelled door enclosing two shelves, raised on plain supports, 58cm wide by 28cm deep by 109cm high.
Lot 887: An artist's double-sided easel with central wooden screw adjuster width 60cm
Lot 888: An Ercol light elm and light beech three tier trolley, with factory label to underside, 72cm by 47cm by 74cm high.
Lot 889: A 19th century mahogany tripod side table , the circular top with moulded edges, raised on a turned column terminating on three scrolled outswept supports, 56cm diameter by 76cm high.
Lot 890: An 18th century mahogany dropleaf cottage dining table, raised on claw and ball supports, 108cm by 41cm, opening to 128cm by 108cm.
Lot 891: An Edwardian inlaid mahogany bureau bookcase , having two glass panelled doors enclosing two adjustable shelves, above the hinged fall front with fitted interior, and three graduated long drawers beneath, raised on cabriole legs, 96cm wide by 48cm deep by 211cm high (dismantles into two sections for ease of transport).
Lot 892: A Windsor chair with hoop back and pierced splat over shaped seat on turned legs joined by stretcher (a/f)
Lot 893: A Middle Eastern coffee table, c.1900 / 1920, the octagonal multi wood construction with parquetry and mother of pearl inlay, signs of missing label to underside, 35cm wide by 49cm high, (af).
Lot 894: A rosewood bedside cabinet in the French taste, c.1900, having a single drawer and marble lined cupboard below, flanked by two hinged drop leaf side flaps, above an open undertier, raised on fluted cylindrical supports, 40cm wide by 46cm deep by 76cm high opening to 93cm wide.
Lot 895: A wall cabinet the single panel door inlaid with a figure of a knight in bone and mother of pearl, 90cm high
Lot 896: An nice quality Edwardian inlaid and cross banded mahogany display cabinet , the moulded cornice above two glass panelled doors enclosing a lined interior fitted with three shelves, with two drawers below, raised on square tapered supports terminating on spade feet, 104cm wide by 168cm high by 37cm deep.
Lot 897: A good quality vintage Georgian style figured walnut chest of drawers by Beresford & Hicks of London (By appointment to Her Majesty Queen Elizabeth II), fitted with four graduated long drawers, raised on short cabriole supports, 95cm wide by 53cm deep by 108cm high.
Lot 898: An Arts and Crafts fireside armchair in the manner of Morris & Co for Liberty, with rush seat
Lot 899: Gianfranco Frattini for Luci Italia: An Abele table lamp, Italian, c. 1970s / 1980s, in red painted aluminium and plastic, marked to base, height 38cm
Lot 900: An oak cricket table with circular plank top on three legged base 74.5cm diameter, 75cm high
Lot 901: A George III marquetry inlaid mahogany tea table , the hinged rectangular top with rear gate leg support, enclosing a polished interior inlaid with Prince of Wales feathers to each corner, above two frieze drawers flanked by inlaid urns to each corner, raised on square supports with casters, 114cm wide by 55cm deep by 76cm high, opening to 104cm by 114cm, (af).
Lot 902: A small Victorian corner fitting sofa , re-upholstered in a Regency style fabric, raised on three front scroll and cabriole carved walnut legs and two solid rear legs, all with original ceramic casters, 134cm wide.
Lot 903: An Ercol pale elm and beech display cabinet with two glazed doors enclosing glass shelves, height 101cm, width 91cm, (without back legs - two mounts for attaching to wall)
Lot 904: An vintage mahogany dressing table , early 20th century, having a swing mirror above a shelf and single drawer, raised on ring turned cylindrical legs, 99cm wide.
Lot 905: A good quality elegant Sheraton revival faded mahogany dressing table, c.1900/1920, having a large bevelled oval swing mirror flanked by inlaid openwork uprights and shelves, above the well-top base section incorporating a configuration of five inlaid drawers fitted with gilt-brass handles and embossed back plates, raised on tapered square supports terminating on casters, 122cm wide by 54cm deep by 180cm to top of the mirror.
Lot 906: A mahogany Canterbury, 20th century, having open storage above two drawers, raised on turned supports and brass castors, 48cm wide.
Lot 907: A Georgian style inlaid mahogany coffee table , 20th century, the shaped top raised on four fluted tapered cylindrical legs, 84cm wide by 51cm high.
Lot 908: An Edwardian mahogany open armchair, having a decorative carved and pierced back above the re upholstered seat, raised on front hoof feet united by stetchers.
Lot 909: A George III mahogany chest of two short over three long graduated drawers, with gilt-brass oval handles and decorative back plates, having a cross banded top and raised on bracket feet, 107cm wide by 51cm deep by 104cm high.
Lot 910: A vintage mahogany shaped front pedestal desk in the 19th century taste, having a gilt tooled green leather inset writing surface above a configuration of nine drawers fitted with ornate cast gilt-metal handles, raised on shaped bracket feet, 115cm wide by 53cm deep by 76cm high.
Lot 911: An elegant Edwardian marquetry inlaid mahogany open armchair , sympathetically re-upholstered in a period style yellow fabric to the seat, back panel, and loose cushion.
