Lot 290: Estimate £2,000 - £3,000
An Antiques & Collectables Auction, Thursday 24th September 2026, 10am

A collection of six Bohemian Art Deco glass vases attributed to Leo Moser and the Moser Glass Works, comprising two faceted amethyst coloured examples with 'oroplastique' decoration, 26cm and 20cm high, two faceted amber coloured examples with 'oroplastique' decoration, one signed, 22cm and 17cm high, a signed clear example with 'oroplastique' decoration, 20cm high, and an unsigned undecorated faceted amber coloured example, 24cm high, (6).

Three Herend porcelain models of parrots in rust red and green (one repaired)

An attractive 19th century dessert service decorated with poppies and wheat with gilt highlights, comprising a large two-handled tazza, 37cm wide, two-handled dish, 31cm, a pair of dishes 28cm, and ten plates 24cm

A collection of glass scent bottles: including three early 20th century examples with hallmarked silver mounts, a French opalescent example with butterfly stopper, Orrefors, Svenskt, etc, (14).

Three glass decanters with stoppers, 20th century, tallest 34cm, (3).

Eleven Royal Doulton porcelain figures of ladies to include Daydreams and Dinky Do tallest 19cm high

A collection of stoneware and pottery jugs, vases and other items to include a studio pottery bowl or ladle with small handle, bearing maker's initial 'M'

Four Herend porcelain models of dolphins in green and rust red colourways

A Royal Worcester fruit painted cup and saucer by Freeman, c. 1950's, cup signed, cup 7cm high, saucer 11.5cm diameter.

A 19th century majolica cheese bell on stand, 23cm high by 30cm diameter.

Two Herend porcelain models of owls in red and in green

A fine quality George Owen for Royal Worcester reticulated porcelain vase, c.1912, delicately decorated with elaborate pierced designs and gilt highlights, underside with 'G Owen' signature incised underglaze, also with gilt factory marks and numbered 'F106' over 'H', 20cm high.

An Anita Harris studio pottery trial vase decorated with a totemic motif, the base signed in ink and marked 'Trial Re Henry Sandon', 21cm high

A collection of twenty-five ceramic jelly moulds makers include Wedgwood, Minton and Coalport

A pair of late 19th century French bisque porcelain figures, possibly Victor Boyer of Paris, depicting a courting couple, the male figure holding a bunch of flowers and bowing his head, the female figure holding a letter while gazing romantically at her love, painted in muted tones and with gilt trim, various marks to underside, 34cm high.

A studio glass vase with mottled reddish pink and green decoration, faded label to base, 14.5cm high

Two Herend porcelain models of bunny rabbits with one ear raised, in rust red and in green

A mixed 19th/ 20th century bone china part tea set, all similarly decorated, manufacturers including Grosvenor China and Allertons Ltd, each with green shagreen pattern ground, comprising; teapot, eighteen cups, eighteen saucers, two sugar bowl, fifteen side plates and three sandwich plates, each gilt heightened, teapot height 15cm, (some AF) (57 pieces)

Paperweights: comprising a millefiori domed glass example, a signed Maltese Mdina example, and two others, (4).

A Franciscan Desert Rose part dinner and tea service to include six dinner plates, six breakfast plates, six side plates, six cake plates, one vegetable tureen and cover, butter dish and cover, and eleven teacups (a/f)

A collection of Poole pottery mostly Delphis ware to include vases, dishes, bowls and pots, tallest 23cm

An vintage Irish porcelain tea set in the Royal Linden pattern by Arklow, comprising 12 cups, 10 saucers, 10 side plates, 2 serving plates, 2 milk jugs and a sugar bowl, (37).

Two Herend porcelain models of cockerels in rust red and in green

Three Lalique frosted glass models of Yorkshire Terriers, signed (Post 1945), 9cm and 7cm high, a French Sevres glass model of a Polar Bear, 12cm high, a vintage frosted glass model of a French Bulldog, four glass models of pigs, and an indistinctly signed glass sculpture engraved with owls, (10).

Two Herend porcelain models of a pair of rabbits in rust red and in green

Six Lorna Bailey Art Deco style ceramic teapots, various designs, tallest 21cm (a/f)

A Royal Doulton hand-painted model of Red Rum modelled by Graham Tongue limited edition 296 of 7500, 32cm high, on wooden plinth base, with certificate

Four Herend porcelain models of owls comprising two perched on branches and two miniature examples (some damage)

John Ditchfield Glasform: compriing a trailed iridescent dish, signed and numbered 11852, 18cm diameter, a similar vase, signed and numbered 9358, 10cm high, and an iridescent apple shaped paperwight (stork chipped), 8cm high, (3).

A pair of 19th century glass table lustres, each painted in coloured enamels with alternating figurative, landscape, and floral panels amidst lavish gilt decoration, all prism drops present, 27cm high, (af - some old damage).

A collection of 19th century continental bisque porcelain plaques in the manner of Karl Ens / Volkstedt, all modelled in high relief and muted tones with classical figurative scenes and subjects, all framed, largest plaque 21cm by 45cm, (af - some damage), (10).

Two Herend porcelain models of pelicans in red and in green

Seven Poole pottery vases to include a Living Glaze graffiti purse vase 20cm, and two Volcano pattern vases tallest 23cm

A Spode Italian pattern part dinner and tea service comprising eight teacups and saucers, sugar bowl, milk jug, seven dinner plates, four soup plates, five bowls, five bread plates, twelve side plates and a serving platter

A 19th century German Schneeballen (snowball) porcelain five piece part tea-for-two set, comprising a teapot with lid, a twin handled sucrier with cover, a milk jug with cover, and two cups, no saucers, (a/f)

Two Whitefriars style 'drunken bricklayer' glass vases in the manner of Geoffrey Baxter (1922-1995), in purple and orange, 21.5cm high

A 1970s Bitossi pottery 'Rimini Blu' vase designed by Aldo Londi, of cylinder form with impressed decoration, 24cm high

Five Poole pottery vases and a small jar and cover, to include a blue iridescent vase from the Cosmic range 17cm, together with an Anita Harris Studio vase 25cm (6)

A Moorcroft pottery 'poppy' vase by Rachel Bishop 16cm high

A pair of large continental white glazed ceramic models of greyhounds, no maker's marks, 79cm high (a/f)

A large 19th century Derby porcelain vase, c.1830, of urn form decorated with lavish gilt, iron red, green, and blue, in the Japanesque Imari taste, factory marks underside, 25cm high by 26cm diameter.

Provenance: Christies South Kensington, 5th July 2007, lot 1139.

A set of six vintage French St Louis cristal goblets, factory mrks to underside, with ruby glass bowls and flared faceted stems, 23cm high.

A 19th century Crown Derby porcelain tyg painted and gilded in the Imari palette, 7cm high and small tea bowl, both with red painted factory mark, Stevenson & Hancock 1863-1866

A pair of vintage rustic pottery jugs 'Willie Brewd a Peck o Malt', with hand painted relief moulded decoration, 25cm high.

A Royal Worcester blush ivory porcelain nautilus shell vase, late 19th century, 21cm high, together with a Royal Worcester porcelain spill vase in the form of four conjoined twin handled bulbous vases hand painted with floral sprays, 15cm high, (2).

Attributed to Phoebe Stabler (1879 - 1955), early 20th century, ceramic figure of a putti with floral garland, indistinct impressed marks to underside, 20cm high, (af).

A collection of ten Lorna / Lionel Bailey sifters to include 'Comet', 'Astro' and 'Sunny Hollow'

Three small Moorcroft pottery vases comprising one of a pair designed by Emma Bossons illustrating a scene from The Owl and the Pussy-cat 5.5cm, a 'Chicory' pattern vase designed by Philip Gibson 9cm, and an 'Anna Lily' vase 9.5cm (3)

A Lladro porcelain model of a 'Justice Eagle', by D Salvador Furio and D Esteban Ordaz, underside with factory marks, numbered 757, dated 3.11.99, 48cm high, together with a plinth stand, combined height 56cm., with framed certificate of authentication.

A set of six Imari pattern porcelain teacups and saucers, possibly Chamberlain's Worcester

A Moorcroft pottery 'Moroccan Myths' Dragons Design tubelined baluster vase by Kerry Goodwin 26.5cm high

Seven Lorna Bailey ceramic models of cats tallest 16.5cm, and a Lorna Bailey model of a frog playing the violin (8)

A glazed ceramic tureen and cover in the form of a white goose 22cm high, and a model of a cockerel marked 'Italy'

A Royal Doulton 1937 limited edition Royal Commemorative twin handled loving cup for the coronation of King George VI and Queen Elizabeth, number 145/2000, 26cm high.

A 19th Century Staffordshire porcelain 'Lepidopterology' part dessert service, likely Copeland or Minton, comprising a twin handled comport (36cm wide), a set of three dishes, a pair of dishes, and a set of five plates, decorated in the Chinese style with butterflies amongst floral blooms in polychrome enamels on green grounds with gilt highlights, painted N.1077 pattern number to bases, (11), (af).

Two Russian porcelain cups and saucers: comprising a Lomonosov example decorated with a winter architectural / regional landscape in the manner of Alexei Vorobyevsky, with text to underside, together with a Lomonosov 'Winter Day' example by Alexei Vorobyevsky, with text to underside, (2).

A 1930's French Art Deco opalescent glass dish by Julien, with relief moulded leaf and berry decoration, moulded factory mark, 36cm long by 6cm high.

A pair of twisted crystal swirl design table lamps, possibly French, 24cm high including fittings

Two Herend porcelain models of seahorses in rust red and in green

Two Herend porcelain models of elephants in rust red

A crackle glass of Art Nouveau design in the manner of Koloman Moser for Loetz, with a hollow integrated handle, 19cm high

A Sevres style porcelain table lamp with two swan shaped handles, floral decoration and gilt embellishments, 42cm high including fittings, and a Sevres style column table lamp retailed by Harrods 41cm high including fittings (a/f)

A Herend porcelain model of a pair of hamsters in rust red colourway

A collection of seven Prattware / Pearlware Bacchus satyr mask mugs, c.1790/1800, one featuring a frog on the inside, all of traditional form and painted in tones of blue, green, brown and ochre enamels, (a/f).

A Herend porcelain model of a penguin in green

A vintage Italian porcelain table lamp, modelled with elaborate relief moulded Peacock handles and hand painted throughout with stylised floral sprays, height of lamp approx 60cm, including shade 97cm.

'Enfants antiques au Capitole' (Antique children at the Capitol), a pair of antique engravings afer Giovanni Volpato and Raphaello Morghen, 37cm by 50cm, inset matching mounts and gilt frames.

NB: This refers to a series of classical engravings of antique child statues found in the Capitoline Museums in Rome.

A small Poole pottery baluster vase 11cm, a Denby 'Troubadour' pattern part tea service comprising six tea cups and saucers and six small plates, eleven Copeland Spode coffee cups and nine saucers, and other items

A Herend porcelain model of two koalas in green

A collection of Moorland Pottery Chelsea Works Burslem 'N Lightning' pattern wares decorated in Art Deco Clarice Cliff style, comprising teapot, large jar and cover, smaller jar and cover, two jugs, two cups and saucers and two conical sifters

Two Herend porcelain models of rabbits in rust red and in green

A Herend porcelain model of a penguin in rust red

A collection of Poole pottery Delphis and similar wares to include bowls, pots, plates, dishes etc (a/f)

A Luneville France part dinner, tea and coffee service to include two tureens and covers, teapot, coffee pot, jugs, large platters, tazza, dinner plates, etc, together with some similar items marked S'Clement France

A collection of porcelain figurines: comprising a B&G of Denmark model of a boy and a crab (af), Royal Doulton 'Spring' HN2085, Royal Doulton 'Childhood Days, and so to bed' HN2966, Royal Doulton 'Dinky Do' HN1678, and Royal Doulton 'Cynthia' HN2440, (5).

Two Herend porcelain models of a pair of ducks, in rust red

A pair of creamware chestnut baskets 23cm wide, a Neale & Co creamware basketweave pattern oval plate 25cm, and a small Chinese famille rose pattern vase 16cm high, together with a 19th century porcelain vase with applied floral motif 17.5cm, and a small encrusted porcelain model of a shoe

Five Lorna Bailey ceramic models of dogs tallest 15.5cm high, a Lorna Bailey model of a cat, a Manor Collectables model bulldog and a Lorna Bailey Eddie the Eagle figure (8)

Four Moorcroft pottery 'anemone' pattern baluster vases tallest 16cm high

Two Herend porcelain models of a pair of ducks, in red and in green

Two Herend porcelain models of hippopotamuses in green and rust red colourways

A 19th century ironstone matched part dinner service in the Rhine pattern, comprising vegetable tureen and cover, two sauce tureens and covers (incl. one on stand), sauceboat on stand, nine soup plates (incl. one smaller), ten side plates, twelve lunch plates, eleven dinner plates, large meat platter and two serving dishes (two photoographs)

Poole Pottery: comprising two 'Galaxy' pattern vases, 24cm and 20cm high, a pair of 'Galaxy' pattern dishes, 26cm diameter, a 'Living Glaze' jardiniere, 17cm high, and cylindrical vase, 17cm high, and a 'Feruccio' covered dish, 13cm diameter, (7).

Two small Herend porcelain models of peacocks, two of fish and two of snails (damaged)

A pair of early 20th century Royal Dux porcelain figures depicting a female fruit carrier and male companion water carrier, 38cm high, an early 20th century Royal Dux porcelain figure of a youth with his dog by his side, 44cm high, a pair of early 20th century Art Nouveau porcelain figures of maidens (one significantly damaged) in the manner of Ernst Wahliss, 53cm high, and a pair of early 20th century Art Nouveau porcelain busts of maidens in the manner of Ernst Wahliss, 30cm high, (7), (af).

A vintage German 'Gut Holz' bowling themed blue and grey beer stein, and a salt-glazed stoneware pitcher and beer stein with sinuous plant decoration

A small Moorcroft pottery 'Indigo' pattern baluster vase designed by Emma Bossons 8.5cm high, and a Moorcroft pottery 'Anemone' pattern vase 9.5cm

A pair of Japanese cloisonne chargers decorated with chrysanthemum and other flowers on a turquoise ground with wide border, 31cm diameter, a cloisonne vase 22.5cm, and a Satsuma ware style plate 24.5cm

A Chinese porcelain famille verte vase and cover, painted in colured enamels with dignitaries and attendants within a garden setting, between stylised borders, underside bears blue double circle mark, 42cm high.

A Japanese Kutani porcelain vase converted to a table lamp, on wooden stand 44cm high including base and fittings

A pair of Chinese porcelain plaques decorated with interior scenes, inset carved wood frames, 74cm by 29cm including frame

An 18th century Chinese blue and white platter decorated with a garden landscape 32cm by 23cm, and another similar platter (2)

A Chinese marble top carved and pierced hardwood side table / vase stand, early 20th century, 48cm high by 36cm square.

A pair of Japanese cloisonne vases decorated with irises on blue ground 18cm high

A Chinese cloisonne enamel tripod censer, probably 19th century, the pierced cover with lion dog finial, above the bulbous body, twin arms, and grotesque mask supports, 24cm high.

A Japanese porcelain charger with Imari type decoration of peacocks, flowers and a landscape, character marks verso, 37cm diameter, together with a Japanese cloisonne vase 17cm

A Japanese Meiji Period miniature brass and copper vase, decorated in relief with stylised foliage and a bird, 15cm high.

A Chinese porcelain Sang de Boeuf glazed bottle vase, 28cm high.

A near pair of large antique Chinese blue and white porcelain vases, 19th century or earlier, featuring twin pierced handles, decoratd with dragons, exotic birds, a fish, and blossoming landscapes, 59cm high, (2).

A vintage Japanese export 'eggshell' porcelain tea / coffee set complete for six settings (21), together with a set of three vintage Singapore famille rose cups, saucer and side plate trios (9), (30 items in total).

An early 20th century Chinese hardwood pot with carved white jade panel inset to lid, 9.5cm high, and a Chinese carved nut drilled for wear as a pendant (a/f)

A Japanese Meiji parquetry table top cabinet or desk with a detachable top and small drawers height 28cm, depth 24cm, width 35.5cm

A collection of twenty-two items of Chinoiserie and Napoleon III style gilt and black lacquered boxes, trays and pots

A Japanese Meiji period bamboo and steel sword stand (katana / tanto rack), applied with scripted brass plaques, 67cm wide by 69cm high.

A Liberty style leather covered figure of a camel 30cm high

A set of 19th century beam scales by W & T Avery of Birmingham, likely for shop use, featuring an ornate cast iron top section / finial, brass column, opposing brass dish and ceramic plate, raised on a cast iron base, 88cm high by 72cm wide.

A painted 'Sopwith' pull-along crocodile which when in motion has a gaping mouth and a wagging tail, it has a patent application stamp to its base No. 5905/19 dating it to 1919 (part of tail detached), together with a boxed set of wooden child's building blocks (two photographes)

Archibald Knox (British, 1864 - 1933) for Liberty & Co, a Tudric pewter tea and coffee service, c.1900, comprising a coffee pot (22cm high), teapot, milk jug, sugar bowl, and twin handled tray (50cm wide), decorated with stylised organic motifs in relief, the coffee pot and teapot with rattan handles, numbered '0231', (5).

A Folk Art scratch built diorama, modelled a row of terraced houses, inset glass panelled display case, 48cm wide by 8cm deep by 26cm high.

A framed 20th century vintage painted collage depicting an auricular plant in a terracotta pot 35cm by 23cm, and a framed floral printed textile panel, 14cm by 19cm

A 19th century French School bronze figure 'Love with Butterfly', impressed number 2756 to the reverse, raised on a marble stepped plinth base, 26cm high by 36cm wide.

After Claude Michel, known as Clodion, (French, 1738 - 1814), 'Satyr, Bacchante, and a Putto', bronze, 19th century, signed 'Clodion' to the reverse, 47cm high.

NB: an exceptionally heavy cast and with crisp fine detail throughout, dark patination.

An AA chrome plate New Coventry St. London car badge, No 0918050, 11.5cm high

A walking out cane to Harrow School Officer Training Corps, with white metal top bearing Corps badge, 71cm long

An impressive carved and painted wood model of a black swan 83cm high

After Pierre Louis Frederic Sauvage (French, 1786 - 1857), a bronze bust 'Ariadne', 19th century, impressed 'Reduction Sauvage', further impressed with foundry stamp 'Susse Freres', also bears numbers to the underside, 30cm high.

NB: a 'Reduction Sauvage' statue refers to a high quality 19th century bronze miniature replica of a famous historical or classical sculpture, cast by the French bronze workshop of Pierre Louis Frédéric Sauvage (1786–1857). 'Reduction' indicates it is a scale-down of a larger masterpiece.

An Arts & Crafts copper bowl, the planished tapered bulbous body with chased berries and leaf decoration, raised on a spreading circular foot with pierced berries and leaf decoration, 18cm high by 33cm wide, (af).

A vintage Georgian style gilt brass framed ceiling lantern, 20th century, the hexagonal form inset with clear glass panels (one cracked), approx 46cm high.

Attributed to Giuseppe Renda (Italian, 1859 - 1939) or Giovanni Battista Amendola (Italian, 1848–1887): and original bronze sculpture 'Youth carrying vines', 52cm high.

Hippolyte Moreau (French, 1832 - 1927), a pair of bronze figures, 19th century, signed, depicting allegorical classical bacchantes maidens besides classical pillars and holding grapes and garlands, raised on sienna marble plinth bases, 60cm high.

A 19th century Folk Art fruitwood novelty nutcracker, carved in the form of a laughing man wearing a hat, 17cm long.

A Victorian burr walnut work / sewing box with mother of pearl inlaid vacant cartouche and key escutcheon, and Tunbridgeware style inlaid bands, height 13.5cm, width 30cm, depth 22cm

A large Louis Vuitton Sirius monogrammed travel bag, with tan leather accents, stamped gilt-metal hardware and removable luggage tag approx 48cm by 65cm (a/f)

H C Coombs (c.1960's): a collection of six bronzed sculptures, depicting abstract human, dog and bird forms, two on marble plinth bases, three on wooden plinth bases, one is freestanding, tallest 47cm, (6).

Possibly the work of Herbert Cole "Nugget" Coombs (Australian, 1906 - 1997), an Australian economist and public servant, the first Governor of the Reserve Bank of Australia from 1960 to 1968, noted for his contributions to the arts, environment, and Indigenous justice movement.

As first Governor of the Reserve Bank of Australia, he was responsible for approving the acquisition of Norma Redpath’s 'Immortal Warrior' (1963-64) for the Reserve Bank in Adelaide, and commissioning 'Sculpture Column' (1968-72) for the foyer of the Reserve Bank in Brisbane. In 1972, when Redpath was appointed the H.C. Coombs Creative Arts Fellow at ANU, Coombs was ANU Chancellor and inaugural chair of the Australian Council for the Arts.

A 19th century copper samovar, early Victorian, c.1840/1870, with cover, twin handles, tap, and applied opaque mounts, 46cm high.

A 19th century carved oak pediment depicting a bird amongst foliage, berries and flower, fitted with later brass ring for wall display, height 18cm, width 42cm

A vintage stoneware flagon for 'Baker Wine & Spirit Merchant Marketplace Stockport 4 Gall' 51cm high, and a smaller unmarked flagon

Two African wood carvings to include a male head bust 26.5cm high, three small occasional tables with removable legs, and two decorative carved wood trays

Copperware; a large water dispenser with brass tap, indistinctly inscribed, 58cm high, a dallah coffee pot, teapot, large water pot, and a collection of circular trays

Six 19th century French bronze medallions 'Galerie numismatique des rois de France' (Numismatic Gallery of the Kings of France), designed by Armand Auguste Caque (1793 - 1881), each 5cm diameter.

A pair of 19th century ormolu candelabra (later converted to electric and in need of re-wiring), each modelled with blossoming branches held aloft by cherub columns and classical revival shell and scroll bases, height to top of candle holder approx 42cm, to top of shades apprx 56cm, (af).

An Art Deco gilt patinated bronze table lamp depicting male and female figures dancing, with shade, total height 54cm.

An Australian Akubra felt hat size 56, and an American Express Riders wool hat size 57

Adolf Wagner (Austrian, 1884 – 1962), 'Ballerina', an original bronze figure with faded gilt patination, signed and dated 1922, raised on a marble plinth base, bronze height 32cm, combined height 49cm.

An Asprey burgundy leather portfolio 29cm by 41cm

Felix Haspel (Austrian, b.1951), a tapestry panel, signed with monogram in the weave, approx 60cm by 80cm.

NB: Felix Haspel is considered one of Austria's leading textile artists, for further information see www.felixhaspel.at

Felix Haspel (Austrian, b.1951), a tapestry panel, signed with monogram in the weave, approx 160cm by 136cm.

NB: Felix Haspel is considered one of Austria’s leading textile artists, for further information see www.felixhaspel.at

A pair of large 19th century bronze models of the Marly Horses after Guillaume Coustou (French, 1677 - 1746), 56cm high, raised on later bespoke ebonised wooden plinth stands,108cm high.

NB: King Louis XV commissioned the original monumental Carrara marble statues in 1739, and they were completed and installed at the Chateau de Marly in 1745, workers later moved the statues to the Place de la Concorde in Paris in 1794 during the French Revolution, the sculptures later moved to the Louvre Museum in Paris in 1984 to protect them from weather damage.

An antique painted wooden ceremonial bowl on pedestal stem to circular foot height 15cm, diameter 26cm

A vintage Chinese style ceramic elephant plant stand / stool, 43cm high

After the Antique, a bronze figural group of the 'Townley Greyhounds', signed F BARBEDIENNE, on a black painted wooden plinth base, 11.5cm high excluding base

A pair of antique carved and painted wooden panels decorated with the Eye of Providence, one with paper label for Abraham Galimidi verso, 24.5cm by 50cm

A Prinz Sound Stereo Module globular radio in cream, height 33cm

A vintage table lamp with large shell shade

A late 19th/ early 20th century wooden hat stretcher 33cm high

A pair of vintage Georgian glass ceiling lanterns, 20th century, the square gilt-brass forms inset with glass panels (some replacements and one with chipped corner), approx 60cm high, (af - one lower finial missing).

A child's acoustic guitar, no maker's labels, approx 32 inches (81.5cm) total length (a/f)

An Arts & Crafts copper pot and cover in the manner of Keswick School of Industrial Arts, c.1890-1920, featuring hammered decoration and scrolled borders, 5cm wide by 3cm high.

A vintage golf club printed Fred J Bowdrey Southampton 110cm long

Five various Florentine style cast metal photo frames, late 19th / early 20th century, four with easal stands, one with suspension ring, tallest 40cm high, (5). PLEASE NOTE PHOTOGRAPHS HAVE BEEN REMOVED

A Folk Art scratch built wooden model of a rustic cottage, well detailed and with painted finishes, raised on a platform base, 35cm wide by 26cm deep byn 26cm high.

An antique North African / Arabic koumya type dagger and sheath, probably Moroccan, late 19th / early 20th century, 40cm overall length.

A Hornby Railways Silver Seal locomotive R.861 B.R. 2-10-0 Evening Star, boxed

A Folk Art scratch built diorama, modelled as a cottage interior, with fire place, furniture and furnishings, inset glass panelled display case, 25cm wide by 9cm deep by 18cm high.

Pierre Lenordez (French, 1815 - 1892), a 19th century bronze equestrian group, 'Mare and Foal', signed inn the bronze and further inscribed in the bronze 'Casandra's mother d'Aguila and her foal 1856', good rich dark patination, 31cm high by 42cm long.

An Edwardian oval mahogany inlaid tea tray, the chequered gallery enclosing a boxwood inlaid, batwing oval fan to the centre, 40cm by 57cm

A vintage Expoga of Danmark Model E1905 rotary dial desk telephone, styled after the 1905 original, probably c.1970's, 35cm high, (af).

A 19th century French School bronze bust 'Virgin Mary' (Mater Dei, Mother of God), in the style of Eugene-Antoine Aizelin (French, 1821–1902), or Célestin-Anatole Calmels (French, 1822 - 1906), 35cm high.

A large Louis Vuitton Sirius monogrammed travel bag, with tan leather accents and stamped gilt-metal hardware approx 48cm by 65cm (a/f)

A collection of brass and copper ware to include a straining spoon with cast iron handle, kettle, coal scuttle and other items

A good quality large vintage rouge marble and ormolu table lamp in the form of a classical corinthian column, with shade, height to top of bulb holder 63cm.

A pair of 19th century face screens decorated with watercolours of birds 37cm high including handle

A pair of Asian brass and copper mounted carved wooden models of rocking horses 23cm high

A 19th century rosewood tea caddy, sarcophagus shape, c.1840, the hinged lid enclosing two covered and lined partitions and a central fabric lined recess with glass mixing bowl, 38cm wide.

A vintage wooden pull toy decorated with a dog pulling a red cart filled with puppies 38cm long, and a pair of weathered papier mache animal masks

A 1930’s Canadian 'Charlie McCarthy' ventriloquists dummy by the Reliable Doll Co., dressed, 41cm high

Three Steiff Steiff teddy bears all with buttons and yellow ear tags to include 'Petsy' 012556 and 'Molly' 019500

An Armand Marseille bisque head doll with sleeping eyes, open mouth, upper teeth, and movable limbs, approx 34cm high, (af).

A large heavy quality silver plated twin handled drinks tray, late 19th / early 20th century, with Georgian revival taste relief cast decoration, 76cm by 46cm, (worn).

A Steiff Lulac Floppy vintage rabbit, yellow tag 3140/43, 1968-1974, with button, 47cm high

A shrapnel fragment mounted on a plinth base with brass plaque engraved 'Piece of German Shell found on board HMS Patrol after bombardment of Hartlepool by German Battle Cruisers 16th Dec 1914', a First World War Princess Mary Christmas 1914 tin mounted on a plinth base, with Christmas card, a pair of oak bookends mounted with plaques for the Royal Engineers and Sedbergh School, and a small collection of boxed card games, dominoes etc

A pair of silver plated table lamps in the form of classical foliate cast and fluted columns, late 19th / early 20th century, approx 60cm high to top of columns, (af - converted to electric but in need of re-wiring).

A silver plated wine cooler in the form of a classical campana urn, with detachable liner, 25cm high.

A pair of Barker Ellis silver plated candelabra, in a Georgian design with scrolling branches and weighted bases, 33cm high.

Lloyd's Register of Yachts comprising 1908, 1926, 1933, 1936, 1938, Supplement to the 1939 Edition 1946, and 1973, together with a collection of maritime history and reference books to include Service Afloat or The Naval Career of Sir William Hoste, pub. W H Allen & Co 1887, Yachting vol I and II by Sir Edward Sullivan et al., facsimile of the first edition pub. Ashford Press 1985, and three 1971 Cornmarket Press facsimile reprints - A Narrative of The Proceedings of the British Fleet, commanded by Admiral Sir John Jervis, KB on the fourteenth of February 1797, A Narrative of the Proceedings of His Majesty's Fleet under the Command of Earl Howe, from the second of May to the second of June 1794, and A Journal of Voyages and Travels, by the late Thomas Rees, Serjeant of Marines 1822

Edward Lear's Book of Nonsense 'To the great-grandchildren, grand-nephews, and grand-nieces of Edward, 13th Earl of Derby [.....]', pub. London 1862

A large hardback edition of London Churches of the XV11th and XVIIIth Centuries with illustrated historical accounts by George H Birch FSA

A hardback edition of Ngari Wall Paintings: White Temple of the Tholing Monastery pub. Zhejiang University Press retail price £220.00

A late 19th century American Ansonia 'Gingerbread' kitchen / shelf clock, c.1880 / 1900, with key and pendulum, 57cm high.

An early 20th century French gilt brass and bevelled glass carriage clock with enamelled dial, dial inscribed 'L' Epee Fondee en 1839, Sainte Suzanne France 15.5cm high, with key

A 19^th century mahogany domed cased striking / chiming bracket clock, with gilt brass mounts, silvered dial, chime / silent subsidiary dial, and a fast / slow subsidiary dial, raised on flat bun feet, with key and pendulum, approx 39cm high.

An Edwardian silver plated mantle clock, the dial inscribed 'Prestons, Bolton', with later fitted battery movement, 21cm wide by 15cm high.

A Jaeger Le Coultre 'Marina' Atmos clock, c.1960's / 70's, gilt metal and lucite with chinoiserie decoration, 23.5cm high.

A fine quality George III striking eight day longcase clock by Thomas Mudge of London, the 13 inch arched brass dial with rotating moonphase feature, silvered chapter ring, twin winding holes, date aperture, engraved sunsidiary seconds dial, and ornate spandrels, the handsome inlaid and cross-banded figured mahogany case featuring gilt-brass mounts and an unusual stepped trunk door, raised on bracket feet, complete withy pendulum, twin weights, and winding key, 230cm (7' 6") high.

A French brass cased alarm carriage clock, late 19th / early 20th century, with associated key that only fits the larger winder, 12cm high, together with a French small fancy case carriage clock by R & Co of Paris, with key, 11cm high, (2).

An 18th century Irish mahogany cased 8 day striking longcase clock inscribed 'Henry La Trobe, Dublin', the 14" square brass dial with engraved subsidiary seconds dial and engraved subsidiary date dial, between the cherub spandrels, the case featuring a particulary ornate blind fret and scrolled pediment above fluted column pillars to the hood and trunk, raised on bracket feet, with twin weights, pendulum, winder and door key, 244cm (8') high, (af).

A Matthew Norman brass and bevelled glass cased carriage clock, height 15.5cm, with key

A St James gilt metal mantle clock by Metamec of England, the case presentation inscribed, battery operated, 19.5cm high

A 19th century mahogany eight day longcase clock, the 12" painted arch dial indistinctly signed P? Frome, with subsidiary seconds dial and calendar aperture, and with painting of Clifton Suspension Bridge, Bristol, to the arch, 222cm high, with pendulum, two weights and winding key

A brass skeleton mantle clock with fusee movement approx 35cm high, with pendulum and key, under a glass dome (glass dome a/f)

A fine quality 19th century French repeater alarm carriage clock, featuring three porcelain panels richly decorated in coloured enamels and gilt with figures, the movement striking on a gong, complete with double-end key, 17cm high.

A Biedermeier commode clock, the architectural case with two alabaster columns, brass fittings and bird surmount, the circular enamel dial with Arabic numerals, striking on a gong, 42.5cm high, with pendulum, key and loose brass fitting

20th Century School, 'Still Life', mixed media, indistinctly signed lower right, 45cm by 82cm, framed.

James H Flack (Irish b 1941), 'The encroaching tide, Connemara Coast', watercolour, signed, verso inscribed paper label dated 2005, 27cm by 36cm

A set of three Art Deco oval figurative etchings in the manner of Louis Icart (French, 1888 - 1950), each depicting seductive semi-clothed females, indistinctly signed in pencil, 32cm by 15cm, framed, (3).

Juliet Campbell (British, 20th Century), 'Entrance to the Souk', oil on board, signed, artists hand written label verso inscribed 'Entrance to the Souk, Juliet Campbell, Ypres Lodge, Rye, Sussex, No.6, 32 Guineas', 39cm by 49cm, framed.

William Tatton Winter (1855-1928), two country landscape views of shepherds with their flock, watercolours, both signed, largest 24cm by 32.5cm

Continental school, naive pastoral hunting scene depicting figures, horse and dog in a river landscape, oil on canvas, unsigned, faintly stamped verso 'Instituto Nacional de Cultura [....]', 71cm by 51cm, unframed

T L Rowbotham (1859), 'Italian lake scene', watercolour, signed and dated, also inscribed ;No. 162', 32cm by 70cm, framed, (af - some foxing).

Elizabeth Davis (20th century), flower study, cosmos, oil on canvas, signed, 33cm by 23cm

Juliet Duckett (20th century), anemones, watercolour, signed and dated '93 in pencil, verso inscribed paper label, 27cm by 47cm

Leslie Charles Worth (British, 1923 - 2009), 'landscape', watercolour, signed with initials, label verso for Thomas Agnew & Sons Ltd, 43 Old Bond Street, London, No. 37496, 30cm by 34cm, framed.

Paul Sandby (1731-1809), Figure Studies, two etchings, signed as part of the printing plate, 8.5cm by 7.5cm

Mike Jackson (b 1962), The Perfect Gent, giclee print, numbered 80/150 and signed in pencil, verso Washington Green Certificate of Authenticity, 49cm by 40cm (ARR)

Camille Roqueplan (French 1800-1855), landscape with figures and cattle, oil on wood, signed, 22cm by 30cm

Frank Martin (1921-2005), Billy Rose's Diamond Horseshoe, etching and aquatint, numbered 44/50, inscribed and signed in pencil, 59cm by 78cm

After Frank Paton (1855-1909), four framed prints to include 'Rough and Ready' and 'Every Dog Has His Day', each signed in pencil, 20.5cm by 25.5cm

Mackenzie Thorpe (b 1956), All The Love In the World, photo lithograph, numbered 215/450, inscribed and signed in pencil, verso Washington Green Certificate of Authenticity, 50cm by 41.5cm (ARR)

Mackay (20th century), Stormy Sky, Sutherland, watercolour, signed, inscribed paper label verso, 35cm by 48cm

Terry Kubecki (contemporary), The Three Trees, etching, numbered 14/80, titled, inscribed RA Summer Exhibition 2004, and signed, 43cm by 53cm

After Ronald William Fordham Searle (1920- 2011), 'Hommage a Toulouse-Lautrec', numbered 42/70, signed and dated 1969 in pencil, one of a set of five limited edition lithographs, 62cm by 47cm

Manner of George Romney (1734–1802), head of a young woman gazing upwards, oil on canvas, unsigned, 42cm by 34cm

Eveleen Lewis (fl 1870-1893), river landscape view, mountains beyond, watercolour, signed, 17cm by 44cm

Dorofield Hardy (British, 1853 - 1937), 'A county House interior scene featuring a lady sat at a spinning wheel', watercolour, signed and dated 1883, 37cm by 58cm, framed.

Felix Haspel (Austrian, b,1951): a series of ten pencil signed limited edition prints depicting abstract landscapes, all framed, (10).

After Jean-Honoré Fragonard (French 1732-1806), four sepia wash prints (two within one frame) to include 'La Rossignol', each print approx 20cm by 15cm

Alan Lumsden (1934-2020), Church Fete, coloured etching, inscribed, signed and numbered 1/100 in pencil, 49cm by 65cm

Schmitz (early / mid 20th century), 'Still Life', oil on canvas, signed, 60cm by 50cm, framed.

Gloria Marojevic (contemporary), Fusion I, II, and III, a set of three limited edition giclee prints, numbered 100/395 and signed in pencil, approx 5cm by 5cm

Charles James Keats (British, 1856-1900), 'Continental Street Scenes', a pair, watercolours, signed, 50cm by 32cm, framed.

Mike Jackson (b 1962), It's a Dog's Life, giclee print, numbered 91/150 and signed in pencil, verso Washington Green Certificate of Authenticity, 50cm by 33cm (ARR)

An antique print 'Gentleman and lady with Page serving beverages' after Gerard ter Borch (Dutch, 1617-1681), 35cm by 25cm, framed.

Arthur Willett (British, 1857 - 1918), 'River scene in Berkshire'', watercolour, signed, label to mount, 52cm by 74cm, framed.

20th Century School, 'still life with tankard and fruit', oil on canvas board, indistinctly signed, 30cm by 37cm, framed.

Alfons Walde (1851-1958), Fruhling in Tirol, colour print, typographically printed verso: Kunstverlag Alfons Walde / Kitzbühel, Tirol, Osterreich / Nach dem Originalgemalde von A. Walde printed in Austria 1951 / No 1261 33cm by 26.5cm

Felix Haspel (Austrian, b.1951), 'Abstract Landscape', watercolour, signed, 48cm by 68cm, framed.

George Hastings (British, 19th century), 'Near the Nore, Portishead', oil on canvas, signed, remnants ofn old label verso, another old label verso, old stencil mark verso, 35cm by 53cm, framed.

Charles McCall (1902-1989), two pencil drawings; 'Mitzi Sleeping', signed and dated '49, printed paper label verso, 26.5cm by 23cm, and 'Edinburgh Gardens', signed, verso printed paper label and label for Charles McCall Retrospective at Christie's [...] 4th-13th September 1995, 31cm by 24cm (2)

Jacques Ochs (Belgian 1883-1971), two framed drawings of a solider and a dancing figure, both signed in pencil, 24cm 19cm, together with two framed prints after Jacques Ochs (4)

Leslie Charles Worth (British, 1923 - 2009), 'Semer Water', watercolour, signed, label verso for 'R.W.S. Galleries, 26 Conduit Street, London', 46cm by 57cm, framed.

Alfred Sanderson Edward (1852–1915), boat sailing off a coastline, 'Making the Harbour', oil on board, signed, faintly inscribed verso, 25cm by 36cm

Paul Sandby Munn OWS (British, 1773 - 1845), 'The Mawdach Estuary, Barmouth, North Wales', watercolour, signed and dated 1832, label verso for Heather Newman Fine Quality British Watercolours, Milidduwa, Mill Lane, Cranham, Painswick, Gloucestershire, 18cm by 35cm, framed.

Sir Willism Russell Flint RA PRWS RSW (British, 1880 - 1969), 'The Gareloch, Roseneath', watercolour, signed, label verso for Heather Newman Fine Quality Early English Watercolours, Milidduwa, Mill Lane, Cranham Painswick, Gloucestershire, 26cm by 36cm, framed.

David Bates (1840 - 1921), Near British Camp, Malvern, oil on canvas, signed and dated 1883, 30cm by 34cm

Malcolm Barlow (20th century), 'Galerie Bernier, Rouen', watercolour, signed, gallery label verso for the Bourne Gallery, 31/33 Lesbourne Road, Reigate, Surrey, catalogue number 62, 26cm by 36cm, framed.

Charles Bone PPRI, ARCA (b 1926), Charles Bone's Waverley - A Portfolio of Four Prints and a fully illustrated volume in a limited edition of 750 copies each signed and numbered by the Artist, all unframed in presentation box, box 37cm by 52cm

Charles Collins (British, 1851 - 1921), 'Equine Scenes', a pair, oils on canvas, one signed and dated 1869, 22cm by 30cm, matching gilt frames, (af).

19th century Italian school, figure playing a mandolin on a rocky coastline, oil on canvas, indistinctly signed R Moismile? Napoli and dated 1868, 44cm by 33cm

An Edwardian marquetry and parquetry inlaid mahogany side table with batswing and conch shell decoration, raised on tapered square supports terminating on spade feet, 74cm wide by 44cm deep by 81cm high, (af).

A George III style walnut semi circular console table, with wavey edge frieze, raised elongated cabriole supports terminating on claw and ball feet, 123cm wide by 62cm deep by 74cm high.

A Victorian walnut Canterbury, with pierced lyre ends, single drawer, turned tapered supports with original ceramic casters, 54cm wide.

A George III style feathered mahogany chest of drawers of small proportions, late 19th / early 20th century, fitted with four graduated drawers, raised on shaped bracket feet, 60cm wide by 41cm deep by 78cm high.

A Victorian mahogany adjustable stool, the revolving wool tapestry seat raised on a turned pedestal terminating on a dished circular base and three outswept supports.

A 17th century oak low chair, possibly Batavian, featuring a mask and trailing foliate shaped top rail above a floral urn carved panelled back with corresponding carving to the reverse, flanked by barley twist uprights, with foliate carved panels to the front, raised on front barley twist supportsv and stretcher alongside plain rear supports and stretchers, 94cm high by 64cm wide.

NB: 17th century Batavian chairs are rare Dutch-colonial seating pieces crafted in Batavia (modern-day Jakarta), the administrative headquarters of the Dutch East India Company (VOC) in Southeast Asia, formed when European chair designs met local Asian craftsmanship, influenced heavily by Tamil woodworkers from India's Coromandel Coast who relocated to Batavia under the VOC, and featured sculpturally carved flowers in relief. Wealthy Dutch colonists in Batavia used ornate furniture to project social rank and maintain European identity in a strict colonial hierarchy.

A Whichford pottery terracotta pot with impressed fruit border, height 19cm, diameter 20.5cm, together with three West Meon pottery terracotta pots produced for West Dean Gardens (4)

A Regency Period / Victorian wirework plant stand, with ornate scrollwork and elongated supports, 143cm wide by 108cm high. (af).

A modern brown leather two seater sofa, 166cm wide by 100cm deep.

A pair of antique Italian polychrome decorated carved wooden Blackamoors, probably late 19th / early 20th century, each modelled with a kneeling male figure holding a dished platform aloft, raised on stepped circular plinth bases, 88cm high by 37cm diameter.

An 18th / 19th century mahogany and parcel-gilt wall mirror in a Chippendale taste, with Ho Ho bird surmount and fretwork decoration, 79cm high by 44cm wide,

An 18th/19th century German inlaid walnut armoire, the two panelled doors applied with ornate cast gilt metal handles and escucheons, with original key, enclosing three shelves, raised on flat bun feet, 166cm wide by 198cm high.

A George III brass inlaid feathered mahogany corner fitting side cabinet, fitted with three frieze drawers above two cupboard doors, applied with classical revival handles and escucheons, 90cm wide by 64cm deep by 87cm high, (some brass lifting).

An antique mahogany show-wood framed open side armchair in the Hepplewhite style, with upholstered seat, back and arms (a/f - damage)

A pair of large Whichford Pottery terracotta pots of cylindrical shape, stamped marks, height approx 54cm, diameter 60cm

An Edwardian inlaid and cross banded mahogany revolving book stand, raised on na cast iron base and ceramic casters, 50cm square by 87cm high.

A Victorian figured walnut and walnut swing dressing mirror, the domed mirror on barley twist uprights, stepped shaped base and bun feet, 65cm high.

A cast iron garden urn of classical form, late 19th / early 20th century, the campana form with twin scrolled handles, and decorated in relief with stylised foliage, raised on a stepped base, 63cm high by 75cm wide.

A decorative gilt metal mounted wall mirror in a Moorish taste, the arched form with sectioned micro mirror panels frame, 112cm high by 62cm wide.

A George III gate leg drop leaf 'cottage' dining table, raised on padfoot supports, 124cm by 41cm opening to 128cm by 124cm.

A large oval Georgian revival giltwood framed bevelled wall mirror, late 19th / early 20th century, 123cm wide by 77cm high.

A brass fire fender with pierced foliate scroll decoration, external width 131cm, depth 36.5cm

An early 18th century cross banded figured walut chest of drawers, fitted with two short and three long oak lined drawers with brass swan neck handles and shaped back plates, raised on bracket feet, 96cm wide by 55cm deep by 92cm high.

A French ormolu mounted rosewood framed bevelled wall mirror, Louis XV style, early 20th century, oak back, 92cm high by 82cm wide.

A large Chinese Chppendale style set of mahogany hanging wall shelves with fretwork sides enclosing five shelves with central glazed cabinet containing six glass shelves and velvet lined interior, above three drawers, height 122cm, width 100cm, depth 17cm

A mid 20th century G Plan Brasilia teak sideboard with an arrangement of four drawers and three cupboards, Model 4058, height 79cm, width 206cm, depth 45.5cm

A late 19th century carved walnut tall bookcase, with two glass panelled doors enclosing adjustable shelves, above two frieze drawers and two cupboard doors, 108cm wide by 215cm high by 46cm deep.

A mid 20thC G Plan teak extending dining table with central extension leaf, height 73cm, width (minus additional leaf) 145cm, depth 88.5cm

A 19th century mahogany and green leather adjustable gout stool, the double ratchet base terminating on bun feet.

A small vintage white painted wrought iron occasional table, the rectangular top inset with eight ceramic tiles depicting marine life

Two Whichford pottery terracotta pots of tapered cylindrical form, largest 38cm high, 54cm diameter

A George III inlaid and cross banded mahogany card table, the hinged D shaped top opening to reveal a green baize lined interior, raised on ring turned tapered cylindrical supports, 90cm wide by 44cm deep by 75cm high, opening to 90cm by 88cm.

Two Whichford pottery terracotta pots of tapered cylindrical form, largest 36cm high

An Edwardian walnut Sutherland table of small proportions, 53cm wide by 14cm deep by 55cm high, opening to 64cm by 53cm.

A modern brown leather electric recliner armchair, 102cm wide by 102cm deep.

Two large Whichford Pottery terracotta pots of cylindrical shape, stamped marks, tallest approx 54cm, diameter 62cm

A Coalbrookdale style 'Fern and Blackberry' patterned garden bench and two chairs, the white painted metal chairs stamped 22322, the back of the bench 22323 and the base 22324, bench 141cm wide, chairs 66cm wide

A French style small mahogany occasional table with circular top on cabriole legs 61cm high, 29cm wide

A Porta Romana two door console chest with a dark wood finish, triple leather inset panel top above two cupboard doors with gold coloured cast metal ring handles on square tapered legs, height 70.5cm, width 110cm, depth 40cm

A rustic pine kitchen or larder cupboard, the single planked door with with pierced ventilation cutouts, enclosing four fixed shelves, on plinth base height 185.5cm, width 76cm, depth 37cm, with key

A 19th century Lancashire type rush seated low chair with spindle back and curved open arms

A George III mahogany oval side table, the single drawer fitted with brass drop ring handles and shell and foliate back plates, raised on four turned tapering supports united by a braced undertier, 76cm wide by 41cm deep by 78cmm high.

A 19^th century ebonised and parcel gilt book table, the circular top with adjustable rotating candle holder, above a turned column and cross-form tier / shelf, raised on downswept supports, 44cm diameter by 70cm high, (af).

A William Yeoward chestnut wood dining table with rectangular top and twin pedestal supports on square tapered legs height 72cm, length 201cm, depth 80cm (maker's labels lacking)

A William IV carved rosewood three division canterbury, on turned legs and brass castors, height 50cm, width 48cm, depth 33.5cm

Edwardian walnut Sutherland table, with cut corner drop leaves, raised on slatted end supports, 62cm wide by 17cm deep by 66cm high, opening to 74cm by 62cm.

A Victorian button back armchair with scroll carved show wood frame on ceramic castors

A G Plan 'Blofeld' model 6250 low back armchair, buttoned back, with star design mahogany base on castors, unmarked

A 17th century oak Wainscot chair, featuring a scroll carved top rail above an arcaded carved panelled back, flanked by solid armrests, raised on front barrel turned and block supports united by plain stretchers.

A rare French cast iron Porte-Chapeaux (coat, hat and umbrella stand) attributed to Deville & Cie, c.1900, with hinged swivel oval mirror, approx 220cm high.

Provenance: Preston Antiques Centre Ltd, August 2003, purchased for £750.

An Adams revival cast iron and brass fire basket, probably late 19th / early 20th century, 86cm high by 78cm wide, (af - some small remnants of old electrical conversion remain).

A Charles I oak refectory table, c.1640, with stylised foliate and lunette carved frieze, chisel carved baluster supports, and flat wide stretchers, 260cm by 85cm, (af).

A set of six vintage Regency style yew wood dining chairs, 20th century, comprising two carvers and four singles, (6).

A G Plan Sixty Swivel lounge chair, Model 62, winged and deep buttoned back, with star design mahogany base, on castors, unmarked, and a matched stool

A Regency ebonized and gilt painted side chair with cane seat

An 18th century oak coffer, with planked top over carved front and sides with arcaded foliate design height 67cm, width 123cm, depth 54.5cm

A pretty 19^th century rosewood hanging wall shelf, with shaped shelves and turned uprights,m 60cm wide by 20cm deep by 72cm high.

A large decorative Georgian revival oval gilt gesso wall mirror, c.1900, with ribbon surmount and reeded frame, 102cm wide by 80cm high, (af).

An antique oak Lambing chair in a 17th century style, with geometric panelled back, and two drawers under the seat.

An ornate metal three tier plant theatre stand

A Regency period inlaid mahogany pedestal reading and writing table, c.1820, the top with rounded corners with hinge and ratchet mechanism, with functioning drawer and opposing dummy drawer, raised on a turned column and four foliate carved sabre supports terminating on casters, height 74cm with top section flat, (af).

A 19th century mahogany and satinwood games, work and writing table, the central hinged writing surface with rachet support, enclosing inlaid backgammon surface above a pull-out chessboard with sewing basket beneath, flanked by a pair of D-shaped hinged compartments on slender curved supports height 74cm, width 70cm, depth 43cm

An antique George III style walnut stool with needlework drop in seat, late 19th / early 20th century, with old ivorine trade label for G Jetley, 52 South Audley Street, London, 57cm wide by 44cm high.

A pretty little George III inlaid and cross banded mahogany oval drop leaf tripod table, with single drawer, vase turned column and tapered downswept supports terminating on ndelicate brass casters, 60cm wide with flaps up.

A pair of buff coloured clay chimney pots, late 19th / early 20th century, featuring flared castellated tops, approx 79cm high, (af).

An 18th centuy mahogany blanket chest on stand, c.1760, the hinged lid with key, above a configuration nof five drawers with brass swan neck handles, raised on shaped bracket feet, 130cm wide by 53cm deep by 97cm high.

Provenance: The Antiques Centre, 56 Garstang Road, Preston, Lancashire, PR1 1NA, 4th December 2001, purchased for £1950.

Four Whichford Pottery terracotta pots to include a pair with decorative fruit border, stamped marks, height 39.5cm, diameter 46.5cm (4)

An Alvar Aalto for Finmar low table and five matching stools each with circular white laminate top on bentwood supports table 55cm high, 91.5cm diameter

Three Whichford pottery terracotta pots to include one with floral motif, height 28cm, diameter 39cm

A fine specimen marble centre table in the Italian Grand Tour taste, the impressive circular top featuring a multitude of multicoloured specimen marbles in an optical swirling geometric design radiating from a central point, within a bold black marble outer border, raised on a veined black marble baluster turned pedestal column terminating on a stepped plinth base, 101cm diameter by 73cm high.

A pine display cabinet with arched cornice over a glazed panel door and glazed sides enclosing four shelves, with drawer to base, on bun feet, 181cm high, 37.5cm deep, 90cm wide

Four Whichford Pottery terracotta pots to include one with applied woven motif, stamped marks, largest 29.5cm high, 37cm diameter

A small elegant Edwardian walnut circular vase stand, c.1900, with single drawer, shaped braced undertier, and slender supports terminating on spade feet, 26cm wide by 72cm high.

A Victorian oak bureau profusely carved with foliate designs, fall front over four drawers with turned knob handles on bracket feet height 110cm, width 92cm, depth 51.5cm

A 17th century oak Wainscot chair, featuring a stylised foliate and scroll carved top rail above a lunette and chisel carved back panel, shaped armrests, front baluster turned and block supports united by plain stretchers.

A set of eight 19th century Chippendale revival mahogany ribbon-back dining chairs, comprising two carvers and six singles, with period style upholstered seats, raised on front moulded square supports united by H stretchers, (af - one back support damaged).

A good quality ormolu mounted floral marquetry inlaid cross banded burr walnut card table in the French taste, late 19th / early 20th century, the hinged and swivel top revealing red baize lined interior and a hidden chess board, raised on tapered ogee supports, 80cm wide by 48cm deep by 76cm high, opening to 95cm by 80cm.

An Edwardian brass and cast iron umbrella / stick stand, 39cm wide by 68cm high.

A Victorian cross banded and inlaid figured walnut serpentine fronted side cabinet, the two cupboard doors featuring oval glass panels, flanked by foliate carved brackets, raised on a plinth base, 114cm wide by 46cm deep by 93cm high.

An early 19th century mahogany bow front chest of drawers, the two short and three long graduated drawers fitted with drop ring handles, raised on shaped bracket feet, 116cm wide by 56cm deep by 107cm high.

A late 19th century walnut Davenport desk decorated with Arts & crafts style panels, 58cm wide, (af)

A 19th century mahogany side table with single drawer on slender turned legs

A Chinese carved camphor wood chest decorated with sailing ships height 60cm, width 104cm, depth 51cm

A 17th century oak Wainscot chair, with stylised foliate and scroll carved shaped top rail above the fielded panelled back, shaped armrests, and front ball and block supports united by plain stretchers.

A pair of ornate 19th century giltwood and gilt gesso girandole wall mirrors, the bevelled oval plates amidst bird and floral basket surmounts, pierced fretwork panels, shaped shelves, and scrolled candle holders, approx 122cm high by 82cm wide, (af).

Three Whichford pottery terracotta pots to include one with applied woven motif, height 35cm, diameter 47cm

A good quality Sheroton revival satinwood banded mahogany cabinet on chest, c.1900, inlaid with quartered batswing motifs, boxwood and ebony stringing, the swansneck pediment above two glass panelled doors enclosing shelves, above two serpentine fronted drawers, raised on tapered supports terminating on spade feet, 77cm wide by 45cm deep by 192cm high.

Provenance: Andrew Lovall (Antiques of Distinction), 5th August 2004, costing £2400.

An 18th century mahogany cross-banded oak Lancashire Mule chest, c.1785, the hinged lid enclosing storage space, above a configuration of three dummy and six functioning drawers, with brass swan neck handles, flanked by fluted quarter columns, raised on shaped bracker feet, 173cm wide by 55cm deep by 102cm high.

Provenance: The Antique Centre, 56 Garstang Road, Preston, Lancashire, 16th February 2000, purchased for £2150.

A small Regency Perioid mahogany oval drop leaf tripod table, with single drawer, turned column and downswept supports, 66cm high, (af).

An elegant Edwardian inlaid mahogany glass panelled display case of small proportions, c.1910, featuring glass panels to the front, sides and top, enclosing three clear glass shelves, raised on tapered supports terminating on spade feet, 114cm high by 42cm wide by 30cm deep.

An antique walnut and parcel gilt high back armchair in the late 17th century style and in the manner of Daniel Marot (1661 - 1752), featuring an ornately floral and foliate pierced back, blue velvet seat, ornate carved and pierced front stretcher, and turned and block supports united by corresponding H stretcher.

A French gilt metal mounted display cabinet with glazed sides and panel door enclosing a single glass shelf, on slender cabriole legs to scroll sabots, height 110cm, width 44cm, depth 44cm

Two Whichford pottery terracotta pots to include one with impressed shell design, height 27cm, diameter 36cm, and a Willow pottery Bath terracotta pot (3)

A pair of French armchairs, c.1900 / 1920, featuring decorative foliate cut fabric upholstered seats, backs and arms, raised on scrolled outswept front supports.

A good quality Regency Period feathered mahogany and mahogany cellerette, the hinged lid revealing the original lined and fitted interior, raised on bun feet and brass casters, 78cm wide by 50cm deep by 54cm high.

Provenance: Sarah Scott Antiques & Chiselhurst Antiques, 27th July 2006, purchased for £2100.

A 19th century walnut framed long hearth stool, the seat re-upholstered in a fine tapesty fabric (angled to rest your feet on in front of the fire), 123cm long.

A white painted metal garden table with rectangular composite stone top 48cm high, 91cm wide, 53.5cm deep (a/f)

Two 19th century occasional tripod tables, both with circular tops, in elm and mahogany

An Edwardian inlaid and cross banded quarter veneered mahogany Etagere, with detachable glass bottom serving tray to the top tier, fitted with twin carrying handles, 84cm wide by 82cm high.

A pair of large Whichford Pottery terracotta pots of cylindrical shape, stamped marks, height approx 55cm, diameter 60cm

An elegant Edwardian inlaid mahogany side table, the square top raised on tapered outswept supports bunited by a domed 'x' stretcher, 40cm by 40cm, by 71cm high.

A collection of six various Whichford Pottery terracotta pots, to include one with applied woven motif, stamped marks, tallest 33cm high, 37cm diameter (6)

A George IV wanut chest of drawers, c.1820, the straight front with reeded upper edge above two short and three long drawers fitted with cast gilt-brass drop ring handles and cast octagonal escucheons, above a shaped apron and bracket feet, 107cm wide by 51cm deep by 101cm high.

Two large Whichford Pottery terracotta pots of similar design, stamped marks, height approx 54cm, diameter 61cm (a/f)

A set of four vintage beach kitchen chairs, with decorative pierced back splats, raised on ring turned supports united by H stretchers.

A George III mahogany Pembroke table, 80cm by 54cm, opening to 110cm by 80cm.

Six Whichford Pottery terracotta pots, to include two pairs, all with stamped marks, tallest 38.5cm, diameter 45cm

A William IV / Empire mahogany centre table / Gueridon, c. 1830, with speckled marble circular top, marble possibly later, raised on a fluted vase shaped column and three carved scrolled outswept supports with lions paw feet, 90cm diameter.

A Regency period giltwood, gilt gesso and ebonised overmantle mirror, with inset verre eglomise panel above the rectangular plate flanked by pilasters, 92cm high by 55cm wide, (af).

A vintage Wassily chair (Model B3) after Marcel Breuer, of black leather and chromed tubular construction.

A vintage Chinese camphor wood chest with gilt bamboo decoration height 58cm, width 101cm, depth 49cm

A vintage Georgian style mahogany semi circular console table, 20th century, with carved decoration and tapered padfoot supports, 74cm wide by 38cm deep by 76cm high.

A set of four Victorian walnut balloon back dining chairs, with spindle turned back panels above the green ypholstered drop-in seats.

An antique oak side table with rectangular top above a carved frieze, on turned legs with uniting stretcher height 76cm, width 120cm, depth 60cm

An Edwardian mahogany inlaid two-tier etagere with removable glass tray on slender outswept legs height 82cm, width 68cm, depth 46.5cm

An fine quality Edwardian satinwood banded mahogany bow front side cabinet, c.1910, inlaid with a batwsing medallion and boxwood stringing, featuring a swans neck pediment and shaped shelf above mirrored recess, single drawer, and two glass panelled cupboard doors, raised on elegant ogee supports, 61cm wide by 45cm deep by 145cm high.

Provenance: Westfield Antiques of Harrogate, 15th May 1999, purchased for £950.

A pair of vintage rococco design gilt wall mirrors, each of ornate complimenting form and incorporating a small shelf, 62cm high.

A 17th century oak Wainscot chair, featuring a carved and pierced crown top rail above the carved panel back depicting floral urn within arcaded panel, downswept armrests, front baluster turned and block supports and plain stretchers.

A Victorian inlaid burr walnut and figured walnut combined card table / work table, the rectanular hinged and swivel top with rounded corners enclosing a green baize lined interior, above a fitted drawer and a lined slide-out wool / accessories container, raised om ornate end supports and ceramic casters, 62cm wide by 40cm deep by 72cm high.

A contemporary yellow finished pine tall narrow chest of six drawers, raised on shaped bracket feet, 71cm wide by 48cm deep by 124cm high, together with a matching bedside chest of three drawers, 40cm wide by 40cm deep by 64cm high, (2).

A pair of ornate basically 19th century giltwood, gilt gesso, crossbanded figured walnut and mirrored tall display shelves, featuring pierced scrolling foliate crests above four open shaped shelves, decorative aprons and scrolled feet, 194cm high by 100cm wide, (af - most likely made up from a pair of overrmantle mirrors, some gilt flaked).

A Victorian satinwood banded figured walnut Canterbury, raised on the original ceramic casters, 56cm wide by 41cm deep by 49cm high, (af).

A pretty 19th century carved frame oval footstool re-upholstered in a cream foliate damask fabric, together with one other footstool nicely re-upholstered, (2).

A 19th century French giltwood and gesso framed sofa, featuring a later floral embroidered silk back panel, ornate scroll arms, and serpentine front, loose seat cushion, raised on tapered hoof feet, 143cm wide by 104cm high by 56cm deep, (af).

A large Victorian style mahogany circular dining table, raised on turned uprights and carved outsplayed supports, 150cm diameter.

A vintage figured walnut Georgian revival tall bookcase, c.1920's, the two glass panelled doors enclosing three adjustable shelves and one fixed shelf, raised on scrolled feet, 104cm wide by 196cm high.

A good quality early Georgian style figured walnut bedside cabinet, c.1920, fitted with a pull out slide and panelled cupboard door, raised on shell moulded tapered cabriole supports, 46cm wide by 79cm high.

A good quality contemporary Knoll sofa in the classic Country House taste, with hinged drop-ends and four loose cushions, upholstered in a pale gold coloured fabric, raised on period style brass casters, 200cm wide by 110cm deep.

A 19th century oak coffer of small proportions, the plank top over a plain three panel front on stile supports height 70cm, width 117cm, depth 41cm

A c.1920's oak roll top desk, with lockable tambour top, key, fitted interior, 128cm wide by 76cm deep.

A late 19th cetury walnut dining table, the rectangular top with cut corners, raised on solid turned cylindrical supports with original casters, 121cm by 106cm, with fitted moden heat pad.

An Edwardian carved and turned oak torchere in a George III revival taste, 124cm high by 29cm diameter.

An elegant Edwardian satinwood serving table with detachable tray top, c.1910, the glass bottom tray with twin carrying handles, above the inlaid Sheraton taste base section, 63cm wide by 72cm high.

Jules Moigniez (French, 1835 - 1894), a pair of bronze Coupe Aux Cigognes (Stork Cup) covered urns, featuring twin stork handles, bird of prey finials, and cast in relief with hounds, game birds and rabbits, signed, raised on marble plinth bases, 28cm high.

An 18^th century fruitwood oval drop leaf gate leg cottage dining table of small proportions, fitted with a single drawer, raised on turned and block supports with stretchers, 86cm by 37cm opening to 106cm by 86cm, height 69cm.

Three Whichford pottery terracotta pots to include one with decorative impressed fruit design border, height 30cm, diameter 33cm

A 19th century mahogany torchiere on slender tripod stem

A cast iron and slatted wood garden bench applied with a maritime motif, late 19th / early 20th century, 150cm wide, (af).

A South African hardwood framed buttoned leather upholstered chaise lounge, 188cm long.

A pair of Whichford pottery 'Shakespeare Range' terracotta pots each imprinted with an extract from A Midsummer Night's Dream, height 23cm, diameter 41cm

An antique Turkmen Bokhara rug, in predominately red and decorated with repeating octagonal gul (elephants foot) motifs within borders, approx 214cm by 148cm.

An antique Persian Caucasian rug decorated with stylised and geometric designs in soft faded terracotta and indigo palettes, approx 141cm by 84cm, (worn).

A Turkoman rug, red ground, with geometric design within multiple borders, 212cm by 105cm

A Gholtugh Iran wool / cotton rug, red ground with medallion design, 152cm by 102cm

Two modern Oriental style cream ground rugs with floral decoration, 120cm by 160cm, and 80cm by 140cm

A Bidjar Iran wool / cotton rug, navy and cream cround with medallion design 180cm by 112cm

A collection of six Bohemian Art Deco glass vases attributed to Leo Moser and the Moser Glass Works, comprising two faceted amethyst coloured examples with 'oroplastique' decoration, 26cm and 20cm high, two faceted amber coloured examples with 'oroplastique' decoration, one signed, 22cm and 17cm high, a signed clear example with 'oroplastique' decoration, 20cm high, and an unsigned undecorated faceted amber coloured example, 24cm high, (6).

Three Herend porcelain models of parrots in rust red and green (one repaired)

An attractive 19th century dessert service decorated with poppies and wheat with gilt highlights, comprising a large two-handled tazza, 37cm wide, two-handled dish, 31cm, a pair of dishes 28cm, and ten plates 24cm

A collection of glass scent bottles: including three early 20th century examples with hallmarked silver mounts, a French opalescent example with butterfly stopper, Orrefors, Svenskt, etc, (14).

Three glass decanters with stoppers, 20th century, tallest 34cm, (3).

Eleven Royal Doulton porcelain figures of ladies to include Daydreams and Dinky Do tallest 19cm high

A collection of stoneware and pottery jugs, vases and other items to include a studio pottery bowl or ladle with small handle, bearing maker's initial 'M'

Four Herend porcelain models of dolphins in green and rust red colourways

A Royal Worcester fruit painted cup and saucer by Freeman, c. 1950's, cup signed, cup 7cm high, saucer 11.5cm diameter.

A 19th century majolica cheese bell on stand, 23cm high by 30cm diameter.

Two Herend porcelain models of owls in red and in green

A fine quality George Owen for Royal Worcester reticulated porcelain vase, c.1912, delicately decorated with elaborate pierced designs and gilt highlights, underside with 'G Owen' signature incised underglaze, also with gilt factory marks and numbered 'F106' over 'H', 20cm high.

An Anita Harris studio pottery trial vase decorated with a totemic motif, the base signed in ink and marked 'Trial Re Henry Sandon', 21cm high

A collection of twenty-five ceramic jelly moulds makers include Wedgwood, Minton and Coalport

A pair of late 19th century French bisque porcelain figures, possibly Victor Boyer of Paris, depicting a courting couple, the male figure holding a bunch of flowers and bowing his head, the female figure holding a letter while gazing romantically at her love, painted in muted tones and with gilt trim, various marks to underside, 34cm high.

A studio glass vase with mottled reddish pink and green decoration, faded label to base, 14.5cm high

Two Herend porcelain models of bunny rabbits with one ear raised, in rust red and in green

A mixed 19th/ 20th century bone china part tea set, all similarly decorated, manufacturers including Grosvenor China and Allertons Ltd, each with green shagreen pattern ground, comprising; teapot, eighteen cups, eighteen saucers, two sugar bowl, fifteen side plates and three sandwich plates, each gilt heightened, teapot height 15cm, (some AF) (57 pieces)

Paperweights: comprising a millefiori domed glass example, a signed Maltese Mdina example, and two others, (4).

A Franciscan Desert Rose part dinner and tea service to include six dinner plates, six breakfast plates, six side plates, six cake plates, one vegetable tureen and cover, butter dish and cover, and eleven teacups (a/f)

A collection of Poole pottery mostly Delphis ware to include vases, dishes, bowls and pots, tallest 23cm

An vintage Irish porcelain tea set in the Royal Linden pattern by Arklow, comprising 12 cups, 10 saucers, 10 side plates, 2 serving plates, 2 milk jugs and a sugar bowl, (37).

Two Herend porcelain models of cockerels in rust red and in green

Three Lalique frosted glass models of Yorkshire Terriers, signed (Post 1945), 9cm and 7cm high, a French Sevres glass model of a Polar Bear, 12cm high, a vintage frosted glass model of a French Bulldog, four glass models of pigs, and an indistinctly signed glass sculpture engraved with owls, (10).

Two Herend porcelain models of a pair of rabbits in rust red and in green

Six Lorna Bailey Art Deco style ceramic teapots, various designs, tallest 21cm (a/f)

A Royal Doulton hand-painted model of Red Rum modelled by Graham Tongue limited edition 296 of 7500, 32cm high, on wooden plinth base, with certificate

Four Herend porcelain models of owls comprising two perched on branches and two miniature examples (some damage)

John Ditchfield Glasform: compriing a trailed iridescent dish, signed and numbered 11852, 18cm diameter, a similar vase, signed and numbered 9358, 10cm high, and an iridescent apple shaped paperwight (stork chipped), 8cm high, (3).

A pair of 19th century glass table lustres, each painted in coloured enamels with alternating figurative, landscape, and floral panels amidst lavish gilt decoration, all prism drops present, 27cm high, (af - some old damage).

A collection of 19th century continental bisque porcelain plaques in the manner of Karl Ens / Volkstedt, all modelled in high relief and muted tones with classical figurative scenes and subjects, all framed, largest plaque 21cm by 45cm, (af - some damage), (10).

Two Herend porcelain models of pelicans in red and in green

Seven Poole pottery vases to include a Living Glaze graffiti purse vase 20cm, and two Volcano pattern vases tallest 23cm

A Spode Italian pattern part dinner and tea service comprising eight teacups and saucers, sugar bowl, milk jug, seven dinner plates, four soup plates, five bowls, five bread plates, twelve side plates and a serving platter

A 19th century German Schneeballen (snowball) porcelain five piece part tea-for-two set, comprising a teapot with lid, a twin handled sucrier with cover, a milk jug with cover, and two cups, no saucers, (a/f)

Two Whitefriars style 'drunken bricklayer' glass vases in the manner of Geoffrey Baxter (1922-1995), in purple and orange, 21.5cm high

A 1970s Bitossi pottery 'Rimini Blu' vase designed by Aldo Londi, of cylinder form with impressed decoration, 24cm high

Five Poole pottery vases and a small jar and cover, to include a blue iridescent vase from the Cosmic range 17cm, together with an Anita Harris Studio vase 25cm (6)

A Moorcroft pottery 'poppy' vase by Rachel Bishop 16cm high

A pair of large continental white glazed ceramic models of greyhounds, no maker's marks, 79cm high (a/f)

A large 19th century Derby porcelain vase, c.1830, of urn form decorated with lavish gilt, iron red, green, and blue, in the Japanesque Imari taste, factory marks underside, 25cm high by 26cm diameter.

Provenance: Christies South Kensington, 5th July 2007, lot 1139.

A set of six vintage French St Louis cristal goblets, factory mrks to underside, with ruby glass bowls and flared faceted stems, 23cm high.

A 19th century Crown Derby porcelain tyg painted and gilded in the Imari palette, 7cm high and small tea bowl, both with red painted factory mark, Stevenson & Hancock 1863-1866

A pair of vintage rustic pottery jugs 'Willie Brewd a Peck o Malt', with hand painted relief moulded decoration, 25cm high.

A Royal Worcester blush ivory porcelain nautilus shell vase, late 19th century, 21cm high, together with a Royal Worcester porcelain spill vase in the form of four conjoined twin handled bulbous vases hand painted with floral sprays, 15cm high, (2).

Attributed to Phoebe Stabler (1879 - 1955), early 20th century, ceramic figure of a putti with floral garland, indistinct impressed marks to underside, 20cm high, (af).

A collection of ten Lorna / Lionel Bailey sifters to include 'Comet', 'Astro' and 'Sunny Hollow'

Three small Moorcroft pottery vases comprising one of a pair designed by Emma Bossons illustrating a scene from The Owl and the Pussy-cat 5.5cm, a 'Chicory' pattern vase designed by Philip Gibson 9cm, and an 'Anna Lily' vase 9.5cm (3)

A Lladro porcelain model of a 'Justice Eagle', by D Salvador Furio and D Esteban Ordaz, underside with factory marks, numbered 757, dated 3.11.99, 48cm high, together with a plinth stand, combined height 56cm., with framed certificate of authentication.

A set of six Imari pattern porcelain teacups and saucers, possibly Chamberlain's Worcester

A Moorcroft pottery 'Moroccan Myths' Dragons Design tubelined baluster vase by Kerry Goodwin 26.5cm high

Seven Lorna Bailey ceramic models of cats tallest 16.5cm, and a Lorna Bailey model of a frog playing the violin (8)

A glazed ceramic tureen and cover in the form of a white goose 22cm high, and a model of a cockerel marked 'Italy'

A Royal Doulton 1937 limited edition Royal Commemorative twin handled loving cup for the coronation of King George VI and Queen Elizabeth, number 145/2000, 26cm high.

A 19th Century Staffordshire porcelain 'Lepidopterology' part dessert service, likely Copeland or Minton, comprising a twin handled comport (36cm wide), a set of three dishes, a pair of dishes, and a set of five plates, decorated in the Chinese style with butterflies amongst floral blooms in polychrome enamels on green grounds with gilt highlights, painted N.1077 pattern number to bases, (11), (af).

Two Russian porcelain cups and saucers: comprising a Lomonosov example decorated with a winter architectural / regional landscape in the manner of Alexei Vorobyevsky, with text to underside, together with a Lomonosov 'Winter Day' example by Alexei Vorobyevsky, with text to underside, (2).

A 1930's French Art Deco opalescent glass dish by Julien, with relief moulded leaf and berry decoration, moulded factory mark, 36cm long by 6cm high.

A pair of twisted crystal swirl design table lamps, possibly French, 24cm high including fittings

Two Herend porcelain models of seahorses in rust red and in green

Two Herend porcelain models of elephants in rust red

A crackle glass of Art Nouveau design in the manner of Koloman Moser for Loetz, with a hollow integrated handle, 19cm high

A Sevres style porcelain table lamp with two swan shaped handles, floral decoration and gilt embellishments, 42cm high including fittings, and a Sevres style column table lamp retailed by Harrods 41cm high including fittings (a/f)

A Herend porcelain model of a pair of hamsters in rust red colourway

A collection of seven Prattware / Pearlware Bacchus satyr mask mugs, c.1790/1800, one featuring a frog on the inside, all of traditional form and painted in tones of blue, green, brown and ochre enamels, (a/f).

A Herend porcelain model of a penguin in green

A vintage Italian porcelain table lamp, modelled with elaborate relief moulded Peacock handles and hand painted throughout with stylised floral sprays, height of lamp approx 60cm, including shade 97cm.

'Enfants antiques au Capitole' (Antique children at the Capitol), a pair of antique engravings afer Giovanni Volpato and Raphaello Morghen, 37cm by 50cm, inset matching mounts and gilt frames.

NB: This refers to a series of classical engravings of antique child statues found in the Capitoline Museums in Rome.

A small Poole pottery baluster vase 11cm, a Denby 'Troubadour' pattern part tea service comprising six tea cups and saucers and six small plates, eleven Copeland Spode coffee cups and nine saucers, and other items

A Herend porcelain model of two koalas in green

A collection of Moorland Pottery Chelsea Works Burslem 'N Lightning' pattern wares decorated in Art Deco Clarice Cliff style, comprising teapot, large jar and cover, smaller jar and cover, two jugs, two cups and saucers and two conical sifters

Two Herend porcelain models of rabbits in rust red and in green

A Herend porcelain model of a penguin in rust red

A collection of Poole pottery Delphis and similar wares to include bowls, pots, plates, dishes etc (a/f)

A Luneville France part dinner, tea and coffee service to include two tureens and covers, teapot, coffee pot, jugs, large platters, tazza, dinner plates, etc, together with some similar items marked S'Clement France

A collection of porcelain figurines: comprising a B&G of Denmark model of a boy and a crab (af), Royal Doulton 'Spring' HN2085, Royal Doulton 'Childhood Days, and so to bed' HN2966, Royal Doulton 'Dinky Do' HN1678, and Royal Doulton 'Cynthia' HN2440, (5).

Two Herend porcelain models of a pair of ducks, in rust red

A pair of creamware chestnut baskets 23cm wide, a Neale & Co creamware basketweave pattern oval plate 25cm, and a small Chinese famille rose pattern vase 16cm high, together with a 19th century porcelain vase with applied floral motif 17.5cm, and a small encrusted porcelain model of a shoe

Five Lorna Bailey ceramic models of dogs tallest 15.5cm high, a Lorna Bailey model of a cat, a Manor Collectables model bulldog and a Lorna Bailey Eddie the Eagle figure (8)

Four Moorcroft pottery 'anemone' pattern baluster vases tallest 16cm high

Two Herend porcelain models of a pair of ducks, in red and in green

Two Herend porcelain models of hippopotamuses in green and rust red colourways

A 19th century ironstone matched part dinner service in the Rhine pattern, comprising vegetable tureen and cover, two sauce tureens and covers (incl. one on stand), sauceboat on stand, nine soup plates (incl. one smaller), ten side plates, twelve lunch plates, eleven dinner plates, large meat platter and two serving dishes (two photoographs)

Poole Pottery: comprising two 'Galaxy' pattern vases, 24cm and 20cm high, a pair of 'Galaxy' pattern dishes, 26cm diameter, a 'Living Glaze' jardiniere, 17cm high, and cylindrical vase, 17cm high, and a 'Feruccio' covered dish, 13cm diameter, (7).

Two small Herend porcelain models of peacocks, two of fish and two of snails (damaged)

A pair of early 20th century Royal Dux porcelain figures depicting a female fruit carrier and male companion water carrier, 38cm high, an early 20th century Royal Dux porcelain figure of a youth with his dog by his side, 44cm high, a pair of early 20th century Art Nouveau porcelain figures of maidens (one significantly damaged) in the manner of Ernst Wahliss, 53cm high, and a pair of early 20th century Art Nouveau porcelain busts of maidens in the manner of Ernst Wahliss, 30cm high, (7), (af).

A vintage German 'Gut Holz' bowling themed blue and grey beer stein, and a salt-glazed stoneware pitcher and beer stein with sinuous plant decoration

A small Moorcroft pottery 'Indigo' pattern baluster vase designed by Emma Bossons 8.5cm high, and a Moorcroft pottery 'Anemone' pattern vase 9.5cm

A pair of Japanese cloisonne chargers decorated with chrysanthemum and other flowers on a turquoise ground with wide border, 31cm diameter, a cloisonne vase 22.5cm, and a Satsuma ware style plate 24.5cm

A Chinese porcelain famille verte vase and cover, painted in colured enamels with dignitaries and attendants within a garden setting, between stylised borders, underside bears blue double circle mark, 42cm high.

A Japanese Kutani porcelain vase converted to a table lamp, on wooden stand 44cm high including base and fittings

A pair of Chinese porcelain plaques decorated with interior scenes, inset carved wood frames, 74cm by 29cm including frame

An 18th century Chinese blue and white platter decorated with a garden landscape 32cm by 23cm, and another similar platter (2)

A Chinese marble top carved and pierced hardwood side table / vase stand, early 20th century, 48cm high by 36cm square.

A pair of Japanese cloisonne vases decorated with irises on blue ground 18cm high

A Chinese cloisonne enamel tripod censer, probably 19th century, the pierced cover with lion dog finial, above the bulbous body, twin arms, and grotesque mask supports, 24cm high.

A Japanese porcelain charger with Imari type decoration of peacocks, flowers and a landscape, character marks verso, 37cm diameter, together with a Japanese cloisonne vase 17cm

A Japanese Meiji Period miniature brass and copper vase, decorated in relief with stylised foliage and a bird, 15cm high.

A Chinese porcelain Sang de Boeuf glazed bottle vase, 28cm high.

A near pair of large antique Chinese blue and white porcelain vases, 19th century or earlier, featuring twin pierced handles, decoratd with dragons, exotic birds, a fish, and blossoming landscapes, 59cm high, (2).

A vintage Japanese export 'eggshell' porcelain tea / coffee set complete for six settings (21), together with a set of three vintage Singapore famille rose cups, saucer and side plate trios (9), (30 items in total).

An early 20th century Chinese hardwood pot with carved white jade panel inset to lid, 9.5cm high, and a Chinese carved nut drilled for wear as a pendant (a/f)

A Japanese Meiji parquetry table top cabinet or desk with a detachable top and small drawers height 28cm, depth 24cm, width 35.5cm

A collection of twenty-two items of Chinoiserie and Napoleon III style gilt and black lacquered boxes, trays and pots

A Japanese Meiji period bamboo and steel sword stand (katana / tanto rack), applied with scripted brass plaques, 67cm wide by 69cm high.

A Liberty style leather covered figure of a camel 30cm high

A set of 19th century beam scales by W & T Avery of Birmingham, likely for shop use, featuring an ornate cast iron top section / finial, brass column, opposing brass dish and ceramic plate, raised on a cast iron base, 88cm high by 72cm wide.

A painted 'Sopwith' pull-along crocodile which when in motion has a gaping mouth and a wagging tail, it has a patent application stamp to its base No. 5905/19 dating it to 1919 (part of tail detached), together with a boxed set of wooden child's building blocks (two photographes)

Archibald Knox (British, 1864 - 1933) for Liberty & Co, a Tudric pewter tea and coffee service, c.1900, comprising a coffee pot (22cm high), teapot, milk jug, sugar bowl, and twin handled tray (50cm wide), decorated with stylised organic motifs in relief, the coffee pot and teapot with rattan handles, numbered '0231', (5).

A Folk Art scratch built diorama, modelled a row of terraced houses, inset glass panelled display case, 48cm wide by 8cm deep by 26cm high.

A framed 20th century vintage painted collage depicting an auricular plant in a terracotta pot 35cm by 23cm, and a framed floral printed textile panel, 14cm by 19cm

A 19th century French School bronze figure 'Love with Butterfly', impressed number 2756 to the reverse, raised on a marble stepped plinth base, 26cm high by 36cm wide.

After Claude Michel, known as Clodion, (French, 1738 - 1814), 'Satyr, Bacchante, and a Putto', bronze, 19th century, signed 'Clodion' to the reverse, 47cm high.

NB: an exceptionally heavy cast and with crisp fine detail throughout, dark patination.

An AA chrome plate New Coventry St. London car badge, No 0918050, 11.5cm high

A walking out cane to Harrow School Officer Training Corps, with white metal top bearing Corps badge, 71cm long

An impressive carved and painted wood model of a black swan 83cm high

After Pierre Louis Frederic Sauvage (French, 1786 - 1857), a bronze bust 'Ariadne', 19th century, impressed 'Reduction Sauvage', further impressed with foundry stamp 'Susse Freres', also bears numbers to the underside, 30cm high.

NB: a 'Reduction Sauvage' statue refers to a high quality 19th century bronze miniature replica of a famous historical or classical sculpture, cast by the French bronze workshop of Pierre Louis Frédéric Sauvage (1786–1857). 'Reduction' indicates it is a scale-down of a larger masterpiece.

An Arts & Crafts copper bowl, the planished tapered bulbous body with chased berries and leaf decoration, raised on a spreading circular foot with pierced berries and leaf decoration, 18cm high by 33cm wide, (af).

A vintage Georgian style gilt brass framed ceiling lantern, 20th century, the hexagonal form inset with clear glass panels (one cracked), approx 46cm high.

Attributed to Giuseppe Renda (Italian, 1859 - 1939) or Giovanni Battista Amendola (Italian, 1848–1887): and original bronze sculpture 'Youth carrying vines', 52cm high.

Hippolyte Moreau (French, 1832 - 1927), a pair of bronze figures, 19th century, signed, depicting allegorical classical bacchantes maidens besides classical pillars and holding grapes and garlands, raised on sienna marble plinth bases, 60cm high.

A 19th century Folk Art fruitwood novelty nutcracker, carved in the form of a laughing man wearing a hat, 17cm long.

A Victorian burr walnut work / sewing box with mother of pearl inlaid vacant cartouche and key escutcheon, and Tunbridgeware style inlaid bands, height 13.5cm, width 30cm, depth 22cm

A large Louis Vuitton Sirius monogrammed travel bag, with tan leather accents, stamped gilt-metal hardware and removable luggage tag approx 48cm by 65cm (a/f)

H C Coombs (c.1960's): a collection of six bronzed sculptures, depicting abstract human, dog and bird forms, two on marble plinth bases, three on wooden plinth bases, one is freestanding, tallest 47cm, (6).

Possibly the work of Herbert Cole "Nugget" Coombs (Australian, 1906 - 1997), an Australian economist and public servant, the first Governor of the Reserve Bank of Australia from 1960 to 1968, noted for his contributions to the arts, environment, and Indigenous justice movement.

As first Governor of the Reserve Bank of Australia, he was responsible for approving the acquisition of Norma Redpath’s 'Immortal Warrior' (1963-64) for the Reserve Bank in Adelaide, and commissioning 'Sculpture Column' (1968-72) for the foyer of the Reserve Bank in Brisbane. In 1972, when Redpath was appointed the H.C. Coombs Creative Arts Fellow at ANU, Coombs was ANU Chancellor and inaugural chair of the Australian Council for the Arts.

A 19th century copper samovar, early Victorian, c.1840/1870, with cover, twin handles, tap, and applied opaque mounts, 46cm high.

A 19th century carved oak pediment depicting a bird amongst foliage, berries and flower, fitted with later brass ring for wall display, height 18cm, width 42cm

A vintage stoneware flagon for 'Baker Wine & Spirit Merchant Marketplace Stockport 4 Gall' 51cm high, and a smaller unmarked flagon

Two African wood carvings to include a male head bust 26.5cm high, three small occasional tables with removable legs, and two decorative carved wood trays

Copperware; a large water dispenser with brass tap, indistinctly inscribed, 58cm high, a dallah coffee pot, teapot, large water pot, and a collection of circular trays

Six 19th century French bronze medallions 'Galerie numismatique des rois de France' (Numismatic Gallery of the Kings of France), designed by Armand Auguste Caque (1793 - 1881), each 5cm diameter.

A pair of 19th century ormolu candelabra (later converted to electric and in need of re-wiring), each modelled with blossoming branches held aloft by cherub columns and classical revival shell and scroll bases, height to top of candle holder approx 42cm, to top of shades apprx 56cm, (af).

An Art Deco gilt patinated bronze table lamp depicting male and female figures dancing, with shade, total height 54cm.

An Australian Akubra felt hat size 56, and an American Express Riders wool hat size 57

Adolf Wagner (Austrian, 1884 – 1962), 'Ballerina', an original bronze figure with faded gilt patination, signed and dated 1922, raised on a marble plinth base, bronze height 32cm, combined height 49cm.

An Asprey burgundy leather portfolio 29cm by 41cm

Felix Haspel (Austrian, b.1951), a tapestry panel, signed with monogram in the weave, approx 60cm by 80cm.

NB: Felix Haspel is considered one of Austria's leading textile artists, for further information see www.felixhaspel.at

Felix Haspel (Austrian, b.1951), a tapestry panel, signed with monogram in the weave, approx 160cm by 136cm.

NB: Felix Haspel is considered one of Austria’s leading textile artists, for further information see www.felixhaspel.at

A pair of large 19th century bronze models of the Marly Horses after Guillaume Coustou (French, 1677 - 1746), 56cm high, raised on later bespoke ebonised wooden plinth stands,108cm high.

NB: King Louis XV commissioned the original monumental Carrara marble statues in 1739, and they were completed and installed at the Chateau de Marly in 1745, workers later moved the statues to the Place de la Concorde in Paris in 1794 during the French Revolution, the sculptures later moved to the Louvre Museum in Paris in 1984 to protect them from weather damage.

An antique painted wooden ceremonial bowl on pedestal stem to circular foot height 15cm, diameter 26cm

A vintage Chinese style ceramic elephant plant stand / stool, 43cm high

After the Antique, a bronze figural group of the 'Townley Greyhounds', signed F BARBEDIENNE, on a black painted wooden plinth base, 11.5cm high excluding base

A pair of antique carved and painted wooden panels decorated with the Eye of Providence, one with paper label for Abraham Galimidi verso, 24.5cm by 50cm

A Prinz Sound Stereo Module globular radio in cream, height 33cm

A vintage table lamp with large shell shade

A late 19th/ early 20th century wooden hat stretcher 33cm high

A pair of vintage Georgian glass ceiling lanterns, 20th century, the square gilt-brass forms inset with glass panels (some replacements and one with chipped corner), approx 60cm high, (af - one lower finial missing).

A child's acoustic guitar, no maker's labels, approx 32 inches (81.5cm) total length (a/f)

An Arts & Crafts copper pot and cover in the manner of Keswick School of Industrial Arts, c.1890-1920, featuring hammered decoration and scrolled borders, 5cm wide by 3cm high.

A vintage golf club printed Fred J Bowdrey Southampton 110cm long

Five various Florentine style cast metal photo frames, late 19th / early 20th century, four with easal stands, one with suspension ring, tallest 40cm high, (5). PLEASE NOTE PHOTOGRAPHS HAVE BEEN REMOVED

A Folk Art scratch built wooden model of a rustic cottage, well detailed and with painted finishes, raised on a platform base, 35cm wide by 26cm deep byn 26cm high.

An antique North African / Arabic koumya type dagger and sheath, probably Moroccan, late 19th / early 20th century, 40cm overall length.

A Hornby Railways Silver Seal locomotive R.861 B.R. 2-10-0 Evening Star, boxed

A Folk Art scratch built diorama, modelled as a cottage interior, with fire place, furniture and furnishings, inset glass panelled display case, 25cm wide by 9cm deep by 18cm high.

Pierre Lenordez (French, 1815 - 1892), a 19th century bronze equestrian group, 'Mare and Foal', signed inn the bronze and further inscribed in the bronze 'Casandra's mother d'Aguila and her foal 1856', good rich dark patination, 31cm high by 42cm long.

An Edwardian oval mahogany inlaid tea tray, the chequered gallery enclosing a boxwood inlaid, batwing oval fan to the centre, 40cm by 57cm

A vintage Expoga of Danmark Model E1905 rotary dial desk telephone, styled after the 1905 original, probably c.1970's, 35cm high, (af).

A 19th century French School bronze bust 'Virgin Mary' (Mater Dei, Mother of God), in the style of Eugene-Antoine Aizelin (French, 1821–1902), or Célestin-Anatole Calmels (French, 1822 - 1906), 35cm high.

A large Louis Vuitton Sirius monogrammed travel bag, with tan leather accents and stamped gilt-metal hardware approx 48cm by 65cm (a/f)

A collection of brass and copper ware to include a straining spoon with cast iron handle, kettle, coal scuttle and other items

A good quality large vintage rouge marble and ormolu table lamp in the form of a classical corinthian column, with shade, height to top of bulb holder 63cm.

A pair of 19th century face screens decorated with watercolours of birds 37cm high including handle

A pair of Asian brass and copper mounted carved wooden models of rocking horses 23cm high

A 19th century rosewood tea caddy, sarcophagus shape, c.1840, the hinged lid enclosing two covered and lined partitions and a central fabric lined recess with glass mixing bowl, 38cm wide.

A vintage wooden pull toy decorated with a dog pulling a red cart filled with puppies 38cm long, and a pair of weathered papier mache animal masks

A 1930’s Canadian 'Charlie McCarthy' ventriloquists dummy by the Reliable Doll Co., dressed, 41cm high

Three Steiff Steiff teddy bears all with buttons and yellow ear tags to include 'Petsy' 012556 and 'Molly' 019500

An Armand Marseille bisque head doll with sleeping eyes, open mouth, upper teeth, and movable limbs, approx 34cm high, (af).

A large heavy quality silver plated twin handled drinks tray, late 19th / early 20th century, with Georgian revival taste relief cast decoration, 76cm by 46cm, (worn).

A Steiff Lulac Floppy vintage rabbit, yellow tag 3140/43, 1968-1974, with button, 47cm high

A shrapnel fragment mounted on a plinth base with brass plaque engraved 'Piece of German Shell found on board HMS Patrol after bombardment of Hartlepool by German Battle Cruisers 16th Dec 1914', a First World War Princess Mary Christmas 1914 tin mounted on a plinth base, with Christmas card, a pair of oak bookends mounted with plaques for the Royal Engineers and Sedbergh School, and a small collection of boxed card games, dominoes etc

A pair of silver plated table lamps in the form of classical foliate cast and fluted columns, late 19th / early 20th century, approx 60cm high to top of columns, (af - converted to electric but in need of re-wiring).

A silver plated wine cooler in the form of a classical campana urn, with detachable liner, 25cm high.

A pair of Barker Ellis silver plated candelabra, in a Georgian design with scrolling branches and weighted bases, 33cm high.

Lloyd's Register of Yachts comprising 1908, 1926, 1933, 1936, 1938, Supplement to the 1939 Edition 1946, and 1973, together with a collection of maritime history and reference books to include Service Afloat or The Naval Career of Sir William Hoste, pub. W H Allen & Co 1887, Yachting vol I and II by Sir Edward Sullivan et al., facsimile of the first edition pub. Ashford Press 1985, and three 1971 Cornmarket Press facsimile reprints - A Narrative of The Proceedings of the British Fleet, commanded by Admiral Sir John Jervis, KB on the fourteenth of February 1797, A Narrative of the Proceedings of His Majesty's Fleet under the Command of Earl Howe, from the second of May to the second of June 1794, and A Journal of Voyages and Travels, by the late Thomas Rees, Serjeant of Marines 1822

Edward Lear's Book of Nonsense 'To the great-grandchildren, grand-nephews, and grand-nieces of Edward, 13th Earl of Derby [.....]', pub. London 1862

A large hardback edition of London Churches of the XV11th and XVIIIth Centuries with illustrated historical accounts by George H Birch FSA

A hardback edition of Ngari Wall Paintings: White Temple of the Tholing Monastery pub. Zhejiang University Press retail price £220.00

A late 19th century American Ansonia 'Gingerbread' kitchen / shelf clock, c.1880 / 1900, with key and pendulum, 57cm high.

An early 20th century French gilt brass and bevelled glass carriage clock with enamelled dial, dial inscribed 'L' Epee Fondee en 1839, Sainte Suzanne France 15.5cm high, with key

A 19^th century mahogany domed cased striking / chiming bracket clock, with gilt brass mounts, silvered dial, chime / silent subsidiary dial, and a fast / slow subsidiary dial, raised on flat bun feet, with key and pendulum, approx 39cm high.

An Edwardian silver plated mantle clock, the dial inscribed 'Prestons, Bolton', with later fitted battery movement, 21cm wide by 15cm high.

A Jaeger Le Coultre 'Marina' Atmos clock, c.1960's / 70's, gilt metal and lucite with chinoiserie decoration, 23.5cm high.

A fine quality George III striking eight day longcase clock by Thomas Mudge of London, the 13 inch arched brass dial with rotating moonphase feature, silvered chapter ring, twin winding holes, date aperture, engraved sunsidiary seconds dial, and ornate spandrels, the handsome inlaid and cross-banded figured mahogany case featuring gilt-brass mounts and an unusual stepped trunk door, raised on bracket feet, complete withy pendulum, twin weights, and winding key, 230cm (7' 6") high.

A French brass cased alarm carriage clock, late 19th / early 20th century, with associated key that only fits the larger winder, 12cm high, together with a French small fancy case carriage clock by R & Co of Paris, with key, 11cm high, (2).

An 18th century Irish mahogany cased 8 day striking longcase clock inscribed 'Henry La Trobe, Dublin', the 14" square brass dial with engraved subsidiary seconds dial and engraved subsidiary date dial, between the cherub spandrels, the case featuring a particulary ornate blind fret and scrolled pediment above fluted column pillars to the hood and trunk, raised on bracket feet, with twin weights, pendulum, winder and door key, 244cm (8') high, (af).

A Matthew Norman brass and bevelled glass cased carriage clock, height 15.5cm, with key

A St James gilt metal mantle clock by Metamec of England, the case presentation inscribed, battery operated, 19.5cm high

A 19th century mahogany eight day longcase clock, the 12" painted arch dial indistinctly signed P? Frome, with subsidiary seconds dial and calendar aperture, and with painting of Clifton Suspension Bridge, Bristol, to the arch, 222cm high, with pendulum, two weights and winding key

A brass skeleton mantle clock with fusee movement approx 35cm high, with pendulum and key, under a glass dome (glass dome a/f)

A fine quality 19th century French repeater alarm carriage clock, featuring three porcelain panels richly decorated in coloured enamels and gilt with figures, the movement striking on a gong, complete with double-end key, 17cm high.

A Biedermeier commode clock, the architectural case with two alabaster columns, brass fittings and bird surmount, the circular enamel dial with Arabic numerals, striking on a gong, 42.5cm high, with pendulum, key and loose brass fitting

20th Century School, 'Still Life', mixed media, indistinctly signed lower right, 45cm by 82cm, framed.

James H Flack (Irish b 1941), 'The encroaching tide, Connemara Coast', watercolour, signed, verso inscribed paper label dated 2005, 27cm by 36cm

A set of three Art Deco oval figurative etchings in the manner of Louis Icart (French, 1888 - 1950), each depicting seductive semi-clothed females, indistinctly signed in pencil, 32cm by 15cm, framed, (3).

Juliet Campbell (British, 20th Century), 'Entrance to the Souk', oil on board, signed, artists hand written label verso inscribed 'Entrance to the Souk, Juliet Campbell, Ypres Lodge, Rye, Sussex, No.6, 32 Guineas', 39cm by 49cm, framed.

William Tatton Winter (1855-1928), two country landscape views of shepherds with their flock, watercolours, both signed, largest 24cm by 32.5cm

Continental school, naive pastoral hunting scene depicting figures, horse and dog in a river landscape, oil on canvas, unsigned, faintly stamped verso 'Instituto Nacional de Cultura [....]', 71cm by 51cm, unframed

T L Rowbotham (1859), 'Italian lake scene', watercolour, signed and dated, also inscribed ;No. 162', 32cm by 70cm, framed, (af - some foxing).

Elizabeth Davis (20th century), flower study, cosmos, oil on canvas, signed, 33cm by 23cm

Juliet Duckett (20th century), anemones, watercolour, signed and dated '93 in pencil, verso inscribed paper label, 27cm by 47cm

Leslie Charles Worth (British, 1923 - 2009), 'landscape', watercolour, signed with initials, label verso for Thomas Agnew & Sons Ltd, 43 Old Bond Street, London, No. 37496, 30cm by 34cm, framed.

Paul Sandby (1731-1809), Figure Studies, two etchings, signed as part of the printing plate, 8.5cm by 7.5cm

Mike Jackson (b 1962), The Perfect Gent, giclee print, numbered 80/150 and signed in pencil, verso Washington Green Certificate of Authenticity, 49cm by 40cm (ARR)

Camille Roqueplan (French 1800-1855), landscape with figures and cattle, oil on wood, signed, 22cm by 30cm

Frank Martin (1921-2005), Billy Rose's Diamond Horseshoe, etching and aquatint, numbered 44/50, inscribed and signed in pencil, 59cm by 78cm

After Frank Paton (1855-1909), four framed prints to include 'Rough and Ready' and 'Every Dog Has His Day', each signed in pencil, 20.5cm by 25.5cm

Mackenzie Thorpe (b 1956), All The Love In the World, photo lithograph, numbered 215/450, inscribed and signed in pencil, verso Washington Green Certificate of Authenticity, 50cm by 41.5cm (ARR)

Mackay (20th century), Stormy Sky, Sutherland, watercolour, signed, inscribed paper label verso, 35cm by 48cm

Terry Kubecki (contemporary), The Three Trees, etching, numbered 14/80, titled, inscribed RA Summer Exhibition 2004, and signed, 43cm by 53cm

After Ronald William Fordham Searle (1920- 2011), 'Hommage a Toulouse-Lautrec', numbered 42/70, signed and dated 1969 in pencil, one of a set of five limited edition lithographs, 62cm by 47cm

Manner of George Romney (1734–1802), head of a young woman gazing upwards, oil on canvas, unsigned, 42cm by 34cm

Eveleen Lewis (fl 1870-1893), river landscape view, mountains beyond, watercolour, signed, 17cm by 44cm

Dorofield Hardy (British, 1853 - 1937), 'A county House interior scene featuring a lady sat at a spinning wheel', watercolour, signed and dated 1883, 37cm by 58cm, framed.

Felix Haspel (Austrian, b,1951): a series of ten pencil signed limited edition prints depicting abstract landscapes, all framed, (10).

After Jean-Honoré Fragonard (French 1732-1806), four sepia wash prints (two within one frame) to include 'La Rossignol', each print approx 20cm by 15cm

Alan Lumsden (1934-2020), Church Fete, coloured etching, inscribed, signed and numbered 1/100 in pencil, 49cm by 65cm

Schmitz (early / mid 20th century), 'Still Life', oil on canvas, signed, 60cm by 50cm, framed.

Gloria Marojevic (contemporary), Fusion I, II, and III, a set of three limited edition giclee prints, numbered 100/395 and signed in pencil, approx 5cm by 5cm

Charles James Keats (British, 1856-1900), 'Continental Street Scenes', a pair, watercolours, signed, 50cm by 32cm, framed.

Mike Jackson (b 1962), It's a Dog's Life, giclee print, numbered 91/150 and signed in pencil, verso Washington Green Certificate of Authenticity, 50cm by 33cm (ARR)

An antique print 'Gentleman and lady with Page serving beverages' after Gerard ter Borch (Dutch, 1617-1681), 35cm by 25cm, framed.

Arthur Willett (British, 1857 - 1918), 'River scene in Berkshire'', watercolour, signed, label to mount, 52cm by 74cm, framed.

20th Century School, 'still life with tankard and fruit', oil on canvas board, indistinctly signed, 30cm by 37cm, framed.

Alfons Walde (1851-1958), Fruhling in Tirol, colour print, typographically printed verso: Kunstverlag Alfons Walde / Kitzbühel, Tirol, Osterreich / Nach dem Originalgemalde von A. Walde printed in Austria 1951 / No 1261 33cm by 26.5cm

Felix Haspel (Austrian, b.1951), 'Abstract Landscape', watercolour, signed, 48cm by 68cm, framed.

George Hastings (British, 19th century), 'Near the Nore, Portishead', oil on canvas, signed, remnants ofn old label verso, another old label verso, old stencil mark verso, 35cm by 53cm, framed.

Charles McCall (1902-1989), two pencil drawings; 'Mitzi Sleeping', signed and dated '49, printed paper label verso, 26.5cm by 23cm, and 'Edinburgh Gardens', signed, verso printed paper label and label for Charles McCall Retrospective at Christie's [...] 4th-13th September 1995, 31cm by 24cm (2)

Jacques Ochs (Belgian 1883-1971), two framed drawings of a solider and a dancing figure, both signed in pencil, 24cm 19cm, together with two framed prints after Jacques Ochs (4)

Leslie Charles Worth (British, 1923 - 2009), 'Semer Water', watercolour, signed, label verso for 'R.W.S. Galleries, 26 Conduit Street, London', 46cm by 57cm, framed.

Alfred Sanderson Edward (1852–1915), boat sailing off a coastline, 'Making the Harbour', oil on board, signed, faintly inscribed verso, 25cm by 36cm

Paul Sandby Munn OWS (British, 1773 - 1845), 'The Mawdach Estuary, Barmouth, North Wales', watercolour, signed and dated 1832, label verso for Heather Newman Fine Quality British Watercolours, Milidduwa, Mill Lane, Cranham, Painswick, Gloucestershire, 18cm by 35cm, framed.

Sir Willism Russell Flint RA PRWS RSW (British, 1880 - 1969), 'The Gareloch, Roseneath', watercolour, signed, label verso for Heather Newman Fine Quality Early English Watercolours, Milidduwa, Mill Lane, Cranham Painswick, Gloucestershire, 26cm by 36cm, framed.

David Bates (1840 - 1921), Near British Camp, Malvern, oil on canvas, signed and dated 1883, 30cm by 34cm

Malcolm Barlow (20th century), 'Galerie Bernier, Rouen', watercolour, signed, gallery label verso for the Bourne Gallery, 31/33 Lesbourne Road, Reigate, Surrey, catalogue number 62, 26cm by 36cm, framed.

Charles Bone PPRI, ARCA (b 1926), Charles Bone's Waverley - A Portfolio of Four Prints and a fully illustrated volume in a limited edition of 750 copies each signed and numbered by the Artist, all unframed in presentation box, box 37cm by 52cm

Charles Collins (British, 1851 - 1921), 'Equine Scenes', a pair, oils on canvas, one signed and dated 1869, 22cm by 30cm, matching gilt frames, (af).

19th century Italian school, figure playing a mandolin on a rocky coastline, oil on canvas, indistinctly signed R Moismile? Napoli and dated 1868, 44cm by 33cm

An Edwardian marquetry and parquetry inlaid mahogany side table with batswing and conch shell decoration, raised on tapered square supports terminating on spade feet, 74cm wide by 44cm deep by 81cm high, (af).

A George III style walnut semi circular console table, with wavey edge frieze, raised elongated cabriole supports terminating on claw and ball feet, 123cm wide by 62cm deep by 74cm high.

A Victorian walnut Canterbury, with pierced lyre ends, single drawer, turned tapered supports with original ceramic casters, 54cm wide.

A George III style feathered mahogany chest of drawers of small proportions, late 19th / early 20th century, fitted with four graduated drawers, raised on shaped bracket feet, 60cm wide by 41cm deep by 78cm high.

A Victorian mahogany adjustable stool, the revolving wool tapestry seat raised on a turned pedestal terminating on a dished circular base and three outswept supports.

A 17th century oak low chair, possibly Batavian, featuring a mask and trailing foliate shaped top rail above a floral urn carved panelled back with corresponding carving to the reverse, flanked by barley twist uprights, with foliate carved panels to the front, raised on front barley twist supportsv and stretcher alongside plain rear supports and stretchers, 94cm high by 64cm wide.

NB: 17th century Batavian chairs are rare Dutch-colonial seating pieces crafted in Batavia (modern-day Jakarta), the administrative headquarters of the Dutch East India Company (VOC) in Southeast Asia, formed when European chair designs met local Asian craftsmanship, influenced heavily by Tamil woodworkers from India's Coromandel Coast who relocated to Batavia under the VOC, and featured sculpturally carved flowers in relief. Wealthy Dutch colonists in Batavia used ornate furniture to project social rank and maintain European identity in a strict colonial hierarchy.

A Whichford pottery terracotta pot with impressed fruit border, height 19cm, diameter 20.5cm, together with three West Meon pottery terracotta pots produced for West Dean Gardens (4)

A Regency Period / Victorian wirework plant stand, with ornate scrollwork and elongated supports, 143cm wide by 108cm high. (af).

A modern brown leather two seater sofa, 166cm wide by 100cm deep.

A pair of antique Italian polychrome decorated carved wooden Blackamoors, probably late 19th / early 20th century, each modelled with a kneeling male figure holding a dished platform aloft, raised on stepped circular plinth bases, 88cm high by 37cm diameter.

An 18th / 19th century mahogany and parcel-gilt wall mirror in a Chippendale taste, with Ho Ho bird surmount and fretwork decoration, 79cm high by 44cm wide,

An 18th/19th century German inlaid walnut armoire, the two panelled doors applied with ornate cast gilt metal handles and escucheons, with original key, enclosing three shelves, raised on flat bun feet, 166cm wide by 198cm high.

A George III brass inlaid feathered mahogany corner fitting side cabinet, fitted with three frieze drawers above two cupboard doors, applied with classical revival handles and escucheons, 90cm wide by 64cm deep by 87cm high, (some brass lifting).

An antique mahogany show-wood framed open side armchair in the Hepplewhite style, with upholstered seat, back and arms (a/f - damage)

A pair of large Whichford Pottery terracotta pots of cylindrical shape, stamped marks, height approx 54cm, diameter 60cm

An Edwardian inlaid and cross banded mahogany revolving book stand, raised on na cast iron base and ceramic casters, 50cm square by 87cm high.

A Victorian figured walnut and walnut swing dressing mirror, the domed mirror on barley twist uprights, stepped shaped base and bun feet, 65cm high.

A cast iron garden urn of classical form, late 19th / early 20th century, the campana form with twin scrolled handles, and decorated in relief with stylised foliage, raised on a stepped base, 63cm high by 75cm wide.

A decorative gilt metal mounted wall mirror in a Moorish taste, the arched form with sectioned micro mirror panels frame, 112cm high by 62cm wide.

A George III gate leg drop leaf 'cottage' dining table, raised on padfoot supports, 124cm by 41cm opening to 128cm by 124cm.

A large oval Georgian revival giltwood framed bevelled wall mirror, late 19th / early 20th century, 123cm wide by 77cm high.

A brass fire fender with pierced foliate scroll decoration, external width 131cm, depth 36.5cm

An early 18th century cross banded figured walut chest of drawers, fitted with two short and three long oak lined drawers with brass swan neck handles and shaped back plates, raised on bracket feet, 96cm wide by 55cm deep by 92cm high.

A French ormolu mounted rosewood framed bevelled wall mirror, Louis XV style, early 20th century, oak back, 92cm high by 82cm wide.

A large Chinese Chppendale style set of mahogany hanging wall shelves with fretwork sides enclosing five shelves with central glazed cabinet containing six glass shelves and velvet lined interior, above three drawers, height 122cm, width 100cm, depth 17cm

A mid 20th century G Plan Brasilia teak sideboard with an arrangement of four drawers and three cupboards, Model 4058, height 79cm, width 206cm, depth 45.5cm

A late 19th century carved walnut tall bookcase, with two glass panelled doors enclosing adjustable shelves, above two frieze drawers and two cupboard doors, 108cm wide by 215cm high by 46cm deep.

A mid 20thC G Plan teak extending dining table with central extension leaf, height 73cm, width (minus additional leaf) 145cm, depth 88.5cm

A 19th century mahogany and green leather adjustable gout stool, the double ratchet base terminating on bun feet.

A small vintage white painted wrought iron occasional table, the rectangular top inset with eight ceramic tiles depicting marine life

Two Whichford pottery terracotta pots of tapered cylindrical form, largest 38cm high, 54cm diameter

A George III inlaid and cross banded mahogany card table, the hinged D shaped top opening to reveal a green baize lined interior, raised on ring turned tapered cylindrical supports, 90cm wide by 44cm deep by 75cm high, opening to 90cm by 88cm.

Two Whichford pottery terracotta pots of tapered cylindrical form, largest 36cm high

An Edwardian walnut Sutherland table of small proportions, 53cm wide by 14cm deep by 55cm high, opening to 64cm by 53cm.

A modern brown leather electric recliner armchair, 102cm wide by 102cm deep.

Two large Whichford Pottery terracotta pots of cylindrical shape, stamped marks, tallest approx 54cm, diameter 62cm

A Coalbrookdale style 'Fern and Blackberry' patterned garden bench and two chairs, the white painted metal chairs stamped 22322, the back of the bench 22323 and the base 22324, bench 141cm wide, chairs 66cm wide

A French style small mahogany occasional table with circular top on cabriole legs 61cm high, 29cm wide

A Porta Romana two door console chest with a dark wood finish, triple leather inset panel top above two cupboard doors with gold coloured cast metal ring handles on square tapered legs, height 70.5cm, width 110cm, depth 40cm

A rustic pine kitchen or larder cupboard, the single planked door with with pierced ventilation cutouts, enclosing four fixed shelves, on plinth base height 185.5cm, width 76cm, depth 37cm, with key

A 19th century Lancashire type rush seated low chair with spindle back and curved open arms

A George III mahogany oval side table, the single drawer fitted with brass drop ring handles and shell and foliate back plates, raised on four turned tapering supports united by a braced undertier, 76cm wide by 41cm deep by 78cmm high.

A 19^th century ebonised and parcel gilt book table, the circular top with adjustable rotating candle holder, above a turned column and cross-form tier / shelf, raised on downswept supports, 44cm diameter by 70cm high, (af).

A William Yeoward chestnut wood dining table with rectangular top and twin pedestal supports on square tapered legs height 72cm, length 201cm, depth 80cm (maker's labels lacking)

A William IV carved rosewood three division canterbury, on turned legs and brass castors, height 50cm, width 48cm, depth 33.5cm

Edwardian walnut Sutherland table, with cut corner drop leaves, raised on slatted end supports, 62cm wide by 17cm deep by 66cm high, opening to 74cm by 62cm.

A Victorian button back armchair with scroll carved show wood frame on ceramic castors

A G Plan 'Blofeld' model 6250 low back armchair, buttoned back, with star design mahogany base on castors, unmarked

A 17th century oak Wainscot chair, featuring a scroll carved top rail above an arcaded carved panelled back, flanked by solid armrests, raised on front barrel turned and block supports united by plain stretchers.

A rare French cast iron Porte-Chapeaux (coat, hat and umbrella stand) attributed to Deville & Cie, c.1900, with hinged swivel oval mirror, approx 220cm high.

Provenance: Preston Antiques Centre Ltd, August 2003, purchased for £750.

An Adams revival cast iron and brass fire basket, probably late 19th / early 20th century, 86cm high by 78cm wide, (af - some small remnants of old electrical conversion remain).

A Charles I oak refectory table, c.1640, with stylised foliate and lunette carved frieze, chisel carved baluster supports, and flat wide stretchers, 260cm by 85cm, (af).

A set of six vintage Regency style yew wood dining chairs, 20th century, comprising two carvers and four singles, (6).

A G Plan Sixty Swivel lounge chair, Model 62, winged and deep buttoned back, with star design mahogany base, on castors, unmarked, and a matched stool

A Regency ebonized and gilt painted side chair with cane seat

An 18th century oak coffer, with planked top over carved front and sides with arcaded foliate design height 67cm, width 123cm, depth 54.5cm

A pretty 19^th century rosewood hanging wall shelf, with shaped shelves and turned uprights,m 60cm wide by 20cm deep by 72cm high.

A large decorative Georgian revival oval gilt gesso wall mirror, c.1900, with ribbon surmount and reeded frame, 102cm wide by 80cm high, (af).

An antique oak Lambing chair in a 17th century style, with geometric panelled back, and two drawers under the seat.

An ornate metal three tier plant theatre stand

A Regency period inlaid mahogany pedestal reading and writing table, c.1820, the top with rounded corners with hinge and ratchet mechanism, with functioning drawer and opposing dummy drawer, raised on a turned column and four foliate carved sabre supports terminating on casters, height 74cm with top section flat, (af).

A 19th century mahogany and satinwood games, work and writing table, the central hinged writing surface with rachet support, enclosing inlaid backgammon surface above a pull-out chessboard with sewing basket beneath, flanked by a pair of D-shaped hinged compartments on slender curved supports height 74cm, width 70cm, depth 43cm

An antique George III style walnut stool with needlework drop in seat, late 19th / early 20th century, with old ivorine trade label for G Jetley, 52 South Audley Street, London, 57cm wide by 44cm high.

A pretty little George III inlaid and cross banded mahogany oval drop leaf tripod table, with single drawer, vase turned column and tapered downswept supports terminating on ndelicate brass casters, 60cm wide with flaps up.

A pair of buff coloured clay chimney pots, late 19th / early 20th century, featuring flared castellated tops, approx 79cm high, (af).

An 18th centuy mahogany blanket chest on stand, c.1760, the hinged lid with key, above a configuration nof five drawers with brass swan neck handles, raised on shaped bracket feet, 130cm wide by 53cm deep by 97cm high.

Provenance: The Antiques Centre, 56 Garstang Road, Preston, Lancashire, PR1 1NA, 4th December 2001, purchased for £1950.

Four Whichford Pottery terracotta pots to include a pair with decorative fruit border, stamped marks, height 39.5cm, diameter 46.5cm (4)

An Alvar Aalto for Finmar low table and five matching stools each with circular white laminate top on bentwood supports table 55cm high, 91.5cm diameter

Three Whichford pottery terracotta pots to include one with floral motif, height 28cm, diameter 39cm

A fine specimen marble centre table in the Italian Grand Tour taste, the impressive circular top featuring a multitude of multicoloured specimen marbles in an optical swirling geometric design radiating from a central point, within a bold black marble outer border, raised on a veined black marble baluster turned pedestal column terminating on a stepped plinth base, 101cm diameter by 73cm high.

A pine display cabinet with arched cornice over a glazed panel door and glazed sides enclosing four shelves, with drawer to base, on bun feet, 181cm high, 37.5cm deep, 90cm wide

Four Whichford Pottery terracotta pots to include one with applied woven motif, stamped marks, largest 29.5cm high, 37cm diameter

A small elegant Edwardian walnut circular vase stand, c.1900, with single drawer, shaped braced undertier, and slender supports terminating on spade feet, 26cm wide by 72cm high.

A Victorian oak bureau profusely carved with foliate designs, fall front over four drawers with turned knob handles on bracket feet height 110cm, width 92cm, depth 51.5cm

A 17th century oak Wainscot chair, featuring a stylised foliate and scroll carved top rail above a lunette and chisel carved back panel, shaped armrests, front baluster turned and block supports united by plain stretchers.

A set of eight 19th century Chippendale revival mahogany ribbon-back dining chairs, comprising two carvers and six singles, with period style upholstered seats, raised on front moulded square supports united by H stretchers, (af - one back support damaged).

A good quality ormolu mounted floral marquetry inlaid cross banded burr walnut card table in the French taste, late 19th / early 20th century, the hinged and swivel top revealing red baize lined interior and a hidden chess board, raised on tapered ogee supports, 80cm wide by 48cm deep by 76cm high, opening to 95cm by 80cm.

An Edwardian brass and cast iron umbrella / stick stand, 39cm wide by 68cm high.

A Victorian cross banded and inlaid figured walnut serpentine fronted side cabinet, the two cupboard doors featuring oval glass panels, flanked by foliate carved brackets, raised on a plinth base, 114cm wide by 46cm deep by 93cm high.

An early 19th century mahogany bow front chest of drawers, the two short and three long graduated drawers fitted with drop ring handles, raised on shaped bracket feet, 116cm wide by 56cm deep by 107cm high.

A late 19th century walnut Davenport desk decorated with Arts & crafts style panels, 58cm wide, (af)

A 19th century mahogany side table with single drawer on slender turned legs

A Chinese carved camphor wood chest decorated with sailing ships height 60cm, width 104cm, depth 51cm

A 17th century oak Wainscot chair, with stylised foliate and scroll carved shaped top rail above the fielded panelled back, shaped armrests, and front ball and block supports united by plain stretchers.

A pair of ornate 19th century giltwood and gilt gesso girandole wall mirrors, the bevelled oval plates amidst bird and floral basket surmounts, pierced fretwork panels, shaped shelves, and scrolled candle holders, approx 122cm high by 82cm wide, (af).

Three Whichford pottery terracotta pots to include one with applied woven motif, height 35cm, diameter 47cm

A good quality Sheroton revival satinwood banded mahogany cabinet on chest, c.1900, inlaid with quartered batswing motifs, boxwood and ebony stringing, the swansneck pediment above two glass panelled doors enclosing shelves, above two serpentine fronted drawers, raised on tapered supports terminating on spade feet, 77cm wide by 45cm deep by 192cm high.

Provenance: Andrew Lovall (Antiques of Distinction), 5th August 2004, costing £2400.

An 18th century mahogany cross-banded oak Lancashire Mule chest, c.1785, the hinged lid enclosing storage space, above a configuration of three dummy and six functioning drawers, with brass swan neck handles, flanked by fluted quarter columns, raised on shaped bracker feet, 173cm wide by 55cm deep by 102cm high.

Provenance: The Antique Centre, 56 Garstang Road, Preston, Lancashire, 16th February 2000, purchased for £2150.

A small Regency Perioid mahogany oval drop leaf tripod table, with single drawer, turned column and downswept supports, 66cm high, (af).

An elegant Edwardian inlaid mahogany glass panelled display case of small proportions, c.1910, featuring glass panels to the front, sides and top, enclosing three clear glass shelves, raised on tapered supports terminating on spade feet, 114cm high by 42cm wide by 30cm deep.

An antique walnut and parcel gilt high back armchair in the late 17th century style and in the manner of Daniel Marot (1661 - 1752), featuring an ornately floral and foliate pierced back, blue velvet seat, ornate carved and pierced front stretcher, and turned and block supports united by corresponding H stretcher.

A French gilt metal mounted display cabinet with glazed sides and panel door enclosing a single glass shelf, on slender cabriole legs to scroll sabots, height 110cm, width 44cm, depth 44cm

Two Whichford pottery terracotta pots to include one with impressed shell design, height 27cm, diameter 36cm, and a Willow pottery Bath terracotta pot (3)

A pair of French armchairs, c.1900 / 1920, featuring decorative foliate cut fabric upholstered seats, backs and arms, raised on scrolled outswept front supports.

A good quality Regency Period feathered mahogany and mahogany cellerette, the hinged lid revealing the original lined and fitted interior, raised on bun feet and brass casters, 78cm wide by 50cm deep by 54cm high.

Provenance: Sarah Scott Antiques & Chiselhurst Antiques, 27th July 2006, purchased for £2100.

A 19th century walnut framed long hearth stool, the seat re-upholstered in a fine tapesty fabric (angled to rest your feet on in front of the fire), 123cm long.

A white painted metal garden table with rectangular composite stone top 48cm high, 91cm wide, 53.5cm deep (a/f)

Two 19th century occasional tripod tables, both with circular tops, in elm and mahogany

An Edwardian inlaid and cross banded quarter veneered mahogany Etagere, with detachable glass bottom serving tray to the top tier, fitted with twin carrying handles, 84cm wide by 82cm high.

A pair of large Whichford Pottery terracotta pots of cylindrical shape, stamped marks, height approx 55cm, diameter 60cm

An elegant Edwardian inlaid mahogany side table, the square top raised on tapered outswept supports bunited by a domed 'x' stretcher, 40cm by 40cm, by 71cm high.

A collection of six various Whichford Pottery terracotta pots, to include one with applied woven motif, stamped marks, tallest 33cm high, 37cm diameter (6)

A George IV wanut chest of drawers, c.1820, the straight front with reeded upper edge above two short and three long drawers fitted with cast gilt-brass drop ring handles and cast octagonal escucheons, above a shaped apron and bracket feet, 107cm wide by 51cm deep by 101cm high.

Two large Whichford Pottery terracotta pots of similar design, stamped marks, height approx 54cm, diameter 61cm (a/f)

A set of four vintage beach kitchen chairs, with decorative pierced back splats, raised on ring turned supports united by H stretchers.

A George III mahogany Pembroke table, 80cm by 54cm, opening to 110cm by 80cm.

Six Whichford Pottery terracotta pots, to include two pairs, all with stamped marks, tallest 38.5cm, diameter 45cm

A William IV / Empire mahogany centre table / Gueridon, c. 1830, with speckled marble circular top, marble possibly later, raised on a fluted vase shaped column and three carved scrolled outswept supports with lions paw feet, 90cm diameter.

A Regency period giltwood, gilt gesso and ebonised overmantle mirror, with inset verre eglomise panel above the rectangular plate flanked by pilasters, 92cm high by 55cm wide, (af).

A vintage Wassily chair (Model B3) after Marcel Breuer, of black leather and chromed tubular construction.

A vintage Chinese camphor wood chest with gilt bamboo decoration height 58cm, width 101cm, depth 49cm

A vintage Georgian style mahogany semi circular console table, 20th century, with carved decoration and tapered padfoot supports, 74cm wide by 38cm deep by 76cm high.

A set of four Victorian walnut balloon back dining chairs, with spindle turned back panels above the green ypholstered drop-in seats.

An antique oak side table with rectangular top above a carved frieze, on turned legs with uniting stretcher height 76cm, width 120cm, depth 60cm

An Edwardian mahogany inlaid two-tier etagere with removable glass tray on slender outswept legs height 82cm, width 68cm, depth 46.5cm

An fine quality Edwardian satinwood banded mahogany bow front side cabinet, c.1910, inlaid with a batwsing medallion and boxwood stringing, featuring a swans neck pediment and shaped shelf above mirrored recess, single drawer, and two glass panelled cupboard doors, raised on elegant ogee supports, 61cm wide by 45cm deep by 145cm high.

Provenance: Westfield Antiques of Harrogate, 15th May 1999, purchased for £950.

A pair of vintage rococco design gilt wall mirrors, each of ornate complimenting form and incorporating a small shelf, 62cm high.

A 17th century oak Wainscot chair, featuring a carved and pierced crown top rail above the carved panel back depicting floral urn within arcaded panel, downswept armrests, front baluster turned and block supports and plain stretchers.

A Victorian inlaid burr walnut and figured walnut combined card table / work table, the rectanular hinged and swivel top with rounded corners enclosing a green baize lined interior, above a fitted drawer and a lined slide-out wool / accessories container, raised om ornate end supports and ceramic casters, 62cm wide by 40cm deep by 72cm high.

A contemporary yellow finished pine tall narrow chest of six drawers, raised on shaped bracket feet, 71cm wide by 48cm deep by 124cm high, together with a matching bedside chest of three drawers, 40cm wide by 40cm deep by 64cm high, (2).

A pair of ornate basically 19th century giltwood, gilt gesso, crossbanded figured walnut and mirrored tall display shelves, featuring pierced scrolling foliate crests above four open shaped shelves, decorative aprons and scrolled feet, 194cm high by 100cm wide, (af - most likely made up from a pair of overrmantle mirrors, some gilt flaked).

A Victorian satinwood banded figured walnut Canterbury, raised on the original ceramic casters, 56cm wide by 41cm deep by 49cm high, (af).

A pretty 19th century carved frame oval footstool re-upholstered in a cream foliate damask fabric, together with one other footstool nicely re-upholstered, (2).

A 19th century French giltwood and gesso framed sofa, featuring a later floral embroidered silk back panel, ornate scroll arms, and serpentine front, loose seat cushion, raised on tapered hoof feet, 143cm wide by 104cm high by 56cm deep, (af).

A large Victorian style mahogany circular dining table, raised on turned uprights and carved outsplayed supports, 150cm diameter.

A vintage figured walnut Georgian revival tall bookcase, c.1920's, the two glass panelled doors enclosing three adjustable shelves and one fixed shelf, raised on scrolled feet, 104cm wide by 196cm high.

A good quality early Georgian style figured walnut bedside cabinet, c.1920, fitted with a pull out slide and panelled cupboard door, raised on shell moulded tapered cabriole supports, 46cm wide by 79cm high.

A good quality contemporary Knoll sofa in the classic Country House taste, with hinged drop-ends and four loose cushions, upholstered in a pale gold coloured fabric, raised on period style brass casters, 200cm wide by 110cm deep.

A 19th century oak coffer of small proportions, the plank top over a plain three panel front on stile supports height 70cm, width 117cm, depth 41cm

A c.1920's oak roll top desk, with lockable tambour top, key, fitted interior, 128cm wide by 76cm deep.

A late 19th cetury walnut dining table, the rectangular top with cut corners, raised on solid turned cylindrical supports with original casters, 121cm by 106cm, with fitted moden heat pad.

An Edwardian carved and turned oak torchere in a George III revival taste, 124cm high by 29cm diameter.

An elegant Edwardian satinwood serving table with detachable tray top, c.1910, the glass bottom tray with twin carrying handles, above the inlaid Sheraton taste base section, 63cm wide by 72cm high.

Jules Moigniez (French, 1835 - 1894), a pair of bronze Coupe Aux Cigognes (Stork Cup) covered urns, featuring twin stork handles, bird of prey finials, and cast in relief with hounds, game birds and rabbits, signed, raised on marble plinth bases, 28cm high.

An 18^th century fruitwood oval drop leaf gate leg cottage dining table of small proportions, fitted with a single drawer, raised on turned and block supports with stretchers, 86cm by 37cm opening to 106cm by 86cm, height 69cm.

Three Whichford pottery terracotta pots to include one with decorative impressed fruit design border, height 30cm, diameter 33cm

A 19th century mahogany torchiere on slender tripod stem

A cast iron and slatted wood garden bench applied with a maritime motif, late 19th / early 20th century, 150cm wide, (af).

A South African hardwood framed buttoned leather upholstered chaise lounge, 188cm long.

A pair of Whichford pottery 'Shakespeare Range' terracotta pots each imprinted with an extract from A Midsummer Night's Dream, height 23cm, diameter 41cm

An antique Turkmen Bokhara rug, in predominately red and decorated with repeating octagonal gul (elephants foot) motifs within borders, approx 214cm by 148cm.

An antique Persian Caucasian rug decorated with stylised and geometric designs in soft faded terracotta and indigo palettes, approx 141cm by 84cm, (worn).

A Turkoman rug, red ground, with geometric design within multiple borders, 212cm by 105cm

A Gholtugh Iran wool / cotton rug, red ground with medallion design, 152cm by 102cm

Two modern Oriental style cream ground rugs with floral decoration, 120cm by 160cm, and 80cm by 140cm

A Bidjar Iran wool / cotton rug, navy and cream cround with medallion design 180cm by 112cm

A collection of six Bohemian Art Deco glass vases attributed to Leo Moser and the Moser Glass Works, comprising two faceted amethyst coloured examples with 'oroplastique' decoration, 26cm and 20cm high, two faceted amber coloured examples with 'oroplastique' decoration, one signed, 22cm and 17cm high, a signed clear example with 'oroplastique' decoration, 20cm high, and an unsigned undecorated faceted amber coloured example, 24cm high, (6).

Three Herend porcelain models of parrots in rust red and green (one repaired)

An attractive 19th century dessert service decorated with poppies and wheat with gilt highlights, comprising a large two-handled tazza, 37cm wide, two-handled dish, 31cm, a pair of dishes 28cm, and ten plates 24cm

A collection of glass scent bottles: including three early 20th century examples with hallmarked silver mounts, a French opalescent example with butterfly stopper, Orrefors, Svenskt, etc, (14).

Three glass decanters with stoppers, 20th century, tallest 34cm, (3).

Eleven Royal Doulton porcelain figures of ladies to include Daydreams and Dinky Do tallest 19cm high

A collection of stoneware and pottery jugs, vases and other items to include a studio pottery bowl or ladle with small handle, bearing maker's initial 'M'

Four Herend porcelain models of dolphins in green and rust red colourways

A Royal Worcester fruit painted cup and saucer by Freeman, c. 1950's, cup signed, cup 7cm high, saucer 11.5cm diameter.

A 19th century majolica cheese bell on stand, 23cm high by 30cm diameter.

Two Herend porcelain models of owls in red and in green

A fine quality George Owen for Royal Worcester reticulated porcelain vase, c.1912, delicately decorated with elaborate pierced designs and gilt highlights, underside with 'G Owen' signature incised underglaze, also with gilt factory marks and numbered 'F106' over 'H', 20cm high.

An Anita Harris studio pottery trial vase decorated with a totemic motif, the base signed in ink and marked 'Trial Re Henry Sandon', 21cm high

A collection of twenty-five ceramic jelly moulds makers include Wedgwood, Minton and Coalport

A pair of late 19th century French bisque porcelain figures, possibly Victor Boyer of Paris, depicting a courting couple, the male figure holding a bunch of flowers and bowing his head, the female figure holding a letter while gazing romantically at her love, painted in muted tones and with gilt trim, various marks to underside, 34cm high.

A studio glass vase with mottled reddish pink and green decoration, faded label to base, 14.5cm high

Two Herend porcelain models of bunny rabbits with one ear raised, in rust red and in green

A mixed 19th/ 20th century bone china part tea set, all similarly decorated, manufacturers including Grosvenor China and Allertons Ltd, each with green shagreen pattern ground, comprising; teapot, eighteen cups, eighteen saucers, two sugar bowl, fifteen side plates and three sandwich plates, each gilt heightened, teapot height 15cm, (some AF) (57 pieces)

Paperweights: comprising a millefiori domed glass example, a signed Maltese Mdina example, and two others, (4).

A Franciscan Desert Rose part dinner and tea service to include six dinner plates, six breakfast plates, six side plates, six cake plates, one vegetable tureen and cover, butter dish and cover, and eleven teacups (a/f)

A collection of Poole pottery mostly Delphis ware to include vases, dishes, bowls and pots, tallest 23cm

An vintage Irish porcelain tea set in the Royal Linden pattern by Arklow, comprising 12 cups, 10 saucers, 10 side plates, 2 serving plates, 2 milk jugs and a sugar bowl, (37).

Two Herend porcelain models of cockerels in rust red and in green

Three Lalique frosted glass models of Yorkshire Terriers, signed (Post 1945), 9cm and 7cm high, a French Sevres glass model of a Polar Bear, 12cm high, a vintage frosted glass model of a French Bulldog, four glass models of pigs, and an indistinctly signed glass sculpture engraved with owls, (10).

Two Herend porcelain models of a pair of rabbits in rust red and in green

Six Lorna Bailey Art Deco style ceramic teapots, various designs, tallest 21cm (a/f)

A Royal Doulton hand-painted model of Red Rum modelled by Graham Tongue limited edition 296 of 7500, 32cm high, on wooden plinth base, with certificate

Four Herend porcelain models of owls comprising two perched on branches and two miniature examples (some damage)

John Ditchfield Glasform: compriing a trailed iridescent dish, signed and numbered 11852, 18cm diameter, a similar vase, signed and numbered 9358, 10cm high, and an iridescent apple shaped paperwight (stork chipped), 8cm high, (3).

A pair of 19th century glass table lustres, each painted in coloured enamels with alternating figurative, landscape, and floral panels amidst lavish gilt decoration, all prism drops present, 27cm high, (af - some old damage).

A collection of 19th century continental bisque porcelain plaques in the manner of Karl Ens / Volkstedt, all modelled in high relief and muted tones with classical figurative scenes and subjects, all framed, largest plaque 21cm by 45cm, (af - some damage), (10).

Two Herend porcelain models of pelicans in red and in green

Seven Poole pottery vases to include a Living Glaze graffiti purse vase 20cm, and two Volcano pattern vases tallest 23cm

A Spode Italian pattern part dinner and tea service comprising eight teacups and saucers, sugar bowl, milk jug, seven dinner plates, four soup plates, five bowls, five bread plates, twelve side plates and a serving platter

A 19th century German Schneeballen (snowball) porcelain five piece part tea-for-two set, comprising a teapot with lid, a twin handled sucrier with cover, a milk jug with cover, and two cups, no saucers, (a/f)

Two Whitefriars style 'drunken bricklayer' glass vases in the manner of Geoffrey Baxter (1922-1995), in purple and orange, 21.5cm high

A 1970s Bitossi pottery 'Rimini Blu' vase designed by Aldo Londi, of cylinder form with impressed decoration, 24cm high

Five Poole pottery vases and a small jar and cover, to include a blue iridescent vase from the Cosmic range 17cm, together with an Anita Harris Studio vase 25cm (6)

A Moorcroft pottery 'poppy' vase by Rachel Bishop 16cm high

A pair of large continental white glazed ceramic models of greyhounds, no maker's marks, 79cm high (a/f)

A large 19th century Derby porcelain vase, c.1830, of urn form decorated with lavish gilt, iron red, green, and blue, in the Japanesque Imari taste, factory marks underside, 25cm high by 26cm diameter.

Provenance: Christies South Kensington, 5th July 2007, lot 1139.

A set of six vintage French St Louis cristal goblets, factory mrks to underside, with ruby glass bowls and flared faceted stems, 23cm high.

A 19th century Crown Derby porcelain tyg painted and gilded in the Imari palette, 7cm high and small tea bowl, both with red painted factory mark, Stevenson & Hancock 1863-1866

A pair of vintage rustic pottery jugs 'Willie Brewd a Peck o Malt', with hand painted relief moulded decoration, 25cm high.

A Royal Worcester blush ivory porcelain nautilus shell vase, late 19th century, 21cm high, together with a Royal Worcester porcelain spill vase in the form of four conjoined twin handled bulbous vases hand painted with floral sprays, 15cm high, (2).

Attributed to Phoebe Stabler (1879 - 1955), early 20th century, ceramic figure of a putti with floral garland, indistinct impressed marks to underside, 20cm high, (af).

A collection of ten Lorna / Lionel Bailey sifters to include 'Comet', 'Astro' and 'Sunny Hollow'

Three small Moorcroft pottery vases comprising one of a pair designed by Emma Bossons illustrating a scene from The Owl and the Pussy-cat 5.5cm, a 'Chicory' pattern vase designed by Philip Gibson 9cm, and an 'Anna Lily' vase 9.5cm (3)

A Lladro porcelain model of a 'Justice Eagle', by D Salvador Furio and D Esteban Ordaz, underside with factory marks, numbered 757, dated 3.11.99, 48cm high, together with a plinth stand, combined height 56cm., with framed certificate of authentication.

A set of six Imari pattern porcelain teacups and saucers, possibly Chamberlain's Worcester

A Moorcroft pottery 'Moroccan Myths' Dragons Design tubelined baluster vase by Kerry Goodwin 26.5cm high

Seven Lorna Bailey ceramic models of cats tallest 16.5cm, and a Lorna Bailey model of a frog playing the violin (8)

A glazed ceramic tureen and cover in the form of a white goose 22cm high, and a model of a cockerel marked 'Italy'

A Royal Doulton 1937 limited edition Royal Commemorative twin handled loving cup for the coronation of King George VI and Queen Elizabeth, number 145/2000, 26cm high.

A 19th Century Staffordshire porcelain 'Lepidopterology' part dessert service, likely Copeland or Minton, comprising a twin handled comport (36cm wide), a set of three dishes, a pair of dishes, and a set of five plates, decorated in the Chinese style with butterflies amongst floral blooms in polychrome enamels on green grounds with gilt highlights, painted N.1077 pattern number to bases, (11), (af).

Two Russian porcelain cups and saucers: comprising a Lomonosov example decorated with a winter architectural / regional landscape in the manner of Alexei Vorobyevsky, with text to underside, together with a Lomonosov 'Winter Day' example by Alexei Vorobyevsky, with text to underside, (2).

A 1930's French Art Deco opalescent glass dish by Julien, with relief moulded leaf and berry decoration, moulded factory mark, 36cm long by 6cm high.

A pair of twisted crystal swirl design table lamps, possibly French, 24cm high including fittings

Two Herend porcelain models of seahorses in rust red and in green

Two Herend porcelain models of elephants in rust red

A crackle glass of Art Nouveau design in the manner of Koloman Moser for Loetz, with a hollow integrated handle, 19cm high

A Sevres style porcelain table lamp with two swan shaped handles, floral decoration and gilt embellishments, 42cm high including fittings, and a Sevres style column table lamp retailed by Harrods 41cm high including fittings (a/f)

A Herend porcelain model of a pair of hamsters in rust red colourway

A collection of seven Prattware / Pearlware Bacchus satyr mask mugs, c.1790/1800, one featuring a frog on the inside, all of traditional form and painted in tones of blue, green, brown and ochre enamels, (a/f).

A Herend porcelain model of a penguin in green

A vintage Italian porcelain table lamp, modelled with elaborate relief moulded Peacock handles and hand painted throughout with stylised floral sprays, height of lamp approx 60cm, including shade 97cm.

'Enfants antiques au Capitole' (Antique children at the Capitol), a pair of antique engravings afer Giovanni Volpato and Raphaello Morghen, 37cm by 50cm, inset matching mounts and gilt frames.

NB: This refers to a series of classical engravings of antique child statues found in the Capitoline Museums in Rome.

A small Poole pottery baluster vase 11cm, a Denby 'Troubadour' pattern part tea service comprising six tea cups and saucers and six small plates, eleven Copeland Spode coffee cups and nine saucers, and other items

A Herend porcelain model of two koalas in green

A collection of Moorland Pottery Chelsea Works Burslem 'N Lightning' pattern wares decorated in Art Deco Clarice Cliff style, comprising teapot, large jar and cover, smaller jar and cover, two jugs, two cups and saucers and two conical sifters

Two Herend porcelain models of rabbits in rust red and in green

A Herend porcelain model of a penguin in rust red

A collection of Poole pottery Delphis and similar wares to include bowls, pots, plates, dishes etc (a/f)

A Luneville France part dinner, tea and coffee service to include two tureens and covers, teapot, coffee pot, jugs, large platters, tazza, dinner plates, etc, together with some similar items marked S'Clement France

A collection of porcelain figurines: comprising a B&G of Denmark model of a boy and a crab (af), Royal Doulton 'Spring' HN2085, Royal Doulton 'Childhood Days, and so to bed' HN2966, Royal Doulton 'Dinky Do' HN1678, and Royal Doulton 'Cynthia' HN2440, (5).

Two Herend porcelain models of a pair of ducks, in rust red

A pair of creamware chestnut baskets 23cm wide, a Neale & Co creamware basketweave pattern oval plate 25cm, and a small Chinese famille rose pattern vase 16cm high, together with a 19th century porcelain vase with applied floral motif 17.5cm, and a small encrusted porcelain model of a shoe

Five Lorna Bailey ceramic models of dogs tallest 15.5cm high, a Lorna Bailey model of a cat, a Manor Collectables model bulldog and a Lorna Bailey Eddie the Eagle figure (8)

Four Moorcroft pottery 'anemone' pattern baluster vases tallest 16cm high

Two Herend porcelain models of a pair of ducks, in red and in green

Two Herend porcelain models of hippopotamuses in green and rust red colourways

A 19th century ironstone matched part dinner service in the Rhine pattern, comprising vegetable tureen and cover, two sauce tureens and covers (incl. one on stand), sauceboat on stand, nine soup plates (incl. one smaller), ten side plates, twelve lunch plates, eleven dinner plates, large meat platter and two serving dishes (two photoographs)

Poole Pottery: comprising two 'Galaxy' pattern vases, 24cm and 20cm high, a pair of 'Galaxy' pattern dishes, 26cm diameter, a 'Living Glaze' jardiniere, 17cm high, and cylindrical vase, 17cm high, and a 'Feruccio' covered dish, 13cm diameter, (7).

Two small Herend porcelain models of peacocks, two of fish and two of snails (damaged)

A pair of early 20th century Royal Dux porcelain figures depicting a female fruit carrier and male companion water carrier, 38cm high, an early 20th century Royal Dux porcelain figure of a youth with his dog by his side, 44cm high, a pair of early 20th century Art Nouveau porcelain figures of maidens (one significantly damaged) in the manner of Ernst Wahliss, 53cm high, and a pair of early 20th century Art Nouveau porcelain busts of maidens in the manner of Ernst Wahliss, 30cm high, (7), (af).

A vintage German 'Gut Holz' bowling themed blue and grey beer stein, and a salt-glazed stoneware pitcher and beer stein with sinuous plant decoration

A small Moorcroft pottery 'Indigo' pattern baluster vase designed by Emma Bossons 8.5cm high, and a Moorcroft pottery 'Anemone' pattern vase 9.5cm

A pair of Japanese cloisonne chargers decorated with chrysanthemum and other flowers on a turquoise ground with wide border, 31cm diameter, a cloisonne vase 22.5cm, and a Satsuma ware style plate 24.5cm

A Chinese porcelain famille verte vase and cover, painted in colured enamels with dignitaries and attendants within a garden setting, between stylised borders, underside bears blue double circle mark, 42cm high.

A Japanese Kutani porcelain vase converted to a table lamp, on wooden stand 44cm high including base and fittings

A pair of Chinese porcelain plaques decorated with interior scenes, inset carved wood frames, 74cm by 29cm including frame

An 18th century Chinese blue and white platter decorated with a garden landscape 32cm by 23cm, and another similar platter (2)

A Chinese marble top carved and pierced hardwood side table / vase stand, early 20th century, 48cm high by 36cm square.

A pair of Japanese cloisonne vases decorated with irises on blue ground 18cm high

A Chinese cloisonne enamel tripod censer, probably 19th century, the pierced cover with lion dog finial, above the bulbous body, twin arms, and grotesque mask supports, 24cm high.

A Japanese porcelain charger with Imari type decoration of peacocks, flowers and a landscape, character marks verso, 37cm diameter, together with a Japanese cloisonne vase 17cm

A Japanese Meiji Period miniature brass and copper vase, decorated in relief with stylised foliage and a bird, 15cm high.

A Chinese porcelain Sang de Boeuf glazed bottle vase, 28cm high.

A near pair of large antique Chinese blue and white porcelain vases, 19th century or earlier, featuring twin pierced handles, decoratd with dragons, exotic birds, a fish, and blossoming landscapes, 59cm high, (2).

A vintage Japanese export 'eggshell' porcelain tea / coffee set complete for six settings (21), together with a set of three vintage Singapore famille rose cups, saucer and side plate trios (9), (30 items in total).

An early 20th century Chinese hardwood pot with carved white jade panel inset to lid, 9.5cm high, and a Chinese carved nut drilled for wear as a pendant (a/f)

A Japanese Meiji parquetry table top cabinet or desk with a detachable top and small drawers height 28cm, depth 24cm, width 35.5cm

A collection of twenty-two items of Chinoiserie and Napoleon III style gilt and black lacquered boxes, trays and pots

A Japanese Meiji period bamboo and steel sword stand (katana / tanto rack), applied with scripted brass plaques, 67cm wide by 69cm high.

A Liberty style leather covered figure of a camel 30cm high

A set of 19th century beam scales by W & T Avery of Birmingham, likely for shop use, featuring an ornate cast iron top section / finial, brass column, opposing brass dish and ceramic plate, raised on a cast iron base, 88cm high by 72cm wide.

A painted 'Sopwith' pull-along crocodile which when in motion has a gaping mouth and a wagging tail, it has a patent application stamp to its base No. 5905/19 dating it to 1919 (part of tail detached), together with a boxed set of wooden child's building blocks (two photographes)

Archibald Knox (British, 1864 - 1933) for Liberty & Co, a Tudric pewter tea and coffee service, c.1900, comprising a coffee pot (22cm high), teapot, milk jug, sugar bowl, and twin handled tray (50cm wide), decorated with stylised organic motifs in relief, the coffee pot and teapot with rattan handles, numbered '0231', (5).

A Folk Art scratch built diorama, modelled a row of terraced houses, inset glass panelled display case, 48cm wide by 8cm deep by 26cm high.

A framed 20th century vintage painted collage depicting an auricular plant in a terracotta pot 35cm by 23cm, and a framed floral printed textile panel, 14cm by 19cm

A 19th century French School bronze figure 'Love with Butterfly', impressed number 2756 to the reverse, raised on a marble stepped plinth base, 26cm high by 36cm wide.

After Claude Michel, known as Clodion, (French, 1738 - 1814), 'Satyr, Bacchante, and a Putto', bronze, 19th century, signed 'Clodion' to the reverse, 47cm high.

NB: an exceptionally heavy cast and with crisp fine detail throughout, dark patination.

An AA chrome plate New Coventry St. London car badge, No 0918050, 11.5cm high

A walking out cane to Harrow School Officer Training Corps, with white metal top bearing Corps badge, 71cm long

An impressive carved and painted wood model of a black swan 83cm high

After Pierre Louis Frederic Sauvage (French, 1786 - 1857), a bronze bust 'Ariadne', 19th century, impressed 'Reduction Sauvage', further impressed with foundry stamp 'Susse Freres', also bears numbers to the underside, 30cm high.

NB: a 'Reduction Sauvage' statue refers to a high quality 19th century bronze miniature replica of a famous historical or classical sculpture, cast by the French bronze workshop of Pierre Louis Frédéric Sauvage (1786–1857). 'Reduction' indicates it is a scale-down of a larger masterpiece.

An Arts & Crafts copper bowl, the planished tapered bulbous body with chased berries and leaf decoration, raised on a spreading circular foot with pierced berries and leaf decoration, 18cm high by 33cm wide, (af).

A vintage Georgian style gilt brass framed ceiling lantern, 20th century, the hexagonal form inset with clear glass panels (one cracked), approx 46cm high.

Attributed to Giuseppe Renda (Italian, 1859 - 1939) or Giovanni Battista Amendola (Italian, 1848–1887): and original bronze sculpture 'Youth carrying vines', 52cm high.

Hippolyte Moreau (French, 1832 - 1927), a pair of bronze figures, 19th century, signed, depicting allegorical classical bacchantes maidens besides classical pillars and holding grapes and garlands, raised on sienna marble plinth bases, 60cm high.

A 19th century Folk Art fruitwood novelty nutcracker, carved in the form of a laughing man wearing a hat, 17cm long.

A Victorian burr walnut work / sewing box with mother of pearl inlaid vacant cartouche and key escutcheon, and Tunbridgeware style inlaid bands, height 13.5cm, width 30cm, depth 22cm

A large Louis Vuitton Sirius monogrammed travel bag, with tan leather accents, stamped gilt-metal hardware and removable luggage tag approx 48cm by 65cm (a/f)

H C Coombs (c.1960's): a collection of six bronzed sculptures, depicting abstract human, dog and bird forms, two on marble plinth bases, three on wooden plinth bases, one is freestanding, tallest 47cm, (6).

Possibly the work of Herbert Cole "Nugget" Coombs (Australian, 1906 - 1997), an Australian economist and public servant, the first Governor of the Reserve Bank of Australia from 1960 to 1968, noted for his contributions to the arts, environment, and Indigenous justice movement.

As first Governor of the Reserve Bank of Australia, he was responsible for approving the acquisition of Norma Redpath’s 'Immortal Warrior' (1963-64) for the Reserve Bank in Adelaide, and commissioning 'Sculpture Column' (1968-72) for the foyer of the Reserve Bank in Brisbane. In 1972, when Redpath was appointed the H.C. Coombs Creative Arts Fellow at ANU, Coombs was ANU Chancellor and inaugural chair of the Australian Council for the Arts.

A 19th century copper samovar, early Victorian, c.1840/1870, with cover, twin handles, tap, and applied opaque mounts, 46cm high.

A 19th century carved oak pediment depicting a bird amongst foliage, berries and flower, fitted with later brass ring for wall display, height 18cm, width 42cm

A vintage stoneware flagon for 'Baker Wine & Spirit Merchant Marketplace Stockport 4 Gall' 51cm high, and a smaller unmarked flagon

Two African wood carvings to include a male head bust 26.5cm high, three small occasional tables with removable legs, and two decorative carved wood trays

Copperware; a large water dispenser with brass tap, indistinctly inscribed, 58cm high, a dallah coffee pot, teapot, large water pot, and a collection of circular trays

Six 19th century French bronze medallions 'Galerie numismatique des rois de France' (Numismatic Gallery of the Kings of France), designed by Armand Auguste Caque (1793 - 1881), each 5cm diameter.

A pair of 19th century ormolu candelabra (later converted to electric and in need of re-wiring), each modelled with blossoming branches held aloft by cherub columns and classical revival shell and scroll bases, height to top of candle holder approx 42cm, to top of shades apprx 56cm, (af).

An Art Deco gilt patinated bronze table lamp depicting male and female figures dancing, with shade, total height 54cm.

An Australian Akubra felt hat size 56, and an American Express Riders wool hat size 57

Adolf Wagner (Austrian, 1884 – 1962), 'Ballerina', an original bronze figure with faded gilt patination, signed and dated 1922, raised on a marble plinth base, bronze height 32cm, combined height 49cm.

An Asprey burgundy leather portfolio 29cm by 41cm

Felix Haspel (Austrian, b.1951), a tapestry panel, signed with monogram in the weave, approx 60cm by 80cm.

NB: Felix Haspel is considered one of Austria's leading textile artists, for further information see www.felixhaspel.at

Felix Haspel (Austrian, b.1951), a tapestry panel, signed with monogram in the weave, approx 160cm by 136cm.

NB: Felix Haspel is considered one of Austria’s leading textile artists, for further information see www.felixhaspel.at

A pair of large 19th century bronze models of the Marly Horses after Guillaume Coustou (French, 1677 - 1746), 56cm high, raised on later bespoke ebonised wooden plinth stands,108cm high.

NB: King Louis XV commissioned the original monumental Carrara marble statues in 1739, and they were completed and installed at the Chateau de Marly in 1745, workers later moved the statues to the Place de la Concorde in Paris in 1794 during the French Revolution, the sculptures later moved to the Louvre Museum in Paris in 1984 to protect them from weather damage.

An antique painted wooden ceremonial bowl on pedestal stem to circular foot height 15cm, diameter 26cm

A vintage Chinese style ceramic elephant plant stand / stool, 43cm high

After the Antique, a bronze figural group of the 'Townley Greyhounds', signed F BARBEDIENNE, on a black painted wooden plinth base, 11.5cm high excluding base

A pair of antique carved and painted wooden panels decorated with the Eye of Providence, one with paper label for Abraham Galimidi verso, 24.5cm by 50cm

A Prinz Sound Stereo Module globular radio in cream, height 33cm

A vintage table lamp with large shell shade

A late 19th/ early 20th century wooden hat stretcher 33cm high

A pair of vintage Georgian glass ceiling lanterns, 20th century, the square gilt-brass forms inset with glass panels (some replacements and one with chipped corner), approx 60cm high, (af - one lower finial missing).

A child's acoustic guitar, no maker's labels, approx 32 inches (81.5cm) total length (a/f)

An Arts & Crafts copper pot and cover in the manner of Keswick School of Industrial Arts, c.1890-1920, featuring hammered decoration and scrolled borders, 5cm wide by 3cm high.

A vintage golf club printed Fred J Bowdrey Southampton 110cm long

Five various Florentine style cast metal photo frames, late 19th / early 20th century, four with easal stands, one with suspension ring, tallest 40cm high, (5). PLEASE NOTE PHOTOGRAPHS HAVE BEEN REMOVED

A Folk Art scratch built wooden model of a rustic cottage, well detailed and with painted finishes, raised on a platform base, 35cm wide by 26cm deep byn 26cm high.

An antique North African / Arabic koumya type dagger and sheath, probably Moroccan, late 19th / early 20th century, 40cm overall length.

A Hornby Railways Silver Seal locomotive R.861 B.R. 2-10-0 Evening Star, boxed

A Folk Art scratch built diorama, modelled as a cottage interior, with fire place, furniture and furnishings, inset glass panelled display case, 25cm wide by 9cm deep by 18cm high.

Pierre Lenordez (French, 1815 - 1892), a 19th century bronze equestrian group, 'Mare and Foal', signed inn the bronze and further inscribed in the bronze 'Casandra's mother d'Aguila and her foal 1856', good rich dark patination, 31cm high by 42cm long.

An Edwardian oval mahogany inlaid tea tray, the chequered gallery enclosing a boxwood inlaid, batwing oval fan to the centre, 40cm by 57cm

A vintage Expoga of Danmark Model E1905 rotary dial desk telephone, styled after the 1905 original, probably c.1970's, 35cm high, (af).

A 19th century French School bronze bust 'Virgin Mary' (Mater Dei, Mother of God), in the style of Eugene-Antoine Aizelin (French, 1821–1902), or Célestin-Anatole Calmels (French, 1822 - 1906), 35cm high.

A large Louis Vuitton Sirius monogrammed travel bag, with tan leather accents and stamped gilt-metal hardware approx 48cm by 65cm (a/f)

A collection of brass and copper ware to include a straining spoon with cast iron handle, kettle, coal scuttle and other items

A good quality large vintage rouge marble and ormolu table lamp in the form of a classical corinthian column, with shade, height to top of bulb holder 63cm.

A pair of 19th century face screens decorated with watercolours of birds 37cm high including handle

A pair of Asian brass and copper mounted carved wooden models of rocking horses 23cm high

A 19th century rosewood tea caddy, sarcophagus shape, c.1840, the hinged lid enclosing two covered and lined partitions and a central fabric lined recess with glass mixing bowl, 38cm wide.

A vintage wooden pull toy decorated with a dog pulling a red cart filled with puppies 38cm long, and a pair of weathered papier mache animal masks

A 1930’s Canadian 'Charlie McCarthy' ventriloquists dummy by the Reliable Doll Co., dressed, 41cm high

Three Steiff Steiff teddy bears all with buttons and yellow ear tags to include 'Petsy' 012556 and 'Molly' 019500

An Armand Marseille bisque head doll with sleeping eyes, open mouth, upper teeth, and movable limbs, approx 34cm high, (af).

A large heavy quality silver plated twin handled drinks tray, late 19th / early 20th century, with Georgian revival taste relief cast decoration, 76cm by 46cm, (worn).

A Steiff Lulac Floppy vintage rabbit, yellow tag 3140/43, 1968-1974, with button, 47cm high

A shrapnel fragment mounted on a plinth base with brass plaque engraved 'Piece of German Shell found on board HMS Patrol after bombardment of Hartlepool by German Battle Cruisers 16th Dec 1914', a First World War Princess Mary Christmas 1914 tin mounted on a plinth base, with Christmas card, a pair of oak bookends mounted with plaques for the Royal Engineers and Sedbergh School, and a small collection of boxed card games, dominoes etc

A pair of silver plated table lamps in the form of classical foliate cast and fluted columns, late 19th / early 20th century, approx 60cm high to top of columns, (af - converted to electric but in need of re-wiring).

A silver plated wine cooler in the form of a classical campana urn, with detachable liner, 25cm high.

A pair of Barker Ellis silver plated candelabra, in a Georgian design with scrolling branches and weighted bases, 33cm high.

Lloyd's Register of Yachts comprising 1908, 1926, 1933, 1936, 1938, Supplement to the 1939 Edition 1946, and 1973, together with a collection of maritime history and reference books to include Service Afloat or The Naval Career of Sir William Hoste, pub. W H Allen & Co 1887, Yachting vol I and II by Sir Edward Sullivan et al., facsimile of the first edition pub. Ashford Press 1985, and three 1971 Cornmarket Press facsimile reprints - A Narrative of The Proceedings of the British Fleet, commanded by Admiral Sir John Jervis, KB on the fourteenth of February 1797, A Narrative of the Proceedings of His Majesty's Fleet under the Command of Earl Howe, from the second of May to the second of June 1794, and A Journal of Voyages and Travels, by the late Thomas Rees, Serjeant of Marines 1822

Edward Lear's Book of Nonsense 'To the great-grandchildren, grand-nephews, and grand-nieces of Edward, 13th Earl of Derby [.....]', pub. London 1862

A large hardback edition of London Churches of the XV11th and XVIIIth Centuries with illustrated historical accounts by George H Birch FSA

A hardback edition of Ngari Wall Paintings: White Temple of the Tholing Monastery pub. Zhejiang University Press retail price £220.00

A late 19th century American Ansonia 'Gingerbread' kitchen / shelf clock, c.1880 / 1900, with key and pendulum, 57cm high.

An early 20th century French gilt brass and bevelled glass carriage clock with enamelled dial, dial inscribed 'L' Epee Fondee en 1839, Sainte Suzanne France 15.5cm high, with key

A 19^th century mahogany domed cased striking / chiming bracket clock, with gilt brass mounts, silvered dial, chime / silent subsidiary dial, and a fast / slow subsidiary dial, raised on flat bun feet, with key and pendulum, approx 39cm high.

An Edwardian silver plated mantle clock, the dial inscribed 'Prestons, Bolton', with later fitted battery movement, 21cm wide by 15cm high.

A Jaeger Le Coultre 'Marina' Atmos clock, c.1960's / 70's, gilt metal and lucite with chinoiserie decoration, 23.5cm high.

A fine quality George III striking eight day longcase clock by Thomas Mudge of London, the 13 inch arched brass dial with rotating moonphase feature, silvered chapter ring, twin winding holes, date aperture, engraved sunsidiary seconds dial, and ornate spandrels, the handsome inlaid and cross-banded figured mahogany case featuring gilt-brass mounts and an unusual stepped trunk door, raised on bracket feet, complete withy pendulum, twin weights, and winding key, 230cm (7' 6") high.

A French brass cased alarm carriage clock, late 19th / early 20th century, with associated key that only fits the larger winder, 12cm high, together with a French small fancy case carriage clock by R & Co of Paris, with key, 11cm high, (2).

An 18th century Irish mahogany cased 8 day striking longcase clock inscribed 'Henry La Trobe, Dublin', the 14" square brass dial with engraved subsidiary seconds dial and engraved subsidiary date dial, between the cherub spandrels, the case featuring a particulary ornate blind fret and scrolled pediment above fluted column pillars to the hood and trunk, raised on bracket feet, with twin weights, pendulum, winder and door key, 244cm (8') high, (af).

A Matthew Norman brass and bevelled glass cased carriage clock, height 15.5cm, with key

A St James gilt metal mantle clock by Metamec of England, the case presentation inscribed, battery operated, 19.5cm high

A 19th century mahogany eight day longcase clock, the 12" painted arch dial indistinctly signed P? Frome, with subsidiary seconds dial and calendar aperture, and with painting of Clifton Suspension Bridge, Bristol, to the arch, 222cm high, with pendulum, two weights and winding key

A brass skeleton mantle clock with fusee movement approx 35cm high, with pendulum and key, under a glass dome (glass dome a/f)

A fine quality 19th century French repeater alarm carriage clock, featuring three porcelain panels richly decorated in coloured enamels and gilt with figures, the movement striking on a gong, complete with double-end key, 17cm high.

A Biedermeier commode clock, the architectural case with two alabaster columns, brass fittings and bird surmount, the circular enamel dial with Arabic numerals, striking on a gong, 42.5cm high, with pendulum, key and loose brass fitting

20th Century School, 'Still Life', mixed media, indistinctly signed lower right, 45cm by 82cm, framed.

James H Flack (Irish b 1941), 'The encroaching tide, Connemara Coast', watercolour, signed, verso inscribed paper label dated 2005, 27cm by 36cm

A set of three Art Deco oval figurative etchings in the manner of Louis Icart (French, 1888 - 1950), each depicting seductive semi-clothed females, indistinctly signed in pencil, 32cm by 15cm, framed, (3).

Juliet Campbell (British, 20th Century), 'Entrance to the Souk', oil on board, signed, artists hand written label verso inscribed 'Entrance to the Souk, Juliet Campbell, Ypres Lodge, Rye, Sussex, No.6, 32 Guineas', 39cm by 49cm, framed.

William Tatton Winter (1855-1928), two country landscape views of shepherds with their flock, watercolours, both signed, largest 24cm by 32.5cm

Continental school, naive pastoral hunting scene depicting figures, horse and dog in a river landscape, oil on canvas, unsigned, faintly stamped verso 'Instituto Nacional de Cultura [....]', 71cm by 51cm, unframed

T L Rowbotham (1859), 'Italian lake scene', watercolour, signed and dated, also inscribed ;No. 162', 32cm by 70cm, framed, (af - some foxing).

Elizabeth Davis (20th century), flower study, cosmos, oil on canvas, signed, 33cm by 23cm

Juliet Duckett (20th century), anemones, watercolour, signed and dated '93 in pencil, verso inscribed paper label, 27cm by 47cm

Leslie Charles Worth (British, 1923 - 2009), 'landscape', watercolour, signed with initials, label verso for Thomas Agnew & Sons Ltd, 43 Old Bond Street, London, No. 37496, 30cm by 34cm, framed.

Paul Sandby (1731-1809), Figure Studies, two etchings, signed as part of the printing plate, 8.5cm by 7.5cm

Mike Jackson (b 1962), The Perfect Gent, giclee print, numbered 80/150 and signed in pencil, verso Washington Green Certificate of Authenticity, 49cm by 40cm (ARR)

Camille Roqueplan (French 1800-1855), landscape with figures and cattle, oil on wood, signed, 22cm by 30cm

Frank Martin (1921-2005), Billy Rose's Diamond Horseshoe, etching and aquatint, numbered 44/50, inscribed and signed in pencil, 59cm by 78cm

After Frank Paton (1855-1909), four framed prints to include 'Rough and Ready' and 'Every Dog Has His Day', each signed in pencil, 20.5cm by 25.5cm

Mackenzie Thorpe (b 1956), All The Love In the World, photo lithograph, numbered 215/450, inscribed and signed in pencil, verso Washington Green Certificate of Authenticity, 50cm by 41.5cm (ARR)

Mackay (20th century), Stormy Sky, Sutherland, watercolour, signed, inscribed paper label verso, 35cm by 48cm

Terry Kubecki (contemporary), The Three Trees, etching, numbered 14/80, titled, inscribed RA Summer Exhibition 2004, and signed, 43cm by 53cm

After Ronald William Fordham Searle (1920- 2011), 'Hommage a Toulouse-Lautrec', numbered 42/70, signed and dated 1969 in pencil, one of a set of five limited edition lithographs, 62cm by 47cm

Manner of George Romney (1734–1802), head of a young woman gazing upwards, oil on canvas, unsigned, 42cm by 34cm

Eveleen Lewis (fl 1870-1893), river landscape view, mountains beyond, watercolour, signed, 17cm by 44cm

Dorofield Hardy (British, 1853 - 1937), 'A county House interior scene featuring a lady sat at a spinning wheel', watercolour, signed and dated 1883, 37cm by 58cm, framed.

Felix Haspel (Austrian, b,1951): a series of ten pencil signed limited edition prints depicting abstract landscapes, all framed, (10).

After Jean-Honoré Fragonard (French 1732-1806), four sepia wash prints (two within one frame) to include 'La Rossignol', each print approx 20cm by 15cm

Alan Lumsden (1934-2020), Church Fete, coloured etching, inscribed, signed and numbered 1/100 in pencil, 49cm by 65cm

Schmitz (early / mid 20th century), 'Still Life', oil on canvas, signed, 60cm by 50cm, framed.

Gloria Marojevic (contemporary), Fusion I, II, and III, a set of three limited edition giclee prints, numbered 100/395 and signed in pencil, approx 5cm by 5cm

Charles James Keats (British, 1856-1900), 'Continental Street Scenes', a pair, watercolours, signed, 50cm by 32cm, framed.

Mike Jackson (b 1962), It's a Dog's Life, giclee print, numbered 91/150 and signed in pencil, verso Washington Green Certificate of Authenticity, 50cm by 33cm (ARR)

An antique print 'Gentleman and lady with Page serving beverages' after Gerard ter Borch (Dutch, 1617-1681), 35cm by 25cm, framed.

Arthur Willett (British, 1857 - 1918), 'River scene in Berkshire'', watercolour, signed, label to mount, 52cm by 74cm, framed.

20th Century School, 'still life with tankard and fruit', oil on canvas board, indistinctly signed, 30cm by 37cm, framed.

Alfons Walde (1851-1958), Fruhling in Tirol, colour print, typographically printed verso: Kunstverlag Alfons Walde / Kitzbühel, Tirol, Osterreich / Nach dem Originalgemalde von A. Walde printed in Austria 1951 / No 1261 33cm by 26.5cm

Felix Haspel (Austrian, b.1951), 'Abstract Landscape', watercolour, signed, 48cm by 68cm, framed.

George Hastings (British, 19th century), 'Near the Nore, Portishead', oil on canvas, signed, remnants ofn old label verso, another old label verso, old stencil mark verso, 35cm by 53cm, framed.

Charles McCall (1902-1989), two pencil drawings; 'Mitzi Sleeping', signed and dated '49, printed paper label verso, 26.5cm by 23cm, and 'Edinburgh Gardens', signed, verso printed paper label and label for Charles McCall Retrospective at Christie's [...] 4th-13th September 1995, 31cm by 24cm (2)

Jacques Ochs (Belgian 1883-1971), two framed drawings of a solider and a dancing figure, both signed in pencil, 24cm 19cm, together with two framed prints after Jacques Ochs (4)

Leslie Charles Worth (British, 1923 - 2009), 'Semer Water', watercolour, signed, label verso for 'R.W.S. Galleries, 26 Conduit Street, London', 46cm by 57cm, framed.

Alfred Sanderson Edward (1852–1915), boat sailing off a coastline, 'Making the Harbour', oil on board, signed, faintly inscribed verso, 25cm by 36cm

Paul Sandby Munn OWS (British, 1773 - 1845), 'The Mawdach Estuary, Barmouth, North Wales', watercolour, signed and dated 1832, label verso for Heather Newman Fine Quality British Watercolours, Milidduwa, Mill Lane, Cranham, Painswick, Gloucestershire, 18cm by 35cm, framed.

Sir Willism Russell Flint RA PRWS RSW (British, 1880 - 1969), 'The Gareloch, Roseneath', watercolour, signed, label verso for Heather Newman Fine Quality Early English Watercolours, Milidduwa, Mill Lane, Cranham Painswick, Gloucestershire, 26cm by 36cm, framed.

David Bates (1840 - 1921), Near British Camp, Malvern, oil on canvas, signed and dated 1883, 30cm by 34cm

Malcolm Barlow (20th century), 'Galerie Bernier, Rouen', watercolour, signed, gallery label verso for the Bourne Gallery, 31/33 Lesbourne Road, Reigate, Surrey, catalogue number 62, 26cm by 36cm, framed.

Charles Bone PPRI, ARCA (b 1926), Charles Bone's Waverley - A Portfolio of Four Prints and a fully illustrated volume in a limited edition of 750 copies each signed and numbered by the Artist, all unframed in presentation box, box 37cm by 52cm

Charles Collins (British, 1851 - 1921), 'Equine Scenes', a pair, oils on canvas, one signed and dated 1869, 22cm by 30cm, matching gilt frames, (af).

19th century Italian school, figure playing a mandolin on a rocky coastline, oil on canvas, indistinctly signed R Moismile? Napoli and dated 1868, 44cm by 33cm

An Edwardian marquetry and parquetry inlaid mahogany side table with batswing and conch shell decoration, raised on tapered square supports terminating on spade feet, 74cm wide by 44cm deep by 81cm high, (af).

A George III style walnut semi circular console table, with wavey edge frieze, raised elongated cabriole supports terminating on claw and ball feet, 123cm wide by 62cm deep by 74cm high.

A Victorian walnut Canterbury, with pierced lyre ends, single drawer, turned tapered supports with original ceramic casters, 54cm wide.

A George III style feathered mahogany chest of drawers of small proportions, late 19th / early 20th century, fitted with four graduated drawers, raised on shaped bracket feet, 60cm wide by 41cm deep by 78cm high.

A Victorian mahogany adjustable stool, the revolving wool tapestry seat raised on a turned pedestal terminating on a dished circular base and three outswept supports.

A 17th century oak low chair, possibly Batavian, featuring a mask and trailing foliate shaped top rail above a floral urn carved panelled back with corresponding carving to the reverse, flanked by barley twist uprights, with foliate carved panels to the front, raised on front barley twist supportsv and stretcher alongside plain rear supports and stretchers, 94cm high by 64cm wide.

NB: 17th century Batavian chairs are rare Dutch-colonial seating pieces crafted in Batavia (modern-day Jakarta), the administrative headquarters of the Dutch East India Company (VOC) in Southeast Asia, formed when European chair designs met local Asian craftsmanship, influenced heavily by Tamil woodworkers from India's Coromandel Coast who relocated to Batavia under the VOC, and featured sculpturally carved flowers in relief. Wealthy Dutch colonists in Batavia used ornate furniture to project social rank and maintain European identity in a strict colonial hierarchy.

A Whichford pottery terracotta pot with impressed fruit border, height 19cm, diameter 20.5cm, together with three West Meon pottery terracotta pots produced for West Dean Gardens (4)

A Regency Period / Victorian wirework plant stand, with ornate scrollwork and elongated supports, 143cm wide by 108cm high. (af).

A modern brown leather two seater sofa, 166cm wide by 100cm deep.

A pair of antique Italian polychrome decorated carved wooden Blackamoors, probably late 19th / early 20th century, each modelled with a kneeling male figure holding a dished platform aloft, raised on stepped circular plinth bases, 88cm high by 37cm diameter.

An 18th / 19th century mahogany and parcel-gilt wall mirror in a Chippendale taste, with Ho Ho bird surmount and fretwork decoration, 79cm high by 44cm wide,

An 18th/19th century German inlaid walnut armoire, the two panelled doors applied with ornate cast gilt metal handles and escucheons, with original key, enclosing three shelves, raised on flat bun feet, 166cm wide by 198cm high.

A George III brass inlaid feathered mahogany corner fitting side cabinet, fitted with three frieze drawers above two cupboard doors, applied with classical revival handles and escucheons, 90cm wide by 64cm deep by 87cm high, (some brass lifting).

An antique mahogany show-wood framed open side armchair in the Hepplewhite style, with upholstered seat, back and arms (a/f - damage)

A pair of large Whichford Pottery terracotta pots of cylindrical shape, stamped marks, height approx 54cm, diameter 60cm

An Edwardian inlaid and cross banded mahogany revolving book stand, raised on na cast iron base and ceramic casters, 50cm square by 87cm high.

A Victorian figured walnut and walnut swing dressing mirror, the domed mirror on barley twist uprights, stepped shaped base and bun feet, 65cm high.

A cast iron garden urn of classical form, late 19th / early 20th century, the campana form with twin scrolled handles, and decorated in relief with stylised foliage, raised on a stepped base, 63cm high by 75cm wide.

A decorative gilt metal mounted wall mirror in a Moorish taste, the arched form with sectioned micro mirror panels frame, 112cm high by 62cm wide.

A George III gate leg drop leaf 'cottage' dining table, raised on padfoot supports, 124cm by 41cm opening to 128cm by 124cm.

A large oval Georgian revival giltwood framed bevelled wall mirror, late 19th / early 20th century, 123cm wide by 77cm high.

A brass fire fender with pierced foliate scroll decoration, external width 131cm, depth 36.5cm

An early 18th century cross banded figured walut chest of drawers, fitted with two short and three long oak lined drawers with brass swan neck handles and shaped back plates, raised on bracket feet, 96cm wide by 55cm deep by 92cm high.

A French ormolu mounted rosewood framed bevelled wall mirror, Louis XV style, early 20th century, oak back, 92cm high by 82cm wide.

A large Chinese Chppendale style set of mahogany hanging wall shelves with fretwork sides enclosing five shelves with central glazed cabinet containing six glass shelves and velvet lined interior, above three drawers, height 122cm, width 100cm, depth 17cm

A mid 20th century G Plan Brasilia teak sideboard with an arrangement of four drawers and three cupboards, Model 4058, height 79cm, width 206cm, depth 45.5cm

A late 19th century carved walnut tall bookcase, with two glass panelled doors enclosing adjustable shelves, above two frieze drawers and two cupboard doors, 108cm wide by 215cm high by 46cm deep.

A mid 20thC G Plan teak extending dining table with central extension leaf, height 73cm, width (minus additional leaf) 145cm, depth 88.5cm

A 19th century mahogany and green leather adjustable gout stool, the double ratchet base terminating on bun feet.

A small vintage white painted wrought iron occasional table, the rectangular top inset with eight ceramic tiles depicting marine life

Two Whichford pottery terracotta pots of tapered cylindrical form, largest 38cm high, 54cm diameter

A George III inlaid and cross banded mahogany card table, the hinged D shaped top opening to reveal a green baize lined interior, raised on ring turned tapered cylindrical supports, 90cm wide by 44cm deep by 75cm high, opening to 90cm by 88cm.

Two Whichford pottery terracotta pots of tapered cylindrical form, largest 36cm high

An Edwardian walnut Sutherland table of small proportions, 53cm wide by 14cm deep by 55cm high, opening to 64cm by 53cm.

A modern brown leather electric recliner armchair, 102cm wide by 102cm deep.

Two large Whichford Pottery terracotta pots of cylindrical shape, stamped marks, tallest approx 54cm, diameter 62cm

A Coalbrookdale style 'Fern and Blackberry' patterned garden bench and two chairs, the white painted metal chairs stamped 22322, the back of the bench 22323 and the base 22324, bench 141cm wide, chairs 66cm wide

A French style small mahogany occasional table with circular top on cabriole legs 61cm high, 29cm wide

A Porta Romana two door console chest with a dark wood finish, triple leather inset panel top above two cupboard doors with gold coloured cast metal ring handles on square tapered legs, height 70.5cm, width 110cm, depth 40cm

A rustic pine kitchen or larder cupboard, the single planked door with with pierced ventilation cutouts, enclosing four fixed shelves, on plinth base height 185.5cm, width 76cm, depth 37cm, with key

A 19th century Lancashire type rush seated low chair with spindle back and curved open arms

A George III mahogany oval side table, the single drawer fitted with brass drop ring handles and shell and foliate back plates, raised on four turned tapering supports united by a braced undertier, 76cm wide by 41cm deep by 78cmm high.

A 19^th century ebonised and parcel gilt book table, the circular top with adjustable rotating candle holder, above a turned column and cross-form tier / shelf, raised on downswept supports, 44cm diameter by 70cm high, (af).

A William Yeoward chestnut wood dining table with rectangular top and twin pedestal supports on square tapered legs height 72cm, length 201cm, depth 80cm (maker's labels lacking)

A William IV carved rosewood three division canterbury, on turned legs and brass castors, height 50cm, width 48cm, depth 33.5cm

Edwardian walnut Sutherland table, with cut corner drop leaves, raised on slatted end supports, 62cm wide by 17cm deep by 66cm high, opening to 74cm by 62cm.

A Victorian button back armchair with scroll carved show wood frame on ceramic castors

A G Plan 'Blofeld' model 6250 low back armchair, buttoned back, with star design mahogany base on castors, unmarked

A 17th century oak Wainscot chair, featuring a scroll carved top rail above an arcaded carved panelled back, flanked by solid armrests, raised on front barrel turned and block supports united by plain stretchers.

A rare French cast iron Porte-Chapeaux (coat, hat and umbrella stand) attributed to Deville & Cie, c.1900, with hinged swivel oval mirror, approx 220cm high.

Provenance: Preston Antiques Centre Ltd, August 2003, purchased for £750.

An Adams revival cast iron and brass fire basket, probably late 19th / early 20th century, 86cm high by 78cm wide, (af - some small remnants of old electrical conversion remain).

A Charles I oak refectory table, c.1640, with stylised foliate and lunette carved frieze, chisel carved baluster supports, and flat wide stretchers, 260cm by 85cm, (af).

A set of six vintage Regency style yew wood dining chairs, 20th century, comprising two carvers and four singles, (6).

A G Plan Sixty Swivel lounge chair, Model 62, winged and deep buttoned back, with star design mahogany base, on castors, unmarked, and a matched stool

A Regency ebonized and gilt painted side chair with cane seat

An 18th century oak coffer, with planked top over carved front and sides with arcaded foliate design height 67cm, width 123cm, depth 54.5cm

A pretty 19^th century rosewood hanging wall shelf, with shaped shelves and turned uprights,m 60cm wide by 20cm deep by 72cm high.

A large decorative Georgian revival oval gilt gesso wall mirror, c.1900, with ribbon surmount and reeded frame, 102cm wide by 80cm high, (af).

An antique oak Lambing chair in a 17th century style, with geometric panelled back, and two drawers under the seat.

An ornate metal three tier plant theatre stand

A Regency period inlaid mahogany pedestal reading and writing table, c.1820, the top with rounded corners with hinge and ratchet mechanism, with functioning drawer and opposing dummy drawer, raised on a turned column and four foliate carved sabre supports terminating on casters, height 74cm with top section flat, (af).

A 19th century mahogany and satinwood games, work and writing table, the central hinged writing surface with rachet support, enclosing inlaid backgammon surface above a pull-out chessboard with sewing basket beneath, flanked by a pair of D-shaped hinged compartments on slender curved supports height 74cm, width 70cm, depth 43cm

An antique George III style walnut stool with needlework drop in seat, late 19th / early 20th century, with old ivorine trade label for G Jetley, 52 South Audley Street, London, 57cm wide by 44cm high.

A pretty little George III inlaid and cross banded mahogany oval drop leaf tripod table, with single drawer, vase turned column and tapered downswept supports terminating on ndelicate brass casters, 60cm wide with flaps up.

A pair of buff coloured clay chimney pots, late 19th / early 20th century, featuring flared castellated tops, approx 79cm high, (af).

An 18th centuy mahogany blanket chest on stand, c.1760, the hinged lid with key, above a configuration nof five drawers with brass swan neck handles, raised on shaped bracket feet, 130cm wide by 53cm deep by 97cm high.

Provenance: The Antiques Centre, 56 Garstang Road, Preston, Lancashire, PR1 1NA, 4th December 2001, purchased for £1950.

Four Whichford Pottery terracotta pots to include a pair with decorative fruit border, stamped marks, height 39.5cm, diameter 46.5cm (4)

An Alvar Aalto for Finmar low table and five matching stools each with circular white laminate top on bentwood supports table 55cm high, 91.5cm diameter

Three Whichford pottery terracotta pots to include one with floral motif, height 28cm, diameter 39cm

A fine specimen marble centre table in the Italian Grand Tour taste, the impressive circular top featuring a multitude of multicoloured specimen marbles in an optical swirling geometric design radiating from a central point, within a bold black marble outer border, raised on a veined black marble baluster turned pedestal column terminating on a stepped plinth base, 101cm diameter by 73cm high.

A pine display cabinet with arched cornice over a glazed panel door and glazed sides enclosing four shelves, with drawer to base, on bun feet, 181cm high, 37.5cm deep, 90cm wide

Four Whichford Pottery terracotta pots to include one with applied woven motif, stamped marks, largest 29.5cm high, 37cm diameter

A small elegant Edwardian walnut circular vase stand, c.1900, with single drawer, shaped braced undertier, and slender supports terminating on spade feet, 26cm wide by 72cm high.

A Victorian oak bureau profusely carved with foliate designs, fall front over four drawers with turned knob handles on bracket feet height 110cm, width 92cm, depth 51.5cm

A 17th century oak Wainscot chair, featuring a stylised foliate and scroll carved top rail above a lunette and chisel carved back panel, shaped armrests, front baluster turned and block supports united by plain stretchers.

A set of eight 19th century Chippendale revival mahogany ribbon-back dining chairs, comprising two carvers and six singles, with period style upholstered seats, raised on front moulded square supports united by H stretchers, (af - one back support damaged).

A good quality ormolu mounted floral marquetry inlaid cross banded burr walnut card table in the French taste, late 19th / early 20th century, the hinged and swivel top revealing red baize lined interior and a hidden chess board, raised on tapered ogee supports, 80cm wide by 48cm deep by 76cm high, opening to 95cm by 80cm.

An Edwardian brass and cast iron umbrella / stick stand, 39cm wide by 68cm high.

A Victorian cross banded and inlaid figured walnut serpentine fronted side cabinet, the two cupboard doors featuring oval glass panels, flanked by foliate carved brackets, raised on a plinth base, 114cm wide by 46cm deep by 93cm high.

An early 19th century mahogany bow front chest of drawers, the two short and three long graduated drawers fitted with drop ring handles, raised on shaped bracket feet, 116cm wide by 56cm deep by 107cm high.

A late 19th century walnut Davenport desk decorated with Arts & crafts style panels, 58cm wide, (af)

A 19th century mahogany side table with single drawer on slender turned legs

A Chinese carved camphor wood chest decorated with sailing ships height 60cm, width 104cm, depth 51cm

A 17th century oak Wainscot chair, with stylised foliate and scroll carved shaped top rail above the fielded panelled back, shaped armrests, and front ball and block supports united by plain stretchers.

A pair of ornate 19th century giltwood and gilt gesso girandole wall mirrors, the bevelled oval plates amidst bird and floral basket surmounts, pierced fretwork panels, shaped shelves, and scrolled candle holders, approx 122cm high by 82cm wide, (af).

Three Whichford pottery terracotta pots to include one with applied woven motif, height 35cm, diameter 47cm

A good quality Sheroton revival satinwood banded mahogany cabinet on chest, c.1900, inlaid with quartered batswing motifs, boxwood and ebony stringing, the swansneck pediment above two glass panelled doors enclosing shelves, above two serpentine fronted drawers, raised on tapered supports terminating on spade feet, 77cm wide by 45cm deep by 192cm high.

Provenance: Andrew Lovall (Antiques of Distinction), 5th August 2004, costing £2400.

An 18th century mahogany cross-banded oak Lancashire Mule chest, c.1785, the hinged lid enclosing storage space, above a configuration of three dummy and six functioning drawers, with brass swan neck handles, flanked by fluted quarter columns, raised on shaped bracker feet, 173cm wide by 55cm deep by 102cm high.

Provenance: The Antique Centre, 56 Garstang Road, Preston, Lancashire, 16th February 2000, purchased for £2150.

A small Regency Perioid mahogany oval drop leaf tripod table, with single drawer, turned column and downswept supports, 66cm high, (af).

An elegant Edwardian inlaid mahogany glass panelled display case of small proportions, c.1910, featuring glass panels to the front, sides and top, enclosing three clear glass shelves, raised on tapered supports terminating on spade feet, 114cm high by 42cm wide by 30cm deep.

An antique walnut and parcel gilt high back armchair in the late 17th century style and in the manner of Daniel Marot (1661 - 1752), featuring an ornately floral and foliate pierced back, blue velvet seat, ornate carved and pierced front stretcher, and turned and block supports united by corresponding H stretcher.

A French gilt metal mounted display cabinet with glazed sides and panel door enclosing a single glass shelf, on slender cabriole legs to scroll sabots, height 110cm, width 44cm, depth 44cm

Two Whichford pottery terracotta pots to include one with impressed shell design, height 27cm, diameter 36cm, and a Willow pottery Bath terracotta pot (3)

A pair of French armchairs, c.1900 / 1920, featuring decorative foliate cut fabric upholstered seats, backs and arms, raised on scrolled outswept front supports.

A good quality Regency Period feathered mahogany and mahogany cellerette, the hinged lid revealing the original lined and fitted interior, raised on bun feet and brass casters, 78cm wide by 50cm deep by 54cm high.

Provenance: Sarah Scott Antiques & Chiselhurst Antiques, 27th July 2006, purchased for £2100.

A 19th century walnut framed long hearth stool, the seat re-upholstered in a fine tapesty fabric (angled to rest your feet on in front of the fire), 123cm long.

A white painted metal garden table with rectangular composite stone top 48cm high, 91cm wide, 53.5cm deep (a/f)

Two 19th century occasional tripod tables, both with circular tops, in elm and mahogany

An Edwardian inlaid and cross banded quarter veneered mahogany Etagere, with detachable glass bottom serving tray to the top tier, fitted with twin carrying handles, 84cm wide by 82cm high.

A pair of large Whichford Pottery terracotta pots of cylindrical shape, stamped marks, height approx 55cm, diameter 60cm

An elegant Edwardian inlaid mahogany side table, the square top raised on tapered outswept supports bunited by a domed 'x' stretcher, 40cm by 40cm, by 71cm high.

A collection of six various Whichford Pottery terracotta pots, to include one with applied woven motif, stamped marks, tallest 33cm high, 37cm diameter (6)

A George IV wanut chest of drawers, c.1820, the straight front with reeded upper edge above two short and three long drawers fitted with cast gilt-brass drop ring handles and cast octagonal escucheons, above a shaped apron and bracket feet, 107cm wide by 51cm deep by 101cm high.

Two large Whichford Pottery terracotta pots of similar design, stamped marks, height approx 54cm, diameter 61cm (a/f)

A set of four vintage beach kitchen chairs, with decorative pierced back splats, raised on ring turned supports united by H stretchers.

A George III mahogany Pembroke table, 80cm by 54cm, opening to 110cm by 80cm.

Six Whichford Pottery terracotta pots, to include two pairs, all with stamped marks, tallest 38.5cm, diameter 45cm

A William IV / Empire mahogany centre table / Gueridon, c. 1830, with speckled marble circular top, marble possibly later, raised on a fluted vase shaped column and three carved scrolled outswept supports with lions paw feet, 90cm diameter.

A Regency period giltwood, gilt gesso and ebonised overmantle mirror, with inset verre eglomise panel above the rectangular plate flanked by pilasters, 92cm high by 55cm wide, (af).

A vintage Wassily chair (Model B3) after Marcel Breuer, of black leather and chromed tubular construction.

A vintage Chinese camphor wood chest with gilt bamboo decoration height 58cm, width 101cm, depth 49cm

A vintage Georgian style mahogany semi circular console table, 20th century, with carved decoration and tapered padfoot supports, 74cm wide by 38cm deep by 76cm high.

A set of four Victorian walnut balloon back dining chairs, with spindle turned back panels above the green ypholstered drop-in seats.

An antique oak side table with rectangular top above a carved frieze, on turned legs with uniting stretcher height 76cm, width 120cm, depth 60cm

An Edwardian mahogany inlaid two-tier etagere with removable glass tray on slender outswept legs height 82cm, width 68cm, depth 46.5cm

An fine quality Edwardian satinwood banded mahogany bow front side cabinet, c.1910, inlaid with a batwsing medallion and boxwood stringing, featuring a swans neck pediment and shaped shelf above mirrored recess, single drawer, and two glass panelled cupboard doors, raised on elegant ogee supports, 61cm wide by 45cm deep by 145cm high.

Provenance: Westfield Antiques of Harrogate, 15th May 1999, purchased for £950.

A pair of vintage rococco design gilt wall mirrors, each of ornate complimenting form and incorporating a small shelf, 62cm high.

A 17th century oak Wainscot chair, featuring a carved and pierced crown top rail above the carved panel back depicting floral urn within arcaded panel, downswept armrests, front baluster turned and block supports and plain stretchers.

A Victorian inlaid burr walnut and figured walnut combined card table / work table, the rectanular hinged and swivel top with rounded corners enclosing a green baize lined interior, above a fitted drawer and a lined slide-out wool / accessories container, raised om ornate end supports and ceramic casters, 62cm wide by 40cm deep by 72cm high.

A contemporary yellow finished pine tall narrow chest of six drawers, raised on shaped bracket feet, 71cm wide by 48cm deep by 124cm high, together with a matching bedside chest of three drawers, 40cm wide by 40cm deep by 64cm high, (2).

A pair of ornate basically 19th century giltwood, gilt gesso, crossbanded figured walnut and mirrored tall display shelves, featuring pierced scrolling foliate crests above four open shaped shelves, decorative aprons and scrolled feet, 194cm high by 100cm wide, (af - most likely made up from a pair of overrmantle mirrors, some gilt flaked).

A Victorian satinwood banded figured walnut Canterbury, raised on the original ceramic casters, 56cm wide by 41cm deep by 49cm high, (af).

A pretty 19th century carved frame oval footstool re-upholstered in a cream foliate damask fabric, together with one other footstool nicely re-upholstered, (2).

A 19th century French giltwood and gesso framed sofa, featuring a later floral embroidered silk back panel, ornate scroll arms, and serpentine front, loose seat cushion, raised on tapered hoof feet, 143cm wide by 104cm high by 56cm deep, (af).

A large Victorian style mahogany circular dining table, raised on turned uprights and carved outsplayed supports, 150cm diameter.

A vintage figured walnut Georgian revival tall bookcase, c.1920's, the two glass panelled doors enclosing three adjustable shelves and one fixed shelf, raised on scrolled feet, 104cm wide by 196cm high.

A good quality early Georgian style figured walnut bedside cabinet, c.1920, fitted with a pull out slide and panelled cupboard door, raised on shell moulded tapered cabriole supports, 46cm wide by 79cm high.

A good quality contemporary Knoll sofa in the classic Country House taste, with hinged drop-ends and four loose cushions, upholstered in a pale gold coloured fabric, raised on period style brass casters, 200cm wide by 110cm deep.

A 19th century oak coffer of small proportions, the plank top over a plain three panel front on stile supports height 70cm, width 117cm, depth 41cm

A c.1920's oak roll top desk, with lockable tambour top, key, fitted interior, 128cm wide by 76cm deep.

A late 19th cetury walnut dining table, the rectangular top with cut corners, raised on solid turned cylindrical supports with original casters, 121cm by 106cm, with fitted moden heat pad.

An Edwardian carved and turned oak torchere in a George III revival taste, 124cm high by 29cm diameter.

An elegant Edwardian satinwood serving table with detachable tray top, c.1910, the glass bottom tray with twin carrying handles, above the inlaid Sheraton taste base section, 63cm wide by 72cm high.

Jules Moigniez (French, 1835 - 1894), a pair of bronze Coupe Aux Cigognes (Stork Cup) covered urns, featuring twin stork handles, bird of prey finials, and cast in relief with hounds, game birds and rabbits, signed, raised on marble plinth bases, 28cm high.

An 18^th century fruitwood oval drop leaf gate leg cottage dining table of small proportions, fitted with a single drawer, raised on turned and block supports with stretchers, 86cm by 37cm opening to 106cm by 86cm, height 69cm.

Three Whichford pottery terracotta pots to include one with decorative impressed fruit design border, height 30cm, diameter 33cm

A 19th century mahogany torchiere on slender tripod stem

A cast iron and slatted wood garden bench applied with a maritime motif, late 19th / early 20th century, 150cm wide, (af).

A South African hardwood framed buttoned leather upholstered chaise lounge, 188cm long.

A pair of Whichford pottery 'Shakespeare Range' terracotta pots each imprinted with an extract from A Midsummer Night's Dream, height 23cm, diameter 41cm

An antique Turkmen Bokhara rug, in predominately red and decorated with repeating octagonal gul (elephants foot) motifs within borders, approx 214cm by 148cm.

An antique Persian Caucasian rug decorated with stylised and geometric designs in soft faded terracotta and indigo palettes, approx 141cm by 84cm, (worn).

A Turkoman rug, red ground, with geometric design within multiple borders, 212cm by 105cm

A Gholtugh Iran wool / cotton rug, red ground with medallion design, 152cm by 102cm

Two modern Oriental style cream ground rugs with floral decoration, 120cm by 160cm, and 80cm by 140cm

A Bidjar Iran wool / cotton rug, navy and cream cround with medallion design 180cm by 112cm