Lot 912: An Edwardian oak pipe smoker's cabinet , the bevelled glass panelled door with fitted interior, 30cm wide by 40cm high, by 19cm deep.
Lot 913: A George III style mahogany plant stand, having a flared tapered circular top section raised on a turned column, triform base and fluted bun feet with casters, 50cm diameter by 73cm high.
Lot 914: An 18th century and later oak coffer with carved three panel front height 69cm, width 147cm, depth 63cm
Lot 915: A French brass repousse mirror with a bevelled central plate and marginal mirrors, 66cm high by 36cm, an Arts & Crafts style circular pewter framed wall mirror and a pierced brass framed wall mirror (3)
Lot 916: A Victorian button back armchair on turned fluted legs and castors
Lot 917: A Victorian Windsor & Newton oak artist's easel with adjustable canvas rest and winding handle, ivorine label Windsor & Newton label, on castors, 63cm wide
Lot 918: An early 20th century Georgian style walnut cutlery table , the serpentine hinged top enclosing a comprehensively fitted interior, with full length drawer enclosing further storage, raised on cabriole legs, 76cm wide by 78cm high by 55cm deep, together with a quantity of loose cutlery.
Lot 919: A Victorian piano stool with rising upholstered box seat, on square tapered legs with castors, 50cm
Lot 920: An early / mid 20th century Middle Eastern brass top nomadic coffee table on folding wooden base, decorated with an Arabian warrior on horse back, 55cm diameter by 41cm high.
Lot 921: An old pine plank cupboard with two panel doors enclosing shelf, on bun feet, height 72cm, width 97cm, depth 56cm
Lot 922: A vintage pine cupboard with moulded pediment over two panel doors enclosing shelves over a pair of drawers with cup handles, two further panel doors below, on turned bun feet, height 168cm, width 109.5cm, depth 58cm
Lot 923: A Chinese hardwood collector's chest with five baize lined drawers above two panel doors, on shaped plinth base, height 92cm, width 55cm, depth 36cm
Lot 924: A 19th century Scottish mahogany inlaid chest of seven drawers including a central deep hat drawer, with turned knob handles on bracket feet, height 106cm, width 120cm (a/f)
Lot 925: A pair of Victorian ladies and gentlemans carved walnut 'show wood' framed armchairs , re-upholstered in apple green dralon and with buttoned backs, raised on front cabriole legs.
Lot 926: A set of six Edwardian carved medium oak dining chairs, c.1900, having foliate and scroll carved top rails above nicely re-upholstered back panels and seats, raised on front baluster turned supports with casters (comfortable and solidly built).
Lot 927: A Chinese hardwood standard lamp, 20th century, with shade, total height including shade 183cm high.
Lot 928: A set of six Chippendale revival mahogany dining chairs , late Victorian / Edwardian, having lattice openwork backs above drop in seats, raised on inner chamfered square supports united by H stretchers, (af).
Lot 929: A vintage glass panelled mahogany bow front display cabinet, c.1920's/40's , the two doors enclosing three adjustable shelves, raised on cabriole supports with shell moulded knees and claw and ball feet, 122cm wide by 34cm deep by 118cm high.
Lot 930: An Edwardian Sheraton revival mahogany inlaid bureau bookcase, with glazed panel door enclosing three shelves, the fall front enclosing fitted interior, above four drawers on bracket feet, height approx 250cm, width 97cm
Lot 931: A gilt framed bevelled oval wall mirror, 20th century, 88cm by 68cm.
Lot 932: A Victorian walnut breakfast table , the oval hinged top with nicely moulded edges, raised on a tapered octagonal column and three foliate and scroll carved chunky outswept supports with wooden casters, 136cm by 97cm. A/f bolts missing
Lot 933: A Victorian walnut bookcase, having a shaped cornice above two glass panelled doors enclosing adjustable shelves, the base section fitted with one long drawer above two arched panelled cupboard doors, raised on a plinth base, 96cm wide by 36cm high by 195cm high (dismantles into two sections for ease of transport).
Lot 934: An Edwardian ebonised music cabinet, with glazed panel door enclosing shelves and pigeon holes, on castors, height 109cm, width 56cm, depth 37cm
Lot 935: A reproduction mahogany three division Canterbury with single drawer on brass castors height 53cm, width 55cm
Lot 936: A vintage mahogany oval drop leaf Hunt table / Wake table in the 18th century Irish taste, the oblong shaped top with rounded ends and drop leaves supported on eight long cabriole supports terminating on claw and ball feet, 240cm by 42cm opening to 240cm by 147cm.
These popular historic tables transform from a generous, sociable oval dining table to a slim, easily manoeuvrable side table, they could be easily set aside to make space for entertaining, or carried outside to host drinks after a hunt, also known as a ‘Wake’ table for the same practical reasons, but also because it’s folded proportion was perfectly suited to displaying a coffin before a burial.
Lot 937: A 19th century metal mounted oak twin school desk the top set with ceramic inkwells and two hinged compartments, on square supports, 67cm high, 101cm wide
Lot 938: A Victorian teak ships cabin wash stand / chest, the hinged lid enclosing a metal lined interior, above two long drawers fitted with military / campaign type brass flush handles, raised on short supports, 74cm wide by 50cm deep by 80cm high, (af).
Lot 939: A set of six Victorian walnut dining chairs , the shaped and carved backs above gold dralon upholstered seats, raised on front turned and fluted tapering cylindrical supports (well made, of good solid construction).
Lot 940: A 19th century mahogany pedestal desk, having an inset gilt tooled red leather writing surface above a configuration of nine drawers fitted with gilt -brass drop ring handles and pierced backplates, raised on plinth bases, 122cm wide by 61cm deep (dismantles into three sections for ease of transport).
Lot 941: A pair of contemporary black leatherette recliner swivel armchairs with matching footstools, raised on bentwood outswept bases.
Lot 942: A 19th century walnut corner fitting whatnot , having four graduated open shelves and turned uprights, raised on casters, 67cm wide by 137cm high.
Lot 943: A 19th century mahogany oval drop leaf gate leg dining / supper table, raised on moulded square tapered supports, 120cm by 57cm opening to 171cm by 120cm.
Lot 944: A good 19th century feathered mahogany bow front chest of two short over four long drawers, with turned knob handles, flanked by moulded pilasters, the top with moulded edges and rounded front corners, raised on solid turned supports, 115cm wide by 58cm deep by 140cm high.
Lot 945: An Edwardian Chippendale style drop-end sofa , re-upholstered in calico loose covers, raised on front claw and ball feet and plain solid rear supports, approx 164cm wide by 100cm deep .
Lot 946: A vintage teak 'Long John' coffee table , the shaped top raised on four screw-in ebonised legs, 122cm by 40cm.
Lot 947: An 18th century mahogany dropleaf cottage dining table , raised on padfoot supports, 110cm by 38cm opening to 118cm by 110cm.
Lot 948: A good quality William IV mahogany breakfront chiffonier, c.1835 , fitted with two cushion moulded frieze drawers above two cupboard doors decorated with fabric backed gilt-brass lattice panels, quarter fluted corners and beaded edges, flanked on either side by a foliate carved and fluted column, raised on bun feet, 120cm wide by 52cm deep by 100cm high.
Lot 949: An Edwardian light oak side table , the rectangular top with moulded edges above two frieze drawers above an open undertier, raised on ring turned tapering supports, 119cm wide by 56cm deep.
Lot 950: An vintage oak monks seat , having a hinged swivel top revealing open arms and seat with hinged panel enclosing storage space, with decorative front panel, raised on bun feet, 56cm wide by 76cm high by 47cm deep, (a useful piece furniture that transforms from table to seat).
Lot 951: A Regency rosewood secretaire chiffonier, the raised mirror back with single open shelf above three small drawers and secretaire drawer on twin grill front cupboard base height 130cm, width 110cm (a/f)
Lot 952: A vintage oak bureau by Jaycee (Brighton) , the linen fold panelled fall front enclosing a fitted interior, above four drawers, raised on bracket feet, 76cm wide by 92cm high by 42cm deep, (ideal home a office!).
Lot 953: A 20th century American metal bound Campaign style chest of three drawers with maker's stamp for National Mt. Airy, on bracket feet, height 66cm, width 86cm, depth 46cm
Lot 954: A pair of early Victorian rosewood occasional chairs , having carved shaped bar backs above seat covers, raised on turned tapering cylindrical legs.
Lot 955: A 19th century Colonial bamboo side table, decorated with chinoiserie laquered panels, fitted with a single drawer, 67cm wide by 47cm deep by 75cm high, (af).
Lot 956: A Victorian fluted mahogany pedestal pot cupboard , the hinged circular top with inset tapestry panel enclosing a ceramic liner with lid, above the base section incorporating a pull-out step, 42cm diameter by 47cm high.
Lot 957: A George III marquetry inlaid and cross banded mahogany bureau / writing desk, the hinged sloping fall front enclosing an inlaid fitted interior, above four inlaid graduated long drawers with brass swan neck handles, raised on bracket feet, 106cm wide by 54cm deep by 112cm high, makes a great home office!
Lot 958: A pair of Edwardian love seats , of beech construction with line inlay, can be used as a pair of circle-back easy chairs or fitted side-by-side facing in opposite directions as a traditional 'love seat'.
Lot 959: A vintage teak sideboard , c.1960's/70's, having three frieze drawers (one fitted for cutlery), above a central hinged drop-down cocktail cabinet, flanked on either side by a cupboard door, raised on tapered legs, 168cm wide by 45cm deep by 76cm high.
Lot 960: A gilt framed high back cane armchair with red cushioned seat (a/f requires restoration)
Lot 961: A Bokhara rug , Pakistan, 20th century, decorated with traditional motifs within borders on a red ground, 186cm by 118cm